Intimate, patient & tender soft-pop sung in Spanish. There's nothing Intimate, patient & tender soft-pop sung in Spanish. There's nothing worse than loneliness. Female singer, snaps, electric guitar & electronic percussion. Arpeggiator @ 2'03.歌词
ES:
sé que a veces me quieres matar
pero soy para ti
no es algo que pueda negar
incluso en lo malo repetiría mil veces
la jugada magistral
sentarme contigo en el respaldo del banco
sentarme contigo para verte suspirar
que me cuentes to' lo malo que has pasado
para coger hilo y ponerme a enmendar
es una suerte sentir tus trances
y ver a tus ojos pedirme un bellaqueo en el portal
en la cama en la que me dijiste
que sin mi la vida es un espejo sin cristal
el objetivo de la vida es una espiral
pero dar vueltas juntas no está mal, no está mal
lo bueno es que siempre nos vamos a encontrar
y aunque el amor real no duela muchas veces sienta mal
es el ciclo vital
con la mente así de fría no puedo pensar
el color dorado de tu cara frente al mar
y nadar pegada a ti como la luz a un portal
no es un amor platónico porque no es ideal
lo que no duele muere una verdad universal
me quedo contigo nena me quedo contigo
y con tu tabaco de liar
tal vez sea un bulto creo que es mi alma
te la doy entera en una palma
te toco las palmas y te intento cantar
no hay nada más triste que la soledad
tal vez sea un bulto creo que es mi alma
te la doy entera en una palma
te toco las palmas y te intento cantar
no hay nada más triste que la soledad
no hay nada más triste que la soledad
no hay nada más triste que la soledad
no hay nada más triste que la soledad
no hay nada más triste que la soledad
no hay nada más triste que la soledad
no hay nada más triste que la soledad
que la soledad
que la soledad
que la soledad
EN:
I know that sometimes you want to kill me
but I am for you
it's not something I can deny
even in the bad I would repeat a thousand times
the masterful move
to sit with you on the back of the bench
to sit with you and watch you sigh
to tell me all the bad things you've gone through
to pick up the thread and start to make amends
it's lucky to feel your trances
and to see your eyes asking me to fool around in the doorway
in the bed where you told me
that without me life is a mirror without glass
the goal of life is a spiral
but going around together is not bad, it's not bad
the good thing is that we'll always find each other
and even if real love doesn't hurt it often feels bad
it's the life cycle
with a mind this cold I can't think
the golden color of your face in front of the sea
and swim glued to you like light to a portal
it's not a platonic love because it's not ideal
what doesn't hurt dies, its a universal truth
I'm staying with you baby I'm staying with you
and with your rolling tobacco
maybe it's a lump i think it's my soul
I give it all to you in one palm
I touch your palms and I try to sing to you
there's nothing sadder than loneliness
maybe it's a lump i think it's my soul
I give it all to you in one palm
I touch your palms and I try to sing to you
there's nothing sadder than loneliness
there's nothing sadder than loneliness
there's nothing sadder than loneliness
there's nothing sadder than loneliness
there's nothing sadder than loneliness
there's nothing sadder than loneliness
there's nothing sadder than loneliness
than loneliness
than loneliness
than loneliness
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Uplifting, sharp, proud. Sharp plucked strings offer a sense of Uplifting, sharp, proud. Sharp plucked strings offer a sense of lively emotion, soothed slightly by sweeping string chords. Striding string rhythms are helped along by light percussion, melodies lifting upwards in a carefree sense of positivity. A group of adventurers skipping confidently into a challenge or journey. Stripped back underscore version.
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Delicate, euphoric, weighty. Organic instrumentation provides a Delicate, euphoric, weighty. Organic instrumentation provides a humanistic feeling of concern, with bells and synth joining to support. Euphoric instrumentation providing a feeling of ambience, visions of a wintry scene or large city panorama. Electronic drumbeat at 01:05 provides a definitive sense of progression, weaving in and out alongside bass synth. Stripped back underscore version.
