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冲突| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Finger On The Trigger [AUD017 - 1] |
2'11 | Matthieu Rabaté | Medium-fast - Eeerie and scary mechanical drone intro rising to heavy | 大电影打击乐 冲突 战争 军事冲突 | Cm | 97 | ||||
|
|
Finger On The Trigger
[AUD017 - 6] |
版本. | 0'34 | Matthieu Rabaté | Short Edit. | 大电影打击乐 冲突 战争 军事冲突 | Bbm | 97 | |||
|
|
Finger On The Trigger
[AUD017 - 11] |
版本. | 2'04 | Matthieu Rabaté | Alternative version without drums. | 信息技术 令人不安 间谍片 诡异 | C | 129 | |||
|
Apocalyptic Symphony [INP069 - 8] |
2'14 | James Cullen, Mike Newport | Intense, powerful, dangerous. Large impact with wilting choral voices | 画面感 追逐场面 紧急 冲突 | Cm | 123 | ||||
|
|
Apocalyptic Symphony (Alt
[INP069 - 26] |
版本. | 2'14 | James Cullen, Mike Newport | Intense, powerful, dangerous. Large impact with wilting choral voices | 画面感 追逐场面 紧急 冲突 | Cm | 123 | |||
|
|
Apocalyptic Symphony
[INP069 - 27] |
版本. | 2'13 | James Cullen, Mike Newport | Intense, powerful, dangerous. Large impact sets out a powerful | 画面感 追逐场面 紧急 冲突 | Cm | 164 | |||
|
Venom [CEZ4622 - 2] |
1'56 | Léo Natale | Rock. Raw, heavy, emphatic, heavy, surgical & powerful. Guitar, bass | 赛车 男人 固执 斯托纳摇滚 | Em | 108 | ||||
|
|
Venom 30 secondes [CEZ4622 - 11] |
版本. | 0'30 | Léo Natale | Alternate 30s. | 赛车 男人 固执 斯托纳摇滚 | Em | 108 | |||
|
|
Venom 60 secondes [CEZ4622 - 12] |
版本. | 1'00 | Léo Natale | Alternate 60s. | 赛车 男人 固执 斯托纳摇滚 | Em | 108 | |||
|
|
Riot [CEZ4622 - 5] |
2'27 | Olivier Castellat, Pegazi | Rock. Devastating, aggressive, explosive, fast, heavy & masculine. | 动作游戏 气势 朋克 男人 | Dm | 94 | ||||
|
|
Riot 30 secondes [CEZ4622 - 17] |
版本. | 0'30 | Olivier Castellat, Pegazi | Alternate 30s. | 动作游戏 气势 朋克 男人 | Dm | 94 | |||
|
|
Riot 60 secondes [CEZ4622 - 18] |
版本. | 1'00 | Olivier Castellat, Pegazi | Alternate 60s. | 动作游戏 气势 朋克 男人 | Dm | 94 | |||
|
From Ashes [INP068 - 4] |
1'24 | Richard Reinhardt | Eerie, gothic, strange. Large yawning bass lands with huge impact, | 画面感 恐怖 恐怖片 冲突 | Cm | 120 | ||||
|
|
From Ashes (Underscore) [INP068 - 14] |
版本. | 1'25 | Richard Reinhardt | Eerie, gothic, strange. Large yawning bass lands slithers around like | 画面感 恐怖 恐怖片 冲突 | Cm | 120 | |||
|
|
Siren Blast [INP068 - 7] |
2'21 | Richard Reinhardt | Dangerous, action, urgent. Riser slams down with force into an | 冲突 画面感 恐怖片 无情 | B | 162 | ||||
|
|
Siren Blast (Underscore) [INP068 - 17] |
版本. | 2'22 | Richard Reinhardt | Dangerous, action, urgent. Riser slams down with an alien force into | 冲突 画面感 恐怖片 无情 | B | 120 | |||
|
|
T-Rex Awakes [INP068 - 8] |
1'51 | Richard Reinhardt | Urgent, monstrous, dangerous. Small yawning dissonance suggests | 画面感 高潮 动作游戏 大电影打击乐 | C | 120 | ||||
|
|
T-Rex Awakes (Underscore) [INP068 - 18] |
版本. | 1'51 | Richard Reinhardt | Urgent, monstrous, dangerous. Small echoed impacts suggest trouble or | 画面感 高潮 动作游戏 预告片 | C | 120 | |||
|
Bare Knuckles [INP066 - 5] |
2'29 | Rupert Gibb | Tough, dangerous, climactic. Impact joined by alarm FX creating an | 态度 气势 极限运动 固执 | Fm | 136 | ||||
|
|
Bare Knuckles (Underscore) [INP066 - 15] |
