| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Maximum Outburst [CET9022 - 10] |
2'07 | Nick Tzios, Paul Copestake | Oppressive intro with bass synth & ticking clock. Tense but | 进行中 冲击 画面感 无情 | Em | 162 | ||||
|
Maximum Outburst Alternate 1 [CET9022 - 31] |
版本. | 2'07 | Nick Tzios, Paul Copestake | Alternate without percussion. Oppressive & sweeping intro with | 进行中 预告片 画面感 无情 | Em | 162 | |||
|
Maximum Outburst Alternate 2 [CET9022 - 32] |
版本. | 2'02 | Nick Tzios, Paul Copestake | Alternate percussion only. Oppressive intro with a weird ticking | 冲击 预告片 画面感 无情 | Gm | 80 | |||
|
The Hour has Come [CET9021 - 10] |
01'31 | Philippe Briand | Anticipating, ticking, tribal & warlike. Heavy cinematic drum rolls, | 军事冲突 进行中 冲击 时间(滴答声) | Fm | 110 | ||||
|
The Hour has Come Alternate [CET9021 - 23] |
版本. | 01'31 | Philippe Briand | Alternate without percussion. Anticipating, tribal & warlike. Tense | 进行中 影院摇滚 恐怖片 火热 | Fm | 110 | |||
|
Impulse and Pulsation [MAG6042 - 11] |
0 | 2'58 | Bernard Parmegiani | Waving, repetitive & obstinate. Vintage modular synth with filter fx. | 电子音乐 七十年代 令人不安 气氛 | B | 90 | |||
|
Uprising in Setif [CEO2105 - 23] |
0 | 0'51 | Gréco Casadesus | Synth pad. Mysterious & desolate. String ensemble & flute. | 有毒 上升 稳定的 抱歉 | G | 111 | |||
|
Vitrification [CEG5022 - 17] |
0 | 1'44 | Alain Kremski | Bizarre, oscillating & constant. Glass harmonica. Suggested for UFO & | 诡异 玻璃琴 飞碟 当代艺术 | Fm | 111 | |||
|
Sabotage [CEO2103 - 4] |
0 | 2'25 | Baptiste Thiry | Atmospheric, restrained & urgent. Synth & metallic percussion. | 令人不安 神秘 深邃 恐怖 | Cm | 75 | |||
|
Why we fight [CEG5018 - 2] |
0 | 2'31 | Bruno Alexiu | Oppressive, mysterious & threatening. Heavy & dark loops with | 令人不安 悬念 间谍片 工业 | Cm | 74 | |||
|
Doubt and Disruption [CEG5018 - 5] |
0 | 2'13 | Vincent Leibovitz | Both calm, narrative & unsettling. Drone, sparse piano, & storm sound | 抱歉 自然灾害 美国独立制片电影 全景图 | Cm | 89 | |||
|
Magma in Fusion [CEZ4380 - 3] |
0 | 1'31 | Maxence Dussere, David Gubitsch | Soundscape / drone. Explosive & powerful blast. Cavernous echoing | 声音设计 地下 深邃 爆炸 | Ab | 86 | |||
|
Typhoon [CEZ4380 - 15] |
0 | 2'20 | Maxence Dussere, David Gubitsch | Soundscape. Dark, frightening & brutal. Sound design & percussion | 背景音 声音设计 令人不安 地下 | Em | 151 | |||
|
Industrial Wasteland [CEZ4380 - 18] |
0 | 1'30 | Maxence Dussere, David Gubitsch | Soundscape / sci fi. Desolate, raw & scratchy. Sound design. | 声音设计 背景音 灾难 气氛 | Fm | 63 | |||
|
Dangerous Radiation [CEZ4380 - 19] |
1'33 | Maxence Dussere, David Gubitsch | Soundscape / spy movie. Urgent, agressive & chaotic. Sound design | 声音设计 进行中 背景音 恐怖 | D | 120 | ||||
|
Dangerous Radiation Alternate [CEZ4380 - 52] |
