| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Brodmann Areas [MAG6088 - 2] |
0 | 2'26 | Xavier Jamaux | Electronica. Interrogative, anticiâting, percussive, rattling & | 现代芭蕾 电子 当代艺术 工业 | G | 110 | |||
|
Modeling the Future [CEO2147 - 4] |
0 | 2'18 | Baptiste Thiry | Atmospheric, intriguing & questioning. Synth sequence, layers, piano | 气氛 太空 疑问 科学 | Gm | 102 | |||
|
Going Back in Time [CEO2152 - 12] |
0 | 1'07 | Baptiste Charvet | Disturbing, tense, patient & atmospheric. Metronomic percussion, | 司法 稳定的 电影原声带 信息技术 | Gm | 95 | |||
|
Rising with the Night [CEZ4576 - 12] |
0 | 3'36 | Hiroki Ishikura | Minimal electro. Simple, punctuated & delicate piano intro. Sequence | 工业 企业宣传 进步 加速镜头 | Fm | 130 | |||
|
Peaceful Flight [CEZ4570 - 5] |
0 | 2'07 | Elisabeth Skornik, Guy Skornik | Suspended, constant, contemplative, panormic, majestic & airy . | 庄严 飞行 悬念 宁静 | D | 65 | |||
|
High Altitude View [CEZ4570 - 27] |
0 | 2'01 | Elisabeth Skornik, Guy Skornik | Airy, calm, panoramic, shiny & narrative. Delicate piano arpeggio, | 安静 自信 明朗 全景图 | B | 120 | |||
|
Green is the World [CEZ4570 - 29] |
1'53 | Elisabeth Skornik, Guy Skornik | Worrying, anticipating & curious but solemn. Voice drone, pizzicato | 自然灾害 进行中 令人不安 神秘 | Gm | 113 | ||||
|
Green is the World Alternate [CEZ4570 - 45] |
版本. | 2'07 | Elisabeth Skornik, Guy Skornik | Nostalgic, soaring, airy & linear. Strings, drone & electronics. | 自然灾害 感动 疑问 严谨 | Gm | 113 | |||
|
Elaboration [CEZ4566 - 7] |
2'28 | Louis Edlinger | Patient, regular, minimalist & introspective. Electronics & light | 医疗 气氛 神秘 耐心 | Gm | 113 | ||||
|
Elaboration Alternate 1 [CEZ4566 - 35] |
版本. | 2'27 | Louis Edlinger | Reduced alternate version | 气氛 周期性的 医疗 神秘 | Gm | 113 | |||
|
Elaboration Alternate 2 [CEZ4566 - 36] |
版本. | 2'28 | Louis Edlinger | Minimalist alternate version (light percussion & drone) | 间谍片 工业 调查研究 信息技术 | Eb | 113 | |||
|
Elaboration Alternate 3 [CEZ4566 - 37] |
版本. | 1'54 | Louis Edlinger | Sparse alternate version | 稀疏 科学 气氛 医疗 | Gm | 76 | |||
|
Sweet Nostalgia [CEC8036 - 6] |
0 | 2'11 | Zhang Hao, 赵君睿 | Solo piano. In suspense. Shy, patient & restrained. Suggested for | 害羞 爱情 耐心 无电声钢琴 | G | 108 | |||
|
Unsolved Questions [CEZ4565 - 4] |
1'43 | Citokid, Andreas Suttner | Contemplative, sparse , calm & luminous. Electric guitars with bright | 跟踪摄影 安静 原声乐器 宁静 | Dm | 100 | ||||
|
Unsolved Questions Alternate 1 [CEZ4565 - 20] |
版本. | 1'45 | Citokid, Andreas Suttner | Alternare version without rhythm. | 跟踪摄影 安静 原声乐器 宁静 | Dm | 100 | |||
|
Unsolved Questions Alternate 2 [CEZ4565 - 21] |
版本. | 1'30 | Citokid, Andreas Suttner | Alternate version with guitar only. | 安静 稀疏 宁静 反省 | Dm | 100 | |||
|
The Listening Eye [CEZ4565 - 8] |
2'08 | Citokid, Andreas Suttner | Nocturne, suspended, hazy & mysterious. Electric guitar with reverse | 气氛 医疗 神秘 稳定的 | Em | 99 | ||||
|
The Listening Eye Alternate 1 [CEZ4565 - 29] |
版本. | 2'08 | Citokid, Andreas Suttner | Alternate version without rhythm. | 气氛 医疗 稳定的 冰冷 | Em | 99 | |||
|
The Listening Eye Alternate 2 [CEZ4565 - 30] |
