Pacy, heavy, spirited. Quick hand drums set out a swift-moving Pacy, heavy, spirited. Quick hand drums set out a swift-moving atmosphere, an individual running very fast and having fun. Climax at 00:24 with sports whistle, into heavy African-inspired drumbeat. Trappy sound with sharp vocal samples and anticipatory percussion.
Pacy, heavy, spirited. Quick hand drums set out a swift-moving Pacy, heavy, spirited. Quick hand drums set out a swift-moving atmosphere, an individual running very fast and having fun. Intricate percussive layers provide an African-inspired beat with a feeling of fun and passion. Stripped back underscore version.
Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, enticing percussion, high-pitched clarinet and violin to sweep in and support fast-paced momentum. Trumpet solo at 01:24 reminiscent of laughter or excitable wailing. Impassioned and excitable atmosphere suitable for Bar Mitzvah or Bat Mitzvah.
Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, enticing percussion to sweep in and bolster fast-paced momentum. Trumpet solo at 01:24 reminiscent of laughter or excitable wailing. Impassioned and excitable atmosphere suitable for Bar Mitzvah or Bat Mitzvah. Stripped back underscore version.
Pacy, celebratory, energetic. Double bass launches into rushing Pacy, celebratory, energetic. Double bass launches into rushing oom-pah melody alongside piano. Trumpet and trombone unite creating a more dense atmosphere. Impassioned and excitable atmosphere suitable for Bar Mitzvah or Bat Mitzvah. Stripped back underscore version.
Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, enticing percussion and high-pitched clarinet to sweep in and support fast-paced momentum. Impassioned and excitable atmosphere suitable for Bar Mitzvah or Bat Mitzvah. Stripped back underscore version.
Spontaneous, rebellious, charismatic. Dirty guitar tone plays out Spontaneous, rebellious, charismatic. Dirty guitar tone plays out driving indie riff, moving into bass and drum section. Female vocals sets out a confident attitude, wanting people's' attention with cool behaviour. Playful style of vocals give a sense of rebelliousness. A sense of new identity, optimism through a sense of power and reflected in searing indie riffs and fast pace.歌词
Quit my day job, The air feels electric, Almost stumbled under the weight, Dressed to the nines and I'm walking over, Ready to see my best mates, Blast my music the vibes are rocking me.
What kind of person should I be? Let’s get some eyes on me, Lets get it one, two, three.
Is it blue, is red, The dream in your head, Show me magic tricks, Let me scratch that itch, Will you flip the switch? I'm spending my day, Just dancin away, Do you want to relate? Do you? I want to, Here’s you invitation to my broad musical, I don’t want a dress code, Do you? Don’t want to, Get to the venue, In your bodysuit, Don’t try to confuse.
What kind of person should I be? Let’s get some eyes on me, Lets get it one, two, three.
Don’t stop, why don’t you let go, Why don’t you get some, Why don’t you Gimme, gimme gimme gimme, Don’t stop, why don’t you let go Why don’t you get some Why don’t you Gimme, gimme gimme gimme.
Let’s get some eyes on me, Let’s get some eyes on me, Let’s get some eyes on me, Let’s get it one, two, three.
Spontaneous, rebellious, charismatic. Dirty guitar tone plays out Spontaneous, rebellious, charismatic. Dirty guitar tone plays out driving indie riff, moving into bass and drum section. A feeling of confidence through determination. Optimistic vibe from fast-paced rhythm and searing indie pop riffs. Powerful power chords send things positively forward. Instrumental version.
Spontaneous, rebellious, charismatic. Clean loose bass tone plays Spontaneous, rebellious, charismatic. Clean loose bass tone plays through a driving indie bass riff, giving a sense of optimism, joined by dirty power chords. A feeling of confidence through determination. Optimistic vibe from fast-paced rhythm and searing indie pop riffs. Powerful power chords send things positively forward. Stripped back underscore version.
Uplifting, stylish, emotive. DJ FX lead into retro 90s hip hop Uplifting, stylish, emotive. DJ FX lead into retro 90s hip hop instrumentation, smooth keys with autotuned male vocals singing about unique style and a sense of pride. Sultry energy from trilling vocals and sub bass. R&B style giving a sense of emotion, backed up by rough and ready beat. A lone ranger with unbelievable fashionable energy.歌词
I, I just wanna do things my own way, Ain't no one gonna take it from me, New year, cut the fakes, New beginnings, Time to hustle, See the passion in my face, Starting strong feeling the magic, I’mma run it every day (hey).