版本. | 1'24 | Maxence Dussere, David Gubitsch | Alternate version. Soundscape / spy movie. Urgent, menacing & | 声音设计 进行中 背景音 恐怖 | D | 120 | |||
|
Straight to Hell [CET9014 - 5] |
2'27 | Martin Emilio Insaurgarat | Very nightmarish & insidious intro. Chaotic & abstract like a | 恐怖 冲突 恐怖片 爆炸 | Db | 110 | ||||
|
Straight to Hell Alternate [CET9014 - 17] |
版本. | 2'27 | Martin Emilio Insaurgarat | Alternate without percussion. Very strange & insidious intro. Like a | 恐怖 冲突 固执 神经病 | Db | 110 | |||
|
No Survivors [CET9014 - 9] |
2'07 | Martin Emilio Insaurgarat | Bizarre, funny-scary & insidious. Low sequence, percussion with a | 冲突 恐怖 恐怖片 追逐场面 | Gb | 120 | ||||
|
No Survivors Alternate [CET9014 - 21] |
版本. | 2'05 | Martin Emilio Insaurgarat | Alternate without percussion. Bizarre, funny-scary & insidious. Low | 冲突 恐怖 恐怖片 追逐场面 | Gb | 120 | |||
|
Psychotic Mind [CET9014 - 10] |
2'02 | Martin Emilio Insaurgarat | Unstable, weird & discontinuous. Constant clock @ 0'39. Obstinate, | 恐怖片 神经病 时间(滴答声) 恐怖 | Bm | 110 | ||||
|
Psychotic Mind Alternate [CET9014 - 22] |
版本. | 2'01 | Martin Emilio Insaurgarat | Alternate with less percussion. Wacky, uncomfortable & distressing. | 恐怖片 神经病 时间(滴答声) 恐怖 | Bm | 110 | |||
|
Necrosis [CET9014 - 12] |
2'08 | Martin Emilio Insaurgarat | Disruptive & bizarre with a mischievous & nightmarish touch. Trailer | 恐怖片 追逐场面 神经病 悬念 | Bm | 120 | ||||
|
Necrosis Alternate [CET9014 - 24] |
版本. | 2'07 | Martin Emilio Insaurgarat | Alternate with less percussion. Disruptive & bizarre with a | 恐怖片 追逐场面 神经病 悬念 | B | 120 | |||
|
Kick the Clock [CET9012 - 3] |
1'33 | Gabriel Saban, Philippe Briand | Bizarre, suspensful & frightening. Regular orchestral impacts & | 时间(滴答声) 追逐场面 无情 悬念 | Em | 120 | ||||
|
Kick the Clock Alternate 1 [CET9012 - 19] |
版本. | 1'33 | Gabriel Saban, Philippe Briand | Alternate without percussion. Bizarre & frightening. Regular | 时间(滴答声) 追逐场面 悬念 预告片 | Em | 120 | |||
|
Kick the Clock Alternate 2 [CET9012 - 20] |
版本. | 1'33 | Gabriel Saban, Philippe Briand | Alternate without clock. Bizarre, discontinuous & frightening. | 无情 预告片 令人不安 固执 | Em | 120 | |||
|
Passenger From the Unknown [CEG5014 - 15] |
0 | 2'21 | Gregory Cotti | E.T. Sci-fi. Suspense. Frightening, abstract, surreal paranormal. | 恐怖 深邃 令人不安 神秘 | A | 110 | |||
|
Cape Canaveral [CEG5014 - 18] |
0 | 2'01 | Gregory Cotti | Urgent, tense & frightening. Programming & electronic percussion. | 机器人 混乱 固执 太空 | Am | 105 | |||
|
Between the Shadows [TBX034 - 12] |
2'00 | Eyal Goldshtein | Spooky, uneasy, dark. Eerie, bleak sound design swell and atmospheric | 悬念 恐怖片 令人不安 悬念 | Dm | 100 | ||||
|
Between the Shadows 30sec [TBX034 - 24] |
版本. | 0'30 | Eyal Goldshtein | Spooky, uneasy, dark. Eerie, bleak sound design swell and atmospheric | 悬念 恐怖片 令人不安 悬念 | D | 100 |