| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The City Below Variation [CEZ4570 - 12] |
0 | 2'13 | Elisabeth Skornik, Guy Skornik | Light tension. Obstinate, constant & menacing. Drone, piano & | 都市景色 社会悲剧 强调突出 司法 | C | 120 | |||
|
Eagle's Vision [CEZ4570 - 15] |
0 | 1'54 | Elisabeth Skornik, Guy Skornik | Ominous, sinister, inexorablle & tormented. Drone, piano, layers, | 气氛 阴险 都市景色 嗡嗡声 | Cm | 120 | |||
|
Tension in the Air Alternate [CEZ4567 - 19] |
2'07 | Felix Weber | Alternate no percussion. | 阴险 间谍片 动作片 pulsation | Gb | 178 | ||||
|
Tension in the Air [CEZ4567 - 7] |
版本. | 2'04 | Felix Weber | Cinematic electro. Intense, anticipating, determined & under | 动作片 悬念 画面感 进行中 | Gb | 90 | |||
|
Alternative Thinking
[CEZ4540 - 3] |
0 | 2'35 | Michel Barengo, Beda Thornton | Thoughtful / light tension version. Minimalist, dreamy, organic & | 调查研究 天气预告 稳定的 政治 | D | 105 | |||
|
Destructor [INP052 - 4] |
1'49 | Richard Reinhardt | Rushed, dystopian, intense. Large low impacts bring out metallic | 冲突 画面感 令人不安 阴险 | Dm | 162 | ||||
|
Destructor (Underscore) [INP052 - 14] |
版本. | 1'49 | Richard Reinhardt | Rushed, dystopian, intense. Large low impacts bring out metallic | 冲突 画面感 令人不安 阴险 | Dm | 80 | |||
|
Sectarian Drift [CEO2143 - 5] |
0 | 2'45 | Baptiste Charvet | Dark, fatal, insidious, hopeless & constant. Dissonant piano, | 阴险 军事冲突 社会悲剧 夜晚 | Gm | 93 | |||
|
Dark Waters [BIB212 - 10] |
2'32 | Pat Lennix, Xander Talim | Uncertain, adventurous, dangerous. Dissonant euphoria leads into | 地理政治 阴险 画面感 稳定的 | B | 154 | ||||
|
Dark Waters (Underscore) [BIB212 - 22] |
版本. | 2'32 | Pat Lennix, Xander Talim | Uncertain, adventurous, dangerous. Dissonant euphoria leads into | 画面感 稳定的 竖琴 调查研究 | B | 102 | |||
|
Dance Of The Demons [INP046 - 2] |
2'15 | Reid Durtschi | Eerie, suspicious, weighty. Dissonant strings chug into an expansive | 自然灾害 进步 悬念 画面感 | A | 90 | ||||
|
Dance Of The Demons
[INP046 - 12] |
版本. | 2'15 | Reid Durtschi | Eerie, suspicious, weighty. Dissonant strings chug into an expansive | 自然灾害 进步 悬念 画面感 | A | 90 | |||
|
What Comes Around [INP045 - 9] |
1'02 | Ronnie W Verboom | Scary, intimidating, disorderly. A low, emotive string instrument | 稀疏 令人不安 阴险 进步 | Gm | 133 | ||||
|
What Comes Around (Underscore) [INP045 - 23] |
版本. | 1'02 | Ronnie W Verboom | Scary, intimidating, disorderly. A low, emotive string instrument | 悬念 令人不安 阴险 进步 | Gm | 131 | |||
|
Interference [BIB204 - 3] |
1'53 | Steve Daedalus | Futuristic, dramatic, spirited. Dynamic piano notes meld with | 阴险 沉重 奇怪 神秘 | Gm | 60 | ||||
|
Interference (Underscore A) [BIB204 - 16] |
版本. | 1'53 | Steve Daedalus | Futuristic, dramatic, spirited. Rapid electronic percussion meets | 阴险 沉重 奇怪 神秘 | Gm | 60 | |||
|
Interference (Underscore B) [BIB204 - 17] |