Blowing out the candles, Lighting up the fireworks, It’s a celebration, Always looking forward, Blessings coming toward ya, We starting off stronger, ‘Till we hit the finish, Then we do it longer.
It’s a new year coming, It’s a new year coming uh huh, Moving from the past outrunning, From the past outrunning uh huh.
And you say it’s gonna take, And you say it’s gonna take some time, But I think I'm g’on change it right now because, I, I just wanna do things my own way, Ain't no one gonna take it from me, New year, cut the fakes, New beginnings, Time to hustle, See the passion in my face, Starting strong feeling the magic, I’mma run it every day (hey).
Blowing out the candles, Lighting up the fireworks, It’s a celebration, Always looking forward, Blessings coming toward ya, We starting off stronger, ‘Till we hit the finish, Then we do it longer.
Uplifting, stylish, emotive. DJ FX lead into retro 90s hip hop Uplifting, stylish, emotive. DJ FX lead into retro 90s hip hop instrumentation, smooth keys. Sultry energy from sub bass and reverbed chords. R&B style giving a sense of emotion, backed up by rough and ready beat. A lone ranger with unbelievable fashionable energy. Instrumental version.
Uplifting, stylish, emotive. DJ FX lead into retro 90s hip hop Uplifting, stylish, emotive. DJ FX lead into retro 90s hip hop instrumentation, smooth keys. Sultry energy from sub bass and muddy keys. R&B style giving a sense of emotion, backed up by rough and ready beat. A lone ranger with unbelievable fashionable energy. Stripped back underscore version.
Funky, modern, powerful. Rough guitar plays along with bass giving a Funky, modern, powerful. Rough guitar plays along with bass giving a rebellious energy with an electronic trilling tune. Steady beat offers a sense of hope. Robotic autotune female vocals give a feeling of hope and belief. Lyrics sing about rebirth and rejuvenation through trying something new. Sharp melodies and determined chord sequence offers a sense of power and forcefulness.歌词
Woke up this morning, Fresh new street, Left the past behind, Dancing to the beat.
Got a new style, Check out the view, Turning heads now, Spreading good news.
Brand new me, Brand new you, Feel it in my heart, It's a new start.
Brand new me, Brand new you, Feel it in my heart, It's a new start.
Mirrors smiling back, Reflection now free, Out with the old, Just a brand new me, Steps are lighter now, Finding my groove, Picking up speed, Got nothing to lose.
Brand new me, Brand new you, Feel it in my heart, It's a new start, Brand new me, Brand new you, Feel it in my heart, It's a new start.
Funky, modern, powerful. Rough guitar plays along with bass giving a Funky, modern, powerful. Rough guitar plays along with bass giving a rebellious energy with an electronic trilling tune. Steady beat offers a sense of hope and gives a sense of determination. Instrumental version.
Funky, modern, powerful. Rough guitar plays along with bass giving a Funky, modern, powerful. Rough guitar plays along with bass giving a rebellious energy with an electronic trilling tune. Steady beat offers a sense of hope and gives a sense of determination. Mix of organic and electronic elements give things a rough and ready vibe. Stripped back underscore version.
Slick, stylish, kitsch. Buoyant french house beat emerges with Slick, stylish, kitsch. Buoyant french house beat emerges with rhythmic vocal ad lib providing a sense of quaint coolness. People dancing in French or cool streets and parks. Chattering electronic percussion gives a bouncing energy. Vocal sample at 01:20 illustrates a fun and jokey atmosphere. An atmosphere free from judgement and full of silly vibes.
Slick, stylish, kitsch. Buoyant french house beat emerges providing a Slick, stylish, kitsch. Buoyant french house beat emerges providing a sense of quaint coolness. People dancing in French or cool streets and parks. Chattering electronic percussion gives a bouncing energy. An atmosphere free from judgement and full of silly vibes. Instrumental version.
Slick, stylish, kitsch. Buoyant french house beat emerges with Slick, stylish, kitsch. Buoyant french house beat emerges with rhythmic vocal ad lib providing a sense of quaint coolness. People dancing in French or cool streets and parks. Chattering electronic percussion gives a bouncing energy. Vocal sample at 01:20 illustrates a fun and jokey atmosphere. An atmosphere free from judgement and full of silly vibes. Stripped back underscore version.
