Austere, passionate, meaningful. Tinny guitar chords move into fuller ...Austere, passionate, meaningful. Tinny guitar chords move into fuller body with flamenco-style percussion, inspiring a cool and impassioned atmosphere. Latin American sound inspires a feeling of seriousness mixed with relaxation, a bar where a band play passionately while others relax and chat. Cyclical chord sequence conveys an air of yearning and pure emotion.
Austere, passionate, meaningful. Tinny guitar chords move into fuller ...Austere, passionate, meaningful. Tinny guitar chords move into fuller body with flamenco-style percussion, inspiring a cool and impassioned atmosphere. Latin American sound inspires a feeling of seriousness mixed with relaxation, a bar where a band play passionately while others relax and chat. Stripped back underscore version.
Intense, confident, dramatic. Serious accordion motif sprays out, ...Intense, confident, dramatic. Serious accordion motif sprays out, creating an anticipatory and slightly panicked atmosphere. Lead accordion soars above consistent chugging rhythmic section with romantically fuelled lament, reminiscent of an individual heartbroken and down on their luck in a European city. Novelty accordion sound contrasts with austere energy of melody, creating a quaint depiction of angst and sadness.
Lamenting, heartfelt, serious. Heartfelt accordion tunes play out, ...Lamenting, heartfelt, serious. Heartfelt accordion tunes play out, creating a meaningful and tragic atmosphere. Transition between smooth and sporadic playing styles illustrates uncontrollable emotion and struggle. Incredibly sorrowful aura, reminiscent of a funeral or a situation of deep mourning.
Mischievous, secretive, fun. Claps and shaker percussion convey a ...Mischievous, secretive, fun. Claps and shaker percussion convey a suspicious atmosphere, a comical thief or criminal plotting a naughty situation. Buoyant string melody illustrates a cheery feeling, a peculiar and unserious energy. Bells support this feeling with graceful melody including elegant trills.
Mischievous, secretive, fun. Claps and shaker percussion convey a ...Mischievous, secretive, fun. Claps and shaker percussion convey a suspicious atmosphere, a comical thief or criminal plotting a naughty situation. Buoyant string melody illustrates a cheery feeling, a peculiar and unserious energy. Stripped back underscore version.
Mischievous, secretive, fun. Buoyant string melody illustrates a ...Mischievous, secretive, fun. Buoyant string melody illustrates a suspicious but cheery atmosphere, a comical thief or criminal plotting a naughty situation. Buoyant string melody illustrates a cheery feeling, a peculiar and unserious energy. Stripped back underscore version.
Delicate, austere, wondrous. Patient, slow dance rhythm accompanied ...Delicate, austere, wondrous. Patient, slow dance rhythm accompanied by clarinets and bells playing a fairytale waltz melody. Aura of intrigue and fragility, visions of an old and beautifully ornate ballroom filled with individuals in pretty outfits and dresses. Drawling clarinet notes introduce a sense of suspicion, reminiscent of a detective undercover at a posh event or dance.
Delicate, austere, wondrous. Patient, slow dance rhythm accompanied ...Delicate, austere, wondrous. Patient, slow dance rhythm accompanied by bells and strings playing a fairytale waltz melody. Aura of intrigue and fragility, visions of an old and beautifully ornate ballroom filled with individuals in pretty outfits and dresses. Melodies tinged with a sense of suspicion, reminiscent of a detective undercover at a posh event or dance. Stripped back underscore version.
Delicate, austere, wondrous. Patient, slow dance rhythm accompanied ...Delicate, austere, wondrous. Patient, slow dance rhythm accompanied by clarinets and bells playing a fairytale melody. Aura of intrigue and fragility, visions of an old and beautifully ornate ballroom. Melodies tinged with a sense of suspicion, reminiscent of a detective undercover at a posh event or dance. Stripped back underscore version.
