Modern mambo. Salsaton on a reggaeton rhythm. Punchy, festive & catchy. Exotic & danceable. Sung in Spanish. Male singers, drum machine, brass & Modern mambo. Salsaton on a reggaeton rhythm. Punchy, festive & catchy. Exotic & danceable. Sung in Spanish. Male singers, drum machine, brass & Latin percussion.歌词
ES:
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Va a empezar
Así que todo el mundo pa' la fiesta
Que ya llegaron ya
Los que son
Causantes de que tu cuerpo se mueva
Sin que lo puedas controlar
Seguro de que ya tu los conoces
Te gusta tanto que ya no lo puedes negar
La rumba esta planeada pa las doce
Pa' que goces toda la madruga'
Ponte que tu los conoces ya
Somos lo' que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Ponte que tu los conoces ya
Somos lo' que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Dale como e'
Pa' que tu sepas como va
Dale como e'
Pa' que tu sepas como va
Dale como e'
Dale como e'
Dale como e'
Pa' que tu sepas como va
Vamo' a dejar los puntos claros
Cuando llegamos sabes que la discoteca la cerramos
Que ya tu viste como andamo'
Porque a la larga o a la corta con mi combo te agarramos
Prepárate que llegaron los reyes del mambo
Con algo diferente a lo que estas buscando
Yo se lo que tu quiere, te estamo' esperando
Te mando la location y cuando
Mami que paso
Ya viene Stan de Boogaloo
Y mas atrás le caigo yo
Se que te gustan los dos
Agarrate que el team te cogió
Ponte que tu los conoces ya
Somos lo que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Ponte que tu los conoces ya
Somos lo que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Dale como e'
Pa' que tu sepas como va
Dale como e'
Pa' que tu sepas como va
Dale como e'
Dale como e'
Dale como e'
Pa' que tu sepas como va
Dale como e'
Pa' que tu sepas como va
Stan de Boogaloo, la musical
EN:
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
It's about to start
So everybody get ready to party
Cause they' re already here
The ones that are
Causing your body to move
You can't control it
Surely you already know them
You like it so much that you can't deny it
The party's planned for twelve o'clock
So that you can enjoy till the early morning
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
Give it how it is
So that you know how it goes
Give it how it is
So that you know how it goes
Give it how it is
Give it how it is
Give it how it is
So that you know how it goes
Let's make our points clear
When we arrive you know that we close the club
you've seen how we go
Cause in the long or the short run with my combo we'll get you
Get ready the mambo kings have arrived
With something different than what you're looking for
I know what you want, we are waiting for you
I send you the location and the time
Mami what happened
Stan from Boogaloo is coming
And further back it' ll be me
I know you like both of us
Hold on cause the team's got you
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
Give it how it is
So that you know how it goes
Give it how it is
So that you know how it goes
Give it how it is
Give it how it is
Give it how it is
So that you know how it goes
Give it how it is
So that you know how it goes
Stan from Boogaloo, the musical
Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Sung in Spanish. Singer, brass, piano & Latin percussion with gonga, Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Sung in Spanish. Singer, brass, piano & Latin percussion with gonga, timables, guiro & cowbell. Suggested for Latin party. 歌词
ES:
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
Oye caballero, lo que tiene esa negra es
Candela
Esa negra tiene
Mala la cintura
Quiere que la toque
Y me la lleve a la luna
Porque cuando ella mueve sus caderas
ya es un motivo de preocupación
Si sabe bien que estoy loco por ella
Y ella esta loca por bailar mi son
Pero no quiere que le digan nada
Cuando la ven llegando por la esquina
Porque ella sabe que es la mas buscada
Y yo soy el único que le gustó
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
Ay dios,
Esa negra quiere lo que tengo yo
Le gusta mi salsa, se que le gustó
Y mas cuando lo esta tocando Boogaloo
Se activa
Cuando ella baila se pone agresiva
Porque al que dios se lo dio
San Pedro se lo bendiga
Esa negra
Tiene un movimiento que me mata
Es una cosa que le sube
Es una cosa que le baja
Esa negra
Tiene un movimiento que me mata
Es una cosa que le sube
Es una cosa que le baja
Es una cosa que le sube
Es una cosa que le baja
Camínalo !
