☆ Nominated "Best Fantasy Score" @Production Music Awards UK 2024 ☆ Nominated "Best Fantasy Score" @Production Music Awards UK 2024 ☆ Quiet saz introduction, then romantic, passionate & moving @ 0'33. Cello, symphony orchestra & choir. Outro @ 2'17. Suggested for sea travels, historical documentary & ending credits.
Delicate, melancholy & intimate. Solo piano introduction followed by Delicate, melancholy & intimate. Solo piano introduction followed by string quartet @ 0'35. Suggested for French film soundtrack.
Mix of heavy metal & neo-classical. Serious, solemn, lyrical & Mix of heavy metal & neo-classical. Serious, solemn, lyrical & heroic. Cello & heavy metal band. Suggested for sport & action.
Important, elegant, majestic. Refined piano plays out with a sense of Important, elegant, majestic. Refined piano plays out with a sense of glory and wonder. Strings gather round piano, willing it forward. A sense of magnitude, a large group of people finding peace or an group of animals finding a home for themselves. Life-affirming vibe as instrumentation grows and swells with reassurance.
Important, elegant, majestic. Refined piano plays out with a sense of Important, elegant, majestic. Refined piano plays out with a sense of glory and wonder. Strings gather round piano, willing it forward. A sense of magnitude, a large group of people finding peace or an group of animals finding a home for themselves. Life-affirming vibe as instrumentation grows and swells with reassurance. Stripped back underscore version.
Important, elegant, majestic. Refined piano plays out with a sense of Important, elegant, majestic. Refined piano plays out with a sense of glory and wonder. Strings gather round piano, willing it forward. A sense of magnitude, a large group of people finding peace or an group of animals finding a home for themselves. Life-affirming vibe as instrumentation grows and swells with reassurance. Stripped back underscore version.
Delicate, moving & resilient. Solo piano. Suggested for human drama & Delicate, moving & resilient. Solo piano. Suggested for human drama & social documentary.
Fulfilling, simplistic, strong. Strummed acoustic guitar joins with Fulfilling, simplistic, strong. Strummed acoustic guitar joins with soothing piano melody. Light kick drum pushes things along with a gentle forward motion. A laidback energy, people relaxing and taking a break from the rush of the world. Female vocals push out towards the middle distance, offering a humanist aspect. People close together, enjoying eachothers company. Violin conveys a sense of longing.
Fulfilling, simplistic, strong. Strummed acoustic guitar joins with Fulfilling, simplistic, strong. Strummed acoustic guitar joins with soothing piano melody. Light kick drum pushes things along with a gentle forward motion. A laidback energy, people relaxing and taking a break from the rush of the world. People close together, enjoying eachothers company. Violin conveys a sense of longing. Instrumental version.
Fulfilling, simplistic, strong. Strummed acoustic guitar pushes out Fulfilling, simplistic, strong. Strummed acoustic guitar pushes out with decisive feeling. A laidback energy, people relaxing and taking a break from the rush of the world. People close together, enjoying eachothers company. Stripped back underscore version.
