| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Underground [TBX150 - 10] |
2'20 | Adam Brown, Kyle Kniceley | Secretive, foreboding, ominous. Bell sounds play out into a | 动作片 冲击 冲突 画面感 | Cm | 75 | ||||
|
Underground (Underscore) [TBX150 - 29] |
版本. | 2'20 | Adam Brown, Kyle Kniceley | Secretive, foreboding, ominous. Bell sounds play out into a | 动作片 冲击 冲突 画面感 | C | 75 | |||
|
The Clock [TBX149 - 9] |
2'02 | Enzo Orefice, Luciano Pizzella | Suspicious, sophisticated, sneaky. Dynamic piano sequence gives an | 华尔兹舞步 舞厅 复古法式喜剧 档案纪录片 | Am | 117 | ||||
|
The Clock (Underscore) [TBX149 - 20] |
版本. | 2'00 | Enzo Orefice, Luciano Pizzella | Suspicious, sophisticated, sneaky. Dynamic piano sequence gives an | 华尔兹舞步 复古法式喜剧 档案纪录片 原声吉他 | Am | 117 | |||
|
Way Home [TBX149 - 10] |
2'28 | Enzo Orefice, Luciano Pizzella | Creeping, wholesome, sleuthy. Skulking piano rhythm joins with | 讽刺 & 恶意 摇摆 阴险 无电声钢琴 | Am | 106 | ||||
|
Way Home (Underscore) [TBX149 - 21] |
版本. | 2'28 | Enzo Orefice, Luciano Pizzella | Creeping, wholesome, sleuthy. Skulking piano rhythm creates a | 讽刺 & 恶意 摇摆 阴险 无电声钢琴 | Am | 106 | |||
|
Transfixed [INP049 - 7] |
2'08 | Lukas Roher | Dramatic, anticipatory, focused. Muffled synth arpeggiation emerges | 科幻片 琶音器 电子琴 动荡 | Bbm | 90 | ||||
|
Transfixed (Underscore A) [INP049 - 21] |
版本. | 2'08 | Lukas Roher | Dramatic, anticipatory, focused. Light feedback meets with sci fi | 科幻片 画面感 electro beat 调查研究 | Bbm | 90 | |||
|
Transfixed (Underscore B) [INP049 - 22] |
版本. | 2'08 | Lukas Roher | Dramatic, anticipatory, focused. Muffled synth arpeggiation emerges | 科幻片 琶音器 电子琴 动荡 | Bbm | 89 | |||
|
Shadows of a Murder [ISC022 - 2] |
2'10 | Zoltan Zadori | Dark underscore. Ominous, suspenseful, foreboding and sinister. Break | 恐怖片 画面感 令人不安 阴险 | D | 108 | ||||
|
Shadows of a Murder Alternate [ISC022 - 12] |
版本. | 2'10 | Zoltan Zadori | Alternate no percussion. | 令人不安 阴险 调查研究 灾难 | D | 108 | |||
|
Cyber Warfare [ISC022 - 9] |
2'10 | Zoltan Zadori | Dark Underscore. Intro with ominous textures, dark, suspenseful & | 画面感 进行中 悬念 阴险 | Eb | 100 | ||||
|
Cyber Warfare Alternate [ISC022 - 19] |
版本. | 2'10 | Zoltan Zadori | Alternate no percussion. | 进行中 悬念 阴险 悬念 | Eb | 100 | |||
|
The Sect [CEO2143 - 1] |
0 | 2'08 | Baptiste Charvet | Tense, urgent, restless & inexorable. Piano, clarinet & staccato | 历史片 电影原声带 社会悲剧 命运 | Em | 98 | |||
|
Visiting Other Worlds [CEO2143 - 9] |
0 | 3'07 | Baptiste Charvet | Insidious, deep & heady. Analogue synth sequence, piano punctuations, | 信息技术 周期性的 社会悲剧 进行中 | Gm | 101 | |||
|
Mind Manipulation [CEO2143 - 13] |
0 | 1'25 | Baptiste Charvet | Insidious, heady, psychotic & dramatic. Low synth sequence, | 电影原声带 军事冲突 阴险 固执 | E | 80 | |||
|
Subtle Pulsation [CEZ4533 - 15] |
3'04 | Louis Edlinger | Underscore/bed. Organic, minimalist, disturbing, obstinate & | 进行中 令人不安 pulsation 稳定的 | Fm | 100 | ||||
|
Subtle Pulsation Alternate 1 [CEZ4533 - 47] |
