Attitude, laid-back & swagger hip-hop sung in Spanish & English. ...Attitude, laid-back & swagger hip-hop sung in Spanish & English. Dedicated to female friends. Female rap singer, electric harpsichord, synth, fx bullet, fx vinyl noise & electronic percussion. Interlude @ 2'17.歌词
ES:
tengo el quinto elemento
represión automática
las niñas de mis ojos
rugen humo mientras bailan
hombros anchos y altas
fuertes como jabatas
mascarillas azules
y unas velas aromáticas
a pesar del chandal somos todas muy románticas
y cada rumba sale directa del anima
donde no hay dinero hay carisma y sociedad
no somos gatas de teoría somos prácticas
somos prácticas
somos prácticas
tenemos el pelo como las lobas árticas
somos prácticas
somos prácticas
las malas tenemos conexión telepática
guárdate para ti toda tu insulsa plática
la noche se presenta juguetona y acida
y he contao' las veces que me has mirao' pasar
no me hagas tener que sumártelas
flacas africanas horas de calor
brillo con mi pana mientras suena el reggaeton
ropa americana, hiperventilación
porque aquí nos lo bailamo' hasta romper el pantalón
flacas africanas horas de calor
brillo con mi pana mientras suena el reggaeton
ropa americana, hiperventilación
porque aquí nos lo bailamo' hasta romper el pantalón
miran de reojo por la rabia
quieren bailar salsa con nosotras para oler la jacaranda
mírale a la cara mientras baja
brujas con sus capsulas letales como efímeras erráticas
es el truco que nunca le falla
fire on the zone cuz she got the sauce got it from her mama
en la pista es como una bala
rapida precisa y luego mata
flacas africanas horas de calor
brillo con mi pana mientras suena el reggaeton
ropa americana, hiperventilación
porque aquí nos lo bailamo' hasta romper el pantalón
flacas africanas horas de calor
brillo con mi pana mientras suena el reggaeton
ropa americana, hiperventilación
porque aquí nos lo bailamo' hasta romper el pantalón
hasta romper el pantalón
hasta romper el pantalón
hasta romper el pantalón
no somos gatas de teoría somos prácticas
somos prácticas
no somos gatas de teoría
EN:
I have the fifth element
automatic repression
the girls of my eyes
roar smoke as they dance
broad-shouldered and tall
strong as jabatas
blue masks
and scented candles
in spite of the tracksuit we are all very romantic
and every party comes straight from the soul
where there is no money there is charisma and society
we are not theory cats we are practical
we are practical
we are practical
we have hair like the arctic she-wolves
we are practical
we are practical
we bad girls have telepathic connection
keep all your dull chatter to yourself
the night comes playful and acidic
and I've counted all the times you've watched me pass by
don't make me have to add them up to you
skinny African hours of heat
shining with my homie while reggaeton plays
American clothes, hyperventilation
because here we dance it till we rip our pants
skinny african hours of heat
I shine with my homie while reggaeton plays
American clothes, hyperventilation
because here we dance it till we rip our pants
they look sideways out of rage
they want to dance salsa with us just to smell the jacaranda
look at their face as it goes down
witches with their lethal capsules as ephemeral erratics
it's the trick that never fails them
fire on the zone cuz she got the sauce got it from her mama
on the dance floor she' s like a bullet
fast accurate and then kills
skinny African hours of heat
shining with my homie while reggaeton plays
American clothes, hyperventilation
because here we dance it till we rip our pants
skinny african hours of heat
I shine with my homie while reggaeton plays
American clothes, hyperventilation
because here we dance it till we rip our pants
till we rip our pants
till we rip our pants
till we rip our pants
we are not theory cats we are practical
we are practical
we are not theory cats
Explicit. Attitude, laid-back & swagger hip-hop sung in Spanish. ...Explicit. Attitude, laid-back & swagger hip-hop sung in Spanish. Dedicated to female friends. Female rap singer, electric harpsichord, synth, fx bullet, fx vinyl noise & electronic percussion. Interlude @ 2'17.歌词