Popular Latin-American traditional song arranged as a rock ballad. Popular Latin-American traditional song arranged as a rock ballad. Sung in Spanish. Nostalgic, moving & introspective. Male singer, acoustic guitar, violin & drums @ 2'25. Female singer @ 2'45.歌词
ES:
No sé que tienen las flores
Las flores del campo santo
No sé que tienen las flores
Las flores del campo santo
Que cuando las mueve el viento
Parece que están llorando
A un santo cristo de fierro (llorona)
Mis penas le conté yo
A un santo cristo de fierro, llorona
Mis penas le conté yo
Y cuales serían mis penas, llorona
Que el santo cristo lloró
Y cuales serían mis penas, llorona
Que el santo cristo lloró
Hay de mi llorona
Llorona llévame contigo
Hay de mi llorona
Llorona llévame contigo
Y cúbreme con tu manto, llorona
Porque me muero de frío
Y cúbreme con tu manto, llorona
Porque me muero de frío
Dicen que no tengo duelo
Porque no me ven llorar
Dicen que no tengo duelo, llorona
Porque no me ven llorar
Hay muertos que no hacen ruido
Y es más grande su penar
Hay muertos que no hacemos ruido
Y es más grande mi penar
No creas que porque canto (llorona)
Tengo el corazón alegre
No creas que porque canto, llorona
Tengo el corazón alegre
También de dolor se canta, llorona
Cuando llorar no se puede
También de dolor se canta, llorona
Cuando llorar no se puede
Hay de mi, llorona
Llorona llévame contigo
Hay de mi, llorona
Llorona llévame contigo
Hay de mi, llorona
Llorona llévame contigo
Y cúbreme con tu manto, llorona
Porque me muero de frío
EN:
I don't know what's wrong with the flowers
The flowers of the holy field
I don't know what's wrong with the flowers
The flowers of the holy field
That when the wind moves them
They seem to be crying
To a holy iron Christ (Llorona (weeping woman))
I told my sorrows
To a holy iron christ, Llorona
I told my sorrows
And how great were my sorrows, Llorona
That the holy Christ wept
And how great were my sorrows, Llorona
That the holy Christ wept
Oh my, Llorona
Llorona take me with you
Oh my, Llorona
Llorona take me with you
And cover me with your mantle, Llorona
For I'm dying of cold
And cover me with your mantle, Llorona
For I'm dying of cold
They say I don't grieve
Because they don't see me cry
They say I don't grieve, Llorona
Because they don't see me cry
There are dead people who don't make a noise
Yet their sorrow is greater
There are dead people whom we don't make a noise
Yet my sorrow is greater
Don't think that because I sing (Llorona)
I have a happy heart
Don't think that because I sing, Llorona
I have a happy heart
Also from pain one sings, Llorona
When one cannot cry
Also from pain one sings, Llorona
When we cannot cry
Oh my, Llorona
Llorona take me with you
Oh my, Llorona
Llorona take me with you
Oh my, Llorona
Llorona take me with you
And cover me with your mantle, Llorona
For I'm dying of cold
Italian inspired theme. Nostalgic but lively with a Gypsy touch. Italian inspired theme. Nostalgic but lively with a Gypsy touch. Small ensemble with clarinet, violin & trumpet. Suggested for 50s & 60s Italian movie.
Nocturnal, sentimental & attitude hip-hop sung in Spanish. Tired of Nocturnal, sentimental & attitude hip-hop sung in Spanish. Tired of an undecided lover. Female rap singer, voice & guitar sampling, electronic percussion. Vocal climax @ 2'42.歌词
ES:
tengo las horas contadas con esta nena
y la tortura del recuerdo ya se inclina en mi cabeza
y es que no veas
las cartas que juega
se las guarda detrás de la oreja
bailando en la plaza con la niña
van par de litronas pero ella va tan fina
con sus pantalones rotos justo en la rodilla
con su cigarrillo y sus pestañas postizas
yo es que voy sin prisa
yo es que voy sin prisa
pero reconozco que contigo nunca he sido mu tranquila
me pierdo con los nombres que han pasao' después de ti
con todos esos verdes en Pinar de Chamartín
me acuerdo de ti nena me acuerdo de ti
me acuerdo de ti nena me acuerdo de ti
llevo preocupada desde que te conocí
estoy anestesiada con tu saliva de anís
y siempre que salgo por las noches de Madrid
te acabo escribiendo algún mensaje
para ti para ti siempre hay uno para ti
para el fuego de tus labios disfrazados de carmin
tu pelo rapado y tus ojos medio green
para las noches tocando la guitarra junto a mi
para ti para ti siempre hay uno para ti