Es una cosa que le sube
Es una cosa que le baja
Y yo y yo
Y yo la quiero tener pa' mi
De mi esa negra esta enamorada
Es una cosa que le sube
Es una cosa que le baja
Gústele a quien le guste
Yo me quedo con mi negra
Ay no me digan mas nada
Es una cosa que le sube
Es una cosa que le baja
Y pensaste que se acabó?
No no no no no no
Es una cosa que le sube
Es una cosa que le baja
EN:
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
Hey gentleman, what that black woman has is
Fire
That black woman has
A bad waist
She wants me to touch her
And take her to the moon
Cause when she moves her hips
She's a cause for concern
If she knows well that I'm crazy about her
And she's crazy about dancing to my tune
But she doesn't want to be told anything
When you see her coming around the corner
Cause she knows she's the most wanted
And I'm the only one who she liked
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
Oh my God,
That black woman wants what I have
She likes my salsa, I know she does
And more when it's Boogaloo that's playing it
She gets active
When she dances she gets aggressive
Because to whom God gave it to
San Pedro will bless it
That black woman
Has got a move that kills me
It's a thing that goes up
It's a thing that goes down
That black woman
Has got a move that kills me
It's a thing that goes up
It's a thing that goes down
It's a thing that goes up
It's a thing that goes down
Walk it!
It's a thing that goes up
It's a thing that goes down
And I and I
And I want to have her for me
That black woman is in love with me
It's a thing that goes up
It's a thing that goes down
No matter who likes it
I'll stay with my black girl
Oh don't tell me nothing else
It's a thing that goes up
It's a thing that goes down
And you thought it was over?
No no no no no no
It's a thing that goes up
It's a thing that goes down
Instrumental. Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Brass, piano & Latin percussion with gonga, timables, Instrumental. Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Brass, piano & Latin percussion with gonga, timables, guiro & cowbell.
Fun, lively & slightly quirky cumbia-rock sung in Spanish. A rebellious message hidden in the rhythm. Female singer, electric guitar, female backing Fun, lively & slightly quirky cumbia-rock sung in Spanish. A rebellious message hidden in the rhythm. Female singer, electric guitar, female backing vocals, mixed choir, Cuban tres & rock band. Explicit lyrics.歌词
ES:
Quitále la corona al rey que se nos amaña
préndele candela al viejo que ya se va
Quitále la corona al rey que se nos amaña
préndele candela al viejo que ya se va
Cambiale las pilas pronto a tu libertad
tantas cosas buenas y tu en tu terquedad
dale un poco de cabeza antes de votar
tarros de guarito traigo pa parrandear
ahhhhhh ahhhhhhh
Quitále la corona al rey que se nos amaña
préndele candela al viejo que ya se va
Quitále la corona al rey que se nos amaña
préndele candela al viejo que ya se va
Arrebatada voy caminando
siempre cantando así este llorando
salen los tipos muy emplumados
piensan que el juego lo tienen muy claro
ya no es lo mismo sepan ustedes
hablo de amarnos seamos lo que seamos
mi cariñito a ti si te amo
respetamos y parrandeamos
oohhhhhh ohhhhhhh
Quitále la corona al rey que se nos amaña
préndele candela al viejo que ya se va
Quitále la corona al rey que se nos amaña
préndele candela al viejo que ya se va
Tan aguafiestas bichos de verde
Mejor me quedo con mi buena suerte
arroz con huevo y aguapanela
Mejor me quedo con mi buena suerte
ellos cantando y yo con mi llanto
Mejor me quedo con mi buena suerte
tenia planes y se me enredaron
Mejor me quedo con mi buena suerte
no me dejaré de cualquier tapabocas
Mejor me quedo con mi buena suerte
le temo mas a la ley que a los ladrones
Mejor me quedo con mi buena suerte
se orinó el perro en el tapete
Mejor me quedo con mi buena suerte
nos subieron los fucking servicios
Quitále la corona al rey que se nos amaña
préndele candela al viejo que ya se va
Quitále la corona al rey que se nos amaña
préndele candela al viejo que ya se va
Mejor me quedo con mi buena suerte!
Quitále la corona al rey que se nos amaña
préndele candela al viejo que ya se va
Quitále la corona al rey que se nos amaña
préndele candela al viejo que ya se va
Mejor me quedo con mi buena suerte!
Quitále la corona al rey que se nos amaña
préndele candela al viejo que ya se va
Quitále la corona al rey que se nos amaña
préndele candela al viejo que ya se va
MEJOR ME QUEDO CON MI BUENA SUERTE!