ES:
tengo el quinto elemento
represión automática
las niñas de mis ojos
rugen humo mientras bailan
hombros anchos y altas
fuertes como jabatas
mascarillas azules
y unas velas aromáticas
a pesar del chandal somos todas muy románticas
y cada rumba sale directa del anima
donde no hay dinero hay carisma y sociedad
no somos gatas de teoría somos prácticas
somos prácticas
somos prácticas
tenemos el pelo como las lobas árticas
somos prácticas
somos prácticas
las malas tenemos conexión telepática
guárdate para ti toda tu insulsa plática
la noche se presenta juguetona y acida
y he contao' las veces que me has mirao' pasar
no me hagas tener que sumártelas
flacas africanas horas de calor
brillo con mi pana mientras suena el reggaeton
ropa americana, hiperventilación
porque aquí nos lo bailamo' hasta romper el pantalón
flacas africanas horas de calor
brillo con mi pana mientras suena el reggaeton
ropa americana, hiperventilación
porque aquí nos lo bailamo' hasta romper el pantalón
miran de reojo por la rabia
quieren bailar salsa con nosotras para oler la jacaranda
mírale a la cara mientras baja
brujas y pastillas en la rave como efímeras erráticas
es el truco que nunca le falla
fire on the zone cuz she got the sauce got it from her mama
en la pista es como una bala
rapida precisa y luego mata
flacas africanas horas de calor
brillo con mi pana mientras suena el reggaeton
ropa americana, hiperventilación
porque aquí nos lo bailamo' hasta romper el pantalón
flacas africanas horas de calor
brillo con mi pana mientras suena el reggaeton
ropa americana, hiperventilación
porque aquí nos lo bailamo' hasta romper el pantalón
hasta romper el pantalón
hasta romper el pantalón
hasta romper el pantalón
no somos gatas de teoría somos prácticas
somos prácticas
no somos gatas de teoría
EN:
I have the fifth element
automatic repression
the girls of my eyes
roar smoke as they dance
broad-shouldered and tall
strong as jabatas
blue masks
and scented candles
in spite of the tracksuit we are all very romantic
and every party comes straight from the soul
where there is no money there is charisma and society
we are not theory cats we are practical
we are practical
we are practical
we have hair like the arctic she-wolves
we are practical
we are practical
we bad girls have telepathic connection
keep all your dull chatter to yourself
the night comes playful and acidic
and I've counted all the times you've watched me pass by
don't make me have to add them up to you
skinny African hours of heat
shining with my homie while reggaeton plays
American clothes, hyperventilation
because here we dance it till we rip our pants
skinny african hours of heat
I shine with my homie while reggaeton plays
American clothes, hyperventilation
because here we dance it till we rip our pants
they look sideways out of rage
they want to dance salsa with us just to smell the jacaranda
look at their face as it goes down
witches and pills at the rave as ephemeral erratics
it's the trick that never fails them
fire on the zone cuz she got the sauce got it from her mama
on the dance floor she' s like a bullet
fast accurate and then kills
skinny African hours of heat
shining with my homie while reggaeton plays
American clothes, hyperventilation
because here we dance it till we rip our pants
skinny african hours of heat
I shine with my homie while reggaeton plays
American clothes, hyperventilation
because here we dance it till we rip our pants
till we rip our pants
till we rip our pants
till we rip our pants
we are not theory cats we are practical
we are practical
we are not theory cats
Upbeat, swaying & danceable pop sung in Spanish. Flirting in the ...Upbeat, swaying & danceable pop sung in Spanish. Flirting in the rave. Female singer, arpeggiator, synth, sampling & electronic percussion.歌词
ES:
Es la quinta vez que leo tu correo
Me gusta gustarte me gusta el roneo
ponerte el pelo detrás de la oreja
y pasar la noche armando jaleo
veo que te gusta el bellaqueo
y el gloss nuevo que me he puesto
veo que te gusto yo
es inevitable pasar a la acción
