| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Proper Swagger [TBX078 - 9] |
3'02 | Killian Magee | Attitude, determined, rebellious. Brooding electric guitar riffs are | 摇滚圣歌 果断 赛车 预告片 | Dm | 145 | ||||
|
Proper Swagger - (Underscore) [TBX078 - 37] |
版本. | 2'47 | Killian Magee | Attitude, determined, rebellious. Muted rhythm guitar is joined by | 果断 节奏感 影院摇滚 动人 | Dm | 145 | |||
|
Proper Swagger - 30 sec [TBX078 - 38] |
版本. | 0'30 | Killian Magee | Attitude, determined, rebellious. Brooding electric guitar riffs are | 赛车 果断 预告片 影院摇滚 | Dm | 144 | |||
|
Stunner Gunner [CET9022 - 1] |
2'05 | Nick Tzios | Weird ticking clock intro. Violent, vehement & impulsive cinematic | 冲突 进行中 无情 预告片 | Cm | 130 | ||||
|
Stunner Gunner Alternate 1 [CET9022 - 13] |
版本. | 2'05 | Nick Tzios | Alternate without percussion. Weird, urban, tough & mysterious. Sound | 冲突 进行中 无情 固执 | C | 129 | |||
|
Stunner Gunner Alternate 2 [CET9022 - 14] |
版本. | 2'01 | Nick Tzios | Alternate percussion only. Weird ticking clock intro. Violent, | 进行中 时间(滴答声) 冲突 爆炸 | Ebm | 130 | |||
|
The Imposter [CET9022 - 2] |
2'02 | Nick Tzios, Paul Copestake | ☆ Nominated "Best Use - Promo" @Mark Awards US 2024 ☆ Ominous & | 画面感 爆炸 轰隆声 令人不安 | Cm | 125 | ||||
|
The Imposter Alternate 1 [CET9022 - 15] |
版本. | 1'56 | Nick Tzios, Paul Copestake | Alternate without percussion. Ominous & suspensful intro. Thrilling | 画面感 轰隆声 令人不安 预告片 | Cm | 125 | |||
|
The Imposter Alternate 2 [CET9022 - 16] |
版本. | 1'59 | Nick Tzios, Paul Copestake | Alternate percussion only. Ominous & suspensful ticking clock intro. | 画面感 冲击 爆炸 不平稳 | Gbm | 125 | |||
|
Texas Motorplex [CEZ4403 - 1] |
0 | 1'52 | Dimitri Leroy | Alternative metal / hard rock / action movie. Alert warning fx @ | 赛车 其他金属 气势 追逐场面 | Em | 102 | |||
|
One Last Bite [TBX046 - 2] |
3'35 | Cristiano Trionfera | Energetic, driving, dramatic. Eerie, suspenseful intro of mysterious, | 赛车 果断 爆炸 追逐场面 | Gbm | 86 | ||||
|
One Last Bite - 30sec [TBX046 - 15] |
版本. | 0'30 | Cristiano Trionfera | Energetic, driving, dramatic. Determined, distorted riffs are joined | 赛车 果断 追逐场面 极限运动 | Gbm | 85 | |||
|
Darkness [INP007 - 3] |
1'46 | Adam Kevin Brown, Lukasz Ledzki | Dynamic, percussive trailer track. Brooding intro, becoming hypnotic | 冲突 爆炸 战士 无情 | Cm | 140 | ||||
|
Darkness - 30sec [INP007 - 22] |
版本. | 0'31 | Adam Kevin Brown, Lukasz Ledzki | Alternate version. 30 seconds. | 冲突 爆炸 战士 无情 | Fm | 140 | |||
|
Chaser [INP005 - 4] |
0 | 1'26 | Sergey Kolosov | Dark trailer sound design. Dramatic, tense and powerful. Percussive | 追逐场面 画面感 紧急 军事冲突 | Em | 144 | |||
|
Strike First [INP005 - 8] |
1'30 | Alessandro Ciani | Glitchy electronic sci fi film score. Dark and visceral with tribal | 冲突 体育中的戏剧性 爆炸 追逐场面 | Abm | 84 | ||||
|
Strike First Underscore [INP005 - 19] |
版本. | 1'30 | Alessandro Ciani | Glitchy electronic sci fi film percussive underscore. Sparse, dark | 冲突 体育中的戏剧性 爆炸 追逐场面 | Abm | 84 | |||
|
Before The Gate [INP005 - 12] |
0 | 1'37 | Nico Willems | Dark and dramatic score like trailer sound design. Orchestral hybrid. | 画面感 爆炸 战士 大电影打击乐 | Em | 120 | |||
|