Soulful, glittery, stylish. Catchy trumpet gives a slick vibe before Soulful, glittery, stylish. Catchy trumpet gives a slick vibe before launching into dance sequence with enlivening synths. Instrumentation drops out, giving solitary key chords a sense of empowerment, building up before launching once again at 01:02.
Soulful, glittery, stylish. Slick riser bursts into glittery synth Soulful, glittery, stylish. Slick riser bursts into glittery synth dance sequence. Instrumentation drops out, giving solitary key chords a sense of empowerment, building up before launching once again at 01:02. Stripped back underscore version.
Upbeat, spirited, powerful. Noodling guitar riff rises up out of Upbeat, spirited, powerful. Noodling guitar riff rises up out of murky tones before launching into full-throated soulful sequence with echoed vocals giving a cool style. Trumpets trade melodies, interrupted by sharp guitar stabs. Trumpet choruses at 01:00 give a true sense of power and emotion, contrasted by sequences with dynamic brass riffs.
Upbeat, spirited, powerful. Noodling guitar riff rises up out of Upbeat, spirited, powerful. Noodling guitar riff rises up out of murky tones before launching into full-throated soulful sequence. Dirty drums give a sense of power, supporting trumpet chorus notes at 01:00. Stripped back underscore version.
Fun, soulful, empowered. Fat bass launches into noodling riff over Fun, soulful, empowered. Fat bass launches into noodling riff over fast-paced drumming. Trumpet bounces on top as buoyant lively soul pop style careers forward with a fun energy. Guitars join on 00:46 as fun melodies gather a sense of purpose and power.
Fun, soulful, empowered. Fat bass launches into noodling riff over Fun, soulful, empowered. Fat bass launches into noodling riff over fast-paced drumming.Guitars join on 00:46 as fun melodies gather a sense of purpose and power. A sharp and spirited vibe. Stripped back underscore version.
Verse 1:
I’ve been struggling through this
Obsessing, when all this time I knew it was wrong
You’re messing around
Blame it on the others all the time
You’re betraying that one promise you made
Pre-Chorus:
It’s this situation playing on my head
Losing motivation, spending mornings in my bed
You fell for temptations, acting tough and unafraid
Now tell me what it is you want to say …
Chorus:
Now tell me what it is you want to say …
Is it all for show?
You look detached and unafraid
I will let you know
Knowing you got a massive pride
There’s no more you and me tonight
Never ever gonna stand your way
It’s irreversible.
Verse 2:
I live for this moment here
I can do it despite all the things I’ve been through
I’m accepting that my time was wasted all in vain
Got trust issues now
But at least you’re the one to blame
Pre-Chorus:
Funny situation playing on my head
Losing motivation, spenging mornings in my bed
You fell for temptations, acting tough and unafraid
Now tell me what it is you want to say …
Chorus :
Now tell me what it is you want to say …
Is it all for show?
You look detached and unafraid
I will let you know
Knowing you got a massive pride
There’s no more you and me tonight
Never ever gonna stand your way
It’s irreversible.
Irreversible
Medium - Deep and spacey Nu Disco. Beat @ 0'09. Fat synth bass. Medium - Deep and spacey Nu Disco. Beat @ 0'09. Fat synth bass. Quirky synth break @ 0'42. A nightlife odyssey.
Medium - Classy, passionate and seductive electro-tango. Bandoneon, Medium - Classy, passionate and seductive electro-tango. Bandoneon, cajon, double bass, vibraphone, piano, percs. Break @ 0'39. Love at first sight in the streets of San Telmo.
Stylish, confident, loud. Tragic melody plays out on a piano with an Stylish, confident, loud. Tragic melody plays out on a piano with an electronic vocal element giving a sense of futuristic gloom before electro beat launches alongside blocky bass. Vocal fragments play out rhythmically as full beat marches forward confidently. Quiet dramatic bit at 00:58 as robotic lyrics paint the picture of outcasts from society before beat explodes again.
Stylish, confident, loud. Tragic melody plays out on a piano before Stylish, confident, loud. Tragic melody plays out on a piano before electro beat launches alongside blocky bass. Quiet dramatic bit at 00:58 with soft piano and melodramatic tune plays out before beat explodes again. Instrumental version.
Stylish, confident, loud. Tragic melody plays out on a piano before Stylish, confident, loud. Tragic melody plays out on a piano before electro beat launches alongside blocky bass. Quiet dramatic bit at 00:58 with fading bass before beat explodes again. Stripped back underscore version.
