Charismatic, exotic, confident. Glitchy pop intro bursts into heavy ...Charismatic, exotic, confident. Glitchy pop intro bursts into heavy trap R&B percussion as female vocals cooing in a sultry way, a sexual power and intimidating energy. Swirling instrumentation leads into burst of heavy pop energy at 00:34 with chattering hi-hats and booming brass hits. Glitchy FX give a sense of futuristic coolness. Whispered vocals support sultry power.歌词
Right when I walk in, I can feel you looking, Want the attention, all over me, Show you a good time, I know what you like, Feeling good, like I should, want it bad, yeah.
I'll show you it over and over, I rearrange the elements, Now I'm gonna prove it so you don't underestimate me again.
Can you put that on, Can you put that on me? Can you play that song, Can you play it loudly? I want it I need it, and it’s about to go down, So watch me run it.
Hmm I want you watch to surrender, To my inconceivable power.
I'm a bad girl, And I'm causing a scene, Cause I'm doing it so well, They call me a track star, When I run this beat, Turn heads like a rockstar, I'm on your mind, Replaying it all the time, Body so sublime, If you want it, get in line.
Yeah, Turn the lights on me, Yeah, I'll show you a good time.
Charismatic, exotic, confident. Glitchy pop intro bursts into heavy ...Charismatic, exotic, confident. Glitchy pop intro bursts into heavy trap R&B percussion and Bhangra lead instrument playing out in a daring fashion. Swirling instrumentation leads into burst of heavy pop energy at 00:34 with chattering hi-hats and booming brass hits. Glitchy FX give a sense of futuristic coolness. Instrumental version.
Charismatic, exotic, confident. Glitchy pop intro bursts into heavy ...Charismatic, exotic, confident. Glitchy pop intro bursts into heavy trap R&B percussion and Bhangra lead instrument playing out in a daring fashion. Swirling instrumentation leads into burst of heavy pop energy at 00:34 with chattering hi-hats and booming brass hits. Glitchy FX give a sense of futuristic coolness. Stripped back underscore version.
Heavy, cool, sci fi. Electro drumbeat leads into heavy thudding bass ...Heavy, cool, sci fi. Electro drumbeat leads into heavy thudding bass in a slick sci-fi style. Neon lights and robotics, communicated by fast-moving electronic instrumentation, with vocal ad-libs conjuring visions of people in futuristic outfits. Bubblegum interludes offer a hyperealistic aura. A pacy situation with ups and downs as instrumentation shifts with pace.
Heavy, cool, sci fi. Electro drumbeat leads into heavy thudding bass ...Heavy, cool, sci fi. Electro drumbeat leads into heavy thudding bass in a slick sci-fi style. Neon lights and robotics, communicated by fast-moving electronic instrumentation. Bubblegum interludes offer a hyperealistic aura. A pacy situation with ups and downs as instrumentation shifts with pace. Instrumental version.
Heavy, cool, sci fi. Electro snares leads into heavy thudding bass in ...Heavy, cool, sci fi. Electro snares leads into heavy thudding bass in a slick sci-fi style. Neon lights and robotics, communicated by fast-moving electronic instrumentation. Bubblegum interludes offer a hyperealistic aura. A pacy situation with ups and downs as instrumentation shifts with pace. Stripped back underscore version.
Groovy, suspicious, pacy. Claps lead into a retro rock throwback ...Groovy, suspicious, pacy. Claps lead into a retro rock throwback style with modern production quality. Big bass and trumpets develop a warm organic vibe that shines through electronic instrumentation. Sharp vocal samples lead into breakdown at 00:33. A meshing of band style and electronic elements gives a modern but empowered human vibe.
Groovy, suspicious, pacy. Claps lead into a retro rock throwback ...Groovy, suspicious, pacy. Claps lead into a retro rock throwback style with modern production quality. Big bass and trumpets develop a warm organic vibe that shines through electronic instrumentation. A meshing of band style and electronic elements gives a modern but empowered human vibe. Instrumental version.
