| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Trap Lord [BIB297 - 7] |
1'55 | Audio Aroma, Ari Goldhand | Cool, trendy, confident. Bubbling melodies offer an aqueous vibe as | 时尚 态度 调查研究 都市景色 | Gbm | 114 | ||||
|
Trap Lord (Instrumental) [BIB297 - 17] |
版本. | 1'55 | Audio Aroma, Ari Goldhand | Cool, trendy, confident. Bubbling melodies offer an aqueous vibe as | 时尚 态度 调查研究 都市景色 | Gbm | 114 | |||
|
Trap Lord (Underscore) [BIB297 - 18] |
版本. | 1'55 | Audio Aroma, Ari Goldhand | Cool, trendy, confident. Bubbling melodies offer an aqueous vibe as | 时尚 态度 调查研究 都市景色 | Gbm | 114 | |||
|
Make, Fold, Pack & Share [TBX233 - 8] |
1'00 | Sergey Kolosov, Paul Thorne | Crafty, homemade, creative. Jumbled FX give a vibe of creative energy | 日常生活 杂乱 紧急 喜剧 | D | 96 | ||||
|
Make, Fold, Pack & Share
[TBX233 - 24] |
版本. | 1'00 | Sergey Kolosov, Paul Thorne | Crafty, homemade, creative. Short, sharp piano tune gives a sense of | 日常生活 紧急 喜剧 怪异 | D | 128 | |||
|
Under the Line [ISC116 - 1] |
2'16 | Francesco Bondi | Electro clash. Edgy, powerful, heavy & rough. Jerky break @ 0'58. | 撞击电子乐 固执 动人 沉重 | Abm | 120 | ||||
|
Under the Line Alternate 1 [ISC116 - 11] |
版本. | 2'16 | Francesco Bondi | Version without percussion. | 撞击电子乐 固执 动人 沉重 | Ab | 120 | |||
|
Under the Line Alternate 2 [ISC116 - 12] |
版本. | 2'16 | Francesco Bondi | Version without lead. | 撞击电子乐 固执 动人 沉重 | Abm | 120 | |||
|
Buried Instincts [ISC116 - 5] |
2'44 | Francesco Bondi | Electro. Cinematic. Mechanical, tense, rigorous & urgent. Synth, | 令人不安 固执 时间(滴答声) 冲突 | Cm | 110 | ||||
|
Buried Instincts Alternate 1 [ISC116 - 18] |
版本. | 2'44 | Francesco Bondi | Version without percussion. | 令人不安 固执 时间(滴答声) 冲突 | Cm | 110 | |||
|
Buried Instincts Alternate 2 [ISC116 - 19] |
版本. | 2'44 | Francesco Bondi | Version without lead. | 令人不安 固执 时间(滴答声) 冲突 | Cm | 110 | |||
|
Simple Christmas Love [CEZ4699 - 6] |
2'16 | Amanda Ventrice, Paul Thorne | Christmas Pop. Energetic, rhythmic, unifying & festive. Pre-chorus @ 歌词 | 圣诞节 流行歌曲 广告 态度 | C | 100 | ||||
|
Simple Christmas Love
[CEZ4699 - 36] |
版本. | 2'16 | Amanda Ventrice, Paul Thorne | Instrumental version | 圣诞节 广告 态度 果断 | Am | 100 | |||
|
Simple Christmas Love
[CEZ4699 - 37] |
版本. | 2'16 | Amanda Ventrice, Paul Thorne | Instrumental version without Christmas elements | 圣诞节 广告 态度 果断 | Am | 100 | |||
|
Simple Christmas Love Edit 1
[CEZ4699 - 38] |
版本. | 1'00 | Amanda Ventrice, Paul Thorne | 60 second cut | 圣诞节 广告 态度 果断 | Am | 100 | |||
|
Simple Christmas Love Edit 2
[CEZ4699 - 39] |
版本. | 0'30 | Amanda Ventrice, Paul Thorne | 30 second cut | 圣诞节 广告 态度 果断 | C | 100 | |||
|
Simple Christmas Love Edit 3
[CEZ4699 - 40] |
版本. | 0'20 | Amanda Ventrice, Paul Thorne | 20 second cut | 圣诞节 广告 态度 果断 | Am | 100 | |||
|
Simple Christmas Love Edit 4
[CEZ4699 - 41] |
版本. | 0'11 | Amanda Ventrice, Paul Thorne | Sting | 圣诞节 广告 态度 果断 | C | 100 | |||
|
