| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Wait [EOS125 - 10] |
0 | 1'02 | Anthony Mowat | Waiting, mysterious, wandering & nocturnal. Bass, guitar, drums, | 气氛 社会悲剧 进行中 悬念 | Cm | 108 | |||
|
Paradise Lost [EOS125 - 11] |
0 | 2'17 | Anthony Mowat, Tommy Rizzitelli | Melancholy, introspective & nocturnal. Bass, guitar, percussion & | 忧伤 神秘 夜晚 电声低音 | G | 110 | |||
|
The Arrival [EOS125 - 12] |
0 | 2'27 | Anthony Mowat, Laurent Rochelle | Suspenseful, voluptuous & nocturnal. Bass, piano, synth, saxophone, | 夜晚 气氛 电声低音 社会悲剧 | A | 118 | |||
|
The Road to Heaven [EOS125 - 13] |
0 | 2'46 | Anthony Mowat, Tommy Rizzitelli | Floating, calm & resilient. Bass, guitar, drums, synth, vocals. | 气氛 社会悲剧 悬念 调查研究 | Em | 60 | |||
|
Angels are Dreaming of You [EOS125 - 14] |
0 | 2'31 | Anthony Mowat, Laurent Rochelle | Dreamy, atmospheric & confident. Bass, guitar, drums, synth & distant | 悬念 梦幻 安静 太空 | G | 65 | |||
|
I Saw Heaven [EOS125 - 15] |
0 | 2'07 | Anthony Mowat | Bright, atmospheric & confident. Bass, guitar, percussion & synth. | 梦幻 悬念 宁静 气氛 | E | 60 | |||
|
The World Looks Red [EOS125 - 16] |
0 | 2'30 | Anthony Mowat | Mysterious, cosmic & atmospheric. Synth. | 悬念 科幻片 气氛 太空 | G | 118 | |||
|
White Marble Shrine [EOS125 - 18] |
0 | 3'00 | Anthony Mowat | Delicate, calm & introspective. Piano, celesta, flute, cello & | 悬念 环境 安静 精致 | A | 107 | |||
|
Empty City [AMS5043 - 1] |
3'17 | Aleksandar Dimitrijevic | Post-apocalyptic cinematic rock. 1st part with melancholic guitar & | 后摇滚 悲剧 高潮 忧伤 | Gbm | 80 | ||||
|
Empty City Alternate 1 [AMS5043 - 11] |
版本. | 3'17 | Aleksandar Dimitrijevic | Version without bass & drums | 后摇滚 悲剧 高潮 忧伤 | Gbm | 81 | |||
|
Empty City Alternate 2 [AMS5043 - 12] |
版本. | 3'17 | Aleksandar Dimitrijevic | Version without melody | 后摇滚 悲剧 高潮 忧伤 | Gbm | 80 | |||
|
Empty City Edit 1 (30 sec) [AMS5043 - 13] |
版本. | 0'26 | Aleksandar Dimitrijevic | 30 seconds cut | 后摇滚 悲剧 高潮 忧伤 | Gbm | 80 | |||
|
Empty City Edit 2 (15 sec) [AMS5043 - 14] |
版本. | 0'11 | Aleksandar Dimitrijevic | 15 seconds cut | 后摇滚 悲剧 高潮 忧伤 | Bm | 80 | |||
|
The Last One [AMS5043 - 3] |
2'53 | Aleksandar Dimitrijevic | Post-apocalyptic cinematic rock. First part slowly burning with | 后摇滚 固执 影院摇滚 高潮 | Am | 96 | ||||
|
The Last One Alternate 1 [AMS5043 - 20] |
版本. | 2'53 | Aleksandar Dimitrijevic | Version without bass & drums | 后摇滚 固执 影院摇滚 高潮 | Am | 96 | |||
|
The Last One Alternate 2 [AMS5043 - 21] |
版本. | 2'53 | Aleksandar Dimitrijevic | Version without guitars & drums | 后摇滚 固执 影院摇滚 高潮 | Am | 96 | |||
|
