| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Sound and the Fury [CEZ4650 - 10] |
0 | 2'26 | Olivier Militon | Cinematic. Eerie, secretive & haunted. Full orchestra with emotional | 画面感 自然灾害 背景音 漂泊 | Dm | 62 | |||
|
Eisiger Winter [CEG5052 - 11] |
2'37 | Louis Edlinger | Minimal ambient. Cold, atmospheric & eerie. Soundscape & electronics. | 背景音 极简电子音乐 漂泊 神秘 | Am | 68 | ||||
|
Eisiger Winter Alternate 1 [CEG5052 - 33] |
版本. | 2'36 | Louis Edlinger | Version without lead synth. | 背景音 极简电子音乐 漂泊 神秘 | Am | 68 | |||
|
Eisiger Winter Alternate 2 [CEG5052 - 34] |
版本. | 2'15 | Louis Edlinger | Version without bass, sfx & percussion. | 极简电子音乐 漂泊 神秘 冷沙漠 | Bm | 68 | |||
|
Private Life [CEG5048 - 10] |
0 | 1'47 | Antoine Glatard | Melancholic, hesitant, waving & introspective. Piano & synth strings. | 自然灾害 社会悲剧 反省 伤心 | Am | 123 | |||
|
Stellar Phenomena [CEZ4623 - 4] |
0 | 1'58 | John Greaves | Ambient. Paranormal, inexplicable & determined. Synth, bass & | 太空 诡异 科幻片 自然灾害 | Gm | 76 | |||
|
The Mud & The Blood [TBX193 - 4] |
2'48 | Michael Walters | Proud, moving, powerful. Strings emerge with epic drums to convey a | orchestral score 爱国主义 军事冲突 漂泊 | F | 72 | ||||
|
The Mud & The Blood
[TBX193 - 14] |
版本. | 2'48 | Michael Walters | Proud, moving, powerful. Strings emerge with epic drums to convey a | orchestral score 爱国主义 军事冲突 漂泊 | F | 68 | |||
|
Dune Dreaming [TBX186 - 15] |
2'48 | Ethan Maltby | Trippy, spiritual, swirling. Ominous wind and resonant sounds set out | 逝去的文明 热沙漠 漂泊 神奇 | C | 71 | ||||
|
Dune Dreaming (Underscore) [TBX186 - 32] |
版本. | 2'48 | Ethan Maltby | Trippy, spiritual, swirling. Ominous wind and piano set out an | 逝去的文明 热沙漠 漂泊 神奇 | C | 99 | |||
|
Que Te Salves Tu [IOM014 - 7] |
2'23 | Camilo Toston | Suspicious, laidback, sunny. Low, subtle blues guitar starts with a | 当代西部片 摇滚民谣 漂泊 电声夏威夷吉他 | Bm | 83 | ||||
|
Que Te Salves Tu (Underscore) [IOM014 - 17] |
版本. | 2'23 | Camilo Toston | Suspicious, laidback, sunny. Low, subtle blues guitar starts with a | 当代西部片 摇滚民谣 漂泊 摇摆 | Bm | 83 | |||
|
The End is Nigh [CEZ4611 - 1] |
1'59 | Anselm Kreuzer, Andreas Suttner | Suspenseful. Ominous, dark & funereal. Cello drone, synth strings, | 令人不安 调查研究 夜晚 悬念 | C | 99 | ||||
|
The End is Nigh Alternate [CEZ4611 - 2] |
版本. | 1'59 | Anselm Kreuzer, Andreas Suttner | Alternative version without bass synth sequence. | 令人不安 调查研究 夜晚 悬念 | C | 99 | |||
|
Crime Clues [CEG5039 - 12] |
3'22 | Aurélien Rivière | Trip-hop, dub, investigation. Wandering, dark & enigmatic. Dub | 漂泊 气氛 DUB 进行中 | G | 74 | ||||
|
Crime Clues Alternate 1 [CEG5039 - 24] |
版本. | 2'37 | Aurélien Rivière | Drum only version. | 夜晚 稳定的 社会悲剧 阴险 | G | 74 | |||
|
