Mix of mambo, hip hop & trap. Quikky, edgy, punctuated, both urban & ...Mix of mambo, hip hop & trap. Quikky, edgy, punctuated, both urban & exotic. Filtered introduction. Trumpets, tres, Latin percussion with conga, guiro & cowbell. Suggested for Latin party.
Salsa shoke in a pop mood. Lively, upbeat, warm, exotic & danceable. ...Salsa shoke in a pop mood. Lively, upbeat, warm, exotic & danceable. Sung in Spanish. Male singer, brass, Latin percussion with clave, guiro, timbales, conga & bongo. Suggested for Latin party. 歌词
ES:
oye, miren quien volvió por aquí
me gustaría decir que sigo sintiendo lo mismo por ti pero ...
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
tu te fuiste lejos
dejándome solo
no importó
todo lo que yo te di
y ahora viene a decirme
that you were wrong to leave me alone
that you want to be with me again
Im so sorry for you
But you're not gonna play with my heart
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
ahora yo
me olvidé que un día te quise
atrás se quedaron los días grises
mira como estoy bailando
en vez de sufrir por ti
that you love me, that you love me
that I forgive you for the last time
I don't believe in your lies anymore
your game is over
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
se acabó
me dijiste que te fuiste
porque se había acabado
se acabó
todo aquello que sentías por mi
ahora tienes el descaro
se acabó
de venir arrepentida
a decirme que te dé otra oportunidad
se acabó
pero lo siento baby
Im sorry good bye
esto ya ha terminado
EN:
hey, look who's back here
I'd like to say that I still feel the same way about you but...
it's over
it's in the past
don't come asking for forgiveness
it's over now
you went away
leaving me alone
it didn't matter
all that I gave to you
and now you come to tell me
that you were wrong to leave me alone
That you want to be with me again
Im so sorry for you
But you're not gonna play with my heart
it's over
it's in the past
don't come asking for forgiveness
it's over now
it's over
it's in the past
don't come asking for forgiveness
it's over now
now I forgot that one day I loved you
the gray days are behind me
look how I'm dancing instead of suffering for you that you love me, that you love me
that I forgive you for the last time
I don't believe in your lies anymore
your game is over
it's over
it's in the past
don't come asking for forgiveness
it's over now
it's over
it's in the past
don't come asking for forgiveness
it's over now
it's over
you told me that you left
because it was over
it's over
everything you felt for me
now you have the nerve
it's over
to come in regret
and tell me to give you another chance
it's over
But I'm sorry baby
Im sorry good bye
it's over now
Instrumental. Salsa shoke in a pop mood. Lively, upbeat, warm, exotic ...Instrumental. Salsa shoke in a pop mood. Lively, upbeat, warm, exotic & danceable. Brass, Latin percussion with clave, guiro, timbales, conga & bongo.
Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & ...Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Sung in Spanish. Singer, brass, piano & Latin percussion with gonga, timables, guiro & cowbell. Suggested for Latin party. 歌词
ES:
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
Oye caballero, lo que tiene esa negra es
Candela
Esa negra tiene
Mala la cintura
Quiere que la toque
Y me la lleve a la luna
Porque cuando ella mueve sus caderas
ya es un motivo de preocupación
Si sabe bien que estoy loco por ella
Y ella esta loca por bailar mi son
Pero no quiere que le digan nada
Cuando la ven llegando por la esquina
Porque ella sabe que es la mas buscada
Y yo soy el único que le gustó
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
Ay dios,
Esa negra quiere lo que tengo yo
Le gusta mi salsa, se que le gustó
Y mas cuando lo esta tocando Boogaloo
Se activa
Cuando ella baila se pone agresiva
Porque al que dios se lo dio
San Pedro se lo bendiga
Esa negra
Tiene un movimiento que me mata
Es una cosa que le sube
Es una cosa que le baja
Esa negra
Tiene un movimiento que me mata
Es una cosa que le sube
Es una cosa que le baja
Es una cosa que le sube
Es una cosa que le baja
Camínalo !
Es una cosa que le sube
Es una cosa que le baja
Y yo y yo
Y yo la quiero tener pa' mi
De mi esa negra esta enamorada
Es una cosa que le sube
Es una cosa que le baja
Gústele a quien le guste
Yo me quedo con mi negra
Ay no me digan mas nada
Es una cosa que le sube
Es una cosa que le baja
Y pensaste que se acabó?