The Last One Alternate 3 [AMS5043 - 22] |
版本. | 2'53 | Aleksandar Dimitrijevic | Version with bass & drums only | 后摇滚 固执 影院摇滚 高潮 | Am | 96 | |||
|
The Last One Edit 1 (30 sec) [AMS5043 - 23] |
版本. | 0'30 | Aleksandar Dimitrijevic | 30 seconds cut | 后摇滚 固执 影院摇滚 无情 | Am | 96 | |||
|
The Last One Edit 2 (15 sec) [AMS5043 - 24] |
版本. | 0'15 | Aleksandar Dimitrijevic | 15 seconds cut | 后摇滚 固执 影院摇滚 无情 | Am | 96 | |||
|
Goodbye [AMS5043 - 4] |
3'09 | Aleksandar Dimitrijevic | Post-apocalyptic cinematic rock. Build-up with nostalgic electric | 忧伤 后摇滚 高潮 恐怖片 | Abm | 100 | ||||
|
Goodbye Alternate 1 [AMS5043 - 25] |
版本. | 3'09 | Aleksandar Dimitrijevic | Version without bass & drums | 忧伤 后摇滚 高潮 恐怖片 | Abm | 100 | |||
|
Goodbye Alternate 2 [AMS5043 - 26] |
版本. | 3'09 | Aleksandar Dimitrijevic | Underscore version | 忧伤 后摇滚 高潮 恐怖片 | Abm | 100 | |||
|
Goodbye Alternate 3 [AMS5043 - 27] |
版本. | 3'09 | Aleksandar Dimitrijevic | Version without guitars | 忧伤 后摇滚 高潮 恐怖片 | Abm | 100 | |||
|
Goodbye Edit 1 (30 sec) [AMS5043 - 28] |
版本. | 0'30 | Aleksandar Dimitrijevic | 30 seconds cut | 忧伤 后摇滚 恐怖片 令人不安 | Abm | 100 | |||
|
Goodbye Edit 2 (15 sec) [AMS5043 - 29] |
版本. | 0'15 | Aleksandar Dimitrijevic | 15 seconds cut | 忧伤 后摇滚 高潮 恐怖片 | Eb | 100 | |||
|
Long Gone [AMS5043 - 5] |
2'08 | Aleksandar Dimitrijevic | Post-apocalyptic cinematic rock. Haunting music box intro. Build-up @ | 内心 强调突出 音乐盒 吵闹 | Am | 106 | ||||
|
Long Gone Alternate 1 [AMS5043 - 30] |
版本. | 2'08 | Aleksandar Dimitrijevic | Version without bass & drums | 内心 音乐盒 社会悲剧 忧伤 | Am | 106 | |||
|
Long Gone Alternate 2 [AMS5043 - 31] |
版本. | 2'08 | Aleksandar Dimitrijevic | Version without guitars | 内心 音乐盒 社会悲剧 忧伤 | Am | 106 | |||
|
Long Gone Alternate 3 [AMS5043 - 32] |
版本. | 2'08 | Aleksandar Dimitrijevic | Underscore | 感动 电影原声带 内心 弦乐部分 | C | 106 | |||
|
Long Gone Edit 1 (30 sec) [AMS5043 - 33] |
版本. | 0'30 | Aleksandar Dimitrijevic | 30 seconds cut | 内心 强调突出 音乐盒 吵闹 | Am | 106 | |||
|
Long Gone Edit 2 (15 sec) [AMS5043 - 34] |
版本. | 0'15 | Aleksandar Dimitrijevic | 15 seconds cut | 内心 强调突出 音乐盒 吵闹 | Am | 106 | |||
|
The End [AMS5043 - 6] |
2'48 | Aleksandar Dimitrijevic | Post-apocalyptic cinematic rock. A 1st part in expectation & doubt. | 后摇滚 固执 高潮 动作片 | Abm | 61 | ||||
|
The End Alternate 1 [AMS5043 - 35] |
版本. | 2'48 | Aleksandar Dimitrijevic | Version without guitars & drums | 后摇滚 固执 高潮 动作片 | Abm | 61 | |||
|
The End Alternate 2 [AMS5043 - 36] |
版本. | 2'48 | Aleksandar Dimitrijevic | Version without bass & drums | 后摇滚 固执 高潮 动作片 | Abm | 61 | |||
|
The End Alternate 3 [AMS5043 - 37] |
