K-Pop. Lively, determined & carefree. Korean song with a "kawaii" ...K-Pop. Lively, determined & carefree. Korean song with a "kawaii" vibe about growing love. Female pop singer & band. Electric guitar in the background gives it a pop-rock energy. Suggested for teen attitude, daytime TV, K Drama & idol gossiping.歌词
[KOR]/[ENG]
뭐 어때? 하룻밤 정도는 나
다른 사람으로 태어나도
Knock Knock Knock
baby open the door
수줍어 말고 give me a call
널 보면 이상해
심장이 말을 안들어
어쩌면 하루론
모자를지도 모르지만
누가 뭐라해도 넌 나의 Shooting Star
오늘만은 집에 혼자가기 싫어
너만이 내 맘을 흔들수 있어
You're my
You're my
You're my
Shoothing star
너만이 내 맘을 흔들수 있어
You're my
You're my
You're my
Shoothing star
너와 내가 눈을 마주친 순간
마법에라도 걸린 것 같아
꿈을 꾸고 있다면 깨워주지마
너만 있으면 난 행복하니까
뭐 어때? 하룻밤 정도는 나
다른 사람으로 태어나도
Knock Knock Knock
baby open the door
수줍어 말고 give me a call
널 보면 이상해
심장이 말을 안들어
어쩌면 하루론
모자를지도 모르지만
Tell me baby
네가 원하면 뭐든지 들어줄게
너를 원해 오늘 하루만 나의 곁에 있어줄래
다른 사람들은 필요없어
너만 있으면 난 행복하니까
두드리면 문을 열어줘
내가 들어갈 수 있게
누가 뭐라해도 넌 나의 Shooting Star
오늘만은 집에 혼자가기 싫어
너만이 내 맘을 흔들수 있어
You're my
You're my
You're my
Shoothing star
너만이 내 맘을 흔들수 있어
You're my
You're my
You're my
Shoothing star
[ENG]
So what? Just for one night,
Even if I were born again as someone else
Knock Knock Knock
Baby, open the door
Don’t be shy, give me a call
When I see you, something’s strange
My heart won’t listen to me
Maybe one day
Won’t be enough, who knows
No matter what anyone says, you're my Shooting Star
Just for today, I don’t want to go home alone
Only you can shake my heart
You're my
You're my
You're my
Shooting star
Only you can shake my heart
You're my
You're my
You're my
Shooting star
The moment you and I locked eyes
It felt like I was under a spell
If I’m dreaming, don’t wake me up
Because I’m happy just having you
So what? Just for one night,
Even if I were born again as someone else
Knock Knock Knock
Baby, open the door
Don’t be shy, give me a call
When I see you, something’s strange
My heart won’t listen to me
Maybe one day
Won’t be enough, who knows
Tell me baby
If you want something, I’ll do anything
I want you — just stay by my side today
I don’t need anyone else
As long as you’re here, I’m happy
When I knock, please open the door
So I can come inside
No matter what anyone says, you're my Shooting Star
Just for today, I don’t want to go home alone
Only you can shake my heart
You're my
You're my
You're my
Shooting star
Only you can shake my heart
You're my
You're my
You're my
Shooting star
K-Pop rap. Catchy, jumpy & with attitude. Korean rapper, autotune, ...K-Pop rap. Catchy, jumpy & with attitude. Korean rapper, autotune, rhythm & brass hits. Lyrics in Korean about an ego trip: “A famous rapper bragging about his status.” Suggested for rebellious teens, famous people & choregraphies.歌词
[KOR]/[ENG]
처음엔 다들 똑같은 반응
어린놈의 자식이 뭘 안다고는
Fame doesn't follow the desperate
다음번엔 좀 더 노력해
날 무시해도 돼
어차피 알게돼
Wait a minute, 눈 깜짝할새
나는 아주 멀리 멀리 날아가네
Listen close
내가 가르쳐주는대로 따라해봐
Make a toast
인생은 즐기라고 있는거니까
Where to go is up to you
You don't have to follow all the rules
내가 가는 곳 어디든 VIP
날 찾는 사람들은 많지
날 보고싶다면 Ticket Please
Follow me, Follow
내가 가는 곳 어디든 VIP
날 찾는 사람들은 많지
날 보고싶다면 Ticket Please
Follow me, Follow
제대로된 나의 실력을 보여줄게
일방통행 물러설 곳은 이제 없네
제대로된 나의 실력을 보여줄게
일방통행 물러설 곳은 이제 없네
걸음거리부터 달라서
날 알아보는 사람들이
멀리서부터 수두룩 빽빽해
진짜는 진짜를 알아보기 때문에
나를 욕하는 사람들은
난 너무 답답해
Look to your left then look to your right
I'm the only one who can dance all night
Check out my moves and check out my style
다들 여기 모여서 구경해
Listen close
내가 가르쳐주는대로 따라해봐
Make a toast
인생은 즐기라고 있는거니까
Where to go is up to you
You don't have to follow all the rules
내가 가는 곳 어디든 VIP
날 찾는 사람들은 많지
날 보고싶다면 Ticket Please
Follow me, Follow
내가 가는 곳 어디든 VIP
날 찾는 사람들은 많지
날 보고싶다면 Ticket Please
Follow me, Follow
제대로된 나의 실력을 보여줄게
일방통행 물러설 곳은 이제 없네
제대로된 나의 실력을 보여줄게
일방통행 물러설 곳은 이제 없네
[ENG]
At first, everyone reacts the same way
Saying, “What does a young kid even know?”
