| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Life Will Unfold [CEO2150 - 5] |
0 | 2'51 | Vincent Leibovitz | Ambient. Electronical score. Thoughtful, introspective, resilient, | 太空 电子 反省 原声电子 | Cm | 104 | |||
|
Forced Confession [CEG5036 - 9] |
2'29 | Baptiste Charvet | Restrained, wandering, discontinued & mysterious. Strings & piano. | 司法 漂泊 疑问 社会悲剧 | Cm | 118 | ||||
|
Forced Confession Alternate [CEG5036 - 20] |
版本. | 1'52 | Baptiste Charvet | Constant, narrative & reduced version. | 司法 漂泊 疑问 稳定的 | Dm | 111 | |||
|
Secret Detention Camps [CEG5036 - 18] |
0 | 2'50 | Baptiste Charvet | Sinister, tense & stripped-down. Drone, violin, electronics & | 灾难 抱歉 漂泊 神秘 | Dm | 105 | |||
|
The Evil Mastermind [CEZ4578 - 12] |
2'49 | Rémo | Cinematic. Ominous, oppressive & diabolical. Organ & synth. Suggested | 画面感 灾难 悬念 进行中 | Cm | 62 | ||||
|
The Evil Mastermind Alternate [CEZ4578 - 33] |
版本. | 2'50 | Rémo | Alternate no fx. | 画面感 灾难 悬念 进行中 | Cm | 62 | |||
|
Stereo Vision Variation [CEZ4570 - 32] |
0 | 1'42 | Elisabeth Skornik, Guy Skornik | Soaring, mysterious & atmospheric. Drone, constant pulsation, strings | 稀疏 飞行 安静 悬念 | G | 72 | |||
|
The Sky Has a Thousand Eyes
[CEZ4570 - 34] |
0 | 2'19 | Elisabeth Skornik, Guy Skornik | Nocturnal, narrative, hazy, uncertain & mysterious. Low piano, drone, | 抱歉 嗡嗡声 稀疏 气氛 | C | 62 | |||
|
Midnight Shadows [ISC033 - 10] |
0 | 2'48 | Garrett Weyenberg | Cinematic jazz. Floating, panoramic & windy with a touch of | 黑色电影 梦幻 气氛 稳定的 | Gbm | 148 | |||
|
Degree Of Uncertainty [TBX160 - 6] |
2'21 | Gareth Thomas | Unsure, cautious, pessimistic. Doubtful pads appear like grey sheets | 社会悲剧 疑问 命运 伤心 | Fm | 88 | ||||
|
Degree Of Uncertainty
[TBX160 - 16] |
版本. | 2'17 | Gareth Thomas | Unsure, cautious, pessimistic. Doubtful piano falls like grey sheets | 社会悲剧 疑问 命运 伤心 | Fm | 89 | |||
|
Beyond The Horizon [BIB232 - 4] |
3'14 | Matthew Hill | Uplifting, majestic, determined. Deep strings set out a sturdy | 画面感 进步 气氛 命运 | C | 65 | ||||
|
Beyond The Horizon
[BIB232 - 17] |
版本. | 3'14 | Matthew Hill | Uplifting, majestic, determined. Majestic piano steps forward out of | 画面感 进步 气氛 命运 | C | 65 | |||
|
Beyond The Horizon
[BIB232 - 18] |
版本. | 3'05 | Matthew Hill | Uplifting, majestic, determined. Striking energy is set out with | 画面感 进步 气氛 命运 | C | 87 | |||
|
Serene [BIB232 - 10] |
2'49 | Matthew Hill | Important, elegant, majestic. Refined piano plays out with a sense of | 感动 悬念 画面感 命运 | Gm | 78 | ||||
|
Serene (Underscore A) [BIB232 - 29] |
版本. | 2'43 | Matthew Hill | Important, elegant, majestic. Refined piano plays out with a sense of | 感动 悬念 画面感 命运 | Gm | 82 | |||
|
Serene (Underscore B) [BIB232 - 30] |
版本. | 2'49 | Matthew Hill | Important, elegant, majestic. Refined piano plays out with a sense of | 感动 悬念 画面感 命运 | Gm | 82 | |||