Rhythms Of The Savannah [AMS5064 - 3] |
2'17 | Ilan Kunik | African cinematic. Percussive, joyful, childlike, and lively. | 冒险片 画面感 开心 好玩 | D | 110 | ||||
|
Rhythms Of The Savannah
[AMS5064 - 25] |
版本. | 2'17 | Ilan Kunik | Version without percussion. | 冒险片 画面感 开心 好玩 | D | 110 | |||
|
Rhythms Of The Savannah
[AMS5064 - 26] |
版本. | 2'17 | Ilan Kunik | Version with percussion only. | 冒险片 画面感 开心 好玩 | Gbm | 110 | |||
|
Rhythms Of The Savannah
[AMS5064 - 27] |
版本. | 2'17 | Ilan Kunik | Version without voices. | 冒险片 画面感 开心 好玩 | D | 110 | |||
|
Rhythms Of The Savannah
[AMS5064 - 28] |
版本. | 2'17 | Ilan Kunik | "Bed" version. | 冒险片 画面感 开心 好玩 | D | 110 | |||
|
Rhythms Of The Savannah
[AMS5064 - 29] |
版本. | 2'17 | Ilan Kunik | Underscore version. | 冒险片 画面感 开心 好玩 | D | 110 | |||
|
Rhythms Of The Savannah Edit
[AMS5064 - 30] |
版本. | 0'30 | Ilan Kunik | 30 second cut. | 冒险片 画面感 开心 好玩 | D | 110 | |||
|
Rhythms Of The Savannah Edit
[AMS5064 - 31] |
版本. | 0'15 | Ilan Kunik | 15 second cut. | 冒险片 画面感 开心 好玩 | D | 110 | |||
|
It's A Money Game [TBX232 - 2] |
2'20 | Edoardo Bombace | Pacy, raw, explorative. Deep piano impacts contrast with tricky | trapedy 恐怖喜剧 固执 态度 | Ebm | 162 | ||||
|
It's A Money Game (Underscore) [TBX232 - 14] |
版本. | 2'20 | Edoardo Bombace | Pacy, raw, explorative. Plucked strings join fun stabs, built up with | trapedy 恐怖喜剧 固执 态度 | Ebm | 162 | |||
|
It's A Money Game (Underscore
[TBX232 - 15] |
版本. | 2'20 | Edoardo Bombace | Pacy, raw, explorative. Plucked strings join fun stabs, built up with | trapedy 恐怖喜剧 固执 态度 | Ebm | 162 | |||
|
Make Or Break [TBX232 - 3] |
2'02 | Edoardo Bombace | Clean, heavy, confident. Plucked strings are supercharged by emerging | 悲喜剧 trapedy 态度 社会悲剧 | Gm | 101 | ||||
|
Make Or Break (Underscore) [TBX232 - 16] |
版本. | 1'59 | Edoardo Bombace | Clean, heavy, confident. Plucked strings are supercharged by emerging | 悲喜剧 trapedy 态度 社会悲剧 | Gm | 101 | |||
|
Make Or Break (Underscore No
[TBX232 - 17] |
版本. | 2'02 | Edoardo Bombace | Clean, heavy, confident. Plucked strings are supercharged by emerging | 悲喜剧 trapedy 态度 社会悲剧 | Gm | 101 | |||
|
Stuck In A Loop [TBX232 - 6] |
2'29 | Edoardo Bombace | Theatrical, goofy, playful. Plucked strings land with a sense of | 态度 trapedy 电影节奏 恐怖喜剧 | Em | 86 | ||||
|
Stuck In A Loop (Underscore) [TBX232 - 21] |
版本. | 2'29 | Edoardo Bombace | Theatrical, goofy, playful. Plucked strings land with a sense of | 态度 trapedy 电影节奏 恐怖喜剧 | Em | 86 | |||
|
Stuck In A Loop (Underscore
[TBX232 - 22] |
版本. | 2'29 | Edoardo Bombace | Theatrical, goofy, playful. Plucked strings land with a sense of | 态度 trapedy 电影节奏 恐怖喜剧 | Em | 86 | |||
|
Flicker Of Doubt [TBX232 - 10] |
1'46 | Ernesto Lopez Amestica | Strong, bright, street. Plucked strings and finger clicks dive into | 节奏乐器组 trapedy 态度 电影节奏 | Dm | 145 | ||||
|
Flicker Of Doubt (Underscore) [TBX232 - 27] |
