| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Firestarter [INP082 - 1] |
2'17 | Joseph Westerlund | Rough, dirty, fiery. Dissonant euphoria spreads through a desolate | 预告片 冲突 动作游戏 沉重 | A | 172 | ||||
|
Firestarter (Underscore) [INP082 - 11] |
版本. | 2'17 | Joseph Westerlund | Rough, dirty, fiery. Dissonant euphoria spreads through a desolate | 预告片 冲突 动作游戏 沉重 | A | 113 | |||
|
Whispers in The Mist [CET9107 - 6] |
2'28 | Anthony d'Amario, Edouard Rigaudière | Cinematic trailer. Supernatural intro with bewitching female vocals & | 冲突 画面感 恐怖 恐怖片 | Dm | 120 | ||||
|
Whispers in The Mist
[CET9107 - 47] |
版本. | 2'28 | Anthony d'Amario, Edouard Rigaudière | Version without percussion | 画面感 恐怖 恐怖片 预告片 | Dm | 120 | |||
|
Whispers in The Mist
[CET9107 - 48] |
版本. | 2'28 | Anthony d'Amario, Edouard Rigaudière | Version with percussion only | 冲突 画面感 恐怖 恐怖片 | Dm | 120 | |||
|
Whispers in The Mist
[CET9107 - 49] |
版本. | 2'28 | Anthony d'Amario, Edouard Rigaudière | Version without strings | 冲突 画面感 恐怖 恐怖片 | Dm | 120 | |||
|
Whispers in The Mist
[CET9107 - 50] |
版本. | 2'28 | Anthony d'Amario, Edouard Rigaudière | Version without choir | 冲突 画面感 恐怖 恐怖片 | Dm | 120 | |||
|
Whispers in The Mist
[CET9107 - 51] |
版本. | 2'28 | Anthony d'Amario, Edouard Rigaudière | Bed version | 冲突 画面感 恐怖 恐怖片 | Dm | 120 | |||
|
Whispers in The Mist
[CET9107 - 52] |
版本. | 2'28 | Anthony d'Amario, Edouard Rigaudière | Underscore version | 冲突 画面感 恐怖 恐怖片 | Dm | 120 | |||
|
Whispers in The Mist
[CET9107 - 53] |
版本. | 0'18 | Anthony d'Amario, Edouard Rigaudière | 15 second cut | 冲突 画面感 恐怖 恐怖片 | Dm | 120 | |||
|
Whispers in The Mist
[CET9107 - 54] |
版本. | 0'30 | Anthony d'Amario, Edouard Rigaudière | 30 second cut | 冲突 画面感 恐怖 恐怖片 | Dm | 120 | |||
|
What I Look Like [BIB287 - 5] |
2'06 | Omer Agca, Adela Hassan, John Spengemann, Aizen Stokes | Rude, powerful, explosive. Big sub bass joins confident female vocals 歌词 | 沉重 气势 态度 骄傲 | Abm | 117 | ||||
|
What I Look Like Instrumental [BIB287 - 21] |
版本. | 2'04 | Omer Agca, Adela Hassan, John Spengemann, Aizen Stokes | Rude, powerful, explosive. Big sub bass joined by clicking | 态度 骄傲 健身 青春剧 | Fm | 117 | |||
|
What I Look Like Underscore [BIB287 - 22] |
版本. | 2'04 | Omer Agca, Adela Hassan, John Spengemann, Aizen Stokes | Rude, powerful, explosive. Clicking percussion gives a sense of | 态度 骄傲 健身 青春剧 | Fm | 117 | |||
|
Aftermath [IOM035 - 10] |
2'06 | David Birnie | Dystopian, raw, dangerous. Impact into shadowy sci-fi soundscape with | 战争 冲突 战士 画面感 | Bm | 150 | ||||
|
Aftermath (Underscore) [IOM035 - 81] |
版本. | 1'55 | David Birnie | Dystopian, raw, dangerous. Shadowy sci-fi soundscape with strange | 战争 冲突 战士 画面感 | Abm | 150 | |||
|
Aftermath (Percussion Only) [IOM035 - 82] |