Fame doesn't follow the desperate
“Maybe try harder next time”
You can ignore me
But you’ll find out eventually
Wait a minute, in the blink of an eye
I’m flying far, far away
Listen close
Try to follow what I teach you
Make a toast
Because life is meant to be enjoyed
Where to go is up to you
You don't have to follow all the rules
Wherever I go, it’s VIP
So many people are looking for me
If you want to see me — Ticket, please
Follow me, follow
Wherever I go, it’s VIP
So many people are looking for me
If you want to see me — Ticket, please
Follow me, follow
I’ll show you my true skills
One-way street — there’s no turning back now
I’ll show you my true skills
One-way street — there’s no turning back now
Even my walk is different
People recognize me
They crowd around from far away
The real ones recognize what’s real
To those who talk behind my back —
Honestly, I feel bad for you
Look to your left then look to your right
I'm the only one who can dance all night
Check out my moves and check out my style
Everyone’s gathering here to watch
Listen close
Try to follow what I teach you
Make a toast
Because life is meant to be enjoyed
Where to go is up to you
You don't have to follow all the rules
Wherever I go, it’s VIP
So many people are looking for me
If you want to see me — Ticket, please
Follow me, follow
Wherever I go, it’s VIP
So many people are looking for me
If you want to see me — Ticket, please
Follow me, follow
I’ll show you my true skills
One-way street — there’s no turning back now
I’ll show you my true skills
One-way street — there’s no turning back now
J-Rap. Confident, bouncy & full of attitude. Japanese rap, trap beat, ...J-Rap. Confident, bouncy & full of attitude. Japanese rap, trap beat, 808 bass, string section, shamisen sample. Lyrics about the fast life in Tokyo's Shibuya district. Suggested for street sports, teen attitude & japanese underground culture.歌词
[JPN]/[ENG]
いらっしゃいませ ここ眠らぬ街
ろくでなしがおもてなし
要らないジェラシー
i need therapy
嬉しい悲しい楽しい乱高下な話
渋谷スクスクの前でskrr skrr
すくすく育ったスカした姉ちゃん
良い感じじゃん high five high five
物語求め夜な夜な徘徊
生中 乾杯
ハイボール 乾杯
ストレス発散
居酒屋 満杯
競争 競争
毎日が競争
No ABS
ブレーキは踏めない
ホンダ 三菱
ポルシェ911
AKIRA NAKAIさん
みたくオリジナル
FAST LIFE
今日もハイになる
put your hands up
ええじゃないか
ええじゃないか
ええじゃないか
put your hands up
ええじゃないか
ええじゃないか
ええじゃないか
1234
ええじゃないか
ええじゃないか
ええじゃないか
1234
ええじゃないか
ええじゃないか
ええじゃないか
マンデーから稼ぎまくるガッチリ
あの街この街 どいつもこいつも
どのみちこの道 on my way
ただひたすら進むだけ switch lane switch lane
put your hands up
ええじゃないか
ええじゃないか
ええじゃないか
put your hands up
ええじゃないか
ええじゃないか
ええじゃないか
1234
ええじゃないか
ええじゃないか
ええじゃないか
1234
ええじゃないか
ええじゃないか
ええじゃないか
なぜか わからん
今日も ざわつく
なぜか わからん
こころ ざわつく
なぜか わからん
今日も ざわつく
なぜか わからん
こころ ざわつく
Tokyo neon が照らしてる
アスファルトのうえ火照ってる
Tokyo neon が照らしてる
アスファルトのうえ火照ってる
ええじゃないか...
[ENG]
Welcome, to the city that never sleeps
Where scoundrels are your hosts
No need for jealousy
I need therapy
Happy, sad, fun, a roller coaster of a story
In front of Shibuya Scramble Square, skrr skrr
A cool girl who grew up fast and chic
Lookin' good, high five, high five
Searching for a story, roaming night after night
Draft beer — cheers!
Highball — cheers!
Letting off steam
The izakaya's packed
Competition, competition
Every day's a competition
No ABS
Can’t hit the brakes
Honda, Mitsubishi
Porsche 911
Mr. AKIRA NAKAI
Original like him
Fast life
Gonna get high again today
Put your hands up
It's all good!
It's all good!
It's all good!