EN:
Take the crown away from the king, he's getting too comfortable
set fire to the old man who's already leaving
Take the crown away from the king, he's getting too comfortable
set fire to the old man who's already leaving
Change the batteries soon to your freedom
so many good things and you in your stubbornness
give it a little thought before voting
I bring jars of guarito to celebrate
ahhhhhhhh ahhhhhhhhhhh
Take the crown away from the king, he's getting too comfortable
set fire to the old man who's already leaving
Take the crown away from the king, he's getting too comfortable
set fire to the old man who's already leaving
I'm walking carried away
always singing even when I'm crying
the guys come out very feathered
they think that the game is very clear to them
I'm not the same anymore you know
I'm talking about loving each other whatever we are
my little sweetheart I love you yes I love you
we respect each other and we party
oohhhhhhhh ohhhhhhhhhhh
Take the crown away from the king, he's getting too comfortable
set fire to the old man who's already leaving
Take the crown away from the king, he's getting too comfortable
set fire to the old man who's already leaving
Such party poopers you green bugs
I'd better stick to my good luck!
rice with egg and aguapanela
I'd better stick to my good luck!
They're singing and I'm crying
I'd better stick to my good luck!
I had plans and they got tangled up
I'd better stick to my good luck!
I won't let myself fall for any face mask
I'd better stick to my good luck
I'm more afraid of the law than I am of thieves
I'd better stick to my good luck!
the dog peed on the mat
I'd better stick to my good luck!
they raised our fucking public services
Take the crown away from the king, he's getting too comfortable
set fire to the old man who's already leaving
Take the crown away from the king, he's getting too comfortable
set fire to the old man who's already leaving
I'd better stick to my good luck!
Take the crown away from the king, he's getting too comfortable
set fire to the old man who's already leaving
Take the crown away from the king, he's getting too comfortable
set fire to the old man who's already leaving
I'd better stick to my good luck!
Take the crown away from the king, he's getting too comfortable
set fire to the old man who's already leaving
Take the crown away from the king, he's getting too comfortable
set fire to the old man who's already leaving
Poppy, fun, touching. Synth strings present a catchy, emotive melody with upbeat pace. Fun trumpet sounds assert spirited atmosphere, modern and Poppy, fun, touching. Synth strings present a catchy, emotive melody with upbeat pace. Fun trumpet sounds assert spirited atmosphere, modern and uplifting, reminiscent of a group friends enjoying themselves and living their best life. Vocal samples gift a human tinge, reinforcing electronic slickness with rhythmic melody. Percussion drops out at 01:28 making room for gentle moment quickly joined by determined pop percussion style. Wistful aura, visions of a fantastic holiday or day out.
Poppy, fun, touching. Synth strings present a catchy, emotive melody with upbeat pace. Fun trumpet sounds assert spirited atmosphere, modern and Poppy, fun, touching. Synth strings present a catchy, emotive melody with upbeat pace. Fun trumpet sounds assert spirited atmosphere, modern and uplifting reminiscent of a group friends enjoying themselves and living their best life. Twinkling keys as percussion drops out at 01:28 making room for gentle moment quickly joined by determined pop percussion style. Wistful aura, visions of a fantastic holiday or day out. Instrumental version.
Poppy, fun, touching. Synth strings present a catchy, emotive melody with upbeat pace. Heavy percussion communicates infectious dance feeling. Fun Poppy, fun, touching. Synth strings present a catchy, emotive melody with upbeat pace. Heavy percussion communicates infectious dance feeling. Fun lead melody asserts a spirited atmosphere, reminiscent of a group of friends enjoying themselves. Twinkling keys as percussion drops out at 01:28 making room for gentle moment quickly joined by determined pop percussion style. Wistful aura, visions of a fantastic holiday or day out. Stripped back underscore version.
Heavy, rough, energetic. Bass FX launch into heavy 4/4 kick drum rhythm with chattering hi hat. Sharp metallic sounds set out a dangerous and Heavy, rough, energetic. Bass FX launch into heavy 4/4 kick drum rhythm with chattering hi hat. Sharp metallic sounds set out a dangerous and sinister atmosphere. Dark club energy with grimey bassline and relentless beat. Visions of a futuristic, neon underground dance floor with strobe lights and crowds of people moving in unison.