版本. | 2'48 | Aleksandar Dimitrijevic | Version without guitars | 后摇滚 固执 高潮 动作片 | Abm | 61 | |||
|
The End Edit 1 (30 sec) [AMS5043 - 38] |
版本. | 0'30 | Aleksandar Dimitrijevic | 30 seconds cut | 后摇滚 固执 高潮 动作片 | Abm | 61 | |||
|
The End Edit 2 (15 sec) [AMS5043 - 39] |
版本. | 0'15 | Aleksandar Dimitrijevic | 15 seconds cut | 后摇滚 固执 高潮 动作片 | Abm | 61 | |||
|
The Road [AMS5043 - 10] |
2'42 | Aleksandar Dimitrijevic | Post-apocalyptic cinematic rock. Intro with dark bass, synth pads, | 后摇滚 内心 令人激动 电吉他效果器 | Gm | 60 | ||||
|
The Road Alternate 1 [AMS5043 - 54] |
版本. | 2'26 | Aleksandar Dimitrijevic | Version without bass & drums | 后摇滚 内心 令人激动 电吉他效果器 | Gm | 60 | |||
|
The Road Alternate 2 [AMS5043 - 55] |
版本. | 2'39 | Aleksandar Dimitrijevic | Version with bass & drums only | 后摇滚 内心 令人激动 无情 | Cm | 60 | |||
|
The Road Alternate 3 [AMS5043 - 56] |
版本. | 2'39 | Aleksandar Dimitrijevic | Version without guitars | 后摇滚 内心 令人激动 无情 | Gm | 60 | |||
|
The Road Edit 1 (30 sec) [AMS5043 - 57] |
版本. | 0'30 | Aleksandar Dimitrijevic | 30 seconds cut | 后摇滚 内心 令人激动 电吉他效果器 | Gm | 119 | |||
|
The Road Edit 2 (15 sec) [AMS5043 - 58] |
版本. | 0'15 | Aleksandar Dimitrijevic | 15 seconds cut | 后摇滚 内心 令人激动 电吉他效果器 | Gm | 60 | |||
|
Ego Death [CEZ4641 - 1] |
0 | 2'29 | Variéras | Ambient electro, analog horror. Bone-chilling, esoteric & obscure. | 深邃 背景电子乐 冰冷 奇怪 | Em | 103 | |||
|
Stunned [CEZ4641 - 5] |
0 | 2'56 | Vincent Leibovitz | Ambient electro, analog horror. Confused, vibrating & limitless. | 背景电子乐 漂泊 奇怪 神秘 | Eb | 66 | |||
|
The Mechanics of Evil [CEZ4641 - 6] |
3'34 | Adrien Degioanni | Ambient electro, analog horror. Ominous, dark & evil. Ideal for | 奇怪 神秘 背景电子乐 抱歉 | Bbm | 67 | ||||
|
The Mechanics of Evil
[CEZ4641 - 15] |
版本. | 3'34 | Adrien Degioanni | Alternate no perc. | 奇怪 神秘 背景电子乐 抱歉 | Bbm | 65 | |||
|
The Mechanics of Evil
[CEZ4641 - 20] |
版本. | 2'23 | Adrien Degioanni | Alternate no perc. | 阴险 背景电子乐 漂泊 奇怪 | Bbm | 67 | |||
|
The Sanity Illusion [CEZ4641 - 7] |
0 | 2'27 | Adrien Degioanni | Ambient electro. Spiritual but sad & forsaken. Ideal for | 背景电子乐 抱歉 奇怪 自然灾害 | Am | 102 | |||
|
On the Shores of Despair [CEZ4641 - 8] |
3'23 | Rémo | Ambient electro, dark ambient. Sinister, distressing & hypnotic. | 灾难 背景电子乐 漂泊 令人不安 | Ebm | 117 | ||||
|
On the Shores of Despair
[CEZ4641 - 16] |
版本. | 3'05 | Rémo | Alternate ambient. | 灾难 背景电子乐 漂泊 令人不安 | Ebm | 77 | |||
|
From Mope to Hope [CEZ4641 - 9] |
0 | 2'34 | Joaquim Plossu | Ambient cinematic. Emerging, quiet & aery. Resurgence of the past. | 背景电子乐 闪回 神秘 抱歉 | Cm | 90 |