Romantic, emotive, inspirational. Sultry keys play out alongside Romantic, emotive, inspirational. Sultry keys play out alongside dynamic impassioned vocal performance, a wistful affectionate energy. Beat pushes out with an open-ended energy matched by vocals until more electronic tone takes over at 00:38 with sharp chord impacts lifting into funky carefree vibe. A person embracing the feeling of love and togetherness, moods of quiet love and explosive passion.歌词
Whoa, Whoa.
Count your blessings, Happy endings, Lasting for all time.
One and one makes two, Just me and you, Gonna dance all night, Till the morning light.
One and one makes two, Stuck like glue, Feels so right, When you hold me tight.
One and one makes two, Just me and you, Gonna dance all night, Till the morning light.
One and one makes two, Stuck like glue, Feels so right, When you hold me tight.
Whoa, Whoa, Whoa.
Count your blessings, Happy endings, Lasting for all time.
One and one makes two, Just me and you, Gonna dance all night, Till the morning light.
One and one makes two, Stuck like glue, Feels so right, When you hold me tight.
Gonna dance all night, Till the morning light.
One and one makes two, Stuck like glue, Feels so right, When you hold me tight.
Romantic, emotive, inspirational. Sultry keys play out alongside Romantic, emotive, inspirational. Sultry keys play out alongside dynamic impassioned vocal performance, a wistful affectionate energy. Bass gives an open-ended vibe moving along with kick drum before more electronic tone takes over at 00:38 with sharp chord impacts lifting into funky carefree vibe. A person embracing the feeling of love and togetherness, moods of quiet love and explosive passion. Alternate version.歌词
Whoa, Whoa.
Count your blessings, Happy endings, Lasting for all time.
One and one makes two, Just me and you, Gonna dance all night, Till the morning light.
One and one makes two, Stuck like glue, Feels so right, When you hold me tight.
One and one makes two, Just me and you, Gonna dance all night, Till the morning light.
One and one makes two, Stuck like glue, Feels so right, When you hold me tight.
Whoa, Whoa, Whoa.
Count your blessings, Happy endings, Lasting for all time.
One and one makes two, Just me and you, Gonna dance all night, Till the morning light.
One and one makes two, Stuck like glue, Feels so right, When you hold me tight.
Gonna dance all night, Till the morning light.
One and one makes two, Stuck like glue, Feels so right, When you hold me tight.
Romantic, emotive, inspirational. Sultry keys play out with a wistful Romantic, emotive, inspirational. Sultry keys play out with a wistful affectionate energy. Beat pushes out with an open-ended energy until more electronic tone takes over at 00:38 with sharp chord impacts lifting into funky carefree vibe. A person embracing the feeling of love and togetherness, moods of quiet love and explosive passion. Instrumental version.
Romantic, emotive, inspirational. Sultry keys play out with a wistful Romantic, emotive, inspirational. Sultry keys play out with a wistful affectionate energy. Beat pushes out with an open-ended energy until more electronic tone takes over at 00:38 with sharp chord impacts lifting into funky carefree vibe. A person embracing the feeling of love and togetherness, moods of quiet love and explosive passion. Stripped back underscore version.
Chilled, sultry, positive. Woody acoustic guitar plays out with a Chilled, sultry, positive. Woody acoustic guitar plays out with a bossa nova style tune, joined by swaying percussion and chipper vocals, giving an exotic sends of brightness and joy. Echoing guitar at 00:46 offers a feeling chilled dreaminess. A relaxing beach at sunset, people enjoying the sound of the waves and the ambience.
Chilled, sultry, positive. Woody acoustic guitar plays out with a Chilled, sultry, positive. Woody acoustic guitar plays out with a bossa nova style tune, joined by swaying percussion, giving a feeling of brightness and joy. Echoing guitar at 00:46 offers a feeling chilled dreaminess. A relaxing beach at sunset, people enjoying the sound of the waves and the ambience. Instrumental version.
Chilled, sultry, positive. Woody acoustic guitar plays out with a Chilled, sultry, positive. Woody acoustic guitar plays out with a bossa nova style tune, giving a feeling of brightness and joy. A relaxing beach at sunset, people enjoying the sound of the waves and the ambience. Stripped back underscore version.