Salsa pop/timba with a reggaeton touch. Festive, dancing, joyful & ...Salsa pop/timba with a reggaeton touch. Festive, dancing, joyful & animated. Exotic & warm. Sung in Spanish. Male singer, brass & latin percussion. Suggested for Latin party & telenovella. 歌词
ES:
Un dos tres:
las mano' en la cadera
Un dos tres:
pa' dentro y pa' fuera
Un dos tres:
tremenda gozadera
Y de nuevo repite otra vez
Un dos tres:
las mano' en la cadera
Un dos tres:
pa' dentro y pa' fuera
Un dos tres:
tremenda gozadera
Y de nuevo repite otra vez
Te traigo el nuevo movimiento
Pa' que te lo aprendas
Que se te mueve todo el cuerpo
Y no paras ya
Es muy sencillo como ves
Con esto no te puedes perder
Cuando mi salsa está sonando
Se te mueven solos los pies
Ehhh otra vez
Un dos tres:
las mano' en la cadera
Un dos tres:
pa' dentro y pa' fuera
Un dos tres:
tremenda gozadera
Y de nuevo repite otra vez
Un dos tres:
las mano' en la cadera
Un dos tres:
pa' dentro y pa' fuera
Un dos tres:
tremenda gozadera
Y de nuevo repite otra vez
Y todo el mundo bailando,
con las manos para arriba
Y todo el mundo gozando,
con las manos para arriba
Y todo el mundo bailando,
así es como ando
Cuando la salsa boogaloo esta sonando
No me preguntes hasta donde ni hasta cuando
Esto no se acaba,
esto ahora esta empezando
Dale candela,
que se quema
Un dos tres,
pa' dentro y pa' fuera
Oye te cogió la vieja escuela
Pa' que lo bailes a la manera que tu quieras
La fiesta ya va a comenzar,
Prepárate la pista se pone caliente
cuando empiezo yo a cantar
Eh otra vez...
Un dos tres:
las mano' en la cadera
Un dos tres:
pa' dentro y pa' fuera
Un dos tres:
tremenda gozadera
Y de nuevo repite otra vez
Un dos tres:
las mano' en la cadera
Un dos tres:
pa' dentro y pa' fuera
Un dos tres:
tremenda gozadera
Y de nuevo repite otra vez
Y todo el mundo bailando,
con las manos para arriba
Y todo el mundo gozando,
con las manos para arriba
Y todo el mundo bailando,
con las manos para arriba
Y todo el mundo gozando,
con las manos para arriba
Un dos tres:
las mano' en la cadera
Un dos tres:
pa' dentro y pa' fuera
Un dos tres:
tremenda gozadera
Y de nuevo repite otra vez
EN:
One two three:
The hand on the hip
One two three:
in and out
One two three:
tremendous fun
And now it repeats again
One two three:
The hand on the hip
One two three:
in and out
One two three:
tremendous fun
And now it repeats again
I bring you the new move
So that you can learn it
That moves your whole body
And you can't stop now
It's very simple as you can see
With this you can't miss it
When my salsa is playing
And your feet move all by themselves
Ehhh again
One two three:
The hand on the hip
One two three:
in and out
One two three:
tremendous fun
And now it repeats again
One two three:
The hand on the hip
One two three:
in and out
One two three:
tremendous fun
And now it repeats again
And everybody dancing
with their hands up in the air
And everybody's enjoying,
With their hands up in the air
And everybody dancing,
That's how I go
When the salsa boogaloo is playing
Don't ask me how far or how long
It ain't over,
it's just getting started
Give it some fire,
that it's burning
One two three,
in and out
Hey, the old school got you
So that you can dance to it the way you want to
The party's about to start,
Get ready the dance floor gets hot
When I start singing
Hey again...
One two three:
The hand on the hip
One two three:
in and out
One two three:
tremendous fun
And now it repeats again
One two three:
The hand on the hip
One two three:
in and out
One two three:
tremendous fun
And now it repeats again
And everybody dancing
with their hands up in the air
And everybody's enjoying,
With their hands up in the air
And everybody dancing
with their hands up in the air
And everybody's enjoying,
With their hands up in the air
One two three:
The hand on the hip
One two three:
in and out
One two three:
tremendous fun
And now it repeats again
Instrumental. Salsa pop/timba with a reggaeton touch. Festive, ...Instrumental. Salsa pop/timba with a reggaeton touch. Festive, dancing, joyful & animated. Exotic & warm. Brass & latin percussion with cowbell.
Mix of mambo, hip hop & trap. Quikky, edgy, punctuated, both urban & ...Mix of mambo, hip hop & trap. Quikky, edgy, punctuated, both urban & exotic. Filtered introduction. Trumpets, tres, Latin percussion with conga, guiro & cowbell. Suggested for Latin party.
Salsa shoke in a pop mood. Lively, upbeat, warm, exotic & danceable. ...Salsa shoke in a pop mood. Lively, upbeat, warm, exotic & danceable. Sung in Spanish. Male singer, brass, Latin percussion with clave, guiro, timbales, conga & bongo. Suggested for Latin party. 歌词
ES:
oye, miren quien volvió por aquí
me gustaría decir que sigo sintiendo lo mismo por ti pero ...