版本. | 2'13 | Rupert Gibb | Tough, dangerous, climactic.Alarm FX synth creates an uncertain and | 态度 气势 极限运动 固执 | Fm | 136 | |||
|
Metal Man [AUD014 - 2] |
1'43 | Francois Delfin | Uptempo - Urgent, hectic and driving prog metal. Quirky synth. Break | 渐进金属 冲突 怪异 爆炸 | Bm | 121 | ||||
|
|
Metal Man Alternate 1 [AUD014 - 7] |
版本. | 0'13 | Francois Delfin | Short edit. | 渐进金属 冲突 怪异 爆炸 | Bm | 121 | |||
|
|
Metal Man Alternate 2 [AUD014 - 12] |
版本. | 1'43 | Francois Delfin | No lead version. | 渐进金属 冲突 怪异 爆炸 | Bm | 121 | |||
|
Ultrapolis [CET9093 - 3] |
2'11 | Philippe Briand, Salvador Casais, Thomas Dubreuil | ☆ Nominated "Best Use in a Video Game Trailer" @Mark Awards US 2025 | 气势 果断 动人 团队运动 | Fm | 105 | ||||
|
|
Ultrapolis Alternate 1 [CET9093 - 25] |
版本. | 2'11 | Philippe Briand, Salvador Casais, Thomas Dubreuil | Alternate version without percussion. | 气势 果断 动人 团队运动 | Fm | 105 | |||
|
|
Ultrapolis Alternate 2 [CET9093 - 26] |
版本. | 2'11 | Philippe Briand, Salvador Casais, Thomas Dubreuil | Alternate version with percussion only. | 气势 果断 团队运动 冲突 | Abm | 105 | |||
|
|
Ultrapolis Alternate 3 [CET9093 - 27] |
版本. | 2'11 | Philippe Briand, Salvador Casais, Thomas Dubreuil | Alternate version without vocal. | 气势 果断 动人 团队运动 | Fm | 105 | |||
|
|
Ultrapolis Alternate 4 [CET9093 - 28] |
版本. | 2'11 | Philippe Briand, Salvador Casais, Thomas Dubreuil | Alternate bed version. | 气势 果断 动人 团队运动 | Fm | 105 | |||
|
|
Ultrapolis Alternate 5 [CET9093 - 29] |
版本. | 2'11 | Philippe Briand, Salvador Casais, Thomas Dubreuil | Alternate underscore version. | 气势 果断 动人 团队运动 | Fm | 105 | |||
|
|
Ultrapolis Alternate 6 [CET9093 - 30] |
版本. | 1'00 | Philippe Briand, Salvador Casais, Thomas Dubreuil | Alternative 60-second version. | 气势 果断 动人 团队运动 | Fm | 105 | |||
|
|
Ultrapolis Alternate 7 [CET9093 - 31] |
版本. | 0'30 | Philippe Briand, Salvador Casais, Thomas Dubreuil | Alternative 30-second version. | 气势 果断 动人 团队运动 | Fm | 105 | |||
|
|
Ultrapolis Alternate 8 [CET9093 - 32] |
版本. | 0'15 | Philippe Briand, Salvador Casais, Thomas Dubreuil | Alternative 15-second version. | 气势 果断 动人 团队运动 | Fm | 105 | |||
|
Cybernetic [ISC062 - 4] |
3'27 | Idan Kupferberg | Industrial electro. Electro clash. Heavy, punchy & aggressive. Chorus | 俱乐部 信息技术 气势 极限运动 | Gm | 98 | ||||
|
|
Cybernetic Alternate 1 [ISC062 - 14] |
版本. | 3'27 | Idan Kupferberg | Alternative version without percussion. | 俱乐部 信息技术 气势 极限运动 | Gm | 98 | |||
|
|
Cybernetic Alternate 2 [ISC062 - 15] |
版本. | 3'27 | Idan Kupferberg | Alternative version without vocals. | 俱乐部 信息技术 气势 极限运动 | Gm | 98 | |||
|
No Time to Die [CET9092 - 1] |
1'57 | Zoltan Zadori | Cinematic. Clocklike intro with suspenseful & eerie pads & ticking | 画面感 恐怖 （音效）滴答声 时间（滴答声） | C | 110 | ||||
|
|
No Time to Die Alternate 1 [CET9092 - 11] |
版本. | 1'57 | Zoltan Zadori | Alternate version without percussion. | 画面感 恐怖 冲突 恐怖片 | C | 110 | |||
|
|
No Time to Die Alternate 2 [CET9092 - 12] |
版本. | 1'57 | Zoltan Zadori | Alternate version with percussion only. | 画面感 时间（滴答声） 冲突 恐怖片 | Gm | 110 | |||
|
|
Timebreaker [CET9092 - 2] |
2'13 | Zoltan Zadori | Cinematic. Pending & ominous intro with clocklike fx, sound design & | 战士 恐怖 战争 冲突 | Em | 90 | ||||