版本. | 2'08 | Citokid, Andreas Suttner | Alternate version without guitar. | 气氛 稀疏 医疗 神秘 | Em | 99 | |||
|
The Listening Eye Alternate 3 [CEZ4565 - 31] |
版本. | 1'11 | Citokid, Andreas Suttner | Alternate version with guitars only. | 气氛 神秘 稳定的 冰冷 | Em | 99 | |||
|
Everything Comes at Once [CEZ4567 - 9] |
0 | 2'02 | Sonny Nieuwenhuizen | Electronica. Patient, building, suspicious & glittering. Crescendo. | 社会悲剧 电子 进行中 明朗 | D | 100 | |||
|
Summer Clouds [TBX161 - 13] |
1'41 | Edward Hogston | Emotive, thoughtful, quaint. Soft and graceful acoustic guitar plays | 乡村 民族吉他 宁静 田园 | Gb | 82 | ||||
|
Summer Clouds (Underscore) [TBX161 - 29] |
版本. | 1'42 | Edward Hogston | Emotive, thoughtful, quaint. Soft and graceful acoustic guitar plays | 乡村 民族吉他 宁静 田园 | Gb | 162 | |||
|
Planning Ahead [TBX160 - 4] |
2'29 | Gareth Thomas | Uncertain, investigative, grizzled. Echoing plucked notes offer a | 飞行 画面感 命运 小说纪录片 | Am | 70 | ||||
|
Planning Ahead (Underscore) [TBX160 - 14] |
版本. | 2'29 | Gareth Thomas | Uncertain, investigative, grizzled. Echoing plucked notes offer a | 飞行 画面感 命运 小说纪录片 | Am | 70 | |||
|
Resting Place [TBX160 - 7] |
1'49 | Gareth Thomas | Fulfilled, special, hallowed. Gentle piano nudges against | 内心 感动 跟踪摄影 气氛 | E | 71 | ||||
|
Resting Place (Underscore) [TBX160 - 17] |
版本. | 1'49 | Gareth Thomas | Fulfilled, special, hallowed. Anticipatory strings offer a feeling of | 内心 感动 跟踪摄影 气氛 | E | 70 | |||
|
Positively Neutral [TBX159 - 8] |
2'08 | Michael Tedstone | Bright, upbeat, graceful. Resonant bells mesh with tuneful drums to | 木琴 室外 温柔 伴音 | Cm | 95 | ||||
|
Positively Neutral
[TBX159 - 24] |
版本. | 2'08 | Michael Tedstone | Bright, upbeat, graceful. Resonant bells play out proudly, joined by | 木琴 室外 温柔 伴音 | Cm | 63 | |||
|
Calm Environment [TBX159 - 10] |
2'00 | Jack Pierce | Promising, laidback, reassuring. Low modest bell sequence moves in | 疑问 全景 梦幻 木琴 | G | 138 | ||||
|
Calm Environment (Underscore) [TBX159 - 26] |
版本. | 2'00 | Jack Pierce | Promising, laidback, reassuring. Low modest bell sequence moves in | 疑问 全景 梦幻 气氛 | G | 138 | |||
|
Brave Face [TBX159 - 11] |
2'18 | Michael Tedstone | Intriguing, uncertain, adventurous. Piano plays out with a cool and | 木琴 耐心 放松 温柔 | D | 65 | ||||
|
Brave Face (Underscore) [TBX159 - 27] |
版本. | 2'18 | Michael Tedstone | Intriguing, uncertain, adventurous. Piano plays out with a cool and | 耐心 放松 电子琴 温柔 | D | 65 | |||
|
New Life [BIB232 - 2] |
2'59 | Matthew Hill | Promising, bright, graceful. Bright strings and bells create a | 画面感 梦幻 背景音 气氛 | E | 80 | ||||
|
New Life (Underscore A) [BIB232 - 13] |
版本. | 2'59 | Matthew Hill | Promising, bright, graceful. Bright strings and bells create a | 画面感 梦幻 背景音 气氛 | E | 80 | |||
|
New Life (Underscore B) [BIB232 - 14] |
版本. | 2'59 | Matthew Hill | Promising, bright, graceful. Layered reverbed piano creates a hopeful | 画面感 梦幻 背景音 气氛 | E | 80 | |||
|
Melancholia [EOS79 - 5] |
0 | 1'59 | Sébastien Gisbert | Resonant & mysterious. Melodic waltz. Sanza & senza. Suggested for | 稀疏 伴音 通透 抱歉 | Am | 82 |