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
tu te fuiste lejos
dejándome solo
no importó
todo lo que yo te di
y ahora viene a decirme
that you were wrong to leave me alone
that you want to be with me again
Im so sorry for you
But you're not gonna play with my heart
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
ahora yo
me olvidé que un día te quise
atrás se quedaron los días grises
mira como estoy bailando
en vez de sufrir por ti
that you love me, that you love me
that I forgive you for the last time
I don't believe in your lies anymore
your game is over
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
se acabó
me dijiste que te fuiste
porque se había acabado
se acabó
todo aquello que sentías por mi
ahora tienes el descaro
se acabó
de venir arrepentida
a decirme que te dé otra oportunidad
se acabó
pero lo siento baby
Im sorry good bye
esto ya ha terminado
EN:
hey, look who's back here
I'd like to say that I still feel the same way about you but...
it's over
it's in the past
don't come asking for forgiveness
it's over now
you went away
leaving me alone
it didn't matter
all that I gave to you
and now you come to tell me
that you were wrong to leave me alone
That you want to be with me again
Im so sorry for you
But you're not gonna play with my heart
it's over
it's in the past
don't come asking for forgiveness
it's over now
it's over
it's in the past
don't come asking for forgiveness
it's over now
now I forgot that one day I loved you
the gray days are behind me
look how I'm dancing instead of suffering for you that you love me, that you love me
that I forgive you for the last time
I don't believe in your lies anymore
your game is over
it's over
it's in the past
don't come asking for forgiveness
it's over now
it's over
it's in the past
don't come asking for forgiveness
it's over now
it's over
you told me that you left
because it was over
it's over
everything you felt for me
now you have the nerve
it's over
to come in regret
and tell me to give you another chance
it's over
But I'm sorry baby
Im sorry good bye
it's over now
Instrumental. Salsa shoke in a pop mood. Lively, upbeat, warm, exotic ...Instrumental. Salsa shoke in a pop mood. Lively, upbeat, warm, exotic & danceable. Brass, Latin percussion with clave, guiro, timbales, conga & bongo.
Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & ...Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Sung in Spanish. Singer, brass, piano & Latin percussion with gonga, timables, guiro & cowbell. Suggested for Latin party. 歌词
ES:
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
Oye caballero, lo que tiene esa negra es
Candela
Esa negra tiene
Mala la cintura
Quiere que la toque
Y me la lleve a la luna
Porque cuando ella mueve sus caderas
ya es un motivo de preocupación
Si sabe bien que estoy loco por ella
Y ella esta loca por bailar mi son
Pero no quiere que le digan nada
Cuando la ven llegando por la esquina
Porque ella sabe que es la mas buscada
Y yo soy el único que le gustó
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
Ay dios,
Esa negra quiere lo que tengo yo
Le gusta mi salsa, se que le gustó
Y mas cuando lo esta tocando Boogaloo
Se activa
Cuando ella baila se pone agresiva
Porque al que dios se lo dio
San Pedro se lo bendiga
Esa negra
Tiene un movimiento que me mata
Es una cosa que le sube
Es una cosa que le baja
Esa negra
Tiene un movimiento que me mata
Es una cosa que le sube
Es una cosa que le baja
Es una cosa que le sube
Es una cosa que le baja
Camínalo !
Es una cosa que le sube
Es una cosa que le baja
Y yo y yo
Y yo la quiero tener pa' mi
De mi esa negra esta enamorada
Es una cosa que le sube
Es una cosa que le baja
Gústele a quien le guste
Yo me quedo con mi negra
Ay no me digan mas nada
Es una cosa que le sube
Es una cosa que le baja
Y pensaste que se acabó?
No no no no no no
Es una cosa que le sube
Es una cosa que le baja
EN:
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
Hey gentleman, what that black woman has is
Fire
That black woman has
A bad waist
She wants me to touch her
And take her to the moon
Cause when she moves her hips
She's a cause for concern
If she knows well that I'm crazy about her
And she's crazy about dancing to my tune
But she doesn't want to be told anything
When you see her coming around the corner
Cause she knows she's the most wanted
And I'm the only one who she liked
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
Oh my God,
That black woman wants what I have
She likes my salsa, I know she does
And more when it's Boogaloo that's playing it
She gets active
When she dances she gets aggressive
Because to whom God gave it to
San Pedro will bless it
That black woman
Has got a move that kills me
It's a thing that goes up
It's a thing that goes down
That black woman
Has got a move that kills me
It's a thing that goes up
It's a thing that goes down
It's a thing that goes up
It's a thing that goes down
Walk it!