|
|
Timebreaker Alternate 1 [CET9092 - 13] |
版本. | 2'13 | Zoltan Zadori | Alternate version without percussion. | 战士 恐怖 战争 冲突 | Em | 89 | |||
|
|
Timebreaker Alternate 2 [CET9092 - 14] |
版本. | 2'13 | Zoltan Zadori | Alternate version with percussion only. | 战士 恐怖 战争 冲突 | Abm | 90 | |||
|
|
Inner Scream [CET9092 - 4] |
2'00 | Zoltan Zadori | Cinematic. Scary, discontinuous & clamorous sound design intro. | 恐怖 战士 固执 预告片 | Em | 120 | ||||
|
|
Inner Scream Alternate 1 [CET9092 - 17] |
版本. | 2'00 | Zoltan Zadori | Alternate version without percussion. | 恐怖 战士 固执 预告片 | Em | 120 | |||
|
|
Inner Scream Alternate 2 [CET9092 - 18] |
版本. | 2'00 | Zoltan Zadori | Alternate version with percussion only. | 恐怖 战士 固执 预告片 | Gbm | 120 | |||
|
|
Chronophobia [CET9092 - 5] |
1'57 | Zoltan Zadori | Cinematic. Pulsating & tense intro with heartbeat noise, ticking | 画面感 战士 预告片 冲突 | Cm | 86 | ||||
|
|
Chronophobia Alternate 1 [CET9092 - 19] |
版本. | 1'57 | Zoltan Zadori | Alternate version without percussion. | 画面感 战士 预告片 冲突 | Ebm | 86 | |||
|
|
Chronophobia Alternate 2 [CET9092 - 20] |
版本. | 1'57 | Zoltan Zadori | Alternate version with percussion only. | 画面感 战士 预告片 冲突 | Gm | 86 | |||
|
|
Game Over [CET9092 - 8] |
1'45 | Zoltan Zadori | Cinematic. Discontinuous & eerie intro with sound design & heartbeat. | 冲突 画面感 （音效）滴答声 战争 | Dm | 120 | ||||
|
|
Game Over Alternate 1 [CET9092 - 25] |
版本. | 1'45 | Zoltan Zadori | Alternate version without percussion. | 冲突 画面感 战争 战士 | Dm | 120 | |||
|
|
Game Over Alternate 2 [CET9092 - 26] |
版本. | 1'45 | Zoltan Zadori | Alternate version with percussion only. | 冲突 画面感 （音效）滴答声 战争 | Am | 120 | |||
|
|
Strikeforce [CET9092 - 9] |
2'03 | Zoltan Zadori | Cinematic. Insidious, pure, undulating & metallic intro with sound | （音效）滴答声 冲突 画面感 恐怖片 | G | 162 | ||||
|
|
Strikeforce Alternate [CET9092 - 27] |
版本. | 2'03 | Zoltan Zadori | Alternate version with percussion only. | （音效）滴答声 冲突 画面感 恐怖片 | Gbm | 162 | |||
|
|
Last Warning [CET9092 - 10] |
1'54 | Zoltan Zadori | Cinematic. Ominous, dark, discontinuous intro with pared-down sound | 有毒 冲突 恐怖 （音效）滴答声 | Em | 110 | ||||
|
|
Last Warning Alternate [CET9092 - 28] |
版本. | 1'54 | Zoltan Zadori | Alternate version with percussion only. | 有毒 冲突 恐怖 （音效）滴答声 | Am | 110 | |||
|
Time has Come [ISC061 - 8] |
3'04 | NoTrace, SUPRHOT | Orchestral trailer Hip Hop. Courageous, incisive & conquering. 歌词 | 嘻哈预告风 气势 极限运动 冲突 | Ebm | 130 | ||||
|
|
Time has Come Alternate [ISC061 - 18] |
版本. | 3'04 | NoTrace, SUPRHOT | Alternate instrumental version. | 嘻哈预告风 气势 极限运动 冲突 | Ebm | 130 | |||
|
Future Noir [INP064 - 1] |
2'20 | Sergey Kolosov | Bold, futuristic, daunting. Resonant bass tones are joined by | 轰隆声 固执 冲突 失真效果器 | Am | 120 | ||||
|
|
Future Noir (Underscore A) [INP064 - 11] |
版本. | 2'20 | Sergey Kolosov | Bold, futuristic, daunting. Resonant bass tones are joined by | 轰隆声 固执 失真效果器 沉重 | C | 120 | |||
|
|
Future Noir (Underscore B) [INP064 - 12] |
版本. | 2'04 | Sergey Kolosov | Bold, futuristic, daunting. Thumping bass and percussion surge | 轰隆声 固执 冲突 失真效果器 | Am | 120 |
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