版本. | 2'03 | David Birnie | Dystopian, raw, dangerous. Shadowy sci-fi soundscape with strange | 战争 画面感 火热 固执 | B | 151 | |||
|
Aftermath (60 sec) [IOM035 - 83] |
版本. | 1'02 | David Birnie | Dystopian, raw, dangerous. Shadowy sci-fi soundscape leads into sense | 战争 冲突 战士 画面感 | Bm | 150 | |||
|
Aftermath (30 sec) [IOM035 - 84] |
版本. | 0'30 | David Birnie | Dystopian, raw, dangerous. Shadowy sci-fi soundscape leads into sense | 战争 冲突 战士 画面感 | Bm | 150 | |||
|
Aftermath (15 sec) [IOM035 - 85] |
版本. | 0'15 | David Birnie | Dystopian, raw, dangerous. Explosive sci-fi energy. Aliens or robots | 战争 冲突 战士 画面感 | Bm | 150 | |||
|
Aftermath (10 sec) [IOM035 - 86] |
版本. | 0'10 | David Birnie | Dystopian, raw, dangerous. Explosive sci-fi energy. Aliens or robots | 战争 冲突 战士 画面感 | Bm | 150 | |||
|
Aftermath (5 sec) [IOM035 - 87] |
版本. | 0'06 | David Birnie | Dystopian, raw, dangerous. Explosive sci-fi energy. Aliens or robots | 战争 冲突 战士 画面感 | Bm | 136 | |||
|
Aftermath (Sting) [IOM035 - 88] |
版本. | 0'04 | David Birnie | Dystopian, raw, dangerous. Screeching riser for sci-fi action | 战争 冲突 战士 画面感 | Cm | 145 | |||
|
Clash Of Titans [INP077 - 6] |
3'48 | Orfeas Dialinos, Willie Eaglin | Ominous, epic, explosive. Large lumbering boom impacts offer a sense | 史诗 嘻哈预告风 爆炸 战士 | Fm | 130 | ||||
|
Clash Of Titans (Underscore) [INP077 - 16] |
版本. | 3'48 | Orfeas Dialinos, Willie Eaglin | Ominous, epic, explosive. Large lumbering boom impacts offer a sense | Fm | 130 | ||||
|
Battle Armor [INP077 - 8] |
3'52 | Orfeas Dialinos, Willie Eaglin | Legendary, raw, gritty. Droning bass gives rise to rolling war drums | 动作游戏 冲击 冲突 沉重 | Fm | 90 | ||||
|
Battle Armor (Underscore) [INP077 - 18] |
版本. | 3'52 | Orfeas Dialinos, Willie Eaglin | Legendary, raw, gritty. Droning bass and guitar moans gives rise to | Fm | 90 | ||||
|
Neural Pulse [AMS5048 - 1] |
1'58 | Philippe Briand, Salvador Casais | Cinematic rock trailer. Ominous introduction with electric guitar and | 冲突 影院摇滚 战士 动作游戏 | B | 120 | ||||
|
Neural Pulse Alternate 1 [AMS5048 - 7] |
版本. | 1'58 | Philippe Briand, Salvador Casais | Version without percussion | 影院摇滚 战士 动作游戏 气势 | B | 120 | |||
|
Neural Pulse Alternate 2 [AMS5048 - 8] |
版本. | 1'58 | Philippe Briand, Salvador Casais | Version with percussion only | 冲突 影院摇滚 战士 动作游戏 | Abm | 120 | |||
|
Neural Pulse Alternate 3 [AMS5048 - 9] |
版本. | 1'58 | Philippe Briand, Salvador Casais | Bed version | 冲突 影院摇滚 战士 动作游戏 | B | 120 | |||
|
Neural Pulse Alternate 4 [AMS5048 - 10] |
版本. | 1'58 | Philippe Briand, Salvador Casais | Underscore version | 冲突 影院摇滚 战士 动作游戏 | B | 120 | |||
|
Neural Pulse Edit 1 30 sec [AMS5048 - 11] |
版本. | 0'27 | Philippe Briand, Salvador Casais | 30 second cut | 冲突 影院摇滚 战士 动作游戏 | B | 120 | |||
|
Neural Pulse Edit 2 15 sec [AMS5048 - 12] |
