| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Shangaï Shopping [CEV3025 - 7] |
0 | 2'25 | Agnès Vesterman | Carefree & sparse. Solo cello. (China) | 亚洲 拨奏 大提琴 改变 | A | 149 | |||
|
Yakuza [CEV3025 - 27] |
0 | 3'08 | Pierre Bernard | Sudden & tragic. Shakuhachi (Japonese flute), cello & electronics. | 日本 冒险片 突然 风声 | Ab | 117 | |||
|
Wake Up, Make Up [CEV3024 - 11] |
0 | 3'25 | Mark Alberts | Positive & uplifting. Glam rock revisited with a Beatles touch. | 七十年代 迷惑摇滚 自信 不平稳 | A | 131 | |||
|
Phedre [CEV3022 - 12] |
0 | 1'44 | Marc-Olivier Dupin | Sudden & expectant. Piano, harp, cymbalum, vibes & crotales. | 神秘 历史旁白 仙境 疑问 | C | 103 | |||
|
The Lookout [CEV3021 - 19] |
0 | 2'00 | Godard Michel | Desolate & plaintive call. Serpent & zarb. | 逝去的文明 古代 史前 蛇形管 | Am | 140 | |||
|
Cassandra [CEV3021 - 29] |
0 | 2'35 | Linda Bsiri | Unusual & disquieting. Female voice & zarb. | 逝去的文明 史前 古代 令人不安 | Gb | 72 | |||
|
The Hunters [CEV3021 - 34] |
0 | 3'01 | José Barrachina, Thierry Gomar | Anguished & urgent. Percussion & electro-acoustic. | 史前 逝去的文明 野性 追逐场面 | Em | 107 | |||
|
Night Trap [CEV3021 - 36] |
0 | 2'05 | Silvano Michelino | Menacing & suspended, heavy & accentuated @ 0'56. Percussion & | 史前 逝去的文明 恐怖 令人不安 | Dm | 143 | |||
|
The Hare-Judge [CEV3018 - 11] |
0 | 2'08 | Imade Saputra | Call. Pastoral & rural. Srolai (oboe). (Cambodia) | 柬埔寨 民族 srolai 早期艺术 | Bm | 130 | |||
|
Water's Journey [CEZ4088 - 11] |
0 | 4'03 | Pierre-André Athané | Sonata for Cello & Piano N°2 / 1st Mvt | 命运 室内乐 印象主义 动荡 | Bb | 185 | |||
|
The Soul laid Bare [CEZ4088 - 14] |
0 | 2'28 | Pierre-André Athané | Sonata for Violin N°1 / 1st Mvt | 小提琴 大师水准 室内乐 动荡 | Am | 104 | |||
|
Sur une seule Roue [CEZ4086 - 16] |
0 | 1'58 | Scott Taylor | Bouncy & joyful. Accordion & percussion. Tempo change @ 1'15. | 马戏团 动物喜感 新马戏 街道戏剧 | A | 140 | |||
|
Organic Material [CEZ4087 - 4] |
0 | 2'05 | Two Colors | Tense & sparse. Electric guitar, piano & electro-acoustics. | 科学 信息技术 催眠 电子音乐 | G | 80 | |||
|
Earthbound [CEZ4087 - 12] |
0 | 4'10 | Two Colors | Rustling & mysterious. Percussion ensemble & electronics @ 2'52. | 逝去的文明 热带雨林 神秘 史前 | C | 102 | |||
|
Spooks in the Doll's House [CEZ4081 - 3] |
0 | 2'04 | Bruno Letort | Phantasmagorical & tinkling. Electronics & fx. | 动画 奇怪 神秘 恐怖喜剧 | Am | 95 | |||
|
Imminent Danger [CEZ4081 - 23] |
0 | 2'34 | Pierre Bernard | Scary & disturbing. Strings, percussion & electronics. | 令人不安 恐怖 嗡嗡声 悬念 | Ebm | 68 | |||
|
Exorcism [CEZ4081 - 24] |
0 | 3'15 | Pierre Bernard | Funereal & scary. Bells & electronic treatment. | 诡异 恐怖片 铃铛钟 魔幻电影 | Em | 152 | |||
|
The Machinery of War [CEZ4082 - 20] |
0 | 1'33 | Bruno Letort | Emphatic & insistent. Orchestra & electric distorted guitar @ 1'02. | 有节奏感 历史片 固执 军事冲突 | Fm | 112 | |||
|
Roots of Conflict [CEZ4082 - 33] |
0 | 1'54 | Sylvain Kassap, Agnès Vesterman | Mysterious & suspended. Cello & bass clarinet. | 稳定的 艺术 低音单簧管 悬念 | E | 99 | |||
|
History Without End [CEZ4083 - 41] |
0 | 1'12 | Cyrille Aufort | Lyrical & moving conclusion. String orchestra. | 历史片 命运 抒情 弦乐乐团 | Db | 139 |