Groovy, suspicious, pacy. Claps lead into a retro rock throwback ...Groovy, suspicious, pacy. Claps lead into a retro rock throwback style with sharp guitar chords. Bass keeps a fun funky style, promoted by slick pace and clips. Stripped back underscore version.
Celebratory, slick, infectious. Light percussion gives way to heavy ...Celebratory, slick, infectious. Light percussion gives way to heavy dance kick drums and snares. Funky bass emerges from big beats and trumpets follow along, wah-wah guitar giving instrumentation a sharp and cool style. Ad libbed vocals communicate a fun and undeniably dancey situation. People caught up in infectious dance energy.
Celebratory, slick, infectious. Light percussion gives way to heavy ...Celebratory, slick, infectious. Light percussion gives way to heavy dance kick drums and snares. Funky bass emerges from big beats and trumpets follow along, wah-wah guitar giving instrumentation a sharp and cool style. People caught up in infectious dance energy. Instrumental version.
Celebratory, slick, infectious. Light percussion gives way to heavy ...Celebratory, slick, infectious. Light percussion gives way to heavy dance kick drums and snares. Funky bass emerges from big beats, wah-wah guitar giving instrumentation a sharp and cool style. People caught up in infectious dance energy. Stripped back underscore version.
Funky, stylish, fresh. Riser into groovy pop style, spruced up by ...Funky, stylish, fresh. Riser into groovy pop style, spruced up by energetic vocal sample. Popping percussive FX give a sense of sleek stylishness. An individual showing off their incredible fashion sense. Trumpet joins with riser into breakdown at 00:50, a funky feeling of confidence.歌词
Do it like this, Just open up don't be scared, Do it like this, Just open up don't be scared.
Funky, stylish, fresh. Riser into groovy pop style with impassioned ...Funky, stylish, fresh. Riser into groovy pop style with impassioned trumpet riff. Popping percussive FX give a sense of sleek stylishness. An individual showing off their incredible fashion sense. Trumpet gives a fashionable flair to build-ups, a funky feeling of confidence. Instrumental version.
Funky, stylish, fresh. Riser into groovy pop style with impassioned ...Funky, stylish, fresh. Riser into groovy pop style with impassioned trumpet riff. Popping percussive FX give a sense of sleek stylishness. An individual showing off their incredible fashion sense. A funky feeling of confidence. Stripped back underscore version.
Stylish, rousing, cool. Soulful trumpet riff launches into downplayed ...Stylish, rousing, cool. Soulful trumpet riff launches into downplayed kick drum sequence with scratchy guitar and vocal samples. Glittery build up at 00:30 with fun explosive energy. Fun sharp vocal bursts give a modern vibe, contrasting with funky throwback trumpets. Sharp breakdown at 02:09 for final burst.
Stylish, rousing, cool. Glittery burst with funky synth into ...Stylish, rousing, cool. Glittery burst with funky synth into downplayed kick drum sequence. Glittery build up at 00:30 with fun explosive energy. Funky throwback tone. Stripped back underscore version.
Verse 1:
I’ve been struggling through this
Obsessing, when all this time I knew it was wrong
You’re messing around
Blame it on the others all the time
You’re betraying that one promise you made
Pre-Chorus:
It’s this situation playing on my head
Losing motivation, spending mornings in my bed
You fell for temptations, acting tough and unafraid
Now tell me what it is you want to say …
Chorus:
Now tell me what it is you want to say …
Is it all for show?
You look detached and unafraid
I will let you know
Knowing you got a massive pride
There’s no more you and me tonight
Never ever gonna stand your way
It’s irreversible.
Verse 2:
I live for this moment here
I can do it despite all the things I’ve been through
I’m accepting that my time was wasted all in vain
Got trust issues now
But at least you’re the one to blame
Pre-Chorus:
Funny situation playing on my head
Losing motivation, spenging mornings in my bed
You fell for temptations, acting tough and unafraid
Now tell me what it is you want to say …
Chorus :
Now tell me what it is you want to say …
Is it all for show?
You look detached and unafraid
I will let you know
Knowing you got a massive pride
There’s no more you and me tonight
Never ever gonna stand your way
It’s irreversible.
