| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
How That Sound [CEV3019 - 19] |
2'27 | La Fine Equipe | Explicit language. Hip-hop with an Oriental feel. Male vocal. BPM 90.歌词 | 嘻哈音乐 说唱 都市 BEAT MAKING | Gm | 90 | ||||
|
How That Sound [CEV3019 - 20] |
版本. | 2'28 | La Fine Equipe | Instrumental Hip-hop with an Oriental feel. Female voice. BPM 90. | 现代 BEAT MAKING 嘻哈音乐 把(旧曲片段)合成新曲 | Bm | 90 | |||
|
At The Wine Shop [CEV3019 - 21] |
1'53 | La Fine Equipe | Explicit language. Laid back Hip-hop. Male vocal. BPM 88.歌词 | 说唱 现代 嘻哈音乐 循环 | Am | 88 | ||||
|
At The Wine Shop [CEV3019 - 22] |
版本. | 1'47 | La Fine Equipe | Instrumental laid back Hip-hop. Scratch. BPM 88. | 碎拍音乐 都市 循环 美国 | Am | 88 | |||
|
At The Wine Shop [CEV3019 - 29] |
版本. | 1'47 | La Fine Equipe | Instrumental laid back Hip-hop. Scratch. BPM 88. | 现代 BEAT MAKING 都市景色 循环 | C | 88 | |||
|
Sweet Rose Of Hawaii [CEV3017 - 1] |
0 | 2'13 | Claude Samard | Relaxed & carefree. Hawaiian guitar (National), acoustic guitar, | 夏威夷 异域 夏威夷吉他 动物喜感 | C | 100 | |||
|
Casus-Belli [CEZ4082 - 18] |
0 | 2'05 | Bruno Letort | Authoritative & emphatic. String orchestra with marimba & percussion. | 弦乐乐团 不平稳 悲剧 果断 | Am | 126 | |||
|
Military drum 5 [CEZ4083 - 49] |
0 | 0'43 | Traditionnal | Martial & solemn. Solo military drum. | 庄重 军鼓 军事冲突 军队进行曲 | G | 96 | |||
|
Papuasia [CEV3016 - 1] |
0 | 2'01 | Imade Saputra | Neva (flutes) ensemble & tifa (Papuasian drum). North Centre. (Papua) | 巴布亚新几内亚 民族 印度尼西亚 neva | Abm | 103 | |||
|
Tribute [CEV3016 - 9] |
0 | 1'41 | Imade Saputra | Man's voice & percussion. Desa Kayu Batu village. North Centre. | 巴布亚新几内亚 民族 印度尼西亚 早期艺术 | Ebm | 91 | |||
|
Kelambut [CEV3016 - 23] |
0 | 1'08 | Imade Saputra | Tifa percussion ensemble & kelambut. Desa Kayu Pulau village. North | 巴布亚新几内亚 民族 印度尼西亚 稳定的 | Bm | 121 | |||
|
Blues Grumble [CEV3015 - 1] |
0 | 2'46 | Manuel Galvin | Plaintive & moody. Humming voice & electric guitar. | 三角洲蓝调 男声哼唱 内心活动 漂泊 | Em | 70 | |||
|
Mean Devil Blues [CEV3015 - 9] |
2'58 | Manuel Galvin | In the spirit of the 20's & 30's. Acoustic guitar, slide Dobro & | 三角洲蓝调 夏威夷吉他 尤克里里琴 无忧无虑 | Em | 100 | ||||
|
Devil in Disguise [CEV3015 - 2] |
版本. | 2'57 | Manuel Galvin, Ronald Eugene Smith | Blues in the spirit of the 20's & 30's. Male vocal, guitare, slide 歌词 | 三角洲蓝调 歌曲 英语歌唱 人声 | Em | 100 | |||
|
Malandro [CEZ4076 - 30] |
0 | 1'57 | Silvano Michelino | Slow samba. Obstinate & insidious. Percussion ensemble. (Brasil) | 民族打击乐器 巴西 疑问 热带雨林 | Bm | 108 | |||
|
Harbingers [CEZ4074 - 10] |
0 | 1'41 | Elisabeth Skornik, Guy Skornik | Uncertain & tense with sudden effects. Rhythm @ 0'30. | 混乱 军事冲突 令人不安 调查研究 | Dm | 130 | |||
|
Mountain Road [CEV3011 - 21] |
0 | 2'12 | Imade Saputra | Solemn & determined. Percussion ensemble. (Tibet) | 民族 西藏 其他打击乐器 野性 | Dbm | 154 | |||
|
Dra-Nyen [CEV3011 - 30] |
0 | 1'52 | Imade Saputra | Song. Homage to the dra-nyen. Male voice & dra-nyen (lute) (Tibetan | 民族 西藏 dranyen 室外 | Abm | 123 | |||
|
Lhasa Chant [CEV3011 - 35] |
0 | 2'21 | Imade Saputra | Song. How Lhasa became the capital of Tibet. Male & female voices & | 民族 西藏 男女民族合唱团 社会悲剧 | Bm | 117 | |||
|
Lhaga [CEV3011 - 40] |
0 | 2'44 | Imade Saputra | Song for the birthday of the Dalai Lama. Theme of the gods of Bhokong | 民族 西藏 女声民族合唱团 日常生活 | Dbm | 109 | |||
|
Hmar Nadir [CEZ4073 - 14] |
0 | 2'28 | Renaud Garcia-Fons | Joyful, carefree & confident. Clarinet & bass clarinet, tar, | 动物喜感 布祖基琴 童年 好玩 | Cm | 127 | |||
|
The Doors of Birganj [CEV3009 - 5] |
0 | 2'35 | Imade Saputra | Serene & lazy. Flute & percussion. (Nepal) | 民族 尼泊尔 传统乐器合奏 民族笛子(所有) | D | 108 | |||
|
Paris - Côte d'Azur [CEZ4063 - 11] |
0 | 2'43 | Pierre-André Athané | Nonchalant & dreamy. Guitar, saxophone, trombone, banjo & double-bass. | 放松 室外 日常生活 乡村 | Dm | 115 | |||
|
First Meeting [CEV3002 - 9] |
0 | 4'01 | Dominique Grimaldi, Renaud Pion | Cyclic, mysterious & contemplative. Clarinet & bass guitar. | 漂泊 低音单簧管 地理政治 神秘 | Db | 82 |