| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Numero Dos [IOM022 - 1] |
0 | 2'50 | Christopher Boot, David Oliver, James Smith | Psychedelic, laidback, light. Positive organ progression emerges as | 六十年代迷幻乐 阳光 cocktail bar 日间节目 | Dm | 100 | |||
|
Ocho Ocho [IOM022 - 2] |
0 | 2'37 | Christopher Boot, James Smith | Transcendent, emotive, stylish. Plucked strings give an orchestral | cocktail bar 六十年代迷幻乐 阳光 日间节目 | Dm | 85 | |||
|
El Condor [IOM022 - 3] |
0 | 1'38 | Christopher Boot, James Smith | Rustic, experienced, tough. Slow rock drumming sets out a calm but | 热沙漠 六十年代迷幻乐 沉闷 鼓 | Em | 162 | |||
|
Holy Holy [IOM022 - 4] |
0 | 1'45 | Christopher Boot, David Oliver, James Smith | Hard-bitten, dirty, gritty. Rock instrumentation begins with a | 六十年代迷幻乐 阴险 热沙漠 漂泊 | Dm | 75 | |||
|
Golden [IOM022 - 5] |
0 | 3'24 | Christopher Boot, James Smith | Trippy, euphoric, serious. Euphoric strings shine in the backdrop as | cocktail bar 六十年代迷幻乐 热沙漠 放松 | Bbm | 162 | |||
|
Pescadora [IOM022 - 6] |
0 | 2'27 | Christopher Boot, James Smith | Serene, impassioned, sultry. Sharp dulcet guitar tone plays through a | 阳光 宁静 六十年代迷幻乐 热沙漠 | Ebm | 146 | |||
|
No Hablo [IOM022 - 7] |
0 | 1'41 | Christopher Boot, David Oliver, James Smith | Cool, carefree, groovy. Duo of bass and lazy guitar give a laidback | 热沙漠 动人 六十年代迷幻乐 放松 | Bm | 95 | |||
|
Jive Turkey [IOM022 - 8] |
0 | 2'30 | Christopher Boot, James Smith | Funky, fun, curious. Buoyant bass mixes with sharp slapback echo | 热沙漠 六十年代迷幻乐 cocktail bar 果断 | Bm | 99 | |||
|
Ghost Gun [IOM022 - 9] |
0 | 3'44 | Christopher Boot, James Smith | Classy, wistful, struggling. Warm bassline is held up by steady | 忧伤 六十年代迷幻乐 热沙漠 民族吉他 | Dm | 71 | |||
|
Mai's Song [IOM022 - 10] |
0 | 1'36 | Christopher Boot, James Smith | Cool, quaint, bright. Cool bassline sets out a sense of lighthearted | 六十年代迷幻乐 鼓 日间节目 宁静 | Abm | 152 | |||
|
We Had the World Then [BIB100 - 15] |
3'33 | Timothy Jason Bidwell, Christopher Boot, Ben Daniel, Cordelia Gartside | Atmospheric, nostalgic, dreamy. Reflective intro of keys and cool 歌词 | 流行歌曲 梦幻 朗朗上口 男歌手 | Bbm | 133 | ||||
|
We Had the World Then -
[BIB100 - 49] |
版本. | 3'33 | Timothy Jason Bidwell, Christopher Boot, Ben Daniel, Cordelia Gartside | Atmospheric, nostalgic, dreamy. Reflective intro of keys and cool | 流行歌曲 梦幻 朗朗上口 公司 | Bbm | 133 | |||
|
We Had the World Then - 30 sec [BIB100 - 50] |
版本. | 0'30 | Timothy Jason Bidwell, Christopher Boot, Ben Daniel, Cordelia Gartside | Atmospheric, nostalgic, dreamy. Reflective intro of keys and cool | 流行歌曲 英语歌唱 梦幻 朗朗上口 | Bbm | 133 | |||
|
We Came Here to Dance [BIB049 - 3] |
2'13 | Serra Sabrina Altan, Christopher Boot, Jonny Coote, Tom Swann | Contemporary smooth upbeat pop, electro overtones with a playful 歌词 | 舞蹈流行音乐 室外 英语歌唱 女歌手 | Gm | 118 | ||||
|
We Came Here to Dance
[BIB049 - 16] |
版本. | 2'14 | Serra Sabrina Altan, Christopher Boot, Jonny Coote, Tom Swann | Contemporary smooth upbeat pop, electro overtones with a playful | 舞蹈流行音乐 室外 俱乐部 舞动 | Gm | 118 | |||
|
Lights Go Down [BIB049 - 13] |
3'51 | Serra Sabrina Altan, Christopher Boot | Atmospheric, cyclical, bouncy track with a skittering beat and 歌词 | 舞蹈流行音乐 英语歌唱 女歌手 流行歌曲 | Gbm | 144 | ||||
|
Lights Go Down Instrumental [BIB049 - 26] |
版本. | 3'51 | Serra Sabrina Altan, Christopher Boot | Atmospheric, cyclical, bouncy track with a skittering beat and | 舞蹈流行音乐 流行歌曲 青春剧 现代 | Gbm | 144 | |||
|
Children of the Night [BIB052 - 4] |
0 | 1'54 | Christopher Boot | Delicate yet scary arpeggiated lines with building, harrowing drones. | 复古电视 科幻片 合成波 八十年代 | Gm | 101 | |||
|
A Terrible Presence [BIB052 - 5] |
0 | 2'58 | Christopher Boot, Benjamin John Daniel | Arpeggiated motif with brooding, ominous bass undertones and sfx. | 轰隆声 复古电视 有毒 八十年代 | Dm | 71 | |||
|
Deleted Memory [BIB052 - 6] |
0 | 1'49 | Christopher Boot | Thoughtful, introspective and cerebral synth lines in repetitive | 电子 琶音器 IDM 令人不安 | D | 67 | |||
|
Red Ferrari [BIB052 - 9] |
0 | 2'25 | Christopher Boot | Steady 80s synthwave dance track with quirky pentatonic lines | 八十年代 态度 复古电视 模拟合成器 | Bm | 95 | |||
|
Monster [BIB052 - 10] |
2'03 | Christopher Boot | Ominous and dark, brooding textures. Expansive back end section of | 诡异 复古电视 科幻片 八十年代 | Am | 106 | ||||
|
Monster (BED) [BIB052 - 18] |
版本. | 2'09 | Christopher Boot | Ominous and dark, brooding textures. Expansive back end section of | 诡异 复古电视 科幻片 八十年代 | Em | 106 | |||
|
Little Black Bags [BIB052 - 11] |
0 | 3'04 | Christopher Boot, Benjamin John Daniel | Gentle, reflective and slightly wistful building intro. Panoramic, | 复古电视 模拟合成器 全景 耐心 | Ebm | 77 | |||
|
Vast Array [BIB052 - 15] |
0 | 2'28 | Christopher Boot | Dramatic, building, cyclical arpeggiated synth underscore. | 琶音器 科幻片 琶音 阴暗氛围 | Fm | 60 |