Irreversible
Medium - Deep and spacey Nu Disco. Beat @ 0'09. Fat synth bass. ...Medium - Deep and spacey Nu Disco. Beat @ 0'09. Fat synth bass. Quirky synth break @ 0'42. A nightlife odyssey.
Medium - Classy, passionate and seductive electro-tango. Bandoneon, ...Medium - Classy, passionate and seductive electro-tango. Bandoneon, cajon, double bass, vibraphone, piano, percs. Break @ 0'39. Love at first sight in the streets of San Telmo.
Slick, nostalgic, stylish. 80s throwback instrumentation rushes out ...Slick, nostalgic, stylish. 80s throwback instrumentation rushes out with confident pace and sharp guitar. Pristine male vocals sing lyrics about working hard, staying determined despite losses. Chorus hook gives a searing retro vibe with soaring guitar and sparkly keys. Bass and drums stay consistent, offering a sense of unbeatable energy and style.歌词
Took so many Ls the wins are light work, Think later fight first, don't care if it hurts.
I'll take it to the face, It’s fine I don't care, I'll put on a show, I want you to stare.
No pain, No gain, So I stay heavy lifting, On a mission, So consistent, I.
Put in the work, 'Til it hurts.
Heavy lifting, On a mission, So consistent.
Ooo, it’s electric, (It’s electric) I'm a live wire, Baby, come test it!
Ooo, heavy lifting, (Heavy lifting) don't call it magic, Call it consistent.
Ooo, it’s electric, (It’s electric) I'm a live wire, Baby, come test it!
Ooo, heavy lifting, (Heavy lifting) don't call it magic, Call it consistent.
Took so many Ls the wins are light work, Took it to the field, My game is tighter, Put it on the barbell and lift the curse, Is it worse, To cop out or finish first.
No pain, No gain, So I stay heavy lifting, On a mission, So consistent, I.
Ooo, it’s electric, (It’s electric) I'm a live wire, Baby, come test it!
Ooo, heavy lifting, (Heavy lifting) don't call it magic, Call it consistent.
Ooo, it’s electric, (It’s electric) I'm a live wire, Baby, come test it!
Ooo, heavy lifting, (Heavy lifting) don't call it magic, Call it consistent.
Took so many Ls the wins are light work, Think later fight first, don't care if it hurts.
I'll take it to the face, It’s fine I don't care, I'll put on a show, I want you to stare.
Took so many Ls the wins are, Took so many Ls the wins are, Took so many Ls the wins are light work, The wins are light work.
Ooo, it’s electric, (It’s electric) I'm a live wire, Baby, come test it!
Ooo, heavy lifting, (Heavy lifting) don't call it magic, Call it consistent.
Ooo, it’s electric, (It’s electric) I'm a live wire, Baby, come test it!
Ooo, heavy lifting, (Heavy lifting) don't call it magic, Call it consistent.
Slick, nostalgic, stylish. 80s throwback instrumentation rushes out ...Slick, nostalgic, stylish. 80s throwback instrumentation rushes out with confident pace and sharp guitar. Chorus hook gives a searing retro vibe with soaring guitar and sparkly keys. Bass and drums stay consistent, offering a sense of unbeatable energy and style. Instrumental version.
Slick, nostalgic, stylish. 80s throwback instrumentation rushes out ...Slick, nostalgic, stylish. 80s throwback instrumentation rushes out with confident pace and pretty keys. Bass and kick drum stay consistent, offering a sense of unbeatable energy and style. Stripped back underscore version.
