| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
From The Jaws Of Defeat [IOM035 - 8] |
2'02 | David Birnie | Epic, dramatic, valiant. Smokey impact offers a subtle anticipatory | 画面感 史诗 预告片 高潮 | Dm | 130 | ||||
|
From The Jaws Of Defeat
[IOM035 - 65] |
版本. | 2'02 | David Birnie | Epic, dramatic, valiant. Smokey impact offers a subtle anticipatory | 画面感 史诗 预告片 动作片 | Dm | 130 | |||
|
From The Jaws Of Defeat
[IOM035 - 66] |
版本. | 2'02 | David Birnie | Epic, dramatic, valiant. Smokey impact offers a subtle anticipatory | 画面感 史诗 预告片 高潮 | Dm | 130 | |||
|
From The Jaws Of Defeat (60
[IOM035 - 67] |
版本. | 0'59 | David Birnie | Epic, dramatic, valiant. Smokey impact offers a subtle anticipatory | 画面感 史诗 预告片 高潮 | Dm | 130 | |||
|
From The Jaws Of Defeat (30
[IOM035 - 68] |
版本. | 0'29 | David Birnie | Epic, dramatic, valiant. A showdown or war beginning to form. Drums | 画面感 史诗 预告片 高潮 | Dm | 130 | |||
|
From The Jaws Of Defeat (15
[IOM035 - 69] |
版本. | 0'14 | David Birnie | Epic, dramatic, valiant. A showdown or war beginning to form. Drums | 画面感 史诗 预告片 动作片 | Dm | 130 | |||
|
From The Jaws Of Defeat (10
[IOM035 - 70] |
版本. | 0'11 | David Birnie | Epic, dramatic, valiant. A showdown or war beginning to form. Drums | 画面感 史诗 预告片 动作片 | D | 129 | |||
|
From The Jaws Of Defeat (5
[IOM035 - 71] |
版本. | 0'06 | David Birnie | Epic, dramatic, valiant. A showdown or war beginning to form. Drums | 画面感 史诗 预告片 动作片 | D | 130 | |||
|
From The Jaws Of Defeat
[IOM035 - 72] |
版本. | 0'05 | David Birnie | Epic, dramatic, valiant. A sci-fi showdown cue. Drums pound with an | 画面感 史诗 预告片 动作片 | D | 130 | |||
|
Conquest [INP077 - 3] |
2'34 | Willie Eaglin, Ashley Holbrook | Energetic, dramatic, brave. Large impact into bright organic string | 嘻哈预告风 冲击 气势 预告片 | Fm | 150 | ||||
|
Conquest (Underscore) [INP077 - 13] |
版本. | 2'34 | Willie Eaglin, Ashley Holbrook | Energetic, dramatic, brave. Large impact into bright organic string | Fm | 149 | ||||
|
Battle Armor [INP077 - 8] |
3'52 | Orfeas Dialinos, Willie Eaglin | Legendary, raw, gritty. Droning bass gives rise to rolling war drums | 动作游戏 冲击 冲突 沉重 | Fm | 90 | ||||
|
Battle Armor (Underscore) [INP077 - 18] |
版本. | 3'52 | Orfeas Dialinos, Willie Eaglin | Legendary, raw, gritty. Droning bass and guitar moans gives rise to | Fm | 90 | ||||
|
Strained [AMS5046 - 5] |
2'40 | Xavier Pacqueteau, Felix Weber | Horror trailer. Tense, hostile & dangerous. Constant build-up for a | 恐怖片 战士 恐怖 摩擦声 | Cm | 84 | ||||
|
Strained Alternate 1 [AMS5046 - 38] |
版本. | 2'40 | Xavier Pacqueteau, Felix Weber | Version without percussion | 恐怖片 战士 恐怖 摩擦声 | Cm | 84 | |||
|
Strained Alternate 2 [AMS5046 - 39] |
版本. | 2'40 | Xavier Pacqueteau, Felix Weber | Version with percussion only | 恐怖片 战士 恐怖 摩擦声 | Cm | 84 | |||
|
Strained Alternate 3 [AMS5046 - 40] |
版本. | 2'40 | Xavier Pacqueteau, Felix Weber | Version without strings | 恐怖片 战士 恐怖 摩擦声 | Cm | 84 | |||
|
Strained Alternate 4 [AMS5046 - 41] |
版本. | 2'40 | Xavier Pacqueteau, Felix Weber | Bed | 恐怖片 战士 恐怖 摩擦声 | Cm | 84 | |||
|
Strained Alternate 5 [AMS5046 - 42] |
版本. | 2'40 | Xavier Pacqueteau, Felix Weber | Underscore | 恐怖片 战士 恐怖 摩擦声 | Cm | 84 | |||
|
Strained Alternate 6 [AMS5046 - 43] |
版本. | 0'30 | Xavier Pacqueteau, Felix Weber | 30 seconds cut | 恐怖片 战士 恐怖 摩擦声 | Cm | 167 | |||
|
Strained Alternate 7 [AMS5046 - 44] |