版本. | 1'52 | Steve Daedalus | Futuristic, dramatic, spirited. Dynamic piano notes meld with | 阴险 沉重 奇怪 神秘 | Bb | 60 | |||
|
The Final Enigma [ISC015 - 5] |
2'43 | Gabriel Saban | Spooky & anxious intro evolving with pulsation, piano & creepy FX. | 恐怖片 令人不安 阴险 动作片 | Cm | 110 | ||||
|
The Final Enigma Alternate [ISC015 - 16] |
版本. | 2'43 | Gabriel Saban | Alternate version without percussion. | 恐怖片 令人不安 阴险 动作片 | Cm | 110 | |||
|
Murderous Intent Alternate 1 [ISC015 - 11] |
2'28 | Gabriel Saban | Alternate version without percussion. | 画面感 司法 动作片 阴险 | Cm | 140 | ||||
|
Murderous Intent [ISC015 - 1] |
版本. | 2'28 | Gabriel Saban | Ominous & dark atmospheric intro evolving with insidious pads & | 画面感 调查研究 司法 动作片 | Cm | 140 | |||
|
Suspicion [BIB197 - 8] |
2'39 | David Birnie | Accusatory, dramatic, impassioned. Pizzicato strings play out a nervy | 黑色电影 阴险 电影爵士乐 调查研究 | Bm | 60 | ||||
|
Suspicion (Underscore A) [BIB197 - 21] |
版本. | 2'30 | David Birnie | Accusatory, dramatic, impassioned. Bells and percussion play out a | 黑色电影 阴险 电影爵士乐 调查研究 | Bm | 120 | |||
|
Suspicion (Underscore B) [BIB197 - 22] |
版本. | 2'31 | David Birnie | Accusatory, dramatic, impassioned. Bells and icy strings play out a | 黑色电影 夜晚 电影爵士乐 悬念 | B | 120 | |||
|
The Colors of Your Crime [CEZ4510 - 7] |
0 | 2'15 | Arttu Silvast | Cold, insidious & mysterious. Drone, oboe textures & spreading piano. | 冷沙漠 自然灾害 北欧风 阴险 | Dm | 81 | |||
|
Voices of Ancestors [CEZ4509 - 7] |
0 | 2'10 | Sonny Nieuwenhuizen | Nordic civilization & warlike throat voice intro reminding viking & | 北欧风 阴险 神秘 漂泊 | Bm | 85 | |||
|
The Press Verdict [CEZ4505 - 3] |
0 | 2'30 | Sean Gould | Grave, insidious, methodical & confident. Repetitive percussion, | 司法 调查研究 神秘 画面感 | Em | 98 | |||
|
Objection Dismissed [CEZ4505 - 17] |
0 | 2'17 | Thomas Lucas | Insidious, tormented & enigmatic. Punctuated piano & strange synth. | 调查研究 阴险 动荡 司法 | Am | 88 | |||
|
Night Terrors [ISC012 - 9] |
2'09 | Emmanuel Rousseau | Pulsing intro with ghostly & haunted vocals, rising disturbing | 恐怖片 万圣节 阴险 电影原声带 | Gm | 150 | ||||
|
Night Terrors Alternate 1 [ISC012 - 21] |
版本. | 2'09 | Emmanuel Rousseau | Alternate without percussion. | 恐怖片 阴险 万圣节 神秘 | Gm | 150 | |||
|
Night Terrors Alternate 2 [ISC012 - 22] |
版本. | 2'09 | Emmanuel Rousseau | Alternate without vocal. | 恐怖片 阴险 万圣节 神秘 | Gm | 150 | |||
|
Locked and Loaded [INP040 - 1] |
2'01 | Killian Magee | Tense, powerful, epic. Bass synth sound hammers out a pacy pedal note | 阴险 画面感 工业噪音 无情 | Dm | 132 | ||||
|
Locked and Loaded (Underscore) [INP040 - 12] |
版本. | 2'01 | Killian Magee | Tense, powerful, epic. Bass synth sound hammers out a pacy pedal note | 阴险 工业噪音 间谍片 无情 | D | 131 | |||
|
Hellbound Opening Ceremony [CEZ4502 - 5] |
0 | 2'30 | EE HOON | Haunting, insidious & desolate. Epic @ 1'44. Strings, traditional | 韩剧 固执 韩国 阴险 | D | 130 |