版本. | 1'46 | Ernesto Lopez Amestica | Strong, bright, street. Plucked strings and finger clicks offer a | 节奏乐器组 trapedy 态度 电影节奏 | Dm | 145 | |||
|
Queen [IOM044 - 6] |
2'17 | Olivier Bibeau | Empowered, rude, unapologetic. Menacing melody with rough energy 歌词 | 舞蹈流行音乐 广告 态度 人物 | Fm | 136 | ||||
|
Queen (Instrumental) [IOM044 - 24] |
版本. | 2'17 | Olivier Bibeau | Empowered, rude, unapologetic. Menacing melody with rough energy | 舞蹈流行音乐 广告 态度 人物 | Fm | 136 | |||
|
Queen (Underscore) [IOM044 - 25] |
版本. | 2'17 | Olivier Bibeau | Empowered, rude, unapologetic. Menacing melody with rough energy | 舞蹈流行音乐 广告 态度 人物 | Fm | 136 | |||
|
Limbo [INP083 - 3] |
2'52 | Sergey Kolosov | Haunting, dramatic, climactic. Haunting synth notes give a delicate | 画面感 令人激动 动作游戏 动作片 | Cm | 90 | ||||
|
Limbo (Underscore) [INP083 - 15] |
版本. | 2'40 | Sergey Kolosov | Haunting, dramatic, climactic. Dusty descending notes offer a feeling | 画面感 令人激动 动作游戏 动作片 | Cm | 90 | |||
|
Disarm [CEG5058 - 6] |
0 | 1'03 | Les Cosmonotes | Minimal Clockwork. Waiting, hesitant, odd & glitchy. Clockwork FX, | (音效)滴答声 奇怪 沉重 机械的 | Abm | 150 | |||
|
Doomed by the Hour [CEG5058 - 10] |
0 | 1'47 | Les Cosmonotes | Suspenseful Clockwork. Steady & oppressive. Deep bass & sharp impact. | 神经病 机械的 金属 紧急 | Bm | 100 | |||
|
Growing Tension [CEG5058 - 11] |
0 | 1'21 | Les Cosmonotes | Suspenseful Clockwork. Thoughtful, questioning & stressful. Clock & | 间谍片 悬念 稳定的 进行中 | Gm | 120 | |||
|
Black Coil [AMS5061 - 5] |
2'07 | Felix Weber | Cinematic trap. Dramatic, adventurous & grand. Staccato strings @ | 调查研究 电影节奏 社会悲剧 固执 | Fm | 90 | ||||
|
Black Coil Alternate 1 [AMS5061 - 35] |
版本. | 2'07 | Felix Weber | Version without percussion | 调查研究 电影节奏 社会悲剧 固执 | Fm | 178 | |||
|
Black Coil Alternate 2 [AMS5061 - 36] |
版本. | 2'07 | Felix Weber | Version with percussion only | 调查研究 电影节奏 社会悲剧 固执 | Am | 90 | |||
|
Black Coil Alternate 3 [AMS5061 - 37] |
版本. | 2'07 | Felix Weber | Version without strings | 调查研究 电影节奏 社会悲剧 固执 | Fm | 90 | |||
|
Black Coil Alternate 4 [AMS5061 - 38] |
版本. | 2'07 | Felix Weber | Bed version | 调查研究 电影节奏 社会悲剧 固执 | Fm | 90 | |||
|
Black Coil Alternate 5 [AMS5061 - 39] |
版本. | 2'07 | Felix Weber | Underscore version | 调查研究 电影节奏 社会悲剧 固执 | Fm | 90 | |||
|
Black Coil Edit 1 30 sec [AMS5061 - 40] |
版本. | 0'31 | Felix Weber | 30 second cut | 调查研究 电影节奏 社会悲剧 固执 | Fm | 178 | |||
|
Black Coil Edit 2 15 sec [AMS5061 - 41] |
版本. | 0'17 | Felix Weber | 15 second cut | 调查研究 电影节奏 社会悲剧 固执 | Gm | 161 | |||
|
Hey Kanka [IOM043 - 5] |
2'47 | Thomas Caruana | Communal, warm, cool. Laidback but lively rhythm is joined by big | 阳光 电影原声带 自信 动人 | Fm | 92 | ||||
|
Hey Kanka (Bed) [IOM043 - 22] |
版本. | 2'47 | Thomas Caruana | Communal, warm, cool. Laidback but lively rhythm is joined by big | 阳光 电影原声带 自信 动人 | Fm | 92 | |||
|
Hey Kanka (Bed Sparse) [IOM043 - 23] |
版本. | 2'47 | Thomas Caruana | Communal, warm, cool. Laidback but lively rhythm is joined by big | 阳光 电影原声带 自信 动人 | Fm | 92 | |||
