| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Parallels [BIB226 - 4] |
4'01 | Conor O'Brien | Progressive, technological, foreboding. Chopping synth sound conveys | 现代芭蕾 科学 电子 不平稳 | Gm | 125 | ||||
|
Parallels (Underscore) [BIB226 - 14] |
版本. | 4'01 | Conor O'Brien | Progressive, technological, foreboding. Chopping synth sound conveys | 现代芭蕾 科学 电子 不平稳 | Gm | 125 | |||
|
Dynamites [BIB225 - 2] |
2'43 | Omer Agca | Energetic, lively, soulful. Snares hit alongside a build up of | 果断 人物 自信 动人 | Abm | 156 | ||||
|
Dynamites (Instrumental) [BIB225 - 13] |
版本. | 2'43 | Omer Agca | Energetic, lively, soulful. Snares hit alongside a build up of | 果断 电子琴 自信 动人 | Ebm | 162 | |||
|
Dynamites (Underscore) [BIB225 - 14] |
版本. | 2'43 | Omer Agca | Energetic, lively, soulful. Snares hit alongside a build up of | future beat 电子鼓 果断 人物 | Abm | 156 | |||
|
Chemical X [BIB225 - 5] |
2'24 | Omer Agca | Raw, pumped, intimidating. Growing sci fi synth launches quickly into | 固执 赛车 朗朗上口 果断 | Bbm | 130 | ||||
|
Chemical X (Instrumental) [BIB225 - 18] |
版本. | 2'24 | Omer Agca | Raw, pumped, intimidating. Growing sci fi synth launches quickly into | 固执 赛车 朗朗上口 果断 | Bbm | 130 | |||
|
Chemical X (Underscore A) [BIB225 - 19] |
版本. | 2'24 | Omer Agca | Raw, pumped, intimidating. Growing sci fi synth launches quickly into | 固执 赛车 朗朗上口 果断 | Bbm | 130 | |||
|
Chemical X (Underscore B) [BIB225 - 20] |
版本. | 2'24 | Omer Agca | Raw, pumped, intimidating. Growing sci fi synth launches quickly into | 现代 撞击电子乐 固执 电子鼓 | Bbm | 130 | |||
|
Ghost Train [CEZ4515 - 7] |
2'58 | Alex Burkett | Drum & bass / Dubstep. Macabre but for fun. Unusual, quirky & | 鼓和贝司 气势 赛车 不平稳 | Gm | 87 | ||||
|
Ghost Train Alternate [CEZ4515 - 23] |
版本. | 2'35 | Alex Burkett | Short edit without intro. | 鼓和贝司 态度 回响贝斯 怪异 | Gm | 87 | |||
|
Get Physical [MAG6074 - 3] |
0 | 3'27 | Jumo | Hip Hop. Electro. Future Beat. Beatmaking. Insistent with a strong & | 朗朗上口 future beat 时尚 现代 | Gm | 90 | |||
|
Pressurize [INP035 - 2] |
1'38 | Richard Reinhardt | Industrial road trip, Neo Tokyo, post-apocalyptic. Syncopated | 画面感 预告片 (音效)滴答声 轰隆声 | Fm | 120 | ||||
|
Pressurize (Underscore A) [INP035 - 14] |
版本. | 1'38 | Richard Reinhardt | Industrial road trip, Neo Tokyo, post-apocalyptic. Syncopated | 画面感 预告片 轰隆声 冲击 | Fm | 120 | |||
|
Pressurize (Underscore B) [INP035 - 15] |
版本. | 1'38 | Richard Reinhardt | Industrial road trip, Neo Tokyo, post-apocalyptic. Syncopated | 画面感 预告片 (音效)滴答声 冲击 | Fm | 120 | |||
|
Pressurize (Underscore C) [INP035 - 16] |
版本. | 1'38 | Richard Reinhardt | Industrial road trip, Neo Tokyo, post-apocalyptic. Syncopated | 画面感 预告片 (音效)滴答声 轰隆声 | Fm | 120 | |||
|
Evil Lullaby [CET9033 - 2] |
1'38 | Emmanuel Rousseau | Intro on tip-toe building-up with creepy textures & eerie sound | 恐怖片 神经病 冲突 冲击 | Cm | 95 | ||||
|
Evil Lullaby Alternate [CET9033 - 12] |
版本. | 1'38 | Emmanuel Rousseau | Alternate without percussion. Intro on tip-toe building-up with | 神经病 恐怖片 冲突 不平稳 | C | 89 | |||
