| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
PHONK OFF [CEM3025 - 4] |
1'45 | B4D3.mp3 | Drift phonk. Speed. Stimulating, choppy, rebellious, tense & | phonk 现代 冲突 沉重 | D | 99 | ||||
|
PHONK OFF Alternate 1 [CEM3025 - 45] |
版本. | 1'45 | B4D3.mp3 | Instrumental version | phonk 现代 冲突 沉重 | D | 99 | |||
|
PHONK OFF Alternate 2 [CEM3025 - 46] |
版本. | 2'03 | B4D3.mp3 | Slowed version | 沉重 进行曲 现代 气势 | Bm | 127 | |||
|
PHONK OFF Alternate 3 [CEM3025 - 47] |
版本. | 2'03 | B4D3.mp3 | Slowed instrumental version | phonk 现代 冲突 沉重 | Bm | 127 | |||
|
PHONK OFF Edit 1 (60 sec) [CEM3025 - 48] |
版本. | 1'00 | B4D3.mp3 | 60 second cut | phonk 现代 冲突 沉重 | D | 148 | |||
|
PHONK OFF Edit 2 (30 sec) [CEM3025 - 49] |
版本. | 0'30 | B4D3.mp3 | 30 second cut | phonk 现代 冲突 沉重 | D | 148 | |||
|
PHONK OFF Edit 3 (20 sec) [CEM3025 - 50] |
版本. | 0'20 | B4D3.mp3 | 20 second cut | phonk 现代 冲突 沉重 | Dm | 99 | |||
|
PHONK OFF Edit 4 (sting) [CEM3025 - 51] |
版本. | 0'08 | B4D3.mp3 | Sting | phonk 现代 冲突 沉重 | D | 98 | |||
|
PHONK OFF Edit 5 (60 sec
[CEM3025 - 52] |
版本. | 1'00 | B4D3.mp3 | 60 second slowed cut | phonk 现代 冲突 沉重 | Bm | 127 | |||
|
PHONK OFF Edit 6 (30 sec
[CEM3025 - 53] |
版本. | 0'30 | B4D3.mp3 | 30 second slowed cut | phonk 现代 冲突 沉重 | Bm | 127 | |||
|
PHONK OFF Edit 7 (20 sec
[CEM3025 - 54] |
版本. | 0'20 | B4D3.mp3 | 20 second slowed cut | phonk 现代 冲突 沉重 | Bm | 127 | |||
|
PHONK OFF Edit 8 (sting
[CEM3025 - 55] |
版本. | 0'09 | B4D3.mp3 | Slowed sting | phonk 现代 冲突 沉重 | B | 126 | |||
|
BRAZEIRO [CEM3025 - 6] |
1'53 | B4D3.mp3 | Brazilian vapor phonk. Violent, impetuous & hazy. Frenzied finale @ | 男人 沉重 现代 体育电竞 | Gb | 130 | ||||
|
BRAZEIRO Alternate 1 [CEM3025 - 67] |
版本. | 1'53 | B4D3.mp3 | Instrumental version | 男人 沉重 现代 体育电竞 | Gb | 130 | |||
|
BRAZEIRO Alternate 2 [CEM3025 - 68] |
版本. | 2'12 | B4D3.mp3 | Slowed version | 男人 态度 沉重 进行曲 | Eb | 111 | |||
|
BRAZEIRO Alternate 3 [CEM3025 - 69] |
版本. | 2'12 | B4D3.mp3 | Slowed instrumental version | 男人 沉重 现代 体育电竞 | Ebm | 111 | |||
|
BRAZEIRO Edit 1 (60 sec) [CEM3025 - 70] |
版本. | 1'00 | B4D3.mp3 | 60 second cut | 男人 沉重 现代 体育电竞 | Gb | 130 | |||
|
BRAZEIRO Edit 2 (30 sec) [CEM3025 - 71] |
版本. | 0'30 | B4D3.mp3 | 30 second cut | 男人 沉重 现代 体育电竞 | Gbm | 130 | |||
|
BRAZEIRO Edit 3 (20 sec) [CEM3025 - 72] |
版本. | 0'20 | B4D3.mp3 | 20 second cut | 男人 沉重 现代 体育电竞 | Gbm | 130 | |||