Sultry, groovy, stimulating. Strong bass leads instrumentation as ...Sultry, groovy, stimulating. Strong bass leads instrumentation as throwback funk style with sharp slapback guitars plays out. Raspy whispered male vocals give a sexy vibe with lyrics inviting an upbeat feeling with lyrics about feeling carefree and pleasure. Charismatically agile vocal performance matches with booming bass and stylish trumpets. Sturdy groove conveys a pristine coolness, an individual dressed up fashionably, dancing or enticing people with an irresistible aura.歌词
we're golden on the inside, I can show my heart, Burnt orange like the sunrise, And you could give my lungs a little something just to breathe life, A little something good, and I don't worry ‘bout a next time, Yeah we could feel so good, I wanna, I wanna, I wanna feel so good, I know you, I know you, I know you feel right, We’ll climb a little higher than the ceiling, Fight fire with the fire, ‘cause I can’t wait, It’s just another day, I feel like waking up again, It’s alright, I'll run another mile like I mean it, Fight fire with desire, ‘cause I can’t wait, It’s just another day, I feel like waking up again, I feel like waking up again, we're golden in the sunlight, you lighten up my dark, And I remember every sunrise, Feel a shock, electric current but it feels right, A little something else, you know it’s nothing but a good life, And now it feels so good, I wanna, I wanna, I wanna feel so good, I know you, I know you, I know you feel right, we’ll climb a little higher than the ceiling, Fight fire with the fire, ‘cause I can’t wait, It’s just another day, I feel like waking up again, It’s alright, I'll run another mile like I mean it, Fight fire with desire, ‘cause I can’t wait, It’s just another day, I feel like waking up again, I feel like waking up again.
Sultry, groovy, stimulating. Strong bass leads instrumentation as ...Sultry, groovy, stimulating. Strong bass leads instrumentation as throwback funk style with sharp slapback guitars plays out. Bass provides a sturdy structure for soulful melody. Sturdy groove conveys a pristine coolness, an individual dressed up fashionably, dancing or enticing people with an irresistible aura. Instrumental version.
Sultry, groovy, stimulating. Strong bass leads instrumentation as ...Sultry, groovy, stimulating. Strong bass leads instrumentation as throwback funk style with pacy drums. ass provides a sturdy structure for soulful melody. Sturdy groove conveys a pristine coolness, an individual dressed up fashionably, dancing or enticing people with an irresistible aura. Stripped back underscore version.
Bouncy, lively, loud. Shaker percussion and duelling guitars give a ...Bouncy, lively, loud. Shaker percussion and duelling guitars give a sense of fun and infectious dancing. Visions of a room or street of people bouncing to the beat as bright ukulele sound gives a sense of light joy and airiness. Big fun melody from brass and lively whistling moments give a party vibe.
Bouncy, lively, loud. Shaker percussion and duelling guitars give a ...Bouncy, lively, loud. Shaker percussion and duelling guitars give a sense of fun and infectious dancing. Visions of a room or street of people bouncing to the beat as bright ukulele sound gives a sense of light joy and airiness. Big fun melody from brass and lively whistling moments give a party vibe. Instrumental version.
Bouncy, lively, loud. Shaker percussion and duelling guitars give a ...Bouncy, lively, loud. Shaker percussion and duelling guitars give a sense of fun and infectious dancing. Visions of a room or street of people bouncing to the beat as bright whistles and buoyant bass gives a sense of light joy and airiness. Stripped back underscore version.
Pacy, loose, groovy. Warm guitar noodling joined by sharp ...Pacy, loose, groovy. Warm guitar noodling joined by sharp interjecting organ stabs to give a rushed feel. Bright guitar starts @ 0'18 giving a cool laidback feeling. An individual bopping down the street with confidence and spirit. Chilled riffing of guitar offers a sense of nonchalant talent and fun.
Sharp, fiery, upbeat. Snare roll pushes into pacy bright jazz ...Sharp, fiery, upbeat. Snare roll pushes into pacy bright jazz progression. Fast drumbeat gives a sense of spirit. Sharp guitar and scatterbrained organ solo @ 1'05 offer a slick and impassioned vibe. Instrumentalists feeling the heat of the music. Drum break @ 1'32 with slick hand drums and instrumental impacts.