版本. | 3'02 | Louis Edlinger | Minimalist alternate version. Sparse & strange. Sound-design only. | 稀疏 无声 自然灾害 令人不安 | Ab | 98 | |||
|
Subtle Pulsation Alternate 2 [CEZ4533 - 48] |
版本. | 3'04 | Louis Edlinger | Minimalist alternate version. Pulsation only. | 令人不安 pulsation 稀疏 耐心 | Fm | 100 | |||
|
Retropolis [ISC021 - 3] |
2'45 | Sandia | Retro synthwave. Mysterious, curious, suspenseful, anguished, | 催眠 科幻片 合成波 琶音器 | Ebm | 153 | ||||
|
Retropolis Alternate [ISC021 - 13] |
版本. | 2'45 | Sandia | Alternate no drum machine. | 催眠 科幻片 合成波 琶音器 | Ebm | 153 | |||
|
Geiger Counter Ultimatum [CEG5034 - 4] |
0 | 2'13 | Thomas Didier | Anxious, menacing, insidious, sinister & doomful. Noisy drone, | 嗡嗡声 令人不安 灾难 军事冲突 | Gbm | 137 | |||
|
Condemnation [CEG5034 - 5] |
0 | 3'03 | Rémo | Desolate, lonely, tenebrous, confused & fateful. Drone, impact & | 自然灾害 嗡嗡声 神秘 冷沙漠 | Bbm | 74 | |||
|
An Invisible Danger [CEG5034 - 12] |
1'24 | Alice Guerlot Kourouklis | Desolate, foggy, mysterious, dark & suspicious. Low drone & | 令人不安 神秘 抱歉 嗡嗡声 | E | 72 | ||||
|
An Invisible Danger Alternate [CEG5034 - 28] |
版本. | 2'06 | Alice Guerlot Kourouklis | Alternate version. | 抱歉 神秘 自然灾害 稀疏 | E | 72 | |||
|
Hiding the Truth [CEG5034 - 21] |
0 | 2'18 | Jean-Baptiste Alvaar | Sound design, complex, strange, experimental & mysterious. Drone & | 奇怪 复杂 恐怖片 漂泊 | D | 155 | |||
|
Animus Anima [EOS83 - 3] |
0 | 2'18 | Laurent Rochelle | On hold, intriguing & bouncy. Progression. Piano & percussions. | 阴险 疑问 进行中 复杂 | Gm | 107 | |||
|
Descent into the Catacombs [CEC8025 - 3] |
2'44 | Gabriel Saban, Bo Tian | Weird, suspenseful & eerie. Descent effect. Constant & obsessive | 下降 无情 悬念 画面感 | Am | 136 | ||||
|
Descent into the Catacombs
[CEC8025 - 12] |
版本. | 2'44 | Gabriel Saban, Bo Tian | Alternate without percussion. | 恐怖片 令人不安 画面感 下降 | Am | 136 | |||
|
The Thrill of Victory [CEC8025 - 5] |
2'56 | Gabriel Saban, Bo Tian | Wild, violent, powerful & scary. Hybrid orchestra, shakuhachi flute & | 悬念 恐怖片 令人不安 功夫 | Am | 150 | ||||
|
The Thrill of Victory
[CEC8025 - 14] |
版本. | 2'56 | Gabriel Saban, Bo Tian | Alternate underscore version. | 恐怖片 令人不安 画面感 阴险 | Am | 150 | |||
|
Strange Place [TBX140 - 2] |
2'19 | Sergey Kolosov | Creepy, raw, cataclysmic. Kick drums and echoed sidestick sound beat | 低音鼓 神秘 pulsation 伴音 | G | 130 | ||||
|
Strange Place (Underscore A) [TBX140 - 15] |
版本. | 2'12 | Sergey Kolosov | Creepy, raw, cataclysmic. Sharp wicked chords set out an atmosphere | 神秘 伴音 恐怖片 令人不安 | G | 130 | |||
|
Strange Place (Underscore B) [TBX140 - 16] |
版本. | 2'02 | Sergey Kolosov | Creepy, raw, cataclysmic. Harrowing string melody skulks slowly with | 神秘 伴音 恐怖片 令人不安 | G | 95 | |||
|
Pizzicati Dramedy [CEZ4520 - 2] |
1'39 | Julien Vega | Bouncy, mischievous, kitsch/cheesy, quirky & fun. Pizz, brass, | trapedy 好玩 滑稽镜头 喜剧 | Gm | 100 | ||||
|
Pizzicati Dramedy Alternate [CEZ4520 - 25] |
版本. | 1'38 | Julien Vega | Alternate without scratch & fx | trapedy 好玩 滑稽镜头 喜剧 | Gm | 100 |