|
BRAZEIRO Edit 4 (sting) [CEM3025 - 73] |
版本. | 0'09 | B4D3.mp3 | Sting | 男人 沉重 现代 体育电竞 | Gb | 129 | |||
|
BRAZEIRO Edit 5 (60 sec
[CEM3025 - 74] |
版本. | 1'00 | B4D3.mp3 | 60 second slowed cut | 男人 沉重 现代 体育电竞 | Ebm | 111 | |||
|
BRAZEIRO Edit 6 (30 sec
[CEM3025 - 75] |
版本. | 0'30 | B4D3.mp3 | 30 second slowed cut | 男人 沉重 现代 体育电竞 | Ebm | 111 | |||
|
BRAZEIRO Edit 7 (20 sec
[CEM3025 - 76] |
版本. | 0'20 | B4D3.mp3 | 20 second slowed cut | 男人 沉重 现代 体育电竞 | Ebm | 111 | |||
|
BRAZEIRO Edit 8 (sting slowed) [CEM3025 - 77] |
版本. | 0'11 | B4D3.mp3 | Slowed sting | 男人 沉重 现代 体育电竞 | Ebm | 111 | |||
|
BROBOT [CEM3025 - 10] |
1'52 | B4D3.mp3 | Brazilian phonk. Medium. Dark, moody, introspective, sinister & | 沉重 冲击 气势 态度 | Gbm | 110 | ||||
|
BROBOT Alternate 1 [CEM3025 - 111] |
版本. | 1'52 | B4D3.mp3 | Instrumental version | 沉重 冲击 气势 态度 | Gbm | 110 | |||
|
BROBOT Alternate 2 [CEM3025 - 112] |
版本. | 2'12 | B4D3.mp3 | Slowed version | 沉重 男人 慢镜头 进行曲 | Ebm | 94 | |||
|
BROBOT Alternate 3 [CEM3025 - 113] |
版本. | 2'11 | B4D3.mp3 | Slowed instrumental version | 沉重 冲击 气势 态度 | Ebm | 94 | |||
|
BROBOT Edit 1 (60 sec) [CEM3025 - 114] |
版本. | 1'00 | B4D3.mp3 | 60 second cut | 沉重 冲击 气势 态度 | Gbm | 110 | |||
|
BROBOT Edit 2 (30 sec) [CEM3025 - 115] |
版本. | 0'30 | B4D3.mp3 | 30 second cut | 沉重 冲击 气势 态度 | Gbm | 110 | |||
|
BROBOT Edit 3 (20 sec) [CEM3025 - 116] |
版本. | 0'20 | B4D3.mp3 | 20 second cut | 沉重 冲击 气势 态度 | Gbm | 110 | |||
|
BROBOT Edit 4 (sting) [CEM3025 - 117] |
版本. | 0'12 | B4D3.mp3 | Sting | 沉重 冲击 气势 态度 | Gbm | 110 | |||
|
BROBOT Edit 5 (60 sec slowed) [CEM3025 - 118] |
版本. | 1'00 | B4D3.mp3 | 60 second slowed cut | 沉重 冲击 气势 态度 | Ebm | 94 | |||
|
BROBOT Edit 6 (30 sec slowed) [CEM3025 - 119] |
版本. | 0'30 | B4D3.mp3 | 30 second slowed cut | 沉重 冲击 气势 态度 | Ebm | 94 | |||
|
BROBOT Edit 7 (20 sec slowed) [CEM3025 - 120] |
版本. | 0'20 | B4D3.mp3 | 20 second slowed cut | 沉重 冲击 气势 态度 | Ebm | 94 | |||
|
BROBOT Edit 8 (sting slowed) [CEM3025 - 121] |
版本. | 0'12 | B4D3.mp3 | Slowed sting | 沉重 冲击 气势 态度 | Ebm | 94 | |||
|
Heavy Combustion [CET9111 - 3] |
1'55 | Kunik, Ilan, Salvador Casais | Hybrid trailer rock. Heavy, confident & motivational. Break @ 0'40, @ | 进行曲 动作片 沉重 影院摇滚 | Em | 110 | ||||
|
Heavy Combustion Alternate 1 [CET9111 - 22] |
版本. | 1'55 | Ilan Kunik | Version without percussion | 动作片 沉重 影院摇滚 动作游戏 | Em | 110 | |||
