Cool, warm, loving. Large drums and big band refrain falls into ...Cool, warm, loving. Large drums and big band refrain falls into minimalist tune with piano and climbing blues bass. Warm brass instruments emerge with sharp accents for chord progression, inspiring a feeling of comfort and pleasure. Big band style explodes into life with jazzy improvisations. Visions of couples cuddling and enjoying each other's company in a cosy wintery scene. Jazzy conclusion adds a sense of emotion and tinges of melancholy.
Cool, warm, loving. Large drums and big band refrain falls into ...Cool, warm, loving. Large drums and big band refrain falls into minimalist style with soulful female vocals with lyrics about religious sentiment and family closeness. Warm brass instruments emerge with sharp accents for chord progression, inspiring a feeling of comfort and pleasure. Big band style explodes into life with jazzy improvisations. Visions of couples cuddling and enjoying each other's company in a cosy wintery scene. Jazzy conclusion adds a sense of emotion and tinges of melancholy. Vocal version.歌词
Silent night, holy night! All is calm, all is bright, Round yon Virgin, Mother and Child, Holy infant so tender and mild, Sleep in heavenly peace, Sleep in heavenly peace.
Silent night, holy night! Shepherds quake at the sight, Glories stream from heaven afar, Heavenly hosts sing Alleluia, Christ the Savior is born! Christ the Savior is born!
Cool, warm, loving. Large drums and big band refrain falls into ...Cool, warm, loving. Large drums and big band refrain falls into minimalist tune with piano and climbing blues bass. Sparse improvisational tone conveys a laid back vibe. Visions of couples cuddling and enjoying each other's company in a cosy wintery scene. Jazzy conclusion adds a sense of emotion and tinges of melancholy. Stripped back underscore version.
Wintery, cosy, soft. Clean guitar meets with subtle brass ...Wintery, cosy, soft. Clean guitar meets with subtle brass instrumentation working its way through positive melody with tinges of jazzy melancholy. Brass section picks up into sharp melodies leading back into main tune. Visions of a snowy community, families enjoying the yuletide season. Rise in brass instrumentation intensity providing a passionate energy.
Wintery, cosy, soft. Clean guitar meets with subtle brass ...Wintery, cosy, soft. Clean guitar meets with subtle brass instrumentation working its way through positive melody with tinges of jazzy melancholy. Warm male vocals with lyrics celebrating christmas in a wholesome manner. Brass section picks up into sharp melodies leading back into main tune. Visions of a snowy community, families enjoying the yuletide season. Rise in brass instrumentation intensity providing a passionate energy. Vocal version.歌词
We wish you a merry Christmas, We wish you a merry Christmas, We wish you a merry Christmas and a happy new year, Good tidings we bring to you and your kin,We wish you a merry Christmas and a happy new year.
We wish you a merry Christmas, We wish you a merry Christmas, We wish you a merry Christmas and a happy new year, Good tidings we bring to you and your kin, We wish you a merry Christmas and a happy new year.
Wintery, cosy, soft. Clean guitar meets with subtle brass ...Wintery, cosy, soft. Clean guitar meets with subtle brass instrumentation working its way through positive melody with tinges of jazzy melancholy. Visions of a snowy community, families enjoying the yuletide season. Dulcet guitar provides a downplayed, cool style. Stripped back underscore version.
Sorrowful, elegant, dark. Plucked strings work themselves into a ...Sorrowful, elegant, dark. Plucked strings work themselves into a quickening pace, as an astute but emotive melody plays out. Visions of an individual in an upper class context struggling to conceal their emotion. Trilling high melodies provide a sense of gracefulness following along with striding rhythm. Rays of light at 01:07 with bright glissando chords reminiscent of a happy realisation, or nearing freedom.
Anticipatory, progressive, bright. Guitar strings set out a shuffling ...Anticipatory, progressive, bright. Guitar strings set out a shuffling rhythm with decisive descending notes. A feeling of promise and subtle excitement. Strings emerge and lower notes drive forward proudly. Positive notes produce visions of sun shining through clouds. Shift into climactic sequence 01:05, as excitable strings hum with life and vigour. An overwhelming sense of positivity and eagerness.
Anticipatory, progressive, bright. Guitar strings set out a shuffling ...Anticipatory, progressive, bright. Guitar strings set out a shuffling rhythm with decisive descending notes. A feeling of promise and subtle excitement. Light piano notes produce visions of sun shining through clouds. An overwhelming sense of positivity and eagerness. Stripped back underscore version.
