| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Nana del Viajerito [CCB1028 - 10] |
0 | 2'58 | Sandra Rumolino | Song in Spanish. Peaceful & dreamy. Female voice & acoustic guitar.歌词 | 西班牙语歌唱 女歌手 世界音乐 摇篮曲 | C | 72 | |||
|
Bleu Nuit [CCB1028 - 17] |
0 | 0'56 | Kevin Seddiki | Mysterious & sparse. Acoustic guitar harmonics. | (音效)和谐 稀疏 手工业 安静 | Cm | 98 | |||
|
Un Parcours Douteux [CEO2049 - 7] |
0 | 1'56 | Lucas Napoleone | Peaceful & melancholic. Piano, sequencing & string orchestra. | 忧伤 伴音 命运 弦乐部分 | Am | 68 | |||
|
The Death of Henry [CEO2046 - 2] |
0 | 3'10 | Mark Alberts | Obstinate, heavy & tragic. Electric guitar, male back up vocalist & | 全景图 电吉他效果器 沉重 鼓 | B | 85 | |||
|
Family Disintegration [CEO2046 - 6] |
0 | 2'22 | Mark Alberts | Blues ballad. Electric guitar, banjo & rhythm. | 电声夏威夷吉他 公路电影 美国独立制片电影 当代西部片 | Em | 65 | |||
|
Take me to the Mad House [CEO2046 - 7] |
0 | 3'52 | Mark Alberts | Waiting. Underscore. Disturbing & panoramic. Electric guitar, synth & | 气氛 抱歉 全景图 全景 | Dbm | 74 | |||
|
Redwings [BIB058 - 12] |
0 | 1'53 | Joe Edward Morris | Atmospheric, warm synth tones and a grooving drum track. Lots of edit | 全景图 循环 稳定的 二胡 | Dm | 80 | |||
|
Let's Hope [BIB058 - 13] |
0 | 3'06 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Slightly degraded sampled tones with modern finger clicks and a nice | 全景 耐心 循环 明朗 | Fm | 86 | |||
|
Warning Light [BIB038 - 1] |
0 | 3'17 | Conor O'Brien | Desolate, pulsing synths. Steadily building arpeggiated bassline. | 神秘 进步 气氛 抱歉 | Am | 80 | |||
|
Marching Shadows [BIB038 - 2] |
0 | 3'36 | Michael Peter Sajic | Cyclical, warm synth toplines slowly build with expansive pan. | 琶音器 进步 夜晚 全景图 | Am | 81 | |||
|
Logical Progression [BIB038 - 3] |
0 | 2'46 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Moody ambiences stride forward with downtempo vibe. Reflective and | 进步 电子琴 自信 介绍 | Am | 73 | |||
|
Solar [BIB038 - 5] |
0 | 4'26 | Conor O'Brien | Gentle church organ atmospheres. Romantic yet thoughtful, slowly | 全景图 抱歉 进步 声音设计 | Am | 70 | |||
|
Time Crystals [BIB038 - 8] |
0 | 3'35 | Michael Peter Sajic | Cascading mallet-like synth toplines. Inspiring, emotional and | 通透 进步 梦幻 高潮 | D | 63 | |||
|
Lyra [BIB038 - 9] |
0 | 3'28 | Conor O'Brien | Reflective, atmospheric start. Emotive piano over a brooding, | 低沉 (音效)心跳 飞行 高潮 | Em | 80 | |||
|
Robot Dies and Goes to Heaven [BIB038 - 10] |
0 | 2'51 | Sergey Kolosov | Positive and fresh sounding intro with simple topline and ambient | 高潮 飞行 完成 明朗 | D | 65 | |||
|
Better places [BIB038 - 11] |
0 | 3'24 | Conor O'Brien | Gradual, positive and calm into. Additional synth textures create | 梦幻 飞行 全景图 进步 | B | 95 | |||
|
Remember [BIB038 - 12] |
0 | 3'48 | Conor O'Brien | Pulse-like beat with delicate piano intro. Pulsing synth swell build | 全景图 全景 飞行 悬念 | G | 80 | |||
|
Start Somewhere [BIB038 - 13] |
0 | 2'30 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Exotic and blissful intro. Soft, delicate yet inspiring in tone. | 高潮 飞行 自信 完成 | Db | 81 | |||
|
Superstructure [MAG6025 - 4] |
3'12 | Yann Kesz | Real hip hop / beatmaking. Bright, percussive & arty. Synth & rhythm. | BEAT MAKING 都市景色 明朗 现代 | D | 65 | ||||
|
Superstructure (extended) [MAG6025 - 10] |
版本. | 4'00 | Yann Kesz | Real hip hop / beatmaking with intro. Bright, percussive & arty. Cut | BEAT MAKING 都市景色 明朗 现代 | D | 65 | |||
|
Smooth One [MAG6025 - 5] |
0 | 2'58 | Yann Kesz | Real hip hop / beatmaking. Cool, classy & dreamy. Synth & rhythm. | BEAT MAKING 懒惰 都市景色 都市 | Em | 117 |