Martial Impacts [CEZ4687 - 1] |
2'03 | The Barrel Street Band | Metal barrel percussion. Fast. Mighty & ticking. Break @ 0'44 | 冲突 冲击 节奏感 节奏乐器组 | Abm | 165 | ||||
|
Martial Impacts Edit 1 60 sec [CEZ4687 - 13] |
版本. | 0'20 | The Barrel Street Band | 60 second cut | 冲突 冲击 节奏感 节奏乐器组 | Abm | 165 | |||
|
Martial Impacts Edit 2 30 sec [CEZ4687 - 14] |
版本. | 0'30 | The Barrel Street Band | 30 second cut | 冲突 冲击 节奏感 节奏乐器组 | Abm | 165 | |||
|
Martial Impacts Edit 3 15 sec [CEZ4687 - 15] |
版本. | 1'00 | The Barrel Street Band | 15 second cut | 冲突 冲击 节奏感 节奏乐器组 | Abm | 110 | |||
|
Martial Impacts Sting [CEZ4687 - 16] |
版本. | 0'09 | The Barrel Street Band | Sting | 冲突 冲击 节奏感 节奏乐器组 | Abm | 164 | |||
|
Tension With Bang [CEZ4687 - 3] |
2'47 | The Barrel Street Band | Metal barrel percussion. Medium fast. Martial intro. Break @ 0'32 | 爆炸 冲击 打击流行乐 节奏感 | Gm | 120 | ||||
|
Tension With Bang Edit 1 60
[CEZ4687 - 21] |
版本. | 0'20 | The Barrel Street Band | 60 second cut | 爆炸 冲击 打击流行乐 节奏感 | Gm | 120 | |||
|
Tension With Bang Edit 2 30
[CEZ4687 - 22] |
版本. | 0'30 | The Barrel Street Band | 30 second cut | 爆炸 冲击 打击流行乐 节奏感 | Gm | 120 | |||
|
Tension With Bang Edit 3 15
[CEZ4687 - 23] |
版本. | 1'00 | The Barrel Street Band | 15 second cut | 爆炸 冲击 打击流行乐 节奏感 | Gm | 120 | |||
|
Tension With Bang Sting [CEZ4687 - 24] |
版本. | 0'06 | The Barrel Street Band | Sting | 爆炸 冲击 打击流行乐 节奏感 | Fm | 156 | |||
|
Skinwalker [INP080 - 9] |
1'53 | Bradley White | Eerie, unreal, dangerous. An atmosphere of uncertainty and dread | 冲突 画面感 恐怖 恐怖片 | Em | 75 | ||||
|
Skinwalker Underscore [INP080 - 19] |
版本. | 1'53 | Bradley White | Eerie, unreal, dangerous. An atmosphere of uncertainty and dread | 冲突 画面感 恐怖 恐怖片 | Em | 76 | |||
|
Aftermath [IOM035 - 10] |
2'06 | David Birnie | Dystopian, raw, dangerous. Impact into shadowy sci-fi soundscape with | 战争 冲突 战士 画面感 | Bm | 150 | ||||
|
Aftermath (Underscore) [IOM035 - 81] |
版本. | 1'55 | David Birnie | Dystopian, raw, dangerous. Shadowy sci-fi soundscape with strange | 战争 冲突 战士 画面感 | Abm | 150 | |||
|
Aftermath (Percussion Only) [IOM035 - 82] |
版本. | 2'03 | David Birnie | Dystopian, raw, dangerous. Shadowy sci-fi soundscape with strange | 战争 画面感 火热 固执 | B | 151 | |||
|
Aftermath (60 sec) [IOM035 - 83] |
版本. | 1'02 | David Birnie | Dystopian, raw, dangerous. Shadowy sci-fi soundscape leads into sense | 战争 冲突 战士 画面感 | Bm | 150 | |||
|
Aftermath (30 sec) [IOM035 - 84] |
版本. | 0'30 | David Birnie | Dystopian, raw, dangerous. Shadowy sci-fi soundscape leads into sense | 战争 冲突 战士 画面感 | Bm | 150 | |||
|
Aftermath (15 sec) [IOM035 - 85] |
版本. | 0'15 | David Birnie | Dystopian, raw, dangerous. Explosive sci-fi energy. Aliens or robots | 战争 冲突 战士 画面感 | Bm | 150 | |||
|
Aftermath (10 sec) [IOM035 - 86] |
版本. | 0'10 | David Birnie | Dystopian, raw, dangerous. Explosive sci-fi energy. Aliens or robots | 战争 冲突 战士 画面感 | Bm | 150 | |||
|
Aftermath (5 sec) [IOM035 - 87] |
版本. | 0'06 | David Birnie | Dystopian, raw, dangerous. Explosive sci-fi energy. Aliens or robots | 战争 冲突 战士 画面感 | Bm | 136 | |||
|
Aftermath (Sting) [IOM035 - 88] |