Mysterious, lively, fragile. Basic harp notes mesh with reversed ...Mysterious, lively, fragile. Basic harp notes mesh with reversed euphoric notes, as a fragile euphoria slowly emerges like animals from a lush undergrowth. Harmonic notes further communicate a delicate atmosphere. Dive into low bass and subtle percussion moving feelings of quaintness and intrigue along patiently. Occasional female vocals inspire a feeling of organic fulfilment. An individual wandering through the undergrowth, feeling their way past greenery and flowers.
Mysterious, lively, fragile. Basic harp notes mesh with reversed ...Mysterious, lively, fragile. Basic harp notes mesh with reversed notes, as a fragile euphoria slowly emerges like animals from a lush undergrowth. Harmonic notes further communicate a delicate atmosphere. Dive into low bass and subtle percussion moving feelings of quaintness and intrigue along patiently. An individual wandering through the undergrowth, feeling their way past greenery and flowers. Instrumental version.
Mysterious, lively, fragile. Subtle euphoria and reversed notes ...Mysterious, lively, fragile. Subtle euphoria and reversed notes conjure visions of animals emerging from a lush undergrowth. Harmonic notes further communicate a delicate atmosphere. Instrumentation builds alongside female vocals. An individual wandering through the undergrowth, feeling their way past greenery and flowers. Stripped back underscore version.
Uncertain, adventurous, dangerous. Dissonant euphoria leads into ...Uncertain, adventurous, dangerous. Dissonant euphoria leads into eerie exchange between plucked strings and harmonics. Strings build behind before bursting with a resonant energy. Organic energy from aching string sounds mixing with uneasy melody and anticipatory percussion.
Uncertain, adventurous, dangerous. Dissonant euphoria leads into ...Uncertain, adventurous, dangerous. Dissonant euphoria leads into eerie atmosphere with beeping bell sounds. Organic energy from aching string sounds mixing with uneasy melody. Stripped back underscore version.
Mystic, subtle, daunting. Dazzling euphoric sound mixes with plucked ...Mystic, subtle, daunting. Dazzling euphoric sound mixes with plucked strings, into sharp melody inspiring feelings of uncertainty. A secretive situation or a mission done under cover of darkness. Heavy sub bass injects a modern energy, contrasted with middle eastern instrumentation. Eerie vocals add to sense of intrigue and suspense.
Mystic, daunting. Dazzling euphoric sound mixes with plucked strings, ...Mystic, daunting. Dazzling euphoric sound mixes with plucked strings, into sharp melody inspiring feelings of uncertainty. A secretive situation or a mission done under cover of darkness. Heavy sub bass injects a modern energy, contrasted with middle eastern instrumentation. Instrumental version.
Mystic, daunting. Dramatic riser leads into sharp beat and heavy, ...Mystic, daunting. Dramatic riser leads into sharp beat and heavy, modern sub bass. A secretive situation or a mission done under cover of darkness. Eerie vocals add to sense of intrigue and suspense. Stripped back underscore version.
Buoyant, busy, fun. Authentic middle eastern instruments and ...Buoyant, busy, fun. Authentic middle eastern instruments and percussion set out a rhythmic sequence, joined shortly by repeated kick drum driving movement forward. Electronic bass injects a sense of buoyancy and an upbeat vibe into atmosphere of uncertainty and seriousness. Heavy electronic beat contrasts with traditional Arabian style.
Buoyant, busy, fun. Authentic middle eastern instruments set out a ...Buoyant, busy, fun. Authentic middle eastern instruments set out a rhythmic sequence. Electronic bass injects a sense of buoyancy and an upbeat vibe into atmosphere of uncertainty and seriousness. Heavy sidechained electronic sound contrasts with traditional Arabian style. Stripped back underscore version.
Buoyant, atmospheric. Sidechained flute instrument sets out a lively ...Buoyant, atmospheric. Sidechained flute instrument sets out a lively but washed out sound, an atmosphere of uncertainty and seriousness. Sparse instrumentation supports visions of far-reaching desert landscapes. Stripped back underscore version.