|
Heavy Combustion Alternate 2 [CET9111 - 23] |
版本. | 1'55 | Ilan Kunik | Version with percussion only | 进行曲 动作片 沉重 影院摇滚 | Gm | 110 | |||
|
Heavy Combustion Alternate 3 [CET9111 - 24] |
版本. | 1'55 | Ilan Kunik | Version without voices | 进行曲 动作片 沉重 影院摇滚 | Em | 110 | |||
|
Heavy Combustion Alternate 4 [CET9111 - 25] |
版本. | 1'55 | Ilan Kunik | Bed version | 进行曲 动作片 沉重 影院摇滚 | Em | 110 | |||
|
Heavy Combustion Alternate 5 [CET9111 - 26] |
版本. | 1'55 | Ilan Kunik | Underscore version | 进行曲 动作片 沉重 影院摇滚 | Em | 110 | |||
|
Heavy Combustion Edit 1 30 sec [CET9111 - 27] |
版本. | 0'33 | Ilan Kunik | 30 second cut | 进行曲 动作片 沉重 影院摇滚 | Em | 109 | |||
|
Heavy Combustion Edit 2 15 sec [CET9111 - 28] |
版本. | 0'16 | Ilan Kunik | 15 second cut | 进行曲 动作片 沉重 影院摇滚 | Em | 104 | |||
|
As Life Flows [CEZ4700 - 1] |
2'26 | Elisabeth Skornik, Guy Skornik | Neoclassical. Cyclical, prestigious, staccato & determined with | 命运 新古典音乐 手工业 周期性的 | Am | 132 | ||||
|
As Life Flows Alternate [CEZ4700 - 31] |
版本. | 2'30 | Elisabeth Skornik, Guy Skornik | Alternate version with piano & strings. | 命运 新古典音乐 手工业 周期性的 | Am | 88 | |||
|
Timer To The End [CEG5058 - 13] |
0 | 1'03 | Les Cosmonotes | Suspenseful Clockwork. Mysterious, enigmatic & methodical. Deep @ | 进行曲 金属 (音效)滴答声 神秘 | Dm | 118 | |||
|
Ghosts of Tomorrow [CET9108 - 8] |
2'30 | Giorgos Lorantakis | Electro trailer. Ghostly intro with acid-like fx. Fierce build-up @ | 冲突 态度 动作游戏 动人 | Bbm | 98 | ||||
|
Ghosts of Tomorrow Alternate [CET9108 - 18] |
版本. | 2'30 | Giorgos Lorantakis | Version without beat. | 态度 动作游戏 科幻片 预告片 | Bbm | 98 | |||
|
In Case of Emergency [CEZ4668 - 5] |
2'28 | Laetitia Frenod | Electronic score. Sneaky, edgy, rusty & surreal. Break @ 1'19 with | 令人不安 画面感 恐怖 恐怖片 | C | 126 | ||||
|
In Case of Emergency Edit
[CEZ4668 - 32] |
版本. | 1'00 | Laetitia Frenod | 60 second cut | 令人不安 画面感 恐怖 恐怖片 | C | 84 | |||
|
In Case of Emergency Edit 30
[CEZ4668 - 33] |
版本. | 0'30 | Laetitia Frenod | 30 second cut | 令人不安 画面感 恐怖 恐怖片 | C | 126 | |||
|
In Case of Emergency Edit 20
[CEZ4668 - 34] |
版本. | 0'20 | Laetitia Frenod | 20 second cut | 令人不安 画面感 恐怖 恐怖片 | C | 126 | |||
|
In Case of Emergency Sting [CEZ4668 - 35] |
版本. | 0'20 | Laetitia Frenod | Sting | 令人不安 画面感 恐怖 恐怖片 | C | 124 | |||
|
Sacrifices [BIB284 - 5] |