vamos a hacer como que hoy no pasó
vamos a hacer como que hoy no pasó
para tener una excusa y verte
y que no parezca desesperación
vamos a hacer como que hoy no pasó
vamos a hacer como que hoy no pasó
para tener una excusa y verte
y que no parezca desesperación
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
mires mires mas
mires sin parar
mires mires mas
mires sin parar
vamos a bailar
la rave es grande nadie nos va a encontrar
si quieres nos vamos detrás de ese minivan
tienes la farmacia guardada en tu bota militar
me gusta to' lo que me das
y cuando me tocas la cara si preguntar
y cuando me mirar por detrás peligrosa
siempre puesta para pelear
bajo la bola de cristal baby
bailar mola mucho mas baby
se reflejan los colores en tu lengua
cuando me vas a besar
bajo la bola de cristal baby
bailar mola mucho mas baby
se reflejan los colores en tu lengua
cuando me vas a besar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
EN:
It's the fifth time I read your mail
I like to like you I like the purring
put your hair behind your ear
and spend the night making a racket
I see that you like to fool around
and the new gloss I put on
I see that you like me
it's inevitable to take action
let's pretend today didn't happen
let's pretend today didn't happen
so I have an excuse to see you
Without looking desperate
let's pretend today didn't happen
let's pretend today didn't happen
so I have an excuse to see you
Without looking desperate
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
look look more
look at me non-stop
look look more
look at me non-stop
let's dance
the rave is big nobody's gonna find us
if you want we'll go behind that minivan
you got the pharmacy stored in your army boot
I like everything you give me
and when you touch my face without asking
and when you look at me from behind dangerous
always ready to fight
under the crystal ball baby
dancing is so much cooler baby
colors reflect on your tongue
when you're gonna kiss me
under the crystal ball baby
dancing is so much cooler baby
colors reflect on your tongue
when you're gonna kiss me
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
Dembow version. Upbeat, swaying & danceable pop sung in Spanish. ...Dembow version. Upbeat, swaying & danceable pop sung in Spanish. Flirting in the rave. Female singer, arpeggiator, synth, sampling & electronic percussion.歌词
ES:
Es la quinta vez que leo tu correo
Me gusta gustarte me gusta el roneo
ponerte el pelo detrás de la oreja
y pasar la noche armando jaleo
veo que te gusta el bellaqueo
y el gloss nuevo que me he puesto
veo que te gusto yo
es inevitable pasar a la acción
vamos a hacer como que hoy no pasó
vamos a hacer como que hoy no pasó
para tener una excusa y verte
y que no parezca desesperación
vamos a hacer como que hoy no pasó
vamos a hacer como que hoy no pasó
para tener una excusa y verte
y que no parezca desesperación
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
mires mires mas
mires sin parar
mires mires mas
mires sin parar
vamos a bailar
la rave es grande nadie nos va a encontrar
si quieres nos vamos detrás de ese minivan
tienes la farmacia guardada en tu bota militar
me gusta to' lo que me das
y cuando me tocas la cara si preguntar
y cuando me mirar por detrás peligrosa
siempre puesta para pelear
bajo la bola de cristal baby
bailar mola mucho mas baby
se reflejan los colores en tu lengua
cuando me vas a besar
bajo la bola de cristal baby
bailar mola mucho mas baby
se reflejan los colores en tu lengua
cuando me vas a besar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
EN:
It's the fifth time I read your mail
I like to like you I like the purring
put your hair behind your ear
and spend the night making a racket
I see that you like to fool around
and the new gloss I put on
I see that you like me
it's inevitable to take action
let's pretend today didn't happen
let's pretend today didn't happen
so I have an excuse to see you
Without looking desperate
let's pretend today didn't happen
let's pretend today didn't happen
so I have an excuse to see you
Without looking desperate