Synthwave & French House trailer. Intro with synth pad. Stubborn, Synthwave & French House trailer. Intro with synth pad. Stubborn, dramatic & futuristic. Break @ 1'41. Drum machine, synth, cinematic percussion & FX trailer. Suggested for night driving, e-sport, fashion & clubbing.
ouh mamo tat tat ouh mamat ouh mamo tat tat ouh mamat ouh mamo tat tat ouh mamat ouh mamo tat tat ouh mamef ouh mamef ouh mamef ouh mamo tat tat ouh mamat ouh mamo tat tat ouh mamat ouh mamo tat tat ouh mamat ouh mamo tat tat ouh mamef oumat oumat oumat oumamamama oumat oumat oumat oumamamama ma ma ma ma ma ma ma ma oumamamama ouh mamo tat tat ouh mamat ouh mamo tat tat ouh mamat ouh mamo tat tat ouh mamat ouh mamo tat tat ouh mamef
Lively, rhythmic & sentimental Colombian vallenato sung in Spanish. Lively, rhythmic & sentimental Colombian vallenato sung in Spanish. My accordion doesn't want to play anymore, maybe it's Vallenati pop. broken, just like my heart. Male singer, accordion, guacharaca & Latin percussion.歌词
ES:
Ay qué le pasa a mi acordeón, que ya no quiere sonar?
Ay qué le pasa a mi acordeón, que ya no quiere sonar?
Será que se siente mal, como está mi corazón
Será que se siente mal, como está mi corazón
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Ay si tú no te consuelas de mí, yo no vuelvo más por aquí
Las parrandas se acabarán cuando Rey ya no quiera tocar
Ay las parrandas se acabarán cuando Rey ya no quiera tocar
Ya no suena mi acordeón, así como antes sonaba
Ya no suena mi acordeón, así como antes sonaba
Que alegraba las parrandas por todita la región
Que alegraba las parrandas por todita la región
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Las parrandas se acabarán cuando Rey ya no quiera tocar
Ay las parrandas se acabarán cuando Rey ya no quiera tocar
EN:
What's wrong with my accordion that it doesn't want to play anymore?
What's wrong with my accordion that it doesn't want to play anymore?
Maybe it feels bad, like my heart does
Maybe it feels bad, like my heart does
If you don't find solace in me, I won't come back here anymore
Oh, if you don't find solace in me, I won't come back here anymore
The parties will end when Rey no longer wants to play
Oh, the parties will end when Rey no longer wants to play
My accordion doesn't play anymore, like it used to
My accordion doesn't play anymore, like it used to
It used to bring joy to the parties all around the region
It used to bring joy to the parties all around the region
If you don't find solace in me, I won't come back here anymore
If you don't find solace in me, I won't come back here anymore
The parties will end when Rey no longer wants to play
Oh, the parties will end when Rey no longer wants to play
Extended intro. Lively, rhythmic & sentimental Colombian vallenato Extended intro. Lively, rhythmic & sentimental Colombian vallenato sung in Spanish. My accordion doesn't want to play anymore, maybe it's broken, just like my heart. Male singer, accordion, guacharaca & Latin percussion.歌词
ES:
Ay qué le pasa a mi acordeón, que ya no quiere sonar?
Ay qué le pasa a mi acordeón, que ya no quiere sonar?
Será que se siente mal, como está mi corazón
Será que se siente mal, como está mi corazón
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Ay si tú no te consuelas de mí, yo no vuelvo más por aquí
Las parrandas se acabarán cuando Rey ya no quiera tocar
Ay las parrandas se acabarán cuando Rey ya no quiera tocar
Ya no suena mi acordeón, así como antes sonaba
Ya no suena mi acordeón, así como antes sonaba
Que alegraba las parrandas por todita la región
Que alegraba las parrandas por todita la región
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Las parrandas se acabarán cuando Rey ya no quiera tocar
Ay las parrandas se acabarán cuando Rey ya no quiera tocar
EN:
What's wrong with my accordion that it doesn't want to play anymore?
What's wrong with my accordion that it doesn't want to play anymore?