|
Ordinary Outlaw [ISC032 - 1] |
2'46 | Giorgos Lorantakis | Cinematic Americana. Determined, heavy, deep, dry & hot. Dobro | 当代西部片 固执 画面感 热沙漠 | Fm | 110 | ||||
|
Ordinary Outlaw Alternate 1 [ISC032 - 11] |
版本. | 2'46 | Giorgos Lorantakis | Alternate version without percussion. | 当代西部片 热沙漠 漂泊 进行曲 | Fm | 110 | |||
|
Ordinary Outlaw Alternate 2 [ISC032 - 12] |
版本. | 2'46 | Giorgos Lorantakis | Alternate version without vocal. | 当代西部片 固执 热沙漠 漂泊 | Fm | 110 | |||
|
Dealt a Bad Hand [ISC032 - 6] |
2'40 | Giorgos Lorantakis | Cinematic Americana. Introspective & solitary intro with acoustic | 沉闷 漂泊 美国 全景 | Dm | 66 | ||||
|
Dealt a Bad Hand Alternate [ISC032 - 17] |
版本. | 2'40 | Giorgos Lorantakis | Alternate version without percussion. | 沉闷 漂泊 美国 全景 | Dm | 66 | |||
|
Southwestward [ISC032 - 9] |
2'34 | Giorgos Lorantakis | Cinematic Americana. Desolate, dusty & introspective intro with dry | 画面感 漂泊 果断 原声吉他 | Dm | 110 | ||||
|
Southwestward Alternate [ISC032 - 20] |
版本. | 2'34 | Giorgos Lorantakis | Alternate version without percussion. | 漂泊 果断 原声吉他 全景图 | Dm | 110 | |||
|
Japanese Water [EOS79 - 3] |
0 | 3'20 | Sébastien Gisbert | Clean, wet & dreamy. Tongue drum, bows, marimba & bells. Suggested | 稀疏 漂泊 医疗 科学 | Am | 71 | |||
|
Something to Believe In [CET9076 - 9] |
2'36 | Emmanuel Rousseau | Trailer / Film Score. Calm intro with water FX & luminous textures. | 画面感 令人不安 稳定的 自然灾害 | Cm | 100 | ||||
|
Something to Believe In
[CET9076 - 21] |
版本. | 2'36 | Emmanuel Rousseau | Alternate without percussion. | 画面感 令人不安 稳定的 自然灾害 | Cm | 123 | |||
|
Beyond Light Years [CEZ4548 - 10] |
0 | 1'58 | Alice Guerlot Kourouklis | Ambient music, electronic soundscape, drone. Luminous, evolving & | 明朗 嗡嗡声 漂泊 太空 | Dm | 116 | |||
|
Wave Mechanics [CEZ4548 - 11] |
0 | 2'35 | Alice Guerlot Kourouklis | Ambient music, electronic soundscape. Mechanical, endless & | 嗡嗡声 机械的 波动感 科幻片 | Bm | 72 | |||
|
Solitude and Desolation
[CEO2144 - 11] |
0 | 1'31 | Alice Guerlot Kourouklis | Suspended. Toxic, desolate & disturbing. Electric guitar, organ & | 漂泊 抱歉 气氛 自然灾害 | Am | 115 | |||
|
June Gloom [CEZ4519 - 16] |
0 | 2'20 | Jason Medeiros | Instrumental Hip-Hop / Cinematic Soul. Indolent, thoughtful, | 懒惰 夜晚 漂泊 都市景色 | Gm | 118 | |||
|
Midnight in Motion [CEZ4539 - 15] |
2'16 | Hiroki Ishikura | Cinematic electro. Misty, floating, almost atmospheric, gritty & | 反省 环境 气氛 漂泊 | Am | 81 | ||||
|
Midnight in Motion Alternate 1 [CEZ4539 - 46] |
版本. | 2'16 | Hiroki Ishikura | Alternate version without drum. | 反省 环境 艺术风格 社会悲剧 | Am | 162 | |||
|
Midnight in Motion Alternate 2 [CEZ4539 - 47] |
版本. | 2'15 | Hiroki Ishikura | Alternate version without drum, sans violon | 反省 环境 艺术风格 社会悲剧 | Am | 162 |