te dedico mis versitos favoritos del Joaquín
te dedico todas las fotos en las que me haces reír
te dedico hasta el romero de las rosas del jardin
que ya no puedo mas
dame un break no te portes mal
dime si me vas a llamar
dime si me vas a llamar
que ya no puedo mas
dame un break no te portes mal
dime si me vas a llamar
deja la tortura pa' Alejandro Sanz
y no te des por aludida
que no va por ti, te lo juro por mi vida
tengo la saudade aquí en la tripa metidita
será la pastilla que mordimos aquel dia
tu mirada es ácida como los pica pica
tu piel es el paper del tabaco que te lias
eres el sabor amargo de una mora fría
se te acaba el tiempo y ahora el mío desperdicias
me arde la retina de ver tanta tontería
tengo toas' las medias rotas de todas tus chinas
también me has quemado el corazón con tanta chispa
bonita, tienes que ser más decidida
aunque la tonta sea yo porque te lo permita
aunque lo máximo que hago es marcarme unas rimas
aunque cuando esté delante tuya me derrita
nena, se mas comprensiva
que ya no puedo mas
dame un break no te portes mal
dime si me vas a llamar
dime si me vas a llamar
que ya no puedo mas
dame un break no te portes mal
dime si me vas a llamar
dime si me vas a llamar
dime si me vas a llamar
dime si me vas a llamar
dime si me vas a llamar
deja la tortura pa' Alejandro Sanz
dime si me vas a llamar
dímelo ma
dímelo
EN:
my hours are nearly due with this girl
and the torture of the memory is leaning in my head
and you can't see
the cards she plays
she keeps them behind her ear
dancing in the square with the girl
they go with a couple of litronas but she goes so refined
with her pants torn right above the knee
with her cigarette and her false eyelashes
I'm in no hurry
I'm in no hurry
but I recognise that with you I've never been very calm
I get lost with the names that have passed after you
with all those greens in Pinar de Chamartin
I remember you baby I remember you
I remember you baby I remember you
I've been worried since I met you
I'm numb with your aniseed saliva
and whenever I go out at night in Madrid
I end up writing you a message
for you for you there is always one for you
for the fire of your lips disguised as carmine
your shaved hair and your half green eyes
for the nights playing the guitar next to me
for you for you there's always one for you
I dedicate to you my favorite verses of Joaquin
I dedicate to you all the pictures in which you make me laugh
I dedicate to you even the rosemary of the roses in the garden
I can't take it anymore
give me a break don't misbehave
tell me if you'll call me
tell me if you'll call me
I can't take it anymore
give me a break don't misbehave
tell me if you'll call me
leave the torture for Alejandro Sanz
and don't take it personal
It' s not about you I swear it on my life
I've got the saudade here in my gut
Maybe it's the pill that we bit that day
your gaze is acidic like the pica pica
your skin is the paper of the tobacco that you roll
you're the bitter taste of a cold blackberry
you're running out of time and now you're wasting mine
my retina burns from seeing so much nonsense
I've got all the socks torn from all your stones
you've also burnt my heart with so much sparkle
beautiful, you have to be more determined
even though I'm the fool because I let you do it
even though the most I do is to score me some rhymes
even though when I'm in front of you I melt
baby, be more understanding
I can't take it anymore
give me a break don't misbehave
tell me if you'll call me
tell me if you'll call me
I can't take it anymore
give me a break don't misbehave
tell me if you'll call me
tell me if you'll call me
tell me if you'll call me
tell me if you'll call me
tell me if you'll call me
leave the torture for Alejandro Sanz
Poignant, building & emotional ballad-pop sung in Spanish. Poignant, building & emotional ballad-pop sung in Spanish. Frustration over heartbreak. Female singer, electronic strings, synth, electronic percussion, Spanish & electric guitar.歌词
ES:
tengo la mirada en el suelo
porque tiemblo si te veo
cada paso que doy es palo de ciego
cada día sin ti es morder el hielo
tengo la mirada en el suelo
pero cuando las cruzamos es volver al día primero
y al cigarro consumiéndose en los dedos
tu buscas perderme pero yo me quedo
pienso cada día
pienso cada noche
pienso en tus mensajes