No no no no no no
Es una cosa que le sube
Es una cosa que le baja
EN:
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
Hey gentleman, what that black woman has is
Fire
That black woman has
A bad waist
She wants me to touch her
And take her to the moon
Cause when she moves her hips
She's a cause for concern
If she knows well that I'm crazy about her
And she's crazy about dancing to my tune
But she doesn't want to be told anything
When you see her coming around the corner
Cause she knows she's the most wanted
And I'm the only one who she liked
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
Oh my God,
That black woman wants what I have
She likes my salsa, I know she does
And more when it's Boogaloo that's playing it
She gets active
When she dances she gets aggressive
Because to whom God gave it to
San Pedro will bless it
That black woman
Has got a move that kills me
It's a thing that goes up
It's a thing that goes down
That black woman
Has got a move that kills me
It's a thing that goes up
It's a thing that goes down
It's a thing that goes up
It's a thing that goes down
Walk it!
It's a thing that goes up
It's a thing that goes down
And I and I
And I want to have her for me
That black woman is in love with me
It's a thing that goes up
It's a thing that goes down
No matter who likes it
I'll stay with my black girl
Oh don't tell me nothing else
It's a thing that goes up
It's a thing that goes down
And you thought it was over?
No no no no no no
It's a thing that goes up
It's a thing that goes down
Instrumental. Salsa/rumba with a cubaton touch. Carefree, catchy, ...Instrumental. Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Brass, piano & Latin percussion with gonga, timables, guiro & cowbell.
Fun, uplifting, energetic. A bouncy drum track, piano, tuba, ...Fun, uplifting, energetic. A bouncy drum track, piano, tuba, accordion and handclaps interspersed with soul and blues vocal samples give this track a quirky, fun feel. A soulful, pop, party track with an uplifting headnod factor.歌词
i refuse to let you goyou gonna leavehey you gonna leavehey i refuse to let you go hey i refuse to let you goyou gonna leavehey you gonna leavehey ahhh ahhhh ahhh ahhh aeyah ah ah ah aey let you goaey aeyahhh ahhhh ahhh ahhh aey let you goaey aey let you goaey aey i refuse to let you gohey i refuse to let you go hey you gonna leave my body i said my babyleavehey i refuse to let you goyou gonna leave
you gonna leave ahhh ahhhh ahhh ahhh aey let you goaey aey ahhh ahhhh ahhh ahhh aey let you goaey aey ahhh ahhhh ahhh ahhh aey
Delicate, sentimental & intimate ballad-rock sung in Spanish. ...Delicate, sentimental & intimate ballad-rock sung in Spanish. Describing a romantic love scene. Male singer, mellotron, male choir & rock band. Lead electric guitar @ 1'55.歌词
ES:
Tiéntame, es un momento mágico
solo quiero probar tus labios y rozar tu piel
tómame, en este ambiente cálido
condúceme al amanecer de tus deseos
Inmensidad, acércate hacia mi
fragilidad, no me dejes así
y bésame, quiero estar junto a ti
despertar entre tus brazos por una vez
Mírame soy así como me ves
no tengo nada más que ocultar ni que decir
siénteme, despréndete de ese temor
quizás es este instante y no después para los dos
Inmensidad, acércate hacia mi
fragilidad, no me dejes así
y bésame, quiero estar junto a ti
despertar entre tus brazos por una vez
Acércate hacia mi
no me dejes así
despertar entre tus brazos
EN:
Tempt me, it's a magic moment
I just want to taste your lips and touch your skin
take me, in this warm atmosphere
lead me to the dawn of your desires
Immensity, come closer to me
fragility, don't leave me like this
and kiss me, I want to be next to you
I want to wake up in your arms for once
Look at me I am as you see me
I have nothing more to hide or to say
feel me, let go of that fear
maybe it's this instant and not later for both of us
Immensity, come closer to me
fragility, don't leave me like this
and kiss me, I want to be with you
I want to wake up in your arms for once
Come closer to me
don't leave me like this
wake up in your arms
Delicate, restrained, likeable & tender. Break @ 0'54. Solo piano. ...Delicate, restrained, likeable & tender. Break @ 0'54. Solo piano. Suggested for family & children daytime TV & silent movie.
French jazzy ballad in the the style of 30's & 40's. Refined, easy ...French jazzy ballad in the the style of 30's & 40's. Refined, easy romantic & caring. Solo piano. Suggested for time off in Paris & children TV.
French jazzy ballad in the the style of 30's & 40's. Relaxed, in a ...French jazzy ballad in the the style of 30's & 40's. Relaxed, in a good mood, delicate & carefree. Solo piano. Suggested for Suggested for time off in Paris, wellness & children TV.
French, old-fashioned, precious & elegant style of the early 20th ...French, old-fashioned, precious & elegant style of the early 20th century. Cheerful @ 1'33. Solo piano. Suggested for historical documentary.
Wondrous, uplifting, inspiring. A dreamy and ethereal orchestral ...Wondrous, uplifting, inspiring. A dreamy and ethereal orchestral piece with bright, emotive harp and positive chimes, building to a celebratory, rousing chorus.
