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慢速| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Love Beloved [MAG6026 - 5] |
3'40 | Penelope Antena | Contemporary R&B. Nocturne, sensual & sentimental. Female singer, 歌词 | 现代 女歌手 女性 艺术风格 | Gbm | 75 | ||||
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Love Beloved 2 [MAG6026 - 9] |
版本. | 3'40 | Penelope Antena | Contemporary R&B. Nocturne, sensual & sentimental. Synth & rhythm. | 现代 女歌手 艺术风格 女性 | A | 75 | |||
|
Cavalier [BIB062 - 2] |
0 | 5'27 | Luke Coltman | Ambient, cinematic and poignant. Reflective guitar and warm strings | 自然灾害 忧伤 全景 使人心碎 | G | 81 | |||
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Compound [BIB062 - 3] |
0 | 3'13 | Luke Coltman | Sparse, ambient guitar echoes develop with delcate, warm piano | 全景 悬念 冰冷 漂泊 | Eb | 117 | |||
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|
The Sea & I [BIB062 - 7] |
0 | 4'11 | Luke Coltman | Ambient, cinematic underscore. Softly undulating string textures | 乡村 悬念 飞行 漂泊 | Ab | 60 | |||
|
|
There's Always Snow [BIB062 - 8] |
0 | 2'44 | Luke Coltman | Sad and romantic mandolin textures. Reminiscent of independent | 地理政治 自然灾害 社会悲剧 伤心 | Fm | 60 | |||
|
It's My Party [BIB060 - 3] |
0 | 1'56 | Omer Agca | Quirky, hypnotic intro gives way to triumphant staccato horn stabs | 拍手 冲击 BEAT MAKING 不平稳 | Cm | 76 | |||
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Bounce Out [BIB060 - 5] |
0 | 2'33 | Christopher Thomas Judge | Synthy, bouncing, dancefloor-ready electro track. Big breakdown | 不平稳 滑行运动 沉重 气势 | Gbm | 64 | |||
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|
Flip Out [BIB060 - 10] |
0 | 2'03 | Omer Agca | EDM-style screeching top line melody and build up, sat on top of trap | 不平稳 拍手 俱乐部 沉重 | E | 74 | |||
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Tan on the Drum [BIB060 - 16] |
0 | 2'20 | James Desmond, Robert Grant, Mikhail O Johnson, Panauh Kalayeh | Heavy, chugging beat with an anethemic feel. Vocal samples evoke | 世界电子音乐 电子琴 electro chill out 电子鼓 | Em | 106 | |||
|
On the Other Side [EOS24 - 1] |
0 | 2'27 | Clinton Charles, Sandy Mahut | Desolate & nocturnal. Acoustic guitar, piano, synth, whispering, | 抱歉 原声吉他 冰冷 令人不安 | Am | 115 | |||
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|
Space Under the Seas [EOS24 - 2] |
0 | 2'39 | Clinton Charles, Sandy Mahut | Nocturnal & mysterious. Acoustic guitar, female choir, piano, synth, | 夜晚 稳定的 魔幻电影 神秘 | C | 61 | |||
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Stange Apocalypse [EOS24 - 3] |
0 | 2'40 | Clinton Charles, Sandy Mahut | Introspective & desolate. Acoustic guitar, synth choir, piano, | 深邃 社会悲剧 原声吉他 夜晚 | D | 93 | |||
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Mirror of Time [EOS24 - 4] |
0 | 2'35 | Clinton Charles, Sandy Mahut | Dreamy & introspective. Acoustic guitar, female choir, piano, synth, | 飞行 悬念 全景图 梦幻 | E | 65 | |||
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Far Away Invasion [EOS24 - 6] |
0 | 2'39 | Clinton Charles, Sandy Mahut | Mysterious & intriguing. Synth, bass, sound design, piano, | 神秘 电子琴 电声低音 抱歉 | Dm | 110 | |||
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Resolution [EOS24 - 7] |
0 | 1'57 | Clinton Charles, Sandy Mahut | Nocturnal & introspective. Strings, synth, sound design, sequencing, | 电子琴 气氛 夜晚 科学 | Em | 96 | |||
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Hunting Under Stress [EOS24 - 8] |
0 | 1'58 | Clinton Charles, Sandy Mahut | Nocturnal & desolated. Synth, sound design, sequencing, electronic | 夜晚 科学 电子琴 气氛 | Gm | 98 | |||
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Before the Blow Out [EOS24 - 9] |
0 | 2'08 | Clinton Charles, Sandy Mahut | Desolated & introspective. Synth, sound design, sequencing, | 夜晚 科学 电子琴 气氛 | Dm | 96 | |||
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Wild Life Pulsation [EOS24 - 12] |
0 | 2'31 | Clinton Charles, Sandy Mahut | Relax & calm. Synth, hummed male voice, sequencing, electronic | 全景图 放松 慢镜头 飞行 | D | 111 | |||
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Endless Horizon [EOS24 - 14] |
0 | 2'24 | Clinton Charles, Sandy Mahut | Peaceful & enlightened. Choir synth, sequencing, sound design, | 合成合唱 悬念 宁静 全景图 | C | 91 | |||
|
The Old Cedar [CEO2051 - 3] |
0 | 2'03 | Gregory Cotti | Peaceful & moving. Piano, strings & ud. | 反省 中东 感动 地理政治 | C | 83 |
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