Synthwave & French House trailer. Intro with synth pad. Stubborn, ...Synthwave & French House trailer. Intro with synth pad. Stubborn, dramatic & futuristic. Break @ 1'41. Drum machine, synth, cinematic percussion & FX trailer. Suggested for night driving, e-sport, fashion & clubbing.
ouh mamo tat tat ouh mamatouh mamo tat tat ouh mamatouh mamo tat tat ouh mamatouh mamo tat tat ouh mamefouh mamef ouh mamefouh mamo tat tat ouh mamatouh mamo tat tat ouh mamatouh mamo tat tat ouh mamatouh mamo tat tat ouh mamefoumatoumatoumat oumamamama oumatoumatoumat oumamamamamama ma mama ma ma maoumamamamaouh mamo tat tat ouh mamatouh mamo tat tat ouh mamatouh mamo tat tat ouh mamatouh mamo tat tat ouh mamef
Lively, rhythmic & sentimental Colombian vallenato sung in Spanish. ...Lively, rhythmic & sentimental Colombian vallenato sung in Spanish. My accordion doesn't want to play anymore, maybe it's Vallenati pop. broken, just like my heart. Male singer, accordion, guacharaca & Latin percussion.歌词
ES:
Ay qué le pasa a mi acordeón, que ya no quiere sonar?
Ay qué le pasa a mi acordeón, que ya no quiere sonar?
Será que se siente mal, como está mi corazón
Será que se siente mal, como está mi corazón
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Ay si tú no te consuelas de mí, yo no vuelvo más por aquí
Las parrandas se acabarán cuando Rey ya no quiera tocar
Ay las parrandas se acabarán cuando Rey ya no quiera tocar
Ya no suena mi acordeón, así como antes sonaba
Ya no suena mi acordeón, así como antes sonaba
Que alegraba las parrandas por todita la región
Que alegraba las parrandas por todita la región
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Las parrandas se acabarán cuando Rey ya no quiera tocar
Ay las parrandas se acabarán cuando Rey ya no quiera tocar
EN:
What's wrong with my accordion that it doesn't want to play anymore?
What's wrong with my accordion that it doesn't want to play anymore?
Maybe it feels bad, like my heart does
Maybe it feels bad, like my heart does
If you don't find solace in me, I won't come back here anymore
Oh, if you don't find solace in me, I won't come back here anymore
The parties will end when Rey no longer wants to play
Oh, the parties will end when Rey no longer wants to play
My accordion doesn't play anymore, like it used to
My accordion doesn't play anymore, like it used to
It used to bring joy to the parties all around the region
It used to bring joy to the parties all around the region
If you don't find solace in me, I won't come back here anymore
If you don't find solace in me, I won't come back here anymore
The parties will end when Rey no longer wants to play
Oh, the parties will end when Rey no longer wants to play
Extended intro. Lively, rhythmic & sentimental Colombian vallenato ...Extended intro. Lively, rhythmic & sentimental Colombian vallenato sung in Spanish. My accordion doesn't want to play anymore, maybe it's broken, just like my heart. Male singer, accordion, guacharaca & Latin percussion.歌词
ES:
Ay qué le pasa a mi acordeón, que ya no quiere sonar? Ay qué le pasa a mi acordeón, que ya no quiere sonar? Será que se siente mal, como está mi corazón Será que se siente mal, como está mi corazón
Si tú no te consuelas de mí, yo no vuelvo más por aquí Ay si tú no te consuelas de mí, yo no vuelvo más por aquí Las parrandas se acabarán cuando Rey ya no quiera tocar Ay las parrandas se acabarán cuando Rey ya no quiera tocar
Ya no suena mi acordeón, así como antes sonaba Ya no suena mi acordeón, así como antes sonaba Que alegraba las parrandas por todita la región Que alegraba las parrandas por todita la región
Si tú no te consuelas de mí, yo no vuelvo más por aquí Si tú no te consuelas de mí, yo no vuelvo más por aquí Las parrandas se acabarán cuando Rey ya no quiera tocar Ay las parrandas se acabarán cuando Rey ya no quiera tocar
EN:
What's wrong with my accordion that it doesn't want to play anymore? What's wrong with my accordion that it doesn't want to play anymore? Maybe it feels bad, like my heart does Maybe it feels bad, like my heart does