1'56 | Omer Agca, Alexandre Méaux | Slick, modern, concerned. Solitary trumpet sound lands in mulchy trip | 缓拍 调查研究 都市景色 进行曲 | Gbm | 88 | ||||
|
Sacrifices (Instrumental) [BIB284 - 16] |
版本. | 1'56 | Omer Agca, Alexandre Méaux | Slick, modern, concerned. Solitary trumpet sound lands in mulchy trip | 缓拍 调查研究 都市景色 进行曲 | Gbm | 88 | |||
|
Sacrifices (Underscore) [BIB284 - 17] |
版本. | 1'56 | Omer Agca, Alexandre Méaux | Slick, modern, concerned. Solitary trumpet sound lands in mulchy trip | 缓拍 调查研究 都市景色 进行曲 | Gbm | 88 | |||
|
Flying Kicks [BIB274 - 2] |
2'24 | Louis Hackett | Confident, commanding, suspicious. Brass emerges with plodding | 电影节奏 日间节目 态度 都市景色 | Ebm | 95 | ||||
|
Flying Kicks (Underscore) [BIB274 - 12] |
版本. | 2'24 | Louis Hackett | Confident, commanding, suspicious. Brass emerges with plodding | 电影节奏 日间节目 态度 都市景色 | Ebm | 95 | |||
|
Forward March [BIB274 - 6] |
2'45 | Louis Hackett | Heavy, theatrical, determined. Plodding low brass notes work out a | 电影节奏 进行曲 固执 都市景色 | Gm | 97 | ||||
|
Forward March (Underscore) [BIB274 - 17] |
版本. | 2'45 | Louis Hackett | Heavy, theatrical, determined. Plodding low brass notes work out a | 电影节奏 进行曲 固执 都市景色 | Bb | 97 | |||
|
Walk Like A Duck [IOM015 - 8] |
2'21 | Benedic Lamdin, Riaan Vosloo | Fun, silly, carefree. Jangly rough drums and DJ FX set out an old | boom bap 自信 放克 节奏感 | Dm | 90 | ||||
|
Walk Like A Duck (Underscore) [IOM015 - 19] |
版本. | 2'21 | Benedic Lamdin, Riaan Vosloo | Fun, silly, carefree. Jangly rough drums give an old school hip hop | 自信 放克 节奏感 动人 | Dm | 90 | |||
|
Mysteries & Silhouettes [IOM015 - 10] |
2'12 | Benedic Lamdin, Riaan Vosloo | Cool, anticipatory, bustling. Crowded vibe from swooping strings | 夜晚 boom bap 鼓 BEAT MAKING | Gm | 89 | ||||
|
Mysteries & Silhouettes
[IOM015 - 21] |
版本. | 1'56 | Benedic Lamdin, Riaan Vosloo | Cool, anticipatory, bustling. Cool, sturdy hip hop beat sets out an | 进行曲 夜晚 boom bap 懒惰 | Gm | 89 | |||
|
Trepidation Mounts [INP065 - 9] |
1'52 | Christopher Chambers | Dangerous, sneaky, climatic. Droning strings give a sense of intrigue | 电影节奏 体育中的戏剧性 固执 进步 | Bbm | 95 | ||||
|
Trepidation Mounts
[INP065 - 25] |
版本. | 1'52 | Christopher Chambers | Dangerous, sneaky, climatic. Droning strings give a sense of intrigue | 电影节奏 体育中的戏剧性 固执 进步 | Ebm | 95 | |||
|
Trepidation Mounts
[INP065 - 26] |