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
look look more
look at me non-stop
look look more
look at me non-stop
let's dance
the rave is big nobody's gonna find us
if you want we'll go behind that minivan
you got the pharmacy stored in your army boot
I like everything you give me
and when you touch my face without asking
and when you look at me from behind dangerous
always ready to fight
under the crystal ball baby
dancing is so much cooler baby
colors reflect on your tongue
when you're gonna kiss me
under the crystal ball baby
dancing is so much cooler baby
colors reflect on your tongue
when you're gonna kiss me
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
Sentimental, lively & smooth pop sung in Spanish & English. ...Sentimental, lively & smooth pop sung in Spanish & English. Better-off alone than with bad company. Female singer, electric piano, synth & electronic percussion.歌词
ES:
brilla el litio en la calle
no hay nadie vuelvo a casa
el semáforo brillante
y las luces apagadas
en la habitación a oscuras
la cara recién lavada
me he quitado el pintalabios
y espero sentada a tu llamada
pero nunca llega
tal vez sea todo culpa de esa chica nueva
a la que ves
con ese rollo francés
nadie se lo cree
he esperado mucho para volverte a ver
y cuando te he visto me has dejado de querer
que pena mas grande la que me haces padecer
padecer
padecer
padecer
la que tu me haces padecer
No sé que hacer desde ayer y ahora
mi alma es de la textura de un bote de gel
No sé que hacer desde ayer y ahora
mi alma es de la textura de un bote de gel
Te apareces en mis sueños
dices que te debo algo
pero no lo creo
siempre me haces partícipe de todos tus juegos
yo solo quiero mirar al sol en el recreo
volver a ser una niña para sufrir menos
para no perder el tiempo con tanto lamento
escuchar la última canción
de mañaneo
he encendido una vela para que no te aparezcas
aunque dejo la luz encendida y la puerta abierta
no es que no te quiera
es que ahora me quiero yo
como dice bunny ahora soy peor
he encendido una vela para que no te aparezcas
aunque dejo la luz encendida y la puerta abierta
no es que no te quiera
es que ahora me quiero yo
como dice bunny ahora soy peor
rolling with my ladies on the floor
singing baby baby drop that broad
is the same old song
y tal vez
vuelva a ver
esa luz que reflejé
ya no me incitas
no me necesitas
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor y mejor y mejor, y mejor, y mejor…
y mejor
EN:
lithium shines in the street
there's no one I'm going home
the traffic light shining
and the lights off
in the darkened room
my face freshly washed
I've taken off my lipstick
and I sit and wait for your call
but it never comes
maybe it's all the fault of that new girl
the one you see
with that French vibe
no one believes it
I've waited a long time to see you again
and when I've seen you you've stopped loving me
what a great sorrow that you make me suffer
suffer
suffer
suffer
that you make me suffer
I don't know what to do since yesterday and now
my soul is the texture of a jar of gel
I don't know what to do since yesterday and now
my soul is the texture of a jar of gel
You appear in my dreams
You say I owe you something
but I don't believe it
you always make me a part of all your games
I just want to look at the sun at playtime
to be a little girl again and suffer less
not to waste time with so much regret
to listen to the last song
at sunrise
I've lit a candle so you won't show up
although I leave the light on and the door open
it's not that I don't love you
it's that now I love me
as bunny says now I'm worse
I've lit a candle so you won't show up
although I leave the light on and the door open
it's not that I don't love you
it's that now I love me
as bunny says now I'm worse
rolling with my ladies on the floor
singing baby baby drop that broad
is the same old song
and maybe
I'll see again
that light that I reflected
you don't urge me on no more
you don't need me no more
and better
and better
and better
and better
and better
and better
and better
and better and better and better and better and better and better and better...
