| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Haunting Visions [CEZ4307 - 19] |
0 | 1'43 | Baptiste Thiry | Nature, adventure, trail, environment, wild life. Threatening & | 画面感 电影乐团 恐怖 恐怖片 | Em | 106 | |||
|
Coronation Day [CEZ4306 - 2] |
0 | 1'11 | Eric Caissy | News, history. Majestic & solemn. Build up. Constant crescendo. | 庄重 高潮 召唤 重大庆典 | F | 65 | |||
|
Call to Glory [CEZ4306 - 9] |
0 | 1'25 | Eric Caissy | History. Waiting. Solemn & tormented. Build up. Constant crescendo. | 悬念 铜管部分 庄重 高潮 | Bm | 86 | |||
|
Burn [BIB055 - 12] |
0 | 1'42 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | A sense of impending tension with brooding low looping electric | 企业宣传 抱歉 周期性的 热沙漠 | Am | 60 | |||
|
The Waves Will Take Me [BIB054 - 3] |
0 | 3'46 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Steel pans and pulsing electronics create a warm initial tone. | 飞行 悬念 全景图 耐心 | Eb | 66 | |||
|
Waiting for Change [BIB054 - 4] |
0 | 3'07 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | A heartfelt bittersweet vibe with a tactile depth. Builds as the | 完成 钢鼓 全景图 梦幻 | Am | 60 | |||
|
Little Victory [BIB054 - 5] |
0 | 2'48 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Atmospheric subtle synth pads and strings set the tone, build to a | 气氛 高潮 社会悲剧 反省 | Bbm | 110 | |||
|
We Can Stay a While [BIB054 - 6] |
0 | 2'32 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Brooding atmospheric 'night-time in the city' introduction. Building | 气氛 改变 梦幻 声音设计 | A | 119 | |||
|
Time Will Tell Us [BIB054 - 7] |
0 | 2'32 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Contemporary & lively with dark intriguing feel. Finger snaps and | 自信 完成 无电声钢琴 耐心 | G | 61 | |||
|
As the Crow Flies [BIB054 - 10] |
0 | 2'20 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | A dark and suspenseful start, atmospheric thriller 'film noir' vibe. | 声音设计 深邃 抱歉 黑色电影 | Bm | 60 | |||
|
Love Lost [BIB052 - 3] |
0 | 3'13 | Andrew John Gardner, Lee Rous | Romantic and heart-warming synth score. For themes of friendship and | 复古电视 模拟合成器 八十年代 全景 | D | 70 | |||
|
Children of the Night [BIB052 - 4] |
0 | 1'54 | Christopher Boot | Delicate yet scary arpeggiated lines with building, harrowing drones. | 复古电视 科幻片 合成波 八十年代 | Gm | 101 | |||
|
A Terrible Presence [BIB052 - 5] |
0 | 2'58 | Christopher Boot, Benjamin John Daniel | Arpeggiated motif with brooding, ominous bass undertones and sfx. | 轰隆声 复古电视 有毒 八十年代 | Dm | 71 | |||
|
Deleted Memory [BIB052 - 6] |
0 | 1'49 | Christopher Boot | Thoughtful, introspective and cerebral synth lines in repetitive | 电子 琶音器 IDM 令人不安 | D | 67 | |||
|
Monster [BIB052 - 10] |
2'03 | Christopher Boot | Ominous and dark, brooding textures. Expansive back end section of | 诡异 复古电视 科幻片 八十年代 | Am | 106 | ||||
|
Monster (BED) [BIB052 - 18] |
版本. | 2'09 | Christopher Boot | Ominous and dark, brooding textures. Expansive back end section of | 诡异 复古电视 科幻片 八十年代 | Em | 106 | |||
|
Little Black Bags [BIB052 - 11] |
0 | 3'04 | Christopher Boot, Benjamin John Daniel | Gentle, reflective and slightly wistful building intro. Panoramic, | 复古电视 模拟合成器 全景 耐心 | Ebm | 77 | |||
|
Vast Array [BIB052 - 15] |
0 | 2'28 | Christopher Boot | Dramatic, building, cyclical arpeggiated synth underscore. | 琶音器 科幻片 琶音 阴暗氛围 | Fm | 60 | |||
|
Imagining Things [BIB052 - 16] |
0 | 2'26 | Christopher Boot, Benjamin John Daniel | Blissful, luscious and warm synth textures with an introspective | 夜晚 全景 复古电视 飞行 | Am | 60 | |||
|
Transmissions [BIB052 - 17] |
0 | 2'04 | Christopher Boot | Gentle and space-like, cyclic synth elements with an ethereal feel. | 复古电视 八十年代 反省 全景 | Am | 65 | |||
|
Desperado [CEZ4305 - 5] |
0 | 2'31 | Sham Makdessi, Morgan Sansous | Lyrical, tense & tragic. Tremolo electric guitar, Mexican trumpet, | 史诗 意大利西部 骄傲 热沙漠 | Am | 96 |