|
Hey Kanka (Underscore) [IOM043 - 24] |
版本. | 2'36 | Thomas Caruana | Communal, warm, cool. Bass lays out a fun rhythm, joined by vocals | 阳光 电影原声带 自信 动人 | Fm | 92 | |||
|
Oh, Love [IOM043 - 6] |
2'34 | Justin Krol, Sirma Munyar, Quinn Scharber, Kirk Tatnall | Blossoming, lovesick, upbeat. Sparking Arabic strings launch into 歌词 | 动人 女歌手 舞动 忧伤 | D | 120 | ||||
|
Oh, Love (Instrumental) [IOM043 - 25] |
版本. | 2'34 | Justin Krol, Sirma Munyar, Quinn Scharber, Kirk Tatnall | Blossoming, lovesick, upbeat. Sparking Arabic strings launch into | 动人 舞动 固执 六十年代迷幻乐 | Gm | 120 | |||
|
Oh, Love (Bed) [IOM043 - 26] |
版本. | 2'34 | Justin Krol, Sirma Munyar, Quinn Scharber, Kirk Tatnall | Blossoming, lovesick, upbeat. Sparking melody erupts from strange | 动人 舞动 固执 六十年代迷幻乐 | Gm | 120 | |||
|
Oh, Love (Bed Sparse) [IOM043 - 27] |
版本. | 2'32 | Justin Krol, Sirma Munyar, Quinn Scharber, Kirk Tatnall | Blossoming, lovesick, upbeat. Drum and bass come together with | 动人 舞动 固执 六十年代迷幻乐 | Gm | 120 | |||
|
Oh, Love (Underscore) [IOM043 - 28] |
版本. | 2'34 | Justin Krol, Sirma Munyar, Quinn Scharber, Kirk Tatnall | Blossoming, lovesick, upbeat. Sparking melody erupts from strange | 动人 忧伤 固执 六十年代迷幻乐 | D | 120 | |||
|
Bursa Beats [IOM043 - 8] |
3'47 | Thomas Caruana, Richard Halligan | Cool, dirty, desolate. Overdriven guitar chugs along as melody | 自信 六十年代迷幻乐 日常生活 七十年代 | E | 98 | ||||
|
Bursa Beats (Bed) [IOM043 - 31] |
版本. | 3'46 | Thomas Caruana, Richard Halligan | Cool, dirty, desolate. Overdriven guitar chugs along as melody | 自信 六十年代迷幻乐 日常生活 七十年代 | Em | 98 | |||
|
Bursa Beats (Bed Sparse) [IOM043 - 32] |
版本. | 3'27 | Thomas Caruana, Richard Halligan | Cool, dirty, desolate. Overdriven guitar chugs along as melody | 自信 六十年代迷幻乐 日常生活 七十年代 | E | 98 | |||
|
The Gently Blowing Winds [IOM043 - 11] |
2'44 | Nazim Cinar, Justin Krol, Quinn Scharber, Kirk Tatnall | Upbeat, adventurous, determined. Spiky riff gives an Arabic style 歌词 | 喜剧 动人 六十年代 态度 | Em | 123 | ||||
|
The Gently Blowing Winds
[IOM043 - 36] |
版本. | 2'44 | Nazim Cinar, Justin Krol, Quinn Scharber, Kirk Tatnall | Upbeat, adventurous, determined. Spiky riff gives an Arabic style | 喜剧 动人 六十年代 态度 | Em | 124 | |||
|
The Gently Blowing Winds (Bed) [IOM043 - 37] |
版本. | 2'44 | Nazim Cinar, Justin Krol, Quinn Scharber, Kirk Tatnall | Upbeat, adventurous, determined. Hand drums give way to distorted | 喜剧 动人 六十年代 态度 | Am | 124 | |||
|
The Gently Blowing Winds (Bed
[IOM043 - 38] |
版本. | 2'44 | Nazim Cinar, Justin Krol, Quinn Scharber, Kirk Tatnall | Upbeat, adventurous, determined. Hand drums give way to rock bassline | 喜剧 动人 六十年代 态度 | Dm | 124 | |||
|
The Gently Blowing Winds
[IOM043 - 39] |
版本. | 2'44 | Nazim Cinar, Justin Krol, Quinn Scharber, Kirk Tatnall | Upbeat, adventurous, determined. Spiky detuned riff gives an Arabic | 喜剧 动人 六十年代 态度 | E | 124 |