Put your hands up
It's all good!
It's all good!
It's all good!
1, 2, 3, 4
It's all good!
It's all good!
It's all good!
1, 2, 3, 4
It's all good!
It's all good!
It's all good!
Even a dog, just by walking, can stumble into something
Today's actions decide tomorrow
Imagine a fun future
Skyscrapers at my back, running wild again today
Right and left, concrete jungle
Dashing through, I'm a cheetah or Rambo
Nimbly dodging, enemies go bang bang
Wangan run and gun
Overtake, pass by, everyone's desperate
My path, I just keep pushing straight ahead
Wallet's broke, but my spirit's rich
From Monday, raking it in solid
That town, this town, every last one of 'em
Either way, this is my road, on my way
Just keep moving forward, switch lane, switch lane
Put your hands up
It's all good!
It's all good!
It's all good!
Put your hands up
It's all good!
It's all good!
It's all good!
1, 2, 3, 4
It's all good!
It's all good!
It's all good!
1, 2, 3, 4
It's all good!
It's all good!
It's all good!
Don’t know why
But today too, it's stirring
Don’t know why
My heart is restless
Don’t know why
But today too, it's stirring
Don’t know why
My heart is restless
Tokyo neon is shining down
The asphalt below is blazing hot
Tokyo neon is shining down
The asphalt below is blazing hot
Fun, modern, stylish. Drums launch into slick funk-rock style with ...Fun, modern, stylish. Drums launch into slick funk-rock style with wah-wah guitars and strings. Female vocals sing in a sultry way, with lyrics about dancing and romance inspiring a magical energy. Oud and Arabic-styled singing offers a traditional energy. Rustic Turkish or Arabian spirit in a modern city.歌词
Love in the moonlight, dance like a flame, So suddenly you don’t know my name, We should meet, feelings deep, bet your feen, eeeh.
Cause everything I do is magic, One touch tonight can set you free, Ooh give me a wish and I’ll make it come true, I promise you, aaahh.
Aaaooaah, Wooooahhooahah.
Woahh, hooh, Hoooaahh, hooohh.
Thousand and one nights yeah here we go, Don’t want to let go, oooooohh, Tarara rararaaaa.
Silk in the moonlight it’s alright, I want to hear the stills tonight, When I look into your eyes I know, I don’t wanna let it go.
Ain’t nothing wrong with that you want it, I know you and your dreams, Yeah that’s how you know you’re gonna get it, But nothing is what it seems.
Owoowooooh ooooooooh, mmmmmm.
Woahh, hooh, Hoooaahh, hooohh.
Thousand and one nights yeah here we go, hmmmm, Don’t want to let go, oooooohh, Tarara rararaaaa.
Fun, modern, stylish. Drums launch into slick funk-rock style with ...Fun, modern, stylish. Drums launch into slick funk-rock style with wah-wah guitars and strings. Oud offers a traditional energy. Rustic Turkish or Arabian spirit in a modern city. Instrumental version.
Fun, modern, stylish. Drums launch into slick funk-rock style with ...Fun, modern, stylish. Drums launch into slick funk-rock style with poppy bass. Oud and Arabic-styled strings offers a traditional energy. Rustic Turkish or Arabian spirit in a modern city. Bed version.
Blossoming, lovesick, upbeat. Sparking Arabic strings launch into ...Blossoming, lovesick, upbeat. Sparking Arabic strings launch into poppy rhythm with fast-moving drums. Female vocals shake with passion as they sing with love and a sense of heartbreak, powered by drum and bass partnership. Hypnotic and exotic vibe from Turkish instrumentation. A love story from a traditional place.歌词
Bir güvercine vuruldum, Vardım yola koyuldum, Her ağaca onu sordum, Gönlüme teslim oldum.
Kâh koştum, kâh uçtum, Dağları tepeleri aştım, Suyun aktığı yolu buldum, Denize teslim oldum.
Ah sevda, Yetiş imdadıma, Ah sevda, Al beni yanına.
Gece sabaha kavuştu, Baharı saklayan kar durdu, Hasret gözüme yaş oldu, Yorgun yüreğim taş oldu.
Hangi diyardadır şimdi, Gelmez gittiğinden beri, Hiç mi düşünmez beni, Çıkıp gelse, Kol kanat gerse, Söndürse yangın yerimi.
Ah sevda, Yetiş imdadıma, Ah sevda, Al beni yanına, Ah sevda, Yetiş imdadıma, Ah sevda, Al beni yanına.
Blossoming, lovesick, upbeat. Sparking Arabic strings launch into ...Blossoming, lovesick, upbeat. Sparking Arabic strings launch into poppy rhythm with fast-moving drums. Hypnotic and exotic vibe from Turkish instrumentation. A love story from a traditional place. Instrumental version.