版本. | 0'16 | Philippe Briand, Salvador Casais | 15 second cut | 冲突 影院摇滚 战士 动作游戏 | B | 120 | |||
|
Insurgency [AMS5047 - 3] |
1'58 | Salvador Casais | Cinematic percussion. Sneaky intro. Build-up @ 0'23 with dark | 极限运动 冲突 画面感 沉重 | Em | 89 | ||||
|
Insurgency Alternate 1 [AMS5047 - 20] |
版本. | 1'58 | Salvador Casais | Version without percussion | 极限运动 画面感 骄傲 预告片 | Em | 89 | |||
|
Insurgency Alternate 2 [AMS5047 - 21] |
版本. | 1'58 | Salvador Casais | Version with percussion only | 极限运动 冲突 画面感 史诗 | Fm | 89 | |||
|
Insurgency Alternate 3 [AMS5047 - 22] |
版本. | 1'58 | Salvador Casais | Bed version | 极限运动 冲突 画面感 史诗 | Em | 90 | |||
|
Insurgency Alternate 4 [AMS5047 - 23] |
版本. | 1'58 | Salvador Casais | Underscore version | 极限运动 冲突 画面感 史诗 | Em | 89 | |||
|
Insurgency Edit 1 (30 sec) [AMS5047 - 24] |
版本. | 0'33 | Salvador Casais | 30 second cut | 极限运动 冲突 画面感 史诗 | Em | 90 | |||
|
Insurgency Edit 2 (15 sec) [AMS5047 - 25] |
版本. | 0'16 | Salvador Casais | 15 second cut | 极限运动 冲突 画面感 史诗 | Em | 89 | |||
|
Shame And Wrath [AUD039 - 4] |
2'22 | Alexandre Koneski | Proud and stomping Electro Metal. Rising intro. Punchy drums, dark | 冲突 工业金属 动作游戏 固执 | Em | 82 | ||||
|
Shame And Wrath (Short Edit) [AUD039 - 9] |
版本. | 0'30 | Alexandre Koneski | Proud and stomping Electro Metal. Rising intro. Punchy drums, dark | 冲突 工业金属 动作游戏 固执 | Em | 164 | |||
|
Shame And Wrath (Alternate) [AUD039 - 14] |
版本. | 2'21 | Alexandre Koneski | Proud and stomping Electro Metal. Rising intro. Punchy drums, | 冲突 工业金属 动作游戏 固执 | Am | 163 | |||
|
Rupture [INP068 - 6] |
1'34 | Richard Reinhardt | Action, fiery, intense. Subtle riser leads into fuzzy impact and | 战争 爆炸 (音效)开火 动作游戏 | C | 165 | ||||
|
Rupture (Underscore) [INP068 - 16] |
版本. | 1'36 | Richard Reinhardt | Action, fiery, intense. Subtle riser leads into yawning dissonance. | 战争 动作游戏 预告片 冲突 | Cm | 83 | |||
|
Street Justice [INP066 - 1] |
2'00 | Mike Newport | Powerful, dramatic, tough. Squelching bass booms out as a sturdy, | 电影节奏 固执 极限运动 冲突 | Ebm | 156 | ||||
|
Street Justice (Underscore) [INP066 - 11] |
版本. | 2'00 | Mike Newport | Powerful, dramatic, tough. Bass booms as sturdy, anticipatory rhythm | 电影节奏 固执 极限运动 冲突 | Ebm | 156 | |||
|
Grandmaster [CET9094 - 10] |
3'09 | Gabriel Saban, Bo Tian | Discontinuous intro with gradually building rumbling & aggressive | 冲突 战士 预告片 画面感 | Em | 80 | ||||
|
Grandmaster Alternate 1 [CET9094 - 25] |
版本. | 3'09 | Gabriel Saban, Bo Tian | Alternate version without percussion. | 冲突 战士 预告片 画面感 | E | 162 | |||
|
Grandmaster Alternate 2 [CET9094 - 26] |
版本. | 3'09 | Gabriel Saban, Bo Tian | Alternate version without lead. | 冲突 战士 预告片 画面感 | Em | 80 | |||
|
Abyss [INP061 - 7] |
1'12 | Damir Agovic | Apocalyptic, relentless, terrifying. Heavy impact with dissonance and | 冲突 画面感 战士 无情 | Cm | 100 | ||||