|
Eternal [BIB146 - 2] |
3'43 | Iain Harper | Hypnotic, soulful, laid-back. Dreamy synths with relaxed, atmospheric | 懒惰 新灵乐 夜晚 不平稳 | Dm | 81 | ||||
|
Eternal - (Underscore) [BIB146 - 12] |
版本. | 3'43 | Iain Harper | Edgy, cool, swagger. Stripped back underscore version. Atmospheric | 懒惰 新灵乐 放松 不平稳 | Dm | 81 | |||
|
The Imposter [CET9022 - 2] |
2'02 | Nick Tzios, Paul Copestake | ☆ Nominated "Best Use - Promo" @Mark Awards US 2024 ☆ Ominous & | 画面感 爆炸 轰隆声 令人不安 | Cm | 125 | ||||
|
The Imposter Alternate 1 [CET9022 - 15] |
版本. | 1'56 | Nick Tzios, Paul Copestake | Alternate without percussion. Ominous & suspensful intro. Thrilling | 画面感 轰隆声 令人不安 预告片 | Cm | 125 | |||
|
The Imposter Alternate 2 [CET9022 - 16] |
版本. | 1'59 | Nick Tzios, Paul Copestake | Alternate percussion only. Ominous & suspensful ticking clock intro. | 画面感 冲击 爆炸 不平稳 | Gbm | 125 | |||
|
Next Level [CEZ4416 - 4] |
0 | 3'15 | Rémo & Yanneck | Dubstep, electro. Inevitable yet lively and jerky. Suggested for | 回响贝斯 固执 复古游戏 粗糙 | Gm | 75 | |||
|
Arms and the Women [CEO2100 - 18] |
0 | 1'21 | Gréco Casadesus | Urgent & determined. String orchestra & pizz. | 地理政治 政治 手工业 历史旁白 | Am | 132 | |||
|
Chaser [INP005 - 4] |
0 | 1'26 | Sergey Kolosov | Dark trailer sound design. Dramatic, tense and powerful. Percussive | 追逐场面 画面感 紧急 军事冲突 | Em | 144 | |||
|
Machinator [INP005 - 5] |
0 | 1'20 | Nico Willems | Dark, dramatic trailer sound design. Synths and powerful, pulsating | 冲突 沉重 追逐场面 极限运动 | Gm | 146 | |||
|
Time Changes [BIB067 - 10] |
2'32 | Laurence Anslow, Daniel Bhattacharya, Nick Cooper, Bruce White, Nico Willems | Contemporary classical. Proud staccato violin & cello score. Driving, | 果断 当代历史 后古典 不平稳 | Em | 134 | ||||
|
Time Changes Underscore [BIB067 - 21] |
版本. | 2'19 | Laurence Anslow, Daniel Bhattacharya, Nick Cooper, Bruce White, Nico Willems | Contemporary classical. Proud staccato violin & cello score. Driving, | 不平稳 果断 历史旁白 后古典 | Em | 100 | |||
|
Oddity [TBX008 - 14] |
0 | 1'31 | Sergey Kolosov | Shiny and angular guitars, with punchy drum beat. Positive, happy, | 果断 紧急 日常生活 动人 | Am | 172 | |||
|
Gnomes [TBX008 - 15] |
0 | 1'25 | Sergey Kolosov | A light hearted and fun track, with ukelele and violin parts. Driving | 日常生活 开心 室外 连复段 | D | 104 | |||
|
Deep Space [TBX007 - 10] |
0 | 2'16 | Alexander Joseph Irvine Mcconnell | Sci-fi drone, pulsing electronic sfx. Arpeggiated motifs, suitable | 气氛 太空 诡异 不平稳 | Am | 120 | |||
|
Marimba Positive [TBX007 - 15] |
0 | 2'01 | Peter Henry Mayne | Staccato marimba and positive piano motifs. Building, moving and | 联盟 进步 自信 不平稳 | Ab | 124 | |||
|
Heist Time [TBX006 - 4] |
0 | 2'43 | Peter Nickalls | Electronic, pulsing bed. Tense yet calm, with gradual, determined | 调查研究 固执 果断 追逐场面 | Cm | 120 | |||
|
Step Into the Realm [BIB007 - 5] |
0 | 4'10 | Peter Cameron Buchanan | Starting off with energetic synth hooks and swagger, the drop brings | 回响贝斯 介绍 不平稳 极限运动 | Gm | 70 |