It's a thing that goes up
It's a thing that goes down
And I and I
And I want to have her for me
That black woman is in love with me
It's a thing that goes up
It's a thing that goes down
No matter who likes it
I'll stay with my black girl
Oh don't tell me nothing else
It's a thing that goes up
It's a thing that goes down
And you thought it was over?
No no no no no no
It's a thing that goes up
It's a thing that goes down
Instrumental. Salsa/rumba with a cubaton touch. Carefree, catchy, ...Instrumental. Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Brass, piano & Latin percussion with gonga, timables, guiro & cowbell.
Fun, uplifting, energetic. A bouncy drum track, piano, tuba, ...Fun, uplifting, energetic. A bouncy drum track, piano, tuba, accordion and handclaps interspersed with soul and blues vocal samples give this track a quirky, fun feel. A soulful, pop, party track with an uplifting headnod factor.歌词
i refuse to let you goyou gonna leavehey you gonna leavehey i refuse to let you go hey i refuse to let you goyou gonna leavehey you gonna leavehey ahhh ahhhh ahhh ahhh aeyah ah ah ah aey let you goaey aeyahhh ahhhh ahhh ahhh aey let you goaey aey let you goaey aey i refuse to let you gohey i refuse to let you go hey you gonna leave my body i said my babyleavehey i refuse to let you goyou gonna leave
you gonna leave ahhh ahhhh ahhh ahhh aey let you goaey aey ahhh ahhhh ahhh ahhh aey let you goaey aey ahhh ahhhh ahhh ahhh aey
Delicate, sentimental & intimate ballad-rock sung in Spanish. ...Delicate, sentimental & intimate ballad-rock sung in Spanish. Describing a romantic love scene. Male singer, mellotron, male choir & rock band. Lead electric guitar @ 1'55.歌词
ES:
Tiéntame, es un momento mágico
solo quiero probar tus labios y rozar tu piel
tómame, en este ambiente cálido
condúceme al amanecer de tus deseos
Inmensidad, acércate hacia mi
fragilidad, no me dejes así
y bésame, quiero estar junto a ti
despertar entre tus brazos por una vez
Mírame soy así como me ves
no tengo nada más que ocultar ni que decir
siénteme, despréndete de ese temor
quizás es este instante y no después para los dos
Inmensidad, acércate hacia mi
fragilidad, no me dejes así
y bésame, quiero estar junto a ti
despertar entre tus brazos por una vez
Acércate hacia mi
no me dejes así
despertar entre tus brazos
EN:
Tempt me, it's a magic moment
I just want to taste your lips and touch your skin
take me, in this warm atmosphere
lead me to the dawn of your desires
Immensity, come closer to me
fragility, don't leave me like this
and kiss me, I want to be next to you
I want to wake up in your arms for once
Look at me I am as you see me
I have nothing more to hide or to say
feel me, let go of that fear
maybe it's this instant and not later for both of us
Immensity, come closer to me
fragility, don't leave me like this
and kiss me, I want to be with you
I want to wake up in your arms for once
Come closer to me
don't leave me like this
wake up in your arms
Delicate, restrained, likeable & tender. Break @ 0'54. Solo piano. ...Delicate, restrained, likeable & tender. Break @ 0'54. Solo piano. Suggested for family & children daytime TV & silent movie.
French jazzy ballad in the the style of 30's & 40's. Refined, easy ...French jazzy ballad in the the style of 30's & 40's. Refined, easy romantic & caring. Solo piano. Suggested for time off in Paris & children TV.
French jazzy ballad in the the style of 30's & 40's. Relaxed, in a ...French jazzy ballad in the the style of 30's & 40's. Relaxed, in a good mood, delicate & carefree. Solo piano. Suggested for Suggested for time off in Paris, wellness & children TV.
French, old-fashioned, precious & elegant style of the early 20th ...French, old-fashioned, precious & elegant style of the early 20th century. Cheerful @ 1'33. Solo piano. Suggested for historical documentary.
Wondrous, uplifting, inspiring. A dreamy and ethereal orchestral ...Wondrous, uplifting, inspiring. A dreamy and ethereal orchestral piece with bright, emotive harp and positive chimes, building to a celebratory, rousing chorus.