Dramatic, sombre, emotional. Muffled sub bass plays out alongside ...Dramatic, sombre, emotional. Muffled sub bass plays out alongside muddy guitar riff, with male vocalist warming up into autotuned hook. Sharp trap style with chattering hi hats and heavy bass. Lyrics tell a story of heartbreak and betrayal, confident in talents but expressive around emotions and feelings of sadness. Guitar riff gifts an organic rock energy contrasting with heavily electronic percussion.歌词
I'm just gonna let it ride for a second. I took it all for you, I took it all, I took it all for you, I took it all, Locked away my heart and den you threw away the key. I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all, (Took it all), I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all. Locked away my heart and den you threw away the key (threw away the key), Running round and round but ain’t got no place to be (yeah), I took it all for you, I took it all, I took it all for you, I took it all. High standards (high), really fly status (fly), You know it ain’t cappin (cap) if you really good at it (yeah), Take me out da hood but you can’t take my hood habits (hood habits), Brick for a verse and I call it jugg rapping (jugg), Know you heard dem stories about me now I’m a dog (dog), But every late night I be in ya call log, Hit it so good in the morning call off, Girl, I’m up right now, I could never fall off. Who dem must be trippin' know that I don't work for free (hey), Burning all this sage man keep that away from me, Baby I can’t play the game if I can’t play for keeps (keeps), Treat me like a dog you need to keep me on a leash (leash). I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all, (Took it all), I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all. Locked away my heart and den you threw away the key (threw away the key), Running round and round but ain’t got no place to be (yeah), I took it all for you, I took it all, I took it all for you, I took it all. Play me like a sucker, I could love her but don’t trust her, I be lookin' in the mirror, And be feelin' so disgusted, And you can leave today, And then tomorrow have another, But they’ll never be another, Just remember when he touch it, Riding with my pistol (pistol), Blow me like a whistle (whistle), Mane I’m so authentic, And you know they artificial, Baby I’m a shark off in the water with the fishes (water with the fishes), Made a split decision and you really did me vicious. I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all, (Took it all), I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all. Locked away my heart and den you threw away the key (threw away the key), Running round and round but ain’t got no place to be (yeah), I took it all for you, I took it all, I took it all for you, I took it all. All for you, All, All for you, I took it all, All for you, All, All for you, I took it all.
Dramatic, sombre, emotional. Muffled sub bass plays out alongside ...Dramatic, sombre, emotional. Muffled sub bass plays out alongside muddy guitar riff, echoing notes convey a wistful energy. Guitar riff gifts an organic rock energy contrasting with heavily electronic percussion. Instrumental version.
Buoyant, energetic, confident. Piano riff joined by African ...Buoyant, energetic, confident. Piano riff joined by African percussive sounds, building a pure raw energy. Riser into rhythmic bass and powerful vocal performance with lyrics boasting skills and success. Repetitive beat conveys a sense of consistency and addictive sense of rhythm. A smart individual who does not play with their money, and keeps themselves focused on accruing wealth with no need for distractions.歌词
I like to count the money backwards, Put it in a safe time capsule, Yea, I live life like a bachelor, Girl, I might hit it den ghost like Casper, Speed it up move faster, Runnin' to da money so fast overlapping, Swipe like a card so you know dat ima max it, Quarter of dat thang same color as a taxi, Down on da odds but I still made it happen. Spread like a sheet and I hit like a parlay, Ball feelin' like I’m Marco Piemonte, Max it out, run it up, do it all one day, I just got a ticket I was speeding on a one way, Meet up with the plug so you know I do it Grande, Finna get a rental out the packs up in a Hyundai, I been in the middle so I’m feeling like a hump day, I might igg you over dollars like Andre, Ooo well, Shawty put a hex on me no spell, Bag on me you can look won’t tell, Got the pack on me, You can look gone sale, yeah! Brand new drop location on the rooftop, Overlooking everything dressed in a suit top, Constantly gazing I’m feeling amazing, Can’t slow me down when this paper I’m chasing. I like to count the money backwards, Put it in a safe time capsule, Yea, I live life like a bachelor, Girl, I might hit it den ghost like Casper, Speed it up move faster, Runnin' to da money so fast overlapping, Swipe like a card so you know dat ima max it, Quarter of dat thang same color as a taxi, Down on da odds but I still made it happen.I like to count the money backwards, Put it in a safe time capsule, Yea, I live life like a bachelor, Girl, I might hit it den ghost like Casper, Speed it up move faster, Runnin' to da money so fast overlapping, Swipe like a card so you know dat ima max it, Quarter of dat thang same color as a taxi, Down on da odds but I still made it happen. Spread like a sheet and I hit like a parlay, Ball feelin' like I’m Marco Piemonte, Max it out, run it up, do it all one day, I just got a ticket I was speeding on a one way, Meet up with the plug so you know I do it Grande, Finna get a rental out the packs up in a Hyundai, I been in the middle so I’m feeling like a hump day, I might igg you over dollars like Andre, Ooo well, Shawty put a hex on me no spell, Bag on me you can look won’t tell, Got the pack on me, You can look gone sale, yeah! Brand new drop location on the rooftop, Overlooking everything dressed in a suit top, Constantly gazing I’m feeling amazing, Can’t slow me down when this paper I’m chasing. I like to count the money backwards, Put it in a safe time capsule, Yea, I live life like a bachelor, Girl, I might hit it den ghost like Casper, Speed it up move faster, Runnin' to da money so fast overlapping, Swipe like a card so you know dat ima max it, Quarter of dat thang same color as a taxi, Down on da odds but I still made it happen.