Maybe it feels bad, like my heart does
Maybe it feels bad, like my heart does
If you don't find solace in me, I won't come back here anymore
Oh, if you don't find solace in me, I won't come back here anymore
The parties will end when Rey no longer wants to play
Oh, the parties will end when Rey no longer wants to play
My accordion doesn't play anymore, like it used to
My accordion doesn't play anymore, like it used to
It used to bring joy to the parties all around the region
It used to bring joy to the parties all around the region
If you don't find solace in me, I won't come back here anymore
If you don't find solace in me, I won't come back here anymore
The parties will end when Rey no longer wants to play
Oh, the parties will end when Rey no longer wants to play
30's vocal. Lively, rhythmic & sentimental Colombian vallenato sung 30's vocal. Lively, rhythmic & sentimental Colombian vallenato sung in Spanish. My accordion doesn't want to play anymore, maybe it's broken, just like my heart. Male singer, accordion, guacharaca & Latin percussion.歌词
ES:
Ay qué le pasa a mi acordeón, que ya no quiere sonar?
Ay qué le pasa a mi acordeón, que ya no quiere sonar?
Será que se siente mal, como está mi corazón
Será que se siente mal, como está mi corazón
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Ay si tú no te consuelas de mí, yo no vuelvo más por aquí
Las parrandas se acabarán cuando Rey ya no quiera tocar
Ay las parrandas se acabarán cuando Rey ya no quiera tocar
Ya no suena mi acordeón, así como antes sonaba
Ya no suena mi acordeón, así como antes sonaba
Que alegraba las parrandas por todita la región
Que alegraba las parrandas por todita la región
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Las parrandas se acabarán cuando Rey ya no quiera tocar
Ay las parrandas se acabarán cuando Rey ya no quiera tocar
EN:
What's wrong with my accordion that it doesn't want to play anymore?
What's wrong with my accordion that it doesn't want to play anymore?
Maybe it feels bad, like my heart does
Maybe it feels bad, like my heart does
If you don't find solace in me, I won't come back here anymore
Oh, if you don't find solace in me, I won't come back here anymore
The parties will end when Rey no longer wants to play
Oh, the parties will end when Rey no longer wants to play
My accordion doesn't play anymore, like it used to
My accordion doesn't play anymore, like it used to
It used to bring joy to the parties all around the region
It used to bring joy to the parties all around the region
If you don't find solace in me, I won't come back here anymore
If you don't find solace in me, I won't come back here anymore
The parties will end when Rey no longer wants to play
Oh, the parties will end when Rey no longer wants to play
Festive, happy & romantic Colombian vallenato sung in Spanish. I like Festive, happy & romantic Colombian vallenato sung in Spanish. I like you more and more ever since that night we kissed. Male singer, accordion, guitar, guacharaca & Latin percussion.歌词
ES:
Yo no sé
En que momento te metiste en mi cabeza
Solo sé
Que estar contigo es lo único que me interesa
Hoy te llamo
Porque quiero repetir todo lo que vivimos
Y perdona si es directo lo que hoy te escribo
Pero me tienes enamorado
Me estás gustando
Yo no sé lo que está pasando
Todo el tiempo vivo pensando
En la noche en que nos besamos
Me estás gustando
Es una completa locura
Si lo nuestro era una aventura
Y hoy me tienes enamorado
Ay por culpa tuya
Hoy me tienes adicto a tus besos
Solo vivo soñando despierto
Con verte de nuevo
Me estás gustando
Yo no sé lo que está pasando
Todo el tiempo vivo pensando
En la noche en que nos besamos
Y hasta más
Que sabrosura
Es culpa tuya que hoy me tienes tragado
Es que me tienes como en las nubes mi vida
Que me gusta más y más y más y más
Me estás gustando
Yo no sé lo que está pasando
Todo el tiempo vivo pensando
En la noche en que... tú sabes
Me estás gustando
Es una completa locura
Si lo nuestro era una aventura
Y hoy me tienes enamorado
Es que me tienes tragado
De ti, de tu locura mi vida
EN:
I don't know
At what moment you got into my head
I only know
That being with you is all I care about
Today I call you
Because I want to repeat everything we lived
And forgive me if what I write to you today is direct
But you have me in love
I'm liking you
I don't know what's happening
All the time I'm thinking
About the night we kissed
I'm liking you
It's a complete madness
If ours was an adventure
And today you have me in love
Oh, because of you