y en la rabia de ya no sentir tu roce
y escuchar
todo el rato tu nombre
y volver hasta el principio
por miedo a que se me borre
el recuerdo es un arma de doble filo
te llevo siempre en el pecho
pero duele como un tiro
y no puedo más
si me rompes por lo menos dame un beso de verdad
dame un beso de verdad
dame un beso de verdad
dame un beso de verdad
dame un beso de verdad
dame un beso de verdad
dame un beso de verdad
dame un beso de verdad
ojalá tenerte y que me quieras de verdad
que tu mente se enderezca y que me sepas valorar
que tu carita de mala no me hubiese hecho caer
que las charlas en el parque no me dejen del revés
que la calle no te mate
que no te vea caer
que tus decisiones fueran hojas de papel
pa' podértelas romper
pa' podértelas romper
no quiero puntos de vista
quiero volver a nacer
no quiero que me comprendas
ni estar fuera de mi piel
quiero sentirme las manos
en la playa de ahí arriba
sentir tus labios con la sal en las encías
no perdono a los cobardes
y no me perdono a mí
por no saber alejarme
cuando me quise morir
pero que penumbra hubiese sentido
si a ti en la vida no te hubiera conocido
te elijo primero
te elijo primero
siempre fuiste tu
siempre fuiste tu
te elijo primero
te elijo primero
el daño es certero
pero como tú
pero como tú
dame un beso de verdad
dame un beso de verdad
dame un beso de verdad
dame un beso de verdad
dame un beso de verdad
dame un beso de verdad
dame un beso de verdad
dame un beso de verdad
si me rompes por lo menos dame un beso de verdad
EN:
I have my eyes on the ground
because I tremble if I see you
every step I take is a blind man's stick
every day without you is biting the ice
my eyes are on the ground
but when we cross them it's like going back to day one
and the cigarette burning in my fingers
you seek to lose me but I stay
I think every day
I think every night
I think of your messages
and in the rage of no longer feeling your touch
and hear
your name all the time
and go back to the beginning
for fear of being erased
the memory is a double-edged sword
I always carry you in my chest
but it hurts like a shot
and I can't take it anymore
if you break me at least give me a real kiss
give me a real kiss
give me a real kiss
give me a real kiss
give me a real kiss
give me a real kiss
give me a real kiss
give me a real kiss
I wish I could have you and that you really love me
that your mind would straighten up and that you would know how to value me
that your bad face had not made me fall down
that the chats in the park don't turn me upside down
that the street doesn't kill you
that I don't see you fall
that your decisions were sheets of paper
so that I can tear them up
so that I can tear them up
I don't want points of view
I want to be born again
I don't want you to understand me
nor to be out of my skin
I want to feel my hands
on the beach up there
feel your lips with the salt on my gums
I don't forgive cowards
and I don't forgive myself
for not knowing how to walk away
when I wanted to die
but what a darkness I would have felt
if I had never met you in my life
I choose you first
I choose you first
it was always you
it was always you
I choose you first
I choose you first
the damage is certain
but like you
but like you
give me a real kiss
give me a real kiss
give me a real kiss
give me a real kiss
give me a real kiss
give me a real kiss
give me a real kiss
give me a real kiss
Mysterious, uplifting, rousing. Reflective piano melodies build in Mysterious, uplifting, rousing. Reflective piano melodies build in determination with brooding notes and propulsive beats. Atmospheric beats join, with brooding bass bringing a suspenseful edge, and emotive string melodies building a sense of inspiring sophistication. Builds through minimal, emotive and poignant moments to wondrous, heartfelt peaks and an aspirational finale. Beautiful and cinematic orchestral hybrid cue.
Neo-classical. Inspirational & moving. Build-up then lyrical & Neo-classical. Inspirational & moving. Build-up then lyrical & determined climax starting @ 0'58 & back-end. Piano & string quartet. Suggested for day-to day stories, human stories, social & cultural documentary.
Solo piano version. Neo-classical. Inspirational & moving. Suggested Solo piano version. Neo-classical. Inspirational & moving. Suggested for travel & day-to-day stories.