Poppy, sweet, hopeful. Light percussion and a graceful piano sequence ...Poppy, sweet, hopeful. Light percussion and a graceful piano sequence set out a floaty temperament, growing into inoffensive sequence with soaring guitars. Twinkling keys further assert a charming energy, with generally progressive instrumentation conveying an innocent hopefulness.
Poppy, sweet, hopeful. Light percussion and a graceful piano sequence ...Poppy, sweet, hopeful. Light percussion and a graceful piano sequence set out a floaty temperament, growing into inoffensive sequence with claps and guitar. Quaint organic elements combine with subtle electronic instrumentation to create a wholesome and welcoming pop style. Alternative version.
Poppy, sweet, hopeful. Light percussion and a graceful piano sequence ...Poppy, sweet, hopeful. Light percussion and a graceful piano sequence set out a floaty temperament, growing into inoffensive sequence with guitar. Twinkling keys further assert a charming energy, with generally progressive instrumentation conveying an innocent hopefulness. Stripped back underscore version.
Fiery, confident, trippy. Overdriven, flanged guitar sets out a ...Fiery, confident, trippy. Overdriven, flanged guitar sets out a twanging rock hook, met by slow and echoing drum groove and supportive bass. Flange and delay effects gift a psychedelic stadium rock vibe, like a trippy performance by a legendary rock guitarist. Wavering organ at 01:47 accentuates the melodic elements, building tension. Clattering percussion builds a slow and assured momentum. Heavy rock catharsis at 02:46 with deep commanding guitar hook. A triumphant feeling of retribution or redemption in the austere but confident tone.
Fiery, confident, trippy. Slow and echoing drum groove slide along ...Fiery, confident, trippy. Slow and echoing drum groove slide along with bass notes. Flange and delay on drums gift a slightly psychedelic feeling, whilst percussion builds a slow and assured momentum. Long silence ended by muffled percussion at 02:00, launching back into hook sequence. Stripped back underscore version.
Bluesy & jazzy solo piano. Groovy, cool, edgy, syncopated & a bit ...Bluesy & jazzy solo piano. Groovy, cool, edgy, syncopated & a bit demanding. Emotional & serious @ 1'00.
Peaceful, bright, smooth & confident. Avant-garde pop lullaby in a ...Peaceful, bright, smooth & confident. Avant-garde pop lullaby in a folktronica spirit. Female singer with pitched voice, treated double vocal fx & crystalline synth.歌词
Bath yourself in this riverEau Claire Soon to meet my brother Eau Claire I know what you’ll say Don’t you dare giving up
Longest nights Held in fearSmoke in the cold I remember why i’m here Smallest of hopes Held in your hands
Sentimental, stirring & melancholic. Female singer, piano, guitars, ...Sentimental, stirring & melancholic. Female singer, piano, guitars, strings & rhythm. Suggessted for drama tv serie & upset love. 歌词
Home at last,
the travel’s sure been a blast.
So glad to be back,
I’m so glad to be back.
What is that,
under our bed.
Sure as hell’s not mine.
I’m sure that it’s not mine.
Should I pretend
that I’ve seen nothing ?
Candlelight dinner
holding your hand.
Should you pretend
that nothing happend ?
Candlelight dinner
holding my hand.
Home at last,
the travel’s sure been a blast.
So glad to be back,
I’m so glad to be back.
Should I pretend
that I’ve seen nothing ?
Candlelight dinner
holding your hand.
Should you pretend
that nothing happend ?
Candlelight dinner
holding my hand.
Lie to me and I’ll lie to you
A lie to wash it clean
I wanted to believe in you
But the truth can’t be unseen
Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, ...Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, enticing percussion, high-pitched clarinet and violin to sweep in and support fast-paced momentum. Trumpet solo at 01:24 reminiscent of laughter or excitable wailing. Impassioned and excitable atmosphere suitable for Bar Mitzvah or Bat Mitzvah.
Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, ...Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, enticing percussion to sweep in and bolster fast-paced momentum. Trumpet solo at 01:24 reminiscent of laughter or excitable wailing. Impassioned and excitable atmosphere suitable for Bar Mitzvah or Bat Mitzvah. Stripped back underscore version.
Pacy, celebratory, energetic. Double bass launches into rushing ...Pacy, celebratory, energetic. Double bass launches into rushing oom-pah melody alongside piano. Trumpet and trombone unite creating a more dense atmosphere. Impassioned and excitable atmosphere suitable for Bar Mitzvah or Bat Mitzvah. Stripped back underscore version.
Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, ...Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, enticing percussion and high-pitched clarinet to sweep in and support fast-paced momentum. Impassioned and excitable atmosphere suitable for Bar Mitzvah or Bat Mitzvah. Stripped back underscore version.