Blossoming, lovesick, upbeat. Sparking melody erupts from strange ...Blossoming, lovesick, upbeat. Sparking melody erupts from strange sparkling notes. Hypnotic and exotic vibe from Turkish instrumentation. Bass gives a rocky energy and power. A love story from a traditional place. Bed version.
Blossoming, lovesick, upbeat. Drum and bass come together with ...Blossoming, lovesick, upbeat. Drum and bass come together with fast-moving rock composition with power. A love story from a traditional place. Sparse bed version.
Blossoming, lovesick, upbeat. Sparking melody erupts from strange ...Blossoming, lovesick, upbeat. Sparking melody erupts from strange sparkling notes. Hypnotic and exotic vibe from Turkish instrumentation. Bass gives a rocky energy and power. A love story from a traditional place. Stripped back underscore version.
Chilled, cool, fresh. Laidback rhythm emerges with electronic ...Chilled, cool, fresh. Laidback rhythm emerges with electronic instrumentation and gasping breaths giving a cool lounge feel. Chill chords convey a sense of relaxation but seriousness in the chord sequence. Instrumentation hums into life with a feelgood atmosphere. Dirty bass erupts @ 1'20 giving edge to wholesome tranquil vibe.
Chilled, cool, fresh. Laidback rhythm emerges with gasping breaths ...Chilled, cool, fresh. Laidback rhythm emerges with gasping breaths giving a cool lounge feel. Chill piano chords convey a sense of relaxation but seriousness. A hum of energy and good vibes. Dirty bass erupts @ 1'20 giving edge to wholesome tranquil vibe. Stripped back underscore version.
Chilled, cool, fresh. Laidback chords give a cool lounge feel. ...Chilled, cool, fresh. Laidback chords give a cool lounge feel. Buoyant notes convey a sense of relaxation but seriousness. A hum of energy and good vibes. Dirty bass erupts @ 1'20 giving edge to wholesome tranquil vibe. Stripped back underscore no beats version.
Ska. Pulsating, confident & slightly mysterious. Like a game of ...Ska. Pulsating, confident & slightly mysterious. Like a game of hide-and-seek between skank & lead guitars & perky brass. With piano, drums & cool bass. Suggested for Caribbean beaches, roots festival & sunny adverts.
Blues rock. Snappy, lively & swingy. Rock band. Guitar solo @ 1'06. ...Blues rock. Snappy, lively & swingy. Rock band. Guitar solo @ 1'06. Suggested for American sports, cars, trucks, motorsports & road movies.
Determined, quick, foreign. Fast-moving rhythm carried by hand drums ...Determined, quick, foreign. Fast-moving rhythm carried by hand drums gives support to middle-eastern strings playing through a daring and defiant melody, picked up afterwards by modern house bass synth. Sidechained traditional instrumentation gives a sense of modern Arab countries. Heroic tone shift @ 1'13 with persistent chord sequence conveying longing and passion.
Determined, quick, foreign. Fast-moving rhythm carried by hand drums ...Determined, quick, foreign. Fast-moving rhythm carried by hand drums gives support to middle-eastern strings playing through a daring and defiant melody, picked up afterwards by modern house bass synth. Sidechained traditional instrumentation gives a sense of modern Arab countries. Heroic tone shift at 01:13 with persistent chord sequence conveying longing and passion. Instrumental version.
Determined, quick, foreign. Fast-moving rhythm carried by hand drums ...Determined, quick, foreign. Fast-moving rhythm carried by hand drums welcomes modern house bass synth. Sidechained traditional instrumentation gives a sense of modern Arab countries. Heroic tone shift @ 1'13 with persistent chord sequence conveying longing and passion. Stripped back underscore version.
Frantic, dynamic, tense. Ornate plucked string of middle-eastern ...Frantic, dynamic, tense. Ornate plucked string of middle-eastern tradition plays out a glissando trilling sequence with a sense of purpose and drive as percussion grows into modern bass and dance beat. Determined chord sequence rises through mystic-sounding melodies. A sense of panic and intrigue. A race through a middle eastern market or city street.
Frantic, dynamic, tense. Ornate plucked string of middle-eastern ...Frantic, dynamic, tense. Ornate plucked string of middle-eastern tradition plays out a glissando trilling sequence with a sense of purpose and drive as percussion grows into modern bass and dance beat. Determined chord sequence rises through mystic-sounding melodies. A sense of panic and intrigue. A race through an Arabian market or city street. Instrumental version.
Frantic, dynamic, tense. Ornate plucked string of middle-eastern ...Frantic, dynamic, tense. Ornate plucked string of middle-eastern tradition plays out a glissando trilling sequence with a sense of purpose and drive as percussion grows into modern bass and dance beat. Determined chord sequence rises through mystic-sounding melodies. A sense of panic and intrigue. A race through an Arabian market or city street. Stripped back underscore version.