Explicit. Sentimental, lively & smooth pop sung in Spanish. ...Explicit. Sentimental, lively & smooth pop sung in Spanish. Better-off alone than with bad company. Female singer, electronic piano, synth & electronic percussion.歌词
ES:
brilla el litio en la calle
no hay nadie vuelvo a casa
el semáforo brillante
y las luces apagadas
en la habitación a oscuras
la cara recién lavada
me he quitado el pintalabios
y espero sentada a tu llamada
pero nunca llega
tal vez sea todo culpa de esa chica nueva
a la que ves
con ese rollo francés
nadie se lo cree
he esperado mucho para volverte a ver
y cuando te he visto me has dejado de querer
que pena mas grande la que me haces padecer
padecer
padecer
padecer
la que tu me haces padecer
No sé que hacer desde ayer y ahora
mi alma es de la textura de un bote de gel
No sé que hacer desde ayer y ahora
mi alma es de la textura de un bote de gel
Te apareces en mis sueños
dices que te debo algo
pero no lo creo
siempre me haces partícipe de todos tus juegos
yo solo quiero mirar al sol en el recreo
volver a ser una niña para sufrir menos
para no perder el tiempo con tanto lamento
escuchar la última canción
de mañaneo
he encendido una vela para que no te aparezcas
aunque dejo la luz encendida y la puerta abierta
no es que no te quiera
es que ahora me quiero yo
como dice bunny ahora soy peor
he encendido una vela para que no te aparezcas
aunque dejo la luz encendida y la puerta abierta
no es que no te quiera
es que ahora me quiero yo
como dice bunny ahora soy peor
Rolling with my ladies on the floor one blunt
singing baby baby drop that hoe
is the same old song
y tal vez
vuelva a ver
esa luz que reflejé
ya no me incitas
no me necesitas
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor y mejor y mejor, y mejor, y mejor…
y mejor
EN:
lithium shines in the street
there's no one I'm going home
the traffic light shining
and the lights off
in the darkened room
my face freshly washed
I've taken off my lipstick
and I sit and wait for your call
but it never comes
maybe it's all the fault of that new girl
the one you see
with that French vibe
no one believes it
I've waited a long time to see you again
and when I've seen you you've stopped loving me
what a great sorrow that you make me suffer
suffer
suffer
suffer
that you make me suffer
I don't know what to do since yesterday and now
my soul is the texture of a jar of gel
I don't know what to do since yesterday and now
my soul is the texture of a jar of gel
You appear in my dreams
You say I owe you something
but I don't believe it
you always make me a part of all your games
I just want to look at the sun at playtime
to be a little girl again and suffer less
not to waste time with so much regret
to listen to the last song
at sunrise
I've lit a candle so you won't show up
although I leave the light on and the door open
it's not that I don't love you
it's that now I love me
as bunny says now I'm worse
I've lit a candle so you won't show up
although I leave the light on and the door open
it's not that I don't love you
it's that now I love me
as bunny says now I'm worse
Rolling with my ladies on the floor one blunt
singing baby baby drop that hoe
is the same old song
and maybe
I'll see again
that light that I reflected
you don't urge me on no more
you don't need me no more
and better
and better
and better
and better
and better
and better
and better
and better and better and better and better and better and better and better...
Rumba in the spirit of the retro ballroom orchestra of the 40s & 50s. ...Rumba in the spirit of the retro ballroom orchestra of the 40s & 50s. Deceptively exotic with a touch of nostalgia. Bouncy ending with pizzicato strings. Small ensemble with piano, violin & flute.
Wistful, nostalgic, passionate. Downbeat chords and sibilant ...Wistful, nostalgic, passionate. Downbeat chords and sibilant percussion cast an uncertain and sombre atmosphere. Visions of a large city full of people moving around, working and driving through crowded streets. Light jazz piano gifts a floaty melody that moves between carefree and pained. Bell motif instills a sense of concern and worry, an individual lost in crowds of people and tall buildings. Anxious feeling grows as harder percussion communicates an overwhelming energy.
Wistful, nostalgic, passionate. Downbeat chords and sibilant ...Wistful, nostalgic, passionate. Downbeat chords and sibilant percussion cast an uncertain and sombre atmosphere. Visions of a large city full of people moving around, working and driving through crowded streets. Light piano trills gift a floaty melody that moves between carefree and pained. Percussion grows communicating a sense of crowded space before concluding abruptly. Stripped back underscore version.
Wistful, nostalgic, passionate. Downbeat chords and string swells ...Wistful, nostalgic, passionate. Downbeat chords and string swells cast an uncertain and sombre atmosphere. Visions of a large city full of people moving around, working and driving through crowded streets. Feeling moves between heartfelt emotion and pained nostalgia. Stripped back underscore version.
Neo-classical. Moving & elegant in a togetherness & resilience ...Neo-classical. Moving & elegant in a togetherness & resilience spirit. Fast piano arpeggio & delicate string quartet. Suggested for luxury advertising, period & cultural documentary, human & life stories.
Solo piano version. Neo-classical. Moving & elegant in a togetherness ...Solo piano version. Neo-classical. Moving & elegant in a togetherness spirit. Fast piano arpeggio. Suggested for corporate prestige & luxury advertising.