Heavy, rough, energetic. Bass FX launch into heavy 4/4 kick drum rhythm with chattering hi hat. Sharp metallic sounds set out a dangerous and Heavy, rough, energetic. Bass FX launch into heavy 4/4 kick drum rhythm with chattering hi hat. Sharp metallic sounds set out a dangerous and sinister atmosphere. Grimey bass and relentless beat offer a dark club energy, visions of a neon underground dance floor with strobe lights and people moving in unison. Stripped back underscore version.
Powerful, infectious, lively. Trumpet samples set out a dancey energy, leading into confident female vocals singing about music taking control, Powerful, infectious, lively. Trumpet samples set out a dancey energy, leading into confident female vocals singing about music taking control, hypnotic club energy. Commanding sub bass tone, with vocals falling into rhythm. Fun, Latin house vibe from trumpets and melody. Positive party atmosphere, letting the music take away your inhibitions.歌词
The music bout to take control
cos we do it like that
This moments so phenomenal
go and throw it on back
The music bout to take control
cos we do it like that
Uh huh we so phenomenal
go and throw it on back
Moving your body the rhythm it go boom boom
You got em watching you when you walk in the room room
Out on the floor yeah they lovin the way you move move
Moving your body the rhythm it go boom boom
Lets bring the heat like fuego
Come on yeah baby lets go
Just sing a long like eh yo
Your just my type
Lets bring the heat like fuego
Come on yeah baby lets go
I want see those hands up
Thats what I like
Thats what I like
Thats what I like
Thats what I like
Thats what I like
The music bout to take control
cos we do it like that
This moments so phenomenal
go and throw it on back
The music bout to take control
cos we do it like that
Uh huh we so phenomenal
go and throw it on back
Moving your body the rhythm it go boom boom
You got em watching you when you walk in the room room
Out on the floor yeah they lovin the way you move move
Powerful, infectious, lively. Trumpet samples set out a dancey energy with rhythmic vocal samples. Hypnotic club energy from commanding sub bass Powerful, infectious, lively. Trumpet samples set out a dancey energy with rhythmic vocal samples. Hypnotic club energy from commanding sub bass tone. Fun, Latin house vibe from trumpets and melody. Positive party atmosphere, letting the music take away your inhibitions. Instrumental version.
Powerful, infectious, lively. Trumpet samples set out a dancey energy with rhythmic vocal samples. Hypnotic club energy from commanding sub bass Powerful, infectious, lively. Trumpet samples set out a dancey energy with rhythmic vocal samples. Hypnotic club energy from commanding sub bass tone. Fun, Latin house vibe from trumpets and melody. Positive party atmosphere, letting the music take away your inhibitions. Stripped back underscore version.
Rowdy, energetic, determined. Club bass plays through a hypnotic house sequence, UK female rapper talks about people copying her style, having a Rowdy, energetic, determined. Club bass plays through a hypnotic house sequence, UK female rapper talks about people copying her style, having a different level of wealth and success. UK grime club style with carefree energy and heavy percussion. Friends in a club having a fun time, being cheeky and rowdy. Slow, trappy drill breakdown at 01:14 with gritty bass, rising up back into hook with fun, daring energy.歌词
Watch me go like this like this
These haters don’t like me
I level up my game excites me
Wanna imitate they bite me
Cause you’re a snack three course I’m saucy
He's a joke, you’re a joke you’re a meme Wanna steal my style what a thief
Bullet proof like nuns stay clean I’m the catwalk
queen whole world see me strut like whaaaaaaaaaaa!
Rowdy, energetic, determined. Club bass plays through a hypnotic house sequence. UK grime club style with carefree energy and heavy percussion. Rowdy, energetic, determined. Club bass plays through a hypnotic house sequence. UK grime club style with carefree energy and heavy percussion. Friends in a club having a fun time, being cheeky and rowdy. Slow, trappy drill breakdown at 01:14 with gritty bass, rising up back into hook with fun, daring energy. Instrumental version.
Rowdy, energetic, determined. Club bass plays through a hypnotic house sequence. UK grime club style with carefree energy and heavy percussion. Rowdy, energetic, determined. Club bass plays through a hypnotic house sequence. UK grime club style with carefree energy and heavy percussion. Friends in a club having a fun time, being cheeky and rowdy. Slow, trappy drill breakdown at 01:14 with gritty bass, rising up back into hook with fun, daring energy. Stripped back underscore version.