Party, lively, energetic. Woodwind instrument offers a trilling ...Party, lively, energetic. Woodwind instrument offers a trilling melody before being swept up in modern middle-eastern beat with house bass and big kick drum. Rousing strings bring a electrifying energy. Traditionally dressed Arabian people dancing with passion and having fun. Contrast from big instrumentation to smaller timid moments give a sense of dynamic. Confident and more modest characters. Riser includes voices to highlight communal energy.
Party, lively, energetic. Woodwind instrument offers a trilling ...Party, lively, energetic. Woodwind instrument offers a trilling melody before being swept up in modern middle-eastern beat with house bass and big kick drum. Rousing strings bring a electrifying energy. Traditionally dressed Arabian people dancing with passion and having fun. Contrast from big instrumentation to smaller timid moments give a sense of dynamic. Confident and more modest characters. Instrumental version.
Party, lively, energetic. Woodwind instrument offers a trilling ...Party, lively, energetic. Woodwind instrument offers a trilling melody before being swept up in modern middle-eastern beat with house bass and big kick drum. Rousing string samples bring energy. Traditionally dressed Arabian people dancing with passion and having fun. Contrast from big instrumentation to smaller timid moments give a sense of dynamic. Confident and more modest characters. Stripped back underscore version.
Stoic, monumental, dancey. Echoing string instruments sets out a ...Stoic, monumental, dancey. Echoing string instruments sets out a defiant energy, pushing out on its own with a daunting melody, welcoming in slowly emerging dance beat which explodes with a modern bold energy. Fast house beat fringed by traditional instruments and middle-eastern chanting. Tone shift back to triumphant and significant energy @ 1'30 building back into full cool beat.
Stoic, monumental, dancey. Echoing string instruments sets out a ...Stoic, monumental, dancey. Echoing string instruments sets out a defiant energy, pushing out on its own with a daunting melody, welcoming in slowly emerging dance beat which explodes with a modern bold energy. Fast house beat fringed by traditional instruments. Tone shift back to triumphant and significant energy at 01:30 building back into full cool beat. Instrumental version.
Stoic, monumental, dancey. Echoing string instruments sets out a ...Stoic, monumental, dancey. Echoing string instruments sets out a defiant energy, pushing out on its own with a daunting melody, welcoming in slowly emerging dance beat which explodes with a modern bold energy. Fast house beat fringed by traditional instruments. Tone shift back to triumphant and significant energy at 01:30 building back into full cool beat. Stripped back underscore version.
Stoic, monumental, dancey. Echoing string instruments sets out a ...Stoic, monumental, dancey. Echoing string instruments sets out a defiant energy, pushing out on its own with a daunting melody, welcoming in slowly emerging dance beat which explodes with a modern bold energy. Fast house beat. Tone shift back to triumphant and significant energy @ 1'30 building back into full cool beat. Stripped back underscore version.
Fun, bustling, dreamy. Big heavy kick drum sets out a sturdy beat, as ...Fun, bustling, dreamy. Big heavy kick drum sets out a sturdy beat, as pulsing percussion and traditional middle-eastern melodies snake behind it in a swirling hypnotising style. Female vocals lost within the whirling instrumentation gives a sense of power and mysterious. A person on a mission, making their way through bazaars or narrow streets in Dubai, Ankara, Tehran or Cairo.
Fun, bustling, dreamy. Big heavy kick drum sets out a sturdy beat, as ...Fun, bustling, dreamy. Big heavy kick drum sets out a sturdy beat, as pulsing percussion and traditional middle-eastern melodies snake behind it in a swirling hypnotising style. A person on a mission, making their way through bazaars or narrow streets in Dubai, Ankara, Tehran or Cairo. Instrumental version.
Fun, bustling, dreamy. Big bass sets out a sturdy instrumentation ...Fun, bustling, dreamy. Big bass sets out a sturdy instrumentation with traditional middle-eastern string melodies. A person on a mission, making their way through bazaars or narrow streets in Dubai, Ankara, Tehran or Cairo. Stripped back underscore version.
A song about unrequited love sung in Spanish to a cumbia pop beat: ...A song about unrequited love sung in Spanish to a cumbia pop beat: ''You, you were bad, you broke my heart, oh how it hurt''. Sentimental, swinging, danceable & exotic. Female vocals, Latin percussion, keys & rhythm section.歌词
ES:
Tú fuiste malo, tú fuiste malo oh oh
Tu, tú fuiste malo, rompiste mi Corazón hay como me dolió.
Tu, tú fuiste malo, hay ya no tienes perdón, que perdone Dios.
Baby yo no te deseo nada malo, quiero que te vaya, te vaya bien, todo el amor que te di me salió caro tú te la gozaste pero yo también.
Hay mañana sale sol y no siento tu olor yo creo que te olvide de ti bebe
Mejor sola que mal acompaña,
No extraño tus besos ni tu mirada
Me puse mamasita, pero pa ti nada
Tu, tú fuiste malo, rompiste mi Corazón hay como me dolió.