Sultry, daring, passionate. Clean nylon guitar plays through ...Sultry, daring, passionate. Clean nylon guitar plays through commanding melody alongside austere chord sequence. Shaker percussion and echoing clicks assert an infectious rhythm. Fragile spanish guitar notes communicate a smouldering love and passion. Two lovers dancing with the setting sun as the backdrop, a heated, impassioned exchange.
Sultry, daring, passionate. Austere chord sequence meets with bass ...Sultry, daring, passionate. Austere chord sequence meets with bass and echoed clicks that assert an infectious rhythm. Two lovers dancing with the setting sun as the backdrop, a heated, impassioned exchange. Stripped back underscore version.
Fun, pacy, cunning. Menacing percussion meets with low slung guitar ...Fun, pacy, cunning. Menacing percussion meets with low slung guitar solo, communicating a feeling of deviousness and lust. Light-hearted guitar solos gift a sultry, playful energy. A well-known individual making their way down a cobbled spanish street, slipping in and out of crowds and saying hello to everyone they know.
Fun, pacy, cunning. Menacing percussion meets with serious guitar ...Fun, pacy, cunning. Menacing percussion meets with serious guitar chords, communicating a feeling of deviousness and lust. Salsa rhythm gifts a sultry, playful energy. A well-known individual making their way down a cobbled spanish street, slipping in and out of crowds and saying hello to everyone they know. Stripped back underscore version.
Sultry, laidback, sombre. Dynamic spanish guitar riff communicates a ...Sultry, laidback, sombre. Dynamic spanish guitar riff communicates a lovesick passion, moving into a passionate salsa striding rhythm. Touching section at 01:09 as guitar and minimal percussion walk together in a lamenting embrace, joined by tuneful percussion that launches back into beat. An individual walking through an old town as the sun turns the sky red with passion.
Sultry, laidback, sombre. Rhythmic guitar and echoed percussion ...Sultry, laidback, sombre. Rhythmic guitar and echoed percussion communicate a lovesick passion, moving into a passionate salsa striding rhythm. Touching section at 01:09 as guitar and minimal percussion walk together in a lamenting embrace, joined by tuneful percussion that launches back into beat. An individual walking through an old town as the sun turns the sky red with passion. Stripped back underscore version.
Dedicated, spirited, intense. Simple drumbeat gives way to buoyant ...Dedicated, spirited, intense. Simple drumbeat gives way to buoyant indie folk guitar and lyrics about struggling through a troubled love situation. Vocalist pushes through feelings of uncertainty with unwavering passion displayed in emotional performance. Austere premise contrasted with whistled melodies, creating a rebellious folky energy.歌词
You don’t believe what the people are saying You got love but you don’t know the way I come along but you shove me aside So every little thing turns out the same And though you don’t believe in much dear I can’t believe what the people say I light it up every time you’re near It’s all because of you anyway You’re all I want You’re all my in between You’re all I need You come on up when I get down You fool around when the lights go out And though you don’t make it easy It’s all the best of you every day You’re all I want You’re all my in between You’re all I need You’re all I want You’re all my in between You’re all I need You don’t believe what the people are saying You got love but you don’t know the way And though you don’t believe in much dear It’s all because of you every way You’re all I want You’re all my in between You’re all I need You’re all I want You’re all my in between You’re all I need
Dedicated, spirited, intense. Simple drumbeat gives way to buoyant ...Dedicated, spirited, intense. Simple drumbeat gives way to buoyant indie folk guitar. Angsty chord sequence gives a sense of uncertainty, a troubled love situation. Austere aura contrasted with pacy upbeat tempo, creating a rebellious folky energy. Instrumental version.
Dedicated, spirited, intense. Angsty chord sequence gives a sense of ...Dedicated, spirited, intense. Angsty chord sequence gives a sense of uncertainty, a troubled love situation. Austere aura contrasted with pacy upbeat tempo, creating a rebellious folky energy. Stripped back underscore version.
Melancholic but with tenderness & confidence. String orchestra, ...Melancholic but with tenderness & confidence. String orchestra, pizzicato, vibes & Latin percussion in a Spanish spirit.
Romantic, pleasant & dreamy waltz with a touch of nostalgia. Symphony ...Romantic, pleasant & dreamy waltz with a touch of nostalgia. Symphony orchestra.