Energetic, animated, upbeat. Violin and clarinet launch into woozy, dynamic riff atop swift-moving, oom-pah rhythm. Brief slow section at 00:21, Energetic, animated, upbeat. Violin and clarinet launch into woozy, dynamic riff atop swift-moving, oom-pah rhythm. Brief slow section at 00:21, before launching back into original riff. Fun and frantic rhythm reminiscent of a chase scene in a cartoon.
Energetic, animated, upbeat. Muffled guitar and bass join with light percussion in a swift-moving, oom-pah rhythm. Brief slow section at 00:21, Energetic, animated, upbeat. Muffled guitar and bass join with light percussion in a swift-moving, oom-pah rhythm. Brief slow section at 00:21, before launching back into speedy section. Fun and frantic rhythm reminiscent of a chase scene in a cartoon. Stripped back underscore version.
Celebratory, festive, ostentatious. Immediate oom-pah rhythm in Klezmer style gives a fun and pacy atmosphere. Relentless momentum reminiscent of an Celebratory, festive, ostentatious. Immediate oom-pah rhythm in Klezmer style gives a fun and pacy atmosphere. Relentless momentum reminiscent of an energetic party that doesn’t seem to end, spinning around on a dance floor. Repetition of ornate motif illustrates a labyrinthine aura, an energy that keeps on ensnaring you.
Celebratory, festive, ostentatious. Immediate oom-pah rhythm in Klezmer style gives a fun and pacy atmosphere. Relentless momentum reminiscent of an Celebratory, festive, ostentatious. Immediate oom-pah rhythm in Klezmer style gives a fun and pacy atmosphere. Relentless momentum reminiscent of an energetic party that doesn’t seem to end, spinning around on a dance floor. Stripped back underscore version.
Celebratory, festive, ostentatious. Immediate oom-pah rhythm in Klezmer style gives a fun and pacy atmosphere. Relentless momentum reminiscent of an Celebratory, festive, ostentatious. Immediate oom-pah rhythm in Klezmer style gives a fun and pacy atmosphere. Relentless momentum reminiscent of an energetic party that doesn’t seem to end, spinning around on a dance floor. Stripped back underscore version.
Fun, pacy. Ornate flute melody floats down into fast-paced Klezmer rhythm with trombone and double bass. Playful sequence shifts into carefree, Fun, pacy. Ornate flute melody floats down into fast-paced Klezmer rhythm with trombone and double bass. Playful sequence shifts into carefree, celebratory tone. Transition into striding rhythm at 00:58 with a more ominous atmosphere. Reprisal of original rhythm. A frantic energy reminiscent of a chase scene in a silent film.
Fun, pacy. Brass and percussive impacts fall into fast-paced Klezmer rhythm with piano and double bass. Trumpets on off-beat create a dynamic rhythm. Fun, pacy. Brass and percussive impacts fall into fast-paced Klezmer rhythm with piano and double bass. Trumpets on off-beat create a dynamic rhythm. Transition into striding rhythm at 00:58 with a more ominous atmosphere. Reprisal of original rhythm. A frantic energy reminiscent of a chase scene in a silent film. Stripped back underscore version.
Fun, pacy. Melodic impacts fall into fast-paced Klezmer rhythm with piano and double bass. Off-beat snares create a dynamic rhythm. Transition into Fun, pacy. Melodic impacts fall into fast-paced Klezmer rhythm with piano and double bass. Off-beat snares create a dynamic rhythm. Transition into striding rhythm at 00:58 with a more ominous atmosphere. Reprisal of original rhythm. A frantic energy reminiscent of a chase scene in a silent film. Stripped back underscore version.
Driving, percussive, energetic. High-energy, powerful and propulsive drums and electronic beats, featuring tough vocal shout outs and atmospheric Driving, percussive, energetic. High-energy, powerful and propulsive drums and electronic beats, featuring tough vocal shout outs and atmospheric vocal FX. Stripped back, minimal interlude of ticking beats builds back up in dramatic layers to a huge final section.
Driving, percussive, energetic. Stripped back, percussive underscore version. High-energy, powerful and propulsive drums and electronic beats. Driving, percussive, energetic. Stripped back, percussive underscore version. High-energy, powerful and propulsive drums and electronic beats. Minimal interlude of ticking beats builds back up in dramatic layers to a huge final section.