版本. | 0'04 | David Birnie | Dystopian, raw, dangerous. Screeching riser for sci-fi action | 战争 冲突 战士 画面感 | Cm | 145 | |||
|
Battle Armor [INP077 - 8] |
3'52 | Orfeas Dialinos, Willie Eaglin | Legendary, raw, gritty. Droning bass gives rise to rolling war drums | 动作游戏 冲击 冲突 沉重 | Fm | 90 | ||||
|
Battle Armor (Underscore) [INP077 - 18] |
版本. | 3'52 | Orfeas Dialinos, Willie Eaglin | Legendary, raw, gritty. Droning bass and guitar moans gives rise to | Fm | 90 | ||||
|
Neural Pulse [AMS5048 - 1] |
1'58 | Philippe Briand, Salvador Casais | Cinematic rock trailer. Ominous introduction with electric guitar and | 冲突 影院摇滚 战士 动作游戏 | B | 120 | ||||
|
Neural Pulse Alternate 1 [AMS5048 - 7] |
版本. | 1'58 | Philippe Briand, Salvador Casais | Version without percussion | 影院摇滚 战士 动作游戏 气势 | B | 120 | |||
|
Neural Pulse Alternate 2 [AMS5048 - 8] |
版本. | 1'58 | Philippe Briand, Salvador Casais | Version with percussion only | 冲突 影院摇滚 战士 动作游戏 | Abm | 120 | |||
|
Neural Pulse Alternate 3 [AMS5048 - 9] |
版本. | 1'58 | Philippe Briand, Salvador Casais | Bed version | 冲突 影院摇滚 战士 动作游戏 | B | 120 | |||
|
Neural Pulse Alternate 4 [AMS5048 - 10] |
版本. | 1'58 | Philippe Briand, Salvador Casais | Underscore version | 冲突 影院摇滚 战士 动作游戏 | B | 120 | |||
|
Neural Pulse Edit 1 30 sec [AMS5048 - 11] |
版本. | 0'27 | Philippe Briand, Salvador Casais | 30 second cut | 冲突 影院摇滚 战士 动作游戏 | B | 120 | |||
|
Neural Pulse Edit 2 15 sec [AMS5048 - 12] |
版本. | 0'16 | Philippe Briand, Salvador Casais | 15 second cut | 冲突 影院摇滚 战士 动作游戏 | B | 120 | |||
|
Blast Up [ISC083 - 1] |
1'51 | Martin Emilio Insaurgarat | ☆☆ WINNER - Best Sound Design ☆ Mark Awards US 2025 ☆☆ | 冲突 动作游戏 画面感 爆炸 | D | 125 | ||||
|
Blast Up Alternate [ISC083 - 11] |
版本. | 1'51 | Martin Emilio Insaurgarat | No alarms version | 冲突 动作游戏 画面感 爆炸 | Dm | 125 | |||
|
Saturn [INP061 - 5] |
2'12 | Damir Agovic | Harrowing, apocalyptic, monumental. Dissonant peels off of muffled | 画面感 冲击 声音设计 预告片 | Cm | 105 | ||||
|
Saturn (Underscore) [INP061 - 15] |
版本. | 2'06 | Damir Agovic | Harrowing, apocalyptic, monumental. Dissonance peels off into an | 画面感 冲击 声音设计 预告片 | Cm | 70 | |||
|
Dismantle [INP061 - 8] |
1'58 | Damir Agovic | Ominous, militaristic, intimidating. Pulsing kick drum and | 冲突 画面感 恐怖片 战争 | Ebm | 80 | ||||
|
Dismantle (Underscore) [INP061 - 18] |
版本. | 1'53 | Damir Agovic | Ominous, militaristic, intimidating. High-pitched sound emanate from | 冲突 画面感 恐怖片 战争 | D | 80 | |||
|
Destruction Mania [CET9086 - 4] |
2'20 | Giorgos Lorantakis | Heavy metal trailer. Stubborn intro with distorted & saturated | 气势 垃圾音效 爆炸 态度 | Bm | 120 | ||||
|
Destruction Mania Alternate [CET9086 - 14] |
版本. | 2'20 | Giorgos Lorantakis | Alternate version without percussion. | 气势 态度 重金属 沉重 | Bm | 120 | |||
|
Turf War [ISC041 - 2] |
2'07 | Giorgos Lorantakis | Mechanical, jangling & metallic intro with weapon loading fx. | 战争 战士 冲突 动作游戏 | D | 100 | ||||
|
Turf War Alternate 1 [ISC041 - 13] |
版本. | 2'07 | Giorgos Lorantakis | Alternate version without guns. | 战争 战士 冲突 动作游戏 | D | 100 | |||
|
Turf War Alternate 2 [ISC041 - 14] |
版本. | 2'07 | Giorgos Lorantakis | Alternativer version with perc only. | 战争 战士 冲突 机械的 | Gm | 100 |