版本. | 0'15 | Xavier Pacqueteau, Felix Weber | 15 seconds cut | 恐怖片 战士 恐怖 摩擦声 | Cm | 84 | |||
|
Phoenix [ISC086 - 6] |
2'46 | Stanislav Barantsov | Cinematic hybrid trailer. Saw-like synth intro with clockwork fx. | 令人激动 史诗 战士 动作游戏 | Am | 154 | ||||
|
Phoenix Alternate [ISC086 - 16] |
版本. | 2'46 | Stanislav Barantsov | Version without percussion | 令人激动 史诗 战士 冲突 | Am | 154 | |||
|
Mashing Up [AMS5042 - 7] |
1'38 | Danijel Grubovic | Hybrid trailer. Stealthy then aggressive & warlike. Suspended ticking | 冲突 战士 冲击 画面感 | Em | 162 | ||||
|
Mashing Up Alternate 1 [AMS5042 - 55] |
版本. | 1'38 | Danijel Grubovic | No percussion version | 冲突 战士 冲击 画面感 | E | 162 | |||
|
Mashing Up Alternate 2 [AMS5042 - 56] |
版本. | 1'38 | Danijel Grubovic | Percussion only version | 冲突 战士 画面感 高潮 | Bbm | 162 | |||
|
Mashing Up Alternate 3 [AMS5042 - 57] |
版本. | 1'38 | Danijel Grubovic | No voice fx version | 冲突 战士 冲击 画面感 | Em | 162 | |||
|
Mashing Up Alternate 4 [AMS5042 - 58] |
版本. | 1'38 | Danijel Grubovic | No strings version | 冲突 战士 冲击 画面感 | Em | 162 | |||
|
Mashing Up Alternate 5 [AMS5042 - 59] |
版本. | 1'38 | Danijel Grubovic | Bed | 冲突 战士 冲击 画面感 | Em | 162 | |||
|
Mashing Up Alternate 6 [AMS5042 - 60] |
版本. | 1'38 | Danijel Grubovic | Underscore | 冲突 战士 冲击 画面感 | Bbm | 162 | |||
|
Mashing Up Edit 1 (60 sec) [AMS5042 - 61] |
版本. | 0'59 | Danijel Grubovic | 60 seconds cut | 冲突 战士 冲击 画面感 | Em | 162 | |||
|
Mashing Up Edit 2 (30 sec) [AMS5042 - 62] |
版本. | 0'30 | Danijel Grubovic | 30 seconds cut | 冲突 战士 冲击 画面感 | Em | 162 | |||
|
Mashing Up Edit 3 (15 sec) [AMS5042 - 63] |
版本. | 0'15 | Danijel Grubovic | 15 seconds cut | 冲突 战士 冲击 画面感 | Em | 162 | |||
|
The Art of Demolition [ISC083 - 3] |
1'49 | Martin Emilio Insaurgarat | Cinematic. Powerful, hostile & dangerous. Slowly but surely building | 冲突 画面感 战士 动作游戏 | D | 125 | ||||
|
The Art of Demolition
[ISC083 - 13] |
版本. | 1'49 | Martin Emilio Insaurgarat | No alarms version | 冲突 画面感 战士 动作游戏 | Dm | 125 | |||
|
High-Risk Life [CEC8054 - 4] |
1'36 | Zhang Hao, Peng Qu | Urgent, warlike, imposing, epic & victorious. Percussion, | 动作游戏 紧急 画面感 间谍片 | Dm | 126 | ||||
|
High-Risk Life Edit 1 (60 sec) [CEC8054 - 23] |
版本. | 1'00 | Zhang Hao, Peng Qu | 60 second cut | 动作游戏 紧急 画面感 间谍片 | Dm | 126 | |||
|
High-Risk Life Edit 2 (30 sec) [CEC8054 - 24] |
版本. | 0'30 | Zhang Hao, Peng Qu | 30 second cut | 动作游戏 紧急 画面感 间谍片 | Dm | 126 | |||
|
High-Risk Life Edit 3 (15 sec) [CEC8054 - 25] |
版本. | 0'15 | Zhang Hao, Peng Qu | 15 second cut | 动作游戏 紧急 画面感 间谍片 | D | 126 | |||
|
Titans of the Cosmos [CET9100 - 9] |
3'53 | Martin E. Insaurgarat | Cinematic / Trailer. Suspended intro with piano ping. Adventurous & | 画面感 无情 冲击 有节奏感 | Em | 115 | ||||
|
Titans of the Cosmos
[CET9100 - 29] |
版本. | 3'53 | Martin Emilio Insaurgarat | Version without percussion. | 画面感 无情 有节奏感 史诗 | Em | 115 | |||
|
Titans of the Cosmos
[CET9100 - 30] |
版本. | 3'53 | Martin Emilio Insaurgarat | Version without choir. | 画面感 无情 冲击 有节奏感 | Em | 115 | |||
|
The Savage Planet [ISC079 - 1] |
3'01 | Tony Gram | Orchestral trailer. Suspended intro with strings & rumbling FX. Build | 史诗 预告片 画面感 超级英雄 | Cm | 120 | ||||
|
The Savage Planet Alternate 1 [ISC079 - 11] |
版本. | 3'01 | Tony Gram | Version without percussion. | 史诗 预告片 画面感 战士 | Cm | 120 | |||
|
The Savage Planet Alternate 2 [ISC079 - 12] |