If you don't find solace in me, I won't come back here anymore Oh, if you don't find solace in me, I won't come back here anymore The parties will end when Rey no longer wants to play Oh, the parties will end when Rey no longer wants to play
My accordion doesn't play anymore, like it used to My accordion doesn't play anymore, like it used to It used to bring joy to the parties all around the region It used to bring joy to the parties all around the region
If you don't find solace in me, I won't come back here anymore If you don't find solace in me, I won't come back here anymore The parties will end when Rey no longer wants to play Oh, the parties will end when Rey no longer wants to play
30's vocal. Lively, rhythmic & sentimental Colombian vallenato sung ...30's vocal. Lively, rhythmic & sentimental Colombian vallenato sung in Spanish. My accordion doesn't want to play anymore, maybe it's broken, just like my heart. Male singer, accordion, guacharaca & Latin percussion.歌词
ES:
Ay qué le pasa a mi acordeón, que ya no quiere sonar? Ay qué le pasa a mi acordeón, que ya no quiere sonar? Será que se siente mal, como está mi corazón Será que se siente mal, como está mi corazón
Si tú no te consuelas de mí, yo no vuelvo más por aquí Ay si tú no te consuelas de mí, yo no vuelvo más por aquí Las parrandas se acabarán cuando Rey ya no quiera tocar Ay las parrandas se acabarán cuando Rey ya no quiera tocar
Ya no suena mi acordeón, así como antes sonaba Ya no suena mi acordeón, así como antes sonaba Que alegraba las parrandas por todita la región Que alegraba las parrandas por todita la región
Si tú no te consuelas de mí, yo no vuelvo más por aquí Si tú no te consuelas de mí, yo no vuelvo más por aquí Las parrandas se acabarán cuando Rey ya no quiera tocar Ay las parrandas se acabarán cuando Rey ya no quiera tocar
EN:
What's wrong with my accordion that it doesn't want to play anymore? What's wrong with my accordion that it doesn't want to play anymore? Maybe it feels bad, like my heart does Maybe it feels bad, like my heart does
If you don't find solace in me, I won't come back here anymore Oh, if you don't find solace in me, I won't come back here anymore The parties will end when Rey no longer wants to play Oh, the parties will end when Rey no longer wants to play
My accordion doesn't play anymore, like it used to My accordion doesn't play anymore, like it used to It used to bring joy to the parties all around the region It used to bring joy to the parties all around the region
If you don't find solace in me, I won't come back here anymore If you don't find solace in me, I won't come back here anymore The parties will end when Rey no longer wants to play Oh, the parties will end when Rey no longer wants to play
Festive, happy & romantic Colombian vallenato sung in Spanish. I like ...Festive, happy & romantic Colombian vallenato sung in Spanish. I like you more and more ever since that night we kissed. Male singer, accordion, guitar, guacharaca & Latin percussion.歌词
ES:
Yo no sé
En que momento te metiste en mi cabeza
Solo sé
Que estar contigo es lo único que me interesa
Hoy te llamo
Porque quiero repetir todo lo que vivimos
Y perdona si es directo lo que hoy te escribo
Pero me tienes enamorado
Me estás gustando
Yo no sé lo que está pasando
Todo el tiempo vivo pensando
En la noche en que nos besamos
Me estás gustando
Es una completa locura
Si lo nuestro era una aventura
Y hoy me tienes enamorado
Ay por culpa tuya
Hoy me tienes adicto a tus besos
Solo vivo soñando despierto
Con verte de nuevo
Me estás gustando
Yo no sé lo que está pasando
Todo el tiempo vivo pensando
En la noche en que nos besamos
Y hasta más
Que sabrosura
Es culpa tuya que hoy me tienes tragado
Es que me tienes como en las nubes mi vida
Que me gusta más y más y más y más
Me estás gustando
Yo no sé lo que está pasando
Todo el tiempo vivo pensando
En la noche en que... tú sabes
Me estás gustando
Es una completa locura