Today I'm addicted to your kisses
I only live daydreaming
About seeing you again
I'm liking you
I don't know what's happening
All the time I'm thinking
About the night we kissed
And even more
What a delight
It's your fault that today you have me hooked
It's that you have me like in the clouds, my life
That I like more and more and more and more
I'm liking you
I don't know what's happening
All the time I'm thinking
About the night when... you know
I'm liking you
It's a complete madness
If ours was an adventure
And today you have me in love
It's that you have me hooked
On you, on your craziness, my life
30's vocal. Festive, happy & romantic Colombian vallenato sung in 30's vocal. Festive, happy & romantic Colombian vallenato sung in Spanish. I like you more and more ever since that night we kissed. Male singer, accordion, guitar, guacharaca & Latin percussion.歌词
ES:
Yo no sé
En que momento te metiste en mi cabeza
Solo sé
Que estar contigo es lo único que me interesa
Hoy te llamo
Porque quiero repetir todo lo que vivimos
Y perdona si es directo lo que hoy te escribo
Pero me tienes enamorado
Me estás gustando
Yo no sé lo que está pasando
Todo el tiempo vivo pensando
En la noche en que nos besamos
Me estás gustando
Es una completa locura
Si lo nuestro era una aventura
Y hoy me tienes enamorado
Ay por culpa tuya
Hoy me tienes adicto a tus besos
Solo vivo soñando despierto
Con verte de nuevo
Me estás gustando
Yo no sé lo que está pasando
Todo el tiempo vivo pensando
En la noche en que nos besamos
Y hasta más Que sabrosura
Es culpa tuya que hoy me tienes tragado Es que me tienes como en las nubes mi vida Que me gusta más y más y más y más
Me estás gustando
Yo no sé lo que está pasando
Todo el tiempo vivo pensando
En la noche en que... tú sabes Me estás gustando
Es una completa locura
Si lo nuestro era una aventura
Y hoy me tienes enamorado
Es que me tienes tragado
De ti, de tu locura mi vida
EN:
I don't know
At what moment you got into my head
I only know
That being with you is all I care about
Today I call you
Because I want to repeat everything we lived
And forgive me if what I write to you today is direct
Amusing, energetic & festive Colombian vallenato sung in Spanish. Amusing, energetic & festive Colombian vallenato sung in Spanish. Money's worth nothing nowadays, it seems to vanish every time. Male singer, accordion, guacharaca & Latin percussion.歌词
ES:
Ay la plata se vuelve nada
Nada se vuelve la plata
La plata se vuelve nada
Nada se vuelve la plata
La cojo por la mañana
La cuento pero alcanza
Y la plata se vuelve nada
Nada se vuelve la plata
¡Claro que sí!
La plata se vuelve nada
Nada se vuelve la plata
La cojo por la mañana
Hago cuenta' y no me alcanza
Fui a comprar a la tienda
Lo de la semana
Saqué mi cartera
Y no tenía nada
Y me quedó la nevera
Vacía, ni con qué llenarla
Ay la plata se vuelve nada
Nada se vuelve la plata
La plata se vuelve nada
Nada se vuelve la plata
La cojo por la mañana
Hago cuenta' y no me alcanza
Saqué un billete de a cien
Pa’ comprar unas cositas
Saqué un billete de a cien
Pa’ comprar unas cositas
Pero cuando vine a ver
Me quedó una monedita
Ay la plata se vuelve nada
Nada se vuelve la plata
La plata se vuelve nada
Nada se vuelve la plata
Yo la cojo en la mañana
Hago cuenta' y no me alcanza
Ay la plata se vuelve nada
Nada se vuelve la plata
La plata se vuelve nada
Nada se vuelve la plata
Ay la plata se vuelve nada
Nada se vuelve la plata
La cojo por la mañana
Hago cuenta' y no me alcanza
EN:
Oh, money becomes nothing
Nothing becomes money
Money becomes nothing
Nothing becomes money
I take it in the morning
I count it but it's not enough
And money becomes nothing
Nothing becomes money
Of course!
Money becomes nothing
Nothing becomes money
I take it in the morning
I count it but it's not enough
I went to buy at the store
Some stuff for the week
I took out my wallet
And had nothing
And the fridge was left
Empty, with nothing to fill it
Oh, money becomes nothing
Nothing becomes money
Money becomes nothing
Nothing becomes money
I take it in the morning
I count it but it's not enough
I took out a hundred
To buy some things
I took out a hundred
To buy some things
But when I looked
I only had a little coin left
Oh, money becomes nothing
Nothing becomes money
Money becomes nothing
Nothing becomes money
I take it in the morning
I count it but it's not enough
Oh, money becomes nothing
Nothing becomes money
Money becomes nothing
Nothing becomes money
Oh, money becomes nothing
Nothing becomes money
I take it in the morning
I count it but it's not enough