版本. | 1'52 | Christopher Chambers | Dangerous, sneaky, climatic. Droning strings give a sense of intrigue | 电影节奏 体育中的戏剧性 固执 进步 | Ebm | 95 | |||
|
King Size [TBX179 - 9] |
3'05 | Markus Gleissner, Andre Murray | Big, cool, epic. Thundering bass rises up into marching epic hip hop 歌词 | 冲击 沉重 气势 团队运动 | Cm | 138 | ||||
|
King Size (Instrumental) [TBX179 - 27] |
版本. | 3'05 | Markus Gleissner, Andre Murray | Big, cool, epic. Thundering bass rises up into marching epic hip hop | 冲击 沉重 气势 团队运动 | Cm | 138 | |||
|
King Size (Underscore) [TBX179 - 28] |
版本. | 3'05 | Markus Gleissner, Andre Murray | Big, cool, epic. Thundering bass rises up into marching epic hip hop | 冲击 沉重 气势 团队运动 | Cm | 138 | |||
|
Sneaky Feelings [BIB246 - 8] |
2'26 | Liam Mansfield | Intrigued, explorative, patient. Subtle plucked string melody is | 摇摆 动物 电影原声带 进行曲 | Cm | 83 | ||||
|
Sneaky Feelings (Underscore) [BIB246 - 18] |
版本. | 2'26 | Liam Mansfield | Intrigued, explorative, patient. Subtle plucked string melody is | 摇摆 动物 进行曲 耐心 | Cm | 165 | |||
|
Train To Paris [TBX163 - 9] |
1'25 | Edward Hogston | Frantic, quaint, speedy. Determined guitar plays out a serious melody | 吉普赛爵士 进行曲 火车 紧急 | Bm | 107 | ||||
|
Train To Paris (Instrumental) [TBX163 - 27] |
版本. | 1'25 | Edward Hogston | Frantic, quaint, speedy. A serious rhythmic guitar plays out, | 吉普赛爵士 进行曲 火车 紧急 | Bm | 107 | |||
|
Train To Paris (Underscore A) [TBX163 - 28] |
版本. | 1'25 | Edward Hogston | Frantic, quaint, speedy. Determined guitar plays out, a serious | 吉普赛爵士 进行曲 火车 紧急 | Bm | 107 | |||
|
Train To Paris (Underscore B) [TBX163 - 29] |
版本. | 1'25 | Edward Hogston | Frantic, quaint, speedy. A serious rhythmic guitar plays out, | 吉普赛爵士 进行曲 火车 紧急 | Bm | 107 | |||
|
Living the Blues [CEZ4571 - 4] |
0 | 2'24 | Gary O'Slide | Contemporary blues. Relentless, resigned yet determined. Electric | 蓝调 进行曲 男人 夜晚 | Dm | 140 | |||
|
All Rivers Flow to the Sea
[CEZ4570 - 22] |
0 | 2'05 | Elisabeth Skornik, Guy Skornik | Carefree, happy, constant & optimistic. Staccato strings & drone. | 自信 开阔 进行曲 政治 | G | 100 | |||
|
Phat Blues [TBX161 - 7] |
2'16 | Geoff Clark | Sharp, fun, bluesy. Acoustic guitar sets out a classic country | 室外 蓝调 动人 夏威夷吉他 | Am | 162 | ||||
|
Phat Blues (Underscore) [TBX161 - 23] |
版本. | 2'16 | Geoff Clark | Sharp, fun, bluesy. Acoustic guitar sets out a classic country | 蓝调 半音阶口琴 进行曲 夏威夷吉他 | Am | 80 |