Si lo nuestro era una aventura
Y hoy me tienes enamorado
Es que me tienes tragado
De ti, de tu locura mi vida
EN:
I don't know
At what moment you got into my head
I only know
That being with you is all I care about
Today I call you
Because I want to repeat everything we lived
And forgive me if what I write to you today is direct
But you have me in love
I'm liking you
I don't know what's happening
All the time I'm thinking
About the night we kissed
I'm liking you
It's a complete madness
If ours was an adventure
And today you have me in love
Oh, because of you
Today I'm addicted to your kisses
I only live daydreaming
About seeing you again
I'm liking you
I don't know what's happening
All the time I'm thinking
About the night we kissed
And even more
What a delight
It's your fault that today you have me hooked
It's that you have me like in the clouds, my life
That I like more and more and more and more
I'm liking you
I don't know what's happening
All the time I'm thinking
About the night when... you know
I'm liking you
It's a complete madness
If ours was an adventure
And today you have me in love
It's that you have me hooked
On you, on your craziness, my life
30's vocal. Festive, happy & romantic Colombian vallenato sung in ...30's vocal. Festive, happy & romantic Colombian vallenato sung in Spanish. I like you more and more ever since that night we kissed. Male singer, accordion, guitar, guacharaca & Latin percussion.歌词
ES:
Yo no sé En que momento te metiste en mi cabeza Solo sé Que estar contigo es lo único que me interesa Hoy te llamo Porque quiero repetir todo lo que vivimos Y perdona si es directo lo que hoy te escribo Pero me tienes enamorado
Me estás gustando Yo no sé lo que está pasando Todo el tiempo vivo pensando En la noche en que nos besamos Me estás gustando Es una completa locura Si lo nuestro era una aventura Y hoy me tienes enamorado
Ay por culpa tuya Hoy me tienes adicto a tus besos Solo vivo soñando despierto Con verte de nuevo
Me estás gustando Yo no sé lo que está pasando Todo el tiempo vivo pensando En la noche en que nos besamos
Y hasta másQue sabrosura Es culpa tuya que hoy me tienes tragadoEs que me tienes como en las nubes mi vidaQue me gusta más y más y más y más Me estás gustando Yo no sé lo que está pasando Todo el tiempo vivo pensando En la noche en que... tú sabesMe estás gustando Es una completa locura Si lo nuestro era una aventura Y hoy me tienes enamorado
Es que me tienes tragado De ti, de tu locura mi vida
EN:
I don't know At what moment you got into my head I only know That being with you is all I care about Today I call you Because I want to repeat everything we lived And forgive me if what I write to you today is direct But you have me in love
I'm liking you I don't know what's happening All the time I'm thinking About the night we kissed I'm liking you It's a complete madness If ours was an adventure And today you have me in love
Oh, because of you Today I'm addicted to your kisses I only live daydreaming About seeing you again
I'm liking you I don't know what's happening All the time I'm thinking About the night we kissed
And even more What a delight
It's your fault that today you have me hooked It's that you have me like in the clouds, my life That I like more and more and more and more
I'm liking you I don't know what's happening All the time I'm thinking About the night when... you know I'm liking you It's a complete madness If ours was an adventure And today you have me in love
It's that you have me hooked On you, on your craziness, my life
Amusing, energetic & festive Colombian vallenato sung in Spanish. ...Amusing, energetic & festive Colombian vallenato sung in Spanish. Money's worth nothing nowadays, it seems to vanish every time. Male singer, accordion, guacharaca & Latin percussion.歌词
ES:
Ay la plata se vuelve nada
Nada se vuelve la plata
La plata se vuelve nada
Nada se vuelve la plata
La cojo por la mañana
La cuento pero alcanza
Y la plata se vuelve nada
Nada se vuelve la plata
¡Claro que sí!