Austere, passionate, meaningful. Tinny guitar chords move into fuller ...Austere, passionate, meaningful. Tinny guitar chords move into fuller body with flamenco-style percussion, inspiring a cool and impassioned atmosphere. Latin American sound inspires a feeling of seriousness mixed with relaxation, a bar where a band play passionately while others relax and chat. Cyclical chord sequence conveys an air of yearning and pure emotion.
Austere, passionate, meaningful. Tinny guitar chords move into fuller ...Austere, passionate, meaningful. Tinny guitar chords move into fuller body with flamenco-style percussion, inspiring a cool and impassioned atmosphere. Latin American sound inspires a feeling of seriousness mixed with relaxation, a bar where a band play passionately while others relax and chat. Stripped back underscore version.
Intense, confident, dramatic. Serious accordion motif sprays out, ...Intense, confident, dramatic. Serious accordion motif sprays out, creating an anticipatory and slightly panicked atmosphere. Lead accordion soars above consistent chugging rhythmic section with romantically fuelled lament, reminiscent of an individual heartbroken and down on their luck in a European city. Novelty accordion sound contrasts with austere energy of melody, creating a quaint depiction of angst and sadness.
Lamenting, heartfelt, serious. Heartfelt accordion tunes play out, ...Lamenting, heartfelt, serious. Heartfelt accordion tunes play out, creating a meaningful and tragic atmosphere. Transition between smooth and sporadic playing styles illustrates uncontrollable emotion and struggle. Incredibly sorrowful aura, reminiscent of a funeral or a situation of deep mourning.
Mischievous, secretive, fun. Claps and shaker percussion convey a ...Mischievous, secretive, fun. Claps and shaker percussion convey a suspicious atmosphere, a comical thief or criminal plotting a naughty situation. Buoyant string melody illustrates a cheery feeling, a peculiar and unserious energy. Bells support this feeling with graceful melody including elegant trills.
Mischievous, secretive, fun. Claps and shaker percussion convey a ...Mischievous, secretive, fun. Claps and shaker percussion convey a suspicious atmosphere, a comical thief or criminal plotting a naughty situation. Buoyant string melody illustrates a cheery feeling, a peculiar and unserious energy. Stripped back underscore version.
Mischievous, secretive, fun. Buoyant string melody illustrates a ...Mischievous, secretive, fun. Buoyant string melody illustrates a suspicious but cheery atmosphere, a comical thief or criminal plotting a naughty situation. Buoyant string melody illustrates a cheery feeling, a peculiar and unserious energy. Stripped back underscore version.
Delicate, austere, wondrous. Patient, slow dance rhythm accompanied ...Delicate, austere, wondrous. Patient, slow dance rhythm accompanied by clarinets and bells playing a fairytale waltz melody. Aura of intrigue and fragility, visions of an old and beautifully ornate ballroom filled with individuals in pretty outfits and dresses. Drawling clarinet notes introduce a sense of suspicion, reminiscent of a detective undercover at a posh event or dance.
Delicate, austere, wondrous. Patient, slow dance rhythm accompanied ...Delicate, austere, wondrous. Patient, slow dance rhythm accompanied by bells and strings playing a fairytale waltz melody. Aura of intrigue and fragility, visions of an old and beautifully ornate ballroom filled with individuals in pretty outfits and dresses. Melodies tinged with a sense of suspicion, reminiscent of a detective undercover at a posh event or dance. Stripped back underscore version.
Delicate, austere, wondrous. Patient, slow dance rhythm accompanied ...Delicate, austere, wondrous. Patient, slow dance rhythm accompanied by clarinets and bells playing a fairytale melody. Aura of intrigue and fragility, visions of an old and beautifully ornate ballroom. Melodies tinged with a sense of suspicion, reminiscent of a detective undercover at a posh event or dance. Stripped back underscore version.