Tu, tú fuiste malo, hay ya no tienes perdón, que perdone Dios.
Ya yo no te creo
No te creo nada
Caí en tu terreno por que estaba enamorada
Hay mañana sale sol y no siento tu olor yo creo que te olvide de ti bebe
Ya yo no te creo
No te creo nada
Caí en tu terreno por que estaba enamorada
Mejor sola que mal acompaña,
No extraño tus besos ni tu mirada
Me puse mamasita, pero pa ti nada
Tu, tú fuiste malo, rompiste mi Corazón hay como me dolió.
Tu, tú fuiste malo, hay ya no tienes perdón, que perdone Dios.
ENG:
You were bad, you were bad, oh oh.
You, you were bad, you broke my heart, oh how it hurt.
You, you were bad, oh, there's no forgiveness, may God forgive you.
Baby, I don't wish you any harm, I want you to go, I want you to do well, all the love I gave you cost me dearly, you enjoyed it, but so did I.
Tomorrow the sun will rise and I won't smell your scent, I think I've forgotten you, baby.
Better alone than in bad company,
I don't miss your kisses or your gaze.
I got hot, but not for you.
You, you were bad, you broke my heart, oh how it hurt.
You, you were bad, now you have no forgiveness, may God forgive you.
I don't believe you anymore.
I don't believe you at all.
I fell into your trap because I was in love.
Tomorrow the sun will rise and I won't smell your scent. I think I've forgotten you, baby.
I don't believe you anymore.
I don't believe you at all.
I fell into your trap because I was in love.
Better alone than in bad company.
I don't miss your kisses or your gaze.
I got hot, but not for you.
You, you were bad, you broke my heart, oh how it hurt.
You, you were bad, now you have no forgiveness, may God forgive you.
FR:
Tu étais mauvais, tu étais mauvais oh oh oh
Tu as été méchant, tu as été méchant, tu m'as brisé le cœur, c'est comme ça que ça m'a fait mal.
Tu, tu as été méchant, tu as été méchant, il n'y a pas de pardon, que Dieu te pardonne.
Bébé, je ne te souhaite rien de mal, je veux que tu partes, je veux que tu partes bien, tout l'amour que je t'ai donné est sorti cher, tu l'as apprécié mais moi aussi.
Je ne sens pas ton odeur, je crois que je t'ai oubliée bébé
Mieux vaut être seul que mal accompagné,
Tes baisers et ton regard ne me manquent pas
J'ai la mamasita, mais pour toi rien
Tu as été méchant, tu m'as brisé le cœur, c'est comme ça que ça m'a fait mal.
Tu as été mauvais, tu as été mauvais, il n'y a pas de pardon, que Dieu te pardonne.
Je ne te crois plus
Je ne te crois plus du tout
Je suis tombée dans ton pays parce que j'étais amoureuse
Je ne te crois pas, je ne te crois pas, je ne te crois pas, je ne te crois pas.
Je ne te crois plus
Je ne te crois plus du tout
Je suis tombé sur ton sol parce que j'étais amoureux
Mieux vaut être seul que mal accompagné
Tes baisers et ton regard ne me manquent pas
J'ai une mamasita, mais pour toi rien
Tu as été méchant, tu m'as brisé le cœur, c'est comme ça que ça m'a fait mal.
Tu as été mauvais, tu as été mauvais, il n'y a pas de pardon, que Dieu te pardonne.
Reggaeton with a dembow rhythm sung in Spanish: ''This girl arrives ...Reggaeton with a dembow rhythm sung in Spanish: ''This girl arrives and the disco lights up''. Sensual, danceable & swinging. Sequences, keys, Latin percussion & rhythm.歌词
ES:
esta nena llega y se enciende la disco
pura candela de las 12 y pico
pongo la mano en la pared y cuando me asomo tu me vez.
y ando suelta, pero ninguno lo intenta, tengo muy corta la mecha y eso aquí no va a parar
y ando suelta con la mano en la pared
viendo como tú me vez, y eso aquí no va a parar aquí no va a parar
dembow del caro, dembow del fino, papi quiero que me quites el Valentíno, solo contigo que divertido, pero solo vine a bailar
tienes un piquete fenomenal, como tú te mueves eso no es normal, esa miradita a mi me va matar con los besos que tu a mi me das
bésame que está oscura la disco
dale que aquí nadie nos ha visto
después de esto yo te dejo en visto
y me consigo a otro fulanito
bésame que está oscura la disco
dale que aquí nadie nos ha visto
ven quédate otro ratico
Baby yo sé que no me resisto
y ando suelta, pero ninguno lo intenta, tengo muy corta la mecha y eso aquí no va a parar
y ando suelta con la mano en la pared
viendo como tú me vez, y eso aquí no va a parar aquí no va a parar
Baby tu me quieres y yo no tengo prisa
Llévate la llave de esta monalisa
Baby tu me quieres y yo no tengo prisa
Llévate la llave de esta monalisa
bésame que está oscura la disco
dale que aquí nadie nos ha visto
después de esto yo te dejo en visto
y me consigo a otro fulanito
bésame que está oscura la disco
dale que aquí nadie nos ha visto
ven quédate otro ratico
Baby yo sé que no me resisto
y ando suelta, pero ninguno lo intenta, tengo muy corta la mecha y eso aquí no va a parar
y ando suelta con la mano en la pared
viendo como tú me vez, y eso aquí no va a parar aquí no va a parar
bésame que está oscura la disco
dale que aquí nadie nos ha visto
después de esto yo te dejo en visto
y me consigo a otro fulanito
bésame que está oscura la disco
dale que aquí nadie nos ha visto
ven quédate otro ratico
Baby yo sé que no me resisto
ENG:
This girl arrives and the disco lights up.