La plata se vuelve nada
Nada se vuelve la plata
La cojo por la mañana
Hago cuenta' y no me alcanza
Fui a comprar a la tienda
Lo de la semana
Saqué mi cartera
Y no tenía nada
Y me quedó la nevera
Vacía, ni con qué llenarla
Ay la plata se vuelve nada
Nada se vuelve la plata
La plata se vuelve nada
Nada se vuelve la plata
La cojo por la mañana
Hago cuenta' y no me alcanza
Saqué un billete de a cien
Pa’ comprar unas cositas
Saqué un billete de a cien
Pa’ comprar unas cositas
Pero cuando vine a ver
Me quedó una monedita
Ay la plata se vuelve nada
Nada se vuelve la plata
La plata se vuelve nada
Nada se vuelve la plata
Yo la cojo en la mañana
Hago cuenta' y no me alcanza
Ay la plata se vuelve nada
Nada se vuelve la plata
La plata se vuelve nada
Nada se vuelve la plata
Ay la plata se vuelve nada
Nada se vuelve la plata
La cojo por la mañana
Hago cuenta' y no me alcanza
EN:
Oh, money becomes nothing
Nothing becomes money
Money becomes nothing
Nothing becomes money
I take it in the morning
I count it but it's not enough
And money becomes nothing
Nothing becomes money
Of course!
Money becomes nothing
Nothing becomes money
I take it in the morning
I count it but it's not enough
I went to buy at the store
Some stuff for the week
I took out my wallet
And had nothing
And the fridge was left
Empty, with nothing to fill it
Oh, money becomes nothing
Nothing becomes money
Money becomes nothing
Nothing becomes money
I take it in the morning
I count it but it's not enough
I took out a hundred
To buy some things
I took out a hundred
To buy some things
But when I looked
I only had a little coin left
Oh, money becomes nothing
Nothing becomes money
Money becomes nothing
Nothing becomes money
I take it in the morning
I count it but it's not enough
Oh, money becomes nothing
Nothing becomes money
Money becomes nothing
Nothing becomes money
Oh, money becomes nothing
Nothing becomes money
I take it in the morning
I count it but it's not enough
30's vocal. Amusing, energetic & festive Colombian vallenato sung in ...30's vocal. Amusing, energetic & festive Colombian vallenato sung in Spanish. Money's worth nothing nowadays, it seems to vanish every time. Male singer, accordion, guacharaca & Latin percussion.歌词
ES:
Ay la plata se vuelve nada Nada se vuelve la plata La plata se vuelve nada Nada se vuelve la plata La cojo por la mañana La cuento pero alcanza Y la plata se vuelve nada Nada se vuelve la plata
¡Claro que sí! La plata se vuelve nada Nada se vuelve la plata La cojo por la mañana Hago cuenta' y no me alcanza
Fui a comprar a la tienda Lo de la semana Saqué mi cartera Y no tenía nada Y me quedó la nevera Vacía, ni con qué llenarla
Ay la plata se vuelve nada Nada se vuelve la plata La plata se vuelve nada Nada se vuelve la plata La cojo por la mañana Hago cuenta' y no me alcanza
Saqué un billete de a cien Pa’ comprar unas cositas Saqué un billete de a cien Pa’ comprar unas cositas Pero cuando vine a ver Me quedó una monedita
Ay la plata se vuelve nada Nada se vuelve la plata La plata se vuelve nada Nada se vuelve la plata Yo la cojo en la mañana Hago cuenta' y no me alcanza
Ay la plata se vuelve nada Nada se vuelve la plata La plata se vuelve nada Nada se vuelve la plata Ay la plata se vuelve nada Nada se vuelve la plata La cojo por la mañana Hago cuenta' y no me alcanza
EN:
Oh, money becomes nothing Nothing becomes money Money becomes nothing Nothing becomes money I take it in the morning I count it but it's not enough And money becomes nothing Nothing becomes money
Of course!
Money becomes nothing Nothing becomes money I take it in the morning I count it but it's not enough
I went to buy at the store Some stuff for the week I took out my wallet And had nothing And the fridge was left Empty, with nothing to fill it
Oh, money becomes nothing Nothing becomes money Money becomes nothing Nothing becomes money I take it in the morning I count it but it's not enough
I took out a hundred To buy some things I took out a hundred To buy some things But when I looked I only had a little coin left
Oh, money becomes nothing Nothing becomes money Money becomes nothing Nothing becomes money I take it in the morning I count it but it's not enough
Oh, money becomes nothing Nothing becomes money Money becomes nothing Nothing becomes money Oh, money becomes nothing Nothing becomes money I take it in the morning I count it but it's not enough