Salsa pop/timba with a reggaeton touch. Festive, dancing, joyful & ...Salsa pop/timba with a reggaeton touch. Festive, dancing, joyful & animated. Exotic & warm. Sung in Spanish. Male singer, brass & latin percussion. Suggested for Latin party & telenovella. 歌词
ES:
Un dos tres:
las mano' en la cadera
Un dos tres:
pa' dentro y pa' fuera
Un dos tres:
tremenda gozadera
Y de nuevo repite otra vez
Un dos tres:
las mano' en la cadera
Un dos tres:
pa' dentro y pa' fuera
Un dos tres:
tremenda gozadera
Y de nuevo repite otra vez
Te traigo el nuevo movimiento
Pa' que te lo aprendas
Que se te mueve todo el cuerpo
Y no paras ya
Es muy sencillo como ves
Con esto no te puedes perder
Cuando mi salsa está sonando
Se te mueven solos los pies
Ehhh otra vez
Un dos tres:
las mano' en la cadera
Un dos tres:
pa' dentro y pa' fuera
Un dos tres:
tremenda gozadera
Y de nuevo repite otra vez
Un dos tres:
las mano' en la cadera
Un dos tres:
pa' dentro y pa' fuera
Un dos tres:
tremenda gozadera
Y de nuevo repite otra vez
Y todo el mundo bailando,
con las manos para arriba
Y todo el mundo gozando,
con las manos para arriba
Y todo el mundo bailando,
así es como ando
Cuando la salsa boogaloo esta sonando
No me preguntes hasta donde ni hasta cuando
Esto no se acaba,
esto ahora esta empezando
Dale candela,
que se quema
Un dos tres,
pa' dentro y pa' fuera
Oye te cogió la vieja escuela
Pa' que lo bailes a la manera que tu quieras
La fiesta ya va a comenzar,
Prepárate la pista se pone caliente
cuando empiezo yo a cantar
Eh otra vez...
Un dos tres:
las mano' en la cadera
Un dos tres:
pa' dentro y pa' fuera
Un dos tres:
tremenda gozadera
Y de nuevo repite otra vez
Un dos tres:
las mano' en la cadera
Un dos tres:
pa' dentro y pa' fuera
Un dos tres:
tremenda gozadera
Y de nuevo repite otra vez
Y todo el mundo bailando,
con las manos para arriba
Y todo el mundo gozando,
con las manos para arriba
Y todo el mundo bailando,
con las manos para arriba
Y todo el mundo gozando,
con las manos para arriba
Un dos tres:
las mano' en la cadera
Un dos tres:
pa' dentro y pa' fuera
Un dos tres:
tremenda gozadera
Y de nuevo repite otra vez
EN:
One two three:
The hand on the hip
One two three:
in and out
One two three:
tremendous fun
And now it repeats again
One two three:
The hand on the hip
One two three:
in and out
One two three:
tremendous fun
And now it repeats again
I bring you the new move
So that you can learn it
That moves your whole body
And you can't stop now
It's very simple as you can see
With this you can't miss it
When my salsa is playing
And your feet move all by themselves
Ehhh again
One two three:
The hand on the hip
One two three:
in and out
One two three:
tremendous fun
And now it repeats again
One two three:
The hand on the hip
One two three:
in and out
One two three:
tremendous fun
And now it repeats again
And everybody dancing
with their hands up in the air
And everybody's enjoying,
With their hands up in the air
And everybody dancing,
That's how I go
When the salsa boogaloo is playing
Don't ask me how far or how long
It ain't over,
it's just getting started
Give it some fire,
that it's burning
One two three,
in and out
Hey, the old school got you
So that you can dance to it the way you want to
The party's about to start,
Get ready the dance floor gets hot
When I start singing
Hey again...
One two three:
The hand on the hip
One two three:
in and out
One two three:
tremendous fun
And now it repeats again
One two three:
The hand on the hip
One two three:
in and out
One two three:
tremendous fun
And now it repeats again
And everybody dancing
with their hands up in the air
And everybody's enjoying,
With their hands up in the air
And everybody dancing
with their hands up in the air
And everybody's enjoying,
With their hands up in the air
One two three:
The hand on the hip
One two three:
in and out
One two three:
tremendous fun
And now it repeats again
Instrumental. Salsa pop/timba with a reggaeton touch. Festive, ...Instrumental. Salsa pop/timba with a reggaeton touch. Festive, dancing, joyful & animated. Exotic & warm. Brass & latin percussion with cowbell.