Pure fire at 12 and a bit.
I put my hand on the wall and when I lean in, you see me.
And I'm loose, but no one tries, I have a very short fuse and that's not going to stop here.
And I'm loose with my hand on the wall
watching you watch me, and it's not going to stop here, it's not going to stop here
dembow del caro, dembow del fino, papi, I want you to take off my Valentino, only with you, how fun, but I only came to dance
you have a phenomenal body, the way you move is not normal, that little glance at me is going to kill me with the kisses you give me
Kiss me, the disco is dark
Come on, no one has seen us here
After this, I'll leave you behind
And find myself another guy
Kiss me, the disco is dark
Come on, no one has seen us here
Come on, stay a little longer
Baby, I know I can't resist
and I'm loose, but no one tries, I have a very short fuse and that's not going to stop here
and I'm loose with my hand on the wall
seeing how you see me, and that's not going to stop here, it's not going to stop here
Baby, you love me and I'm in no hurry
Take the key to this Mona Lisa
Baby, you love me and I'm in no hurry
Take the key to this Mona Lisa
Kiss me, the disco is dark
Come on, no one has seen us here
After this, I'll leave you behind
And find myself another guy
Kiss me, the disco is dark
Come on, no one has seen us here
Come on, stay a little longer
Baby, I know I can't resist
and I'm loose, but no one tries, I have a very short fuse and that's not going to stop here
and I'm loose with my hand on the wall
seeing how you see me, and that's not going to stop here, it's not going to stop here
kiss me, the disco is dark
come on, no one has seen us here
after this, I'll leave you behind
and find myself another guy
Kiss me, it's dark in the disco
Come on, nobody has seen us here
Come on, stay a little longer
Baby, I know I can't resist
FR:
cette femme arrive et la discothèque s'allume
Je suis un peu comme une bougie de 12 heures
Je mets ma main sur le mur et quand je regarde dehors, tu me vois.
Et je me promène en liberté, mais personne n'essaie, ma mèche est trop courte et elle ne s'arrêtera pas ici
Et je me promène en liberté avec ma main sur le mur
et ça ne va pas s'arrêter ici ça ne va pas s'arrêter ici ça ne va pas s'arrêter
Je veux que tu m'enlèves ma Valentine, seulement avec toi quel plaisir, mais je ne suis venu que pour danser
J'ai une bite phénoménale, la façon dont tu bouges, ce n'est pas normal, ce petit regard dans mes yeux va me tuer avec les baisers que tu me donnes
Je serai dans le noir dans la discothèque
Je serai dans tes bras, je serai dans tes bras
Je vais te laisser en vue après ça
Et je me trouverai un autre so-and-so
Je serai dans le noir dans la discothèque
Je n'ai personne ici pour nous voir
Je sais que tu ne me laisseras pas tomber
Bébé, je sais que je ne peux pas résister
Et je suis libre, mais personne n'essaie, ma mèche est trop courte et ça ne va pas s'arrêter ici
Et je marche librement avec ma main sur le mur
Je sais que je ne peux pas résister et je n'essaie pas, mais personne n'essaie, ma mèche est trop courte et ça ne s'arrêtera pas ici
Je n'ai pas d'autre choix que d'aller à la rencontre des autres.
Je n'ai pas d'autre choix que d'aller à la rencontre des autres.
Je n'ai pas d'autre choix que d'aller à la rencontre des autres.