Crime Clues Alternate 2 [CEG5039 - 25] |
版本. | 3'09 | Aurélien Rivière | Alternate underscore. | 漂泊 气氛 DUB 进行中 | Em | 74 | |||
|
Stratagem [TBX181 - 7] |
2'39 | Alison Bangay | Serious, subtle, modern. Chittering dissonance winds into | electronic score 神秘 漂泊 阴险 | Am | 69 | ||||
|
Stratagem (Underscore) [TBX181 - 19] |
版本. | 2'38 | Alison Bangay | Serious, subtle, modern. Chittering dissonance winds into | electronic score 神秘 漂泊 阴险 | Am | 137 | |||
|
Austere Aspect [TBX168 - 1] |
0 | 2'38 | Michael Walters | Grand, majestic, hopeful. Subtle piano tune creates a sense of scale | 热沙漠 反省 神秘 电影原声带 | C | 82 | |||
|
Dark Skies [TBX168 - 4] |
2'47 | Michael Walters | Vast, uncertain, gothic. Pearlescent drones followed by creaking | 自然灾害 悬念 漂泊 气氛 | Dm | 104 | ||||
|
Dark Skies (Underscore) [TBX168 - 15] |
版本. | 2'47 | Michael Walters | Vast, uncertain, gothic. Pearlescent drones followed by creaking | 自然灾害 悬念 漂泊 气氛 | Dm | 112 | |||
|
Shimmers [TBX168 - 5] |
0 | 2'17 | Michael Walters | Majestic, promising, magical. High-pitched euphoria followed by empty | 漂泊 美国独立制片电影 气氛 反省 | G | 82 | |||
|
Don't Sleep at the Wheel [CEO2156 - 3] |
1'53 | Baptiste Thiry, Daoud | Constant build-up. Airy, dreamy, narrative & intimate. Synth layers, | 漂泊 画面感 反省 都市景色 | C | 90 | ||||
|
Don't Sleep at the Wheel
[CEO2156 - 15] |
版本. | 1'53 | Baptiste Thiry | Alternate version without trumpet. | 漂泊 内心 画面感 反省 | C | 89 | |||
|
Tracescape [BIB245 - 3] |
1'54 | Kohshi Kamata | Honest, ornate, pious. Piano chords layer along with long drawn out | 漂泊 庄重 新古典音乐 爱情 | Eb | 78 | ||||
|
Tracescape (Underscore) [BIB245 - 15] |
版本. | 1'54 | Kohshi Kamata | Honest, ornate, pious. Layers of long drawn out strings slowly | 漂泊 庄重 新古典音乐 爱情 | Eb | 69 | |||
|
A Bleeding World [ISC042 - 2] |
2'31 | Francesco Bondi | Cinematic Thriller. Suspenseful, desolate, hypnotic & dramatic, even | 神秘 女音哼唱 令人不安 科幻片 | Em | 70 | ||||
|
A Bleeding World Alternate [ISC042 - 12] |
版本. | 2'31 | Francesco Bondi | Alternative light version with vocals only. | 神秘 女音哼唱 令人不安 科幻片 | Em | 139 | |||
|
How Dreams Are Made [CEO2150 - 7] |
0 | 1'27 | Vincent Leibovitz | Ambient. Electronical score. Atmospheric, cosmic, wandering, pensive | 宁静 太空 反省 放松 | C | 114 | |||
|
Outrenoir [MAG6088 - 7] |
0 | 1'48 | Xavier Jamaux | Electronica. Ambient in a 70s spirit. Pensive, calm, cosmic, | 气氛 太空 梦幻 悬念 | Cm | 162 | |||
|
Requiem for a Ruin [CCB1058 - 4] |
0 | 2'47 | Rémo | Experimental electro, electro ambient. Religious, choral & weird. | 悬念 神奇 全景 气氛 | Gbm | 94 | |||
|
For Reasons of State [CEG5036 - 5] |
0 | 2'46 | Baptiste Charvet | Suspense. Threatening, eerie & sparse. Synth layers, ghostly | 漂泊 间谍片 神秘 阴险 | Am | 99 |