Buoyant, energetic, confident. Piano riff joined by African ...Buoyant, energetic, confident. Piano riff joined by African percussive sounds, building a pure raw energy. Riser into rhythmic bass and steady electronic beat. Repetitive beat conveys a sense of consistency and addictive sense of rhythm. Visions of a confident individual in a club, someone who does not play with their money, and keeps themselves focused on accruing wealth with no need for distractions. Instrumental version.
Exotic, determined, hypnotic. Drooping synth notes play out over a ...Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Male autotuned vocals sing about an individual that treats them bad, but they can't get enough of, a lustful love situation. Buoyant bass gifts an infectious dance aura, a sweaty dark club with people dancing passionately. Comparison to Medusa conveys a female energy, a girl with the power to hypnotise men.歌词
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me, Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
So cold sayin' things you don’t mean, Only time we good when I’m in dem jeans, Either that or bad ain no in between, But I want ya I be feelin' like a fiend, Goosebumps every time dat you touch me, When we up I be feelin' like I’m lucky, When we down I be feelin like I’m cursed, Slick talk and attitudes be da worse, But you love it when dem racks in yo purse, Nails done hair did girl I see you work, But u steady playin' wit my top like a jerk, Heart so cold I got used to the hurt.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me, Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Girl, you got me hard, Like Medusa, From the back, you know I kill it, I’m the ruler, Iced out, chain on, Shout out to my jeweler, Big rocks, big clocks, Hmmmm Frank Mueller, He might russel with you, But I’m tryna be ya future, If you are scared of the thunder, Then go, If you stay, mmmmm Ima watch it roll, Don’t be shy, Baby come up out them clothes, Shawty slow down, When you wine down that poll, Left cheek, right cheek, Mamma shaking fast,Shawty getting money, And she got her haters mad, You don’t pay her bills, Keep them slicks to yourself, Shawty she a G and, She don't need nobody else.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me, Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me, Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Exotic, determined, hypnotic. Drooping synth notes play out over a ...Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Buoyant bass gifts an infectious dance aura, a sweaty dark club with people dancing passionately. Comparison to Medusa conveys a female energy, a girl with the power to hypnotise men. Instrumental version.
Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of ...Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Lyrics about a toxic relationship, someone looking for affection at the wrong times. Two people confusing lust and love, with feelings of doom and gloom mixing with sex-charged feelings. Electronic bass and subtle drumbeat offer a sultry, quiet storm energy.歌词
Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line is after midnight, Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line. You got needs, I got what you need, It’s so good ima bring you to ya knees, You looking good girl you need some high fashion, It’s first-class when you rollin' out with me, Money be callin', you know dat I answer, Way dat you movin' dat body like dancers, Hope dat you don’t mind I pull out my camera, You just do yo thing, we gone shoot a scene, When I pop a Xanny I might need some bed rest, Servin' Off White in the trap dead fresh, In a jump, pushing work leg press, Put you on a test just to see where to head at, Run off in yo spot be like where dat bread at, Rollin off a addy so my eyes dead red, I ain’t even vote but I need dead presidents, Drop me da location I’m pullin' up yo residence, in the late night. Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line is after midnight, Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line.
Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of ...Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Reminiscent of a sad but emotionally charged situation, two people confusing lust and love, with feelings of doom and gloom mixing with sex-charged feelings. Electronic bass and subtle drumbeat offer a sultry, quiet storm energy. Instrumental version.