|
Abyss (Underscore) [INP061 - 17] |
版本. | 1'12 | Damir Agovic | Apocalyptic, relentless, terrifying. Bass impacts mix with | 冲突 画面感 战士 无情 | C | 99 | |||
|
Dismantle [INP061 - 8] |
1'58 | Damir Agovic | Ominous, militaristic, intimidating. Pulsing kick drum and | 冲突 画面感 恐怖片 战争 | Ebm | 80 | ||||
|
Dismantle (Underscore) [INP061 - 18] |
版本. | 1'53 | Damir Agovic | Ominous, militaristic, intimidating. High-pitched sound emanate from | 冲突 画面感 恐怖片 战争 | D | 80 | |||
|
Omni [INP059 - 5] |
3'06 | Niklas Aaman | Heavy, raw, dirty. Roaring bass moves into large, marching rhythm | 固执 冲突 赛车 动作片 | D | 144 | ||||
|
Omni (Underscore) [INP059 - 17] |
版本. | 1'10 | Niklas Aaman | Raw, dirty, dystopian. Resonant bass climbs out of darkness with | 赛车 动作片 动作游戏 撞击电子乐 | D | 144 | |||
|
V For Vengeance [INP059 - 8] |
2'28 | Markus Gleissner | Redemptive, powerful, eerie. Slow synths emerge from a gloomy | 动作片 冲突 动作游戏 极限运动 | E | 100 | ||||
|
V For Vengeance (Underscore) [INP059 - 20] |
版本. | 2'28 | Markus Gleissner | Redemptive, powerful, eerie. Slow kick drum brings out synth notes | 动作片 冲突 动作游戏 极限运动 | Em | 100 | |||
|
Weaponized Unrest [ISC041 - 3] |
2'13 | Giorgos Lorantakis | Aggressive intro with saturated rock guitar riff & mechanical gun | 动作游戏 战争 固执 冲突 | Dm | 126 | ||||
|
Weaponized Unrest Alternate 1 [ISC041 - 15] |
版本. | 2'13 | Giorgos Lorantakis | Alternate version without guns. | 动作游戏 战争 固执 冲突 | Dm | 126 | |||
|
Weaponized Unrest Alternate 2 [ISC041 - 16] |
版本. | 2'13 | Giorgos Lorantakis | Alternate version without guitar. | 动作游戏 战争 固执 冲突 | Dm | 126 | |||
|
Ambush [ISC041 - 7] |
2'11 | Giorgos Lorantakis | Oppressive & menacing intro with alarm fx & metallic weapon loading | 战争 令人不安 冲突 (音效)警报声 | Dm | 106 | ||||
|
Ambush Alternate 1 [ISC041 - 22] |
版本. | 2'11 | Giorgos Lorantakis | Alternate version without guns. | 战争 令人不安 冲突 (音效)警报声 | D | 106 | |||
|
Ambush Alternate 2 [ISC041 - 23] |
版本. | 2'03 | Giorgos Lorantakis | Alternative version without alarm. | 战争 令人不安 冲突 动作游戏 | Dm | 106 | |||
|
Conflict of Interest [ISC041 - 9] |
2'17 | Giorgos Lorantakis | Aggressive intro with sudden deafening impacts creating a rhythm. | 战争 金属 机械的 冲突 | Bbm | 125 | ||||
|
Conflict of Interest Alternate [ISC041 - 25] |
版本. | 2'17 | Giorgos Lorantakis | Alternate version without guns. | 战争 机械的 冲突 战士 | Bbm | 125 | |||
|
Eye of the Hurricane [CET9083 - 5] |
2'00 | Brian Delgado | Trailer track. Urgent & heavy intro with imposing FX impact & nervous | 冲突 战争 战士 气势 | Dbm | 139 | ||||
|
Eye of the Hurricane
[CET9083 - 19] |
版本. | 2'00 | Brian Delgado | Alternative version without percussion. | 冲突 战争 战士 气势 | Dbm | 70 | |||
|
Eye of the Hurricane
[CET9083 - 20] |
版本. | 2'00 | Brian Delgado | Alternative version without choirs. | 冲突 战争 战士 气势 | Dbm | 105 |