版本. | 3'01 | Tony Gram | Version without choir. | 史诗 预告片 画面感 战士 | Cm | 120 | |||
|
Forsaken Gods [ISC079 - 3] |
3'05 | Tony Gram | ☆ Nominated "Best Fantasy Trailer" @Production Music Awards UK 2025 | 史诗 预告片 战士 超级英雄 | Dm | 150 | ||||
|
Forsaken Gods Alternate 1 [ISC079 - 15] |
版本. | 3'05 | Tony Gram | Version without percussion. | 史诗 预告片 神秘 冒险片 | Dm | 149 | |||
|
Forsaken Gods Alternate 2 [ISC079 - 16] |
版本. | 3'05 | Tony Gram | Version without vocals. | 史诗 预告片 神秘 冒险片 | Dm | 150 | |||
|
Skull Island [ISC077 - 1] |
2'10 | Christophe Le Guen | Cinematic / Trailer. Spooky intro with ghostly screams & fx sound | 野性 战士 固执 冲突 | Gm | 140 | ||||
|
Skull Island Alternate [ISC077 - 11] |
版本. | 1'53 | Christophe Le Guen | Version with percussion only. | 野性 战士 冲突 画面感 | Gm | 140 | |||
|
Thrill of Battle [CEC8049 - 2] |
0 | 1'38 | Zhang Hao, Peng Qu | Creepy, sinister and malefic. Scary Mongolian throat singing, | 画面感 恐怖 动作片 战士 | Bm | 120 | |||
|
In Marching Order [CEZ4616 - 5] |
0 | 1'07 | Baptiste Thiry | Menacing, fiery, imposing & determined. Military snare drum, | 军事冲突 进行中 战士 令人不安 | D | 120 | |||
|
Operation Overlord [CEO2164 - 1] |
0 | 2'06 | Baptiste Thiry | Warlike, heavy, menacing & insidious. Brass, percussion, staccato | 军事冲突 战士 画面感 战争 | Dm | 101 | |||
|
Tank Battalion [CEO2164 - 9] |
0 | 1'47 | Baptiste Thiry | Suspenseful. Warlike, powerful, tense, inexorable & disturbing. | 军事冲突 战士 画面感 史诗 | Dm | 140 | |||
|
Valkyrie Of Vengeance [INP069 - 2] |
3'01 | Reid Durtschi | Determined, heroic, climactic. Light synth arpeggiations offer a soft | 画面感 战士 预告片 高潮 | Cm | 102 | ||||
|
Valkyrie Of Vengeance
[INP069 - 15] |
版本. | 3'01 | Reid Durtschi | Determined, heroic, climactic. Light synth arpeggiations offer a soft | 画面感 战士 预告片 高潮 | Cm | 102 | |||
|
Valkyrie Of Vengeance
[INP069 - 16] |
版本. | 3'01 | Reid Durtschi | Determined, heroic, climactic. Light synth arpeggiations offer a soft | 画面感 战士 预告片 高潮 | Cm | 102 | |||
|
Behemoth [INP069 - 3] |
3'14 | James Cullen, Mike Newport | Epic, powerful, daunting. Intensity from the very beginning as | 画面感 超级英雄 预告片 史诗 | Dm | 100 | ||||
|
Behemoth (Alt Version) [INP069 - 17] |
版本. | 3'14 | James Cullen, Mike Newport | Epic, powerful, daunting. Intensity from the very beginning as | 画面感 超级英雄 预告片 史诗 | Dm | 100 | |||
|
Behemoth (Underscore) [INP069 - 18] |
版本. | 3'14 | James Cullen, Mike Newport | Epic, powerful, daunting. Intensity from the very beginning as | 画面感 超级英雄 预告片 史诗 | Dm | 100 | |||
|
The Killer Has Returned [TBX188 - 3] |
1'39 | Marvin Mcmahon | Terrifying, menacing, dangerous. Tapping notes play out a percussive | 追逐场面 战士 野性 悬念 | Cm | 162 | ||||
|
The Killer Has Returned
[TBX188 - 17] |
版本. | 1'36 | Marvin Mcmahon | Terrifying, menacing, dangerous. Strange eerie dissonance creates an | 追逐场面 战士 野性 悬念 | Cm | 162 | |||
|
The Killer Has Returned (30
[TBX188 - 18] |
版本. | 0'30 | Marvin Mcmahon | Terrifying, menacing, dangerous. Eerie bass and percussive FX give a | 追逐场面 战士 野性 悬念 | Cm | 107 | |||
|
Terror Time [INP068 - 9] |
1'55 | Richard Reinhardt | Epic, scary, urgent. Yawning drones give a feeling of discomfort, a | 恐怖片 画面感 恐怖 战争 | C | 120 | ||||
|
Terror Time (Underscore) [INP068 - 19] |
版本. | 1'55 | Richard Reinhardt | Epic, scary, urgent. Yawning drones give a feeling of discomfort, a | 恐怖片 画面感 恐怖 战争 | C | 120 |