| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Museum of Horrors [CEZ4578 - 11] |
0 | 1'49 | Tanja Frinta | Cinematic. Bizarre, worrying & discontinued. Piano & sound design. | 恐怖 画面感 恐怖片 灾难 | Ebm | 115 | |||
|
Soaring Free Alternate [CEZ4570 - 37] |
2'39 | Elisabeth Skornik, Guy Skornik | Deep, dark, terrifying & menacing drone. Keyboard arpeggio at 1'03. | 稳定的 周期性的 社会悲剧 漂泊 | Gm | 60 | ||||
|
Soaring Free [CEZ4570 - 9] |
版本. | 2'17 | Elisabeth Skornik, Guy Skornik | Dark introduction building-up with majesty. Then airy, constant & | 庄严 嗡嗡声 耐心 飞行 | Gm | 60 | |||
|
Virtual Pandemic [EOS95 - 4] |
0 | 2'30 | Simon Gruwé | Cinematic electro. Interrogative, toxic & rumbling. Synth & rhythm. | 画面感 令人不安 稳定的 自然灾害 | A | 94 | |||
|
Quantum Break [EOS95 - 9] |
0 | 2'12 | Simon Gruwé | Cinematic electro. Tragic, disturbing & wandering. Siren, strings, | 画面感 漂泊 电子琴 自然灾害 | C | 100 | |||
|
The Crossroads of Life [ISC034 - 6] |
4'08 | New Earth Project | Film Score. Sad & downcast intro with piano & strings. Dramatic build | 画面感 史诗 冒险片 感动 | Dm | 90 | ||||
|
The Crossroads of Life
[ISC034 - 20] |
版本. | 4'08 | New Earth Project | Alternative version without percussion. | 画面感 史诗 感动 果断 | Dm | 90 | |||
|
The Crossroads of Life
[ISC034 - 21] |
版本. | 4'08 | New Earth Project | Alternative version without duduk. | 画面感 史诗 感动 果断 | Dm | 90 | |||
|
Harpsichord Love [BIB228 - 7] |
2'45 | Pascal Macaigne | Lovelorn, antiquated, sorrowful. Harpsichord plays out an impassioned 歌词 | 夜晚 男歌手 复古法式喜剧 周期性的 | Am | 162 | ||||
|
Harpsichord Love
[BIB228 - 23] |
版本. | 2'45 | Pascal Macaigne | Lovelorn, antiquated, sorrowful. Harpsichord plays out an impassioned | 夜晚 复古法式喜剧 周期性的 节奏乐器组 | Am | 161 | |||
|
Harpsichord Love (Underscore) [BIB228 - 24] |
版本. | 2'45 | Pascal Macaigne | Lovelorn, antiquated, sorrowful. Harpsichord plays out an impassioned | 夜晚 复古法式喜剧 周期性的 节奏乐器组 | C | 162 | |||
|
Something to Believe In [CET9076 - 9] |
2'36 | Emmanuel Rousseau | Trailer / Film Score. Calm intro with water FX & luminous textures. | 画面感 令人不安 稳定的 自然灾害 | Cm | 100 | ||||
|
Something to Believe In
[CET9076 - 21] |
版本. | 2'36 | Emmanuel Rousseau | Alternate without percussion. | 画面感 令人不安 稳定的 自然灾害 | Cm | 123 | |||
|
Winds of the North [ISC029 - 9] |
2'44 | Filip Lackovic | Cinematic in a Celtic / Middle Age spirit. Mysterious, misty & | 画面感 神秘 神奇 超级英雄 | Dm | 80 | ||||
|
Winds of the North Alternate 1 [ISC029 - 26] |
版本. | 2'44 | Filip Lackovic | Alternative version without percussion. | 画面感 神秘 神奇 超级英雄 | Dm | 162 | |||
|
Winds of the North Alternate 2 [ISC029 - 27] |
版本. | 2'44 | Filip Lackovic | Alternate version without choir. | 画面感 神秘 神奇 超级英雄 | Dm | 80 | |||
|
Contract Killer [INP050 - 9] |
2'19 | Marco Madia | Terrifying, dangerous, foreboding. Riser into metallic dissonance | 冲击 冲突 画面感 大电影打击乐 | Am | 96 | ||||
|
Contract Killer (Underscore) [INP050 - 19] |
版本. | 2'16 | Marco Madia | Terrifying, dangerous, foreboding. Distant drums play around with | 冲击 冲突 画面感 大电影打击乐 | Am | 96 | |||
|
Major Crime Lab [TBX135 - 8] |
2'32 | Frank Spears | Inquisitive, futuristic, ominous. Discordant bell sounds play out | 信息技术 科学 调查研究 神秘 | Em | 90 | ||||
|
Major Crime Lab (Underscore) [TBX135 - 15] |
版本. | 2'32 | Frank Spears | Inquisitive, futuristic, ominous. Discordant bell sounds play out | 科学 调查研究 神秘 伴音 | Em | 90 | |||
|
Legal Machine [CEZ4505 - 2] |
0 | 2'40 | Sean Gould | Methodical, determined & relentless. Electronic percussion, synth & | 司法 调查研究 神秘 伴音 | Em | 92 | |||
|
Harsh Reality [ISC009 - 10] |
2'08 | Gabriel Saban | Grave, serious & disturbing. Heavy piano & disturbing strings. Climax | 画面感 轰隆声 令人不安 政治 | G | 120 | ||||
|
Harsh Reality Alternate [ISC009 - 17] |
版本. | 2'08 | Gabriel Saban | Alternate version without percussion. | 画面感 轰隆声 令人不安 政治 | G | 120 | |||
|
When Leaves Dance [ISC006 - 6] |
0 | 3'21 | Anne-Sophie Versnaeyen | Post-classical. Tormented, moody & wandering. Strings, clarinet & | 心理剧 历史片 叙述 历史旁白 | Cm | 100 | |||
|
Detective Dilemma [CEC8020 - 2] |
0 | 2'35 | Zhang Hao, 赵君睿 | Dark & disturbing introduction. Pipa, taiko & synth drone. Sinister, | 中国 调查研究 间谍片 灾难 | Gm | 75 | |||
|
Artefact or Reality [CEZ4486 - 12] |
0 | 2'40 | Elisabeth Skornik, Guy Skornik | Slow & steady pulse. Narrative, bleak, scientific & interrogative. | 司法 令人不安 工业噪音 阴险 | F | 86 | |||
|
Storm in my Heart [CEC8017 - 16] |
0 | 2'07 | Yum BGM | Melodramatic, inexorable & tormented. Piano, string orchestra & | 中国 画面感 动作片 冒险片 | Em | 95 | |||
|
The Great Steppes [CEC8016 - 21] |
0 | 4'08 | Yum BGM | Windy, mournful & desolate. Synth layers,percussion & sound-design. | 令人不安 全景图 气氛 社会悲剧 | Am | 70 | |||
|
Polar Moonless Night [CEZ4472 - 25] |
0 | 2'02 | Abaji | Lonely, hostile & cold. Bass clarinet, harmonic fx & violin with fx. | 逝去的文明 自然灾害 地理政治 漂泊 | Gm | 117 | |||
|
Affliction [CEO2127 - 10] |
0 | 2'01 | Marc-Olivier Dupin | Sad, nostalgic & pensive. String quartet. Suggested for historical | 命运 伤心 忧伤 历史旁白 | Cm | 82 | |||
|
Armies On the March [CEO2126 - 4] |
0 | 2'28 | Baptiste Thiry | Underscore. Suspense. Tense & dramatic. Cinematic orchestra & | 令人不安 进行中 画面感 小说纪录片 | Db | 109 |