Je n'ai pas d'autre choix que d'aller à l'école
Embrasse-moi, il fait nuit dans la discothèque
Je suis pressé et je ne suis pas pressé
Après ça, je te laisserai en vue
et j'irai me chercher un autre untel ou untel
Je t'embrasse, il fait nuit dans la discothèque
Je n'ai personne ici pour nous voir
Je sais que tu ne me laisseras pas tomber
Bébé, je sais que je ne peux pas résister
Et je suis libre, mais personne n'essaie, ma mèche est trop courte et ça ne va pas s'arrêter ici
Et je marche librement avec ma main sur le mur
Je sais que je ne peux pas résister et je suis libre et je suis libre et je suis libre et je suis libre et je suis libre avec ma main sur le mur
Je n'ai pas d'autre choix que de m'embrasser, il fait nuit dans la discothèque
Je vais être dans le noir, je vais être dans le noir
Après ça, je te laisserai en vue
Et je me trouverai un autre so-and-so
Je vais te faire sentir comme si tu étais dans le noir
Je n'ai personne ici pour nous voir
Je sais que tu ne me laisseras pas tomber
Bébé, je sais que je ne peux pas résister
Classical remix. From "Nocturnes , Op 9 No 2" by F. Chopin. Switch ...Classical remix. From "Nocturnes , Op 9 No 2" by F. Chopin. Switch from quiet piano & drums to a bouncy electro beat with brass hits & staccato strings. Waltzy piano @ 1’11. Ticking & trailer fx @ 1’41 with house beat. Suggested for aristocratic dancefloor, royal trailer, promos & hig end commercials.
Afropop. R'n'B. Sensual, rhythmic, sentimental & atmospheric. Sung in ...Afropop. R'n'B. Sensual, rhythmic, sentimental & atmospheric. Sung in French. Singer, synth, bass & rhythm. Suggested for sentimental French teen series & tv reality.歌词
COUPLET 1 J’t’ai tout donné en un battement de cils Battement de cils, ma African queen
Tu m’as négligé donc j’l’ai fait aussi
On s’est craché nos sentiments Hey Doutes J'étais rempli de doutes Mais tu veux rattraper le coup Tu sais que ça vaut le coup
Au fond c’est ça que j’attendais
Yeah yeah, yeah yeah Me prouver que tu peux changer
Yeah yeah, yeah yeah
REFRAIN Bien sur que je t’attends
Évidemment qu’je vais rester
Pour nous j’veux avancer
Avec toi j’me sens exister Mamacita Ma jolie nana c’est toi (x2)
COUPLET 2 J’pensais faire sans toi mais t’es addictive
Entre nous j’aime quand on est en bizbiz
Yeah yeah Dans mes bras tu m’as l’air plus affective
Là t’es plus affective Oui tout est carré
C’est vrai qu’tu n’es plus pareil
Tu veux réparer
Recommencer pour voir Au fond c’est ça que j’attendais
Yeah yeah, yeah yeah Me prouver que tu peux changer
Yeah yeah, yeah yeah
REFRAIN Bien sur que je t’attends
Évidemment qu’je vais rester
Je peux pas tout effacé ah
Mais je ne t’ai jamais détester Mamacita Ma jolie nana c’est toi (x2)
PONT Tu fais plus d’efforts qu’hier
On s’dit les choses sans crier
T’as plus ton cœur de pierre
Je t’ai retrouvé (x2)
REFRAIN Bien sur que je t’attends
Évidemment qu’je vais rester
Pour nous j’vais avancer
Avec toi j’me sens exister Mamacita Ma jolie nana c’est toi (x2) J’serais jamais loin de toi (x3)
Amapiano. R'n'B. Afropop. Sunny, calm but rhythmic & sensual. ...Amapiano. R'n'B. Afropop. Sunny, calm but rhythmic & sensual. Inspiring chorus. Sung in French. Singer, synth, bass & rhythm. Suggested for sentimental French teen series, French TV reality, teen lifestyle & littoral.歌词
COUPLET 1 J’ai vu dans ton regard une étincelle briller Et les pieds dans le sable, tu dansais solo Si j’me rappelle de toi, c’est p't’être qu’on est lié Nous deux, c'est un cocktail vanille-bourbon
Jusqu’à l’aube au minimum J’pourrais claquer le milli comme ça Ce soir, c’est que toi et moi Ce soir, j’vais tout donner pour toi
REFRAIN Ma belle vient du sud, vient de Vénus ou du ciel Ce soir, si t'es surmenée, je vais te faire danser Et Tou-toulou-tou-tou, toulou-tou-tout recommencer Tou-toulou-tou-tou, toulou-tou-tout recommencer Et viens danser
COUPLET 2 On fera le tour du globe en bolide Allemand Tout est plus évident avec toi, finalement S’en aller sans compter les jours Prenons un aller sans retour
Et si on arrêtait le temps Jusqu’à l’aube au minimum J’pourrais claquer le milli comme ça Ce soir, c’est que toi et moi Ce soir, j’vais tout donner pour toi
REFRAIN Ma belle vient du sud, vient de Vénus ou du ciel Ce soir, si t'es surmenée, je vais te faire danser Et Tou-toulou-tou-tou, toulou-tou-tout recommencer Tou-toulou-tou-tou, toulou-tou-tout recommencer Et viens danser
POST-REFRAIN (x2) S’en aller, s’en aller, ouais, s’en aller sans forcer J'ai les loves, j'ai les loves, et je prendrai soin de toi
