专辑 | 曲名 | 版本 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM |
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Shady Matrix (Underscore A) [BIB203 - 14] |
2'35 | Ian Britt, Richard Lewis | Gripping, eerie. Rhythmic bass section sets out an intriguing, ... | 碎拍音乐 果断 爆炸性新闻 信息技术 ... | Em | 118 |
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Shady Matrix [BIB203 - 3] |
版本. | 2'32 | Ian Britt, Richard Lewis | Gripping, eerie, pacy. Wavering strings and rhythmic bass section set ... | 碎拍音乐 果断 爆炸性新闻 信息技术 ... | Em | 118 |
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The Perfect Crime [ISC015 - 3] |
2'57 | Gabriel Saban | Intriguing intro with creepy pulsative piano & cold strings. Heavy & ... | 司法 调查研究 动荡 间谍片 ... | Em | 100 |
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The Perfect Crime Alternate [ISC015 - 14] |
版本. | 2'57 | Gabriel Saban | Alternate version without percussion. | 司法 调查研究 动荡 间谍片 ... | Em | 100 |
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Tense Mission [TBX137 - 9] |
2'15 | Jack Pierce | Brisk, powerful, headstrong. Low strings stride forward confidently, ... | electro beat 固执 果断 调查研究 ... | Cm | 118 |
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Tense Mission (Underscore A) [TBX137 - 20] |
版本. | 2'15 | Jack Pierce | Brisk, powerful, headstrong. Low strings stride forward confidently, ... | electro beat 固执 果断 调查研究 ... | Cm | 118 |
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Tense Mission (Underscore B) [TBX137 - 21] |
版本. | 2'15 | Jack Pierce | Brisk, powerful, headstrong. Low strings stride forward confidently, ... | electro beat 固执 果断 调查研究 ... | Cm | 118 |
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Going For Glory [INP043 - 3] |
2'34 | Jack Pierce | Dramatic, epic, heroic. Stabbing synth notes spread out over a vast ... | 赛事 画面感 冲击 凯旋 ... | C | 163 |
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Going For Glory (Alt Version) [INP043 - 20] |
版本. | 2'34 | Jack Pierce | Dramatic, epic, heroic. Stabbing synth notes spread out over a vast ... | 令人激动 画面感 史诗 进步 ... | C | 164 |
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Going For Glory (Underscore A) [INP043 - 21] |
版本. | 2'34 | Jack Pierce | Dramatic, epic, heroic. Chugging strings give way to vast percussive ... | 令人激动 画面感 史诗 进步 ... | C | 164 |
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Going For Glory (Underscore B) [INP043 - 22] |
版本. | 2'34 | Jack Pierce | Dramatic, epic, heroic. Sweeping instrumentation gifts a sense of ... | 令人激动 画面感 史诗 进步 ... | C | 164 |
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Digital Discoveries [TBX132 - 6] |
1'43 | Darren Campbell | Explorative, suspicious, anticipatory. Muffled keys play out into an ... | 信息技术 electro beat 固执 电子琴 ... | F | 120 |
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Digital Discoveries ...
[TBX132 - 18] |
版本. | 1'43 | Darren Campbell | Explorative, suspicious, anticipatory. Muffled keys play out into an ... | 信息技术 electro beat 固执 电子琴 ... | F | 120 |
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Digital Discoveries ...
[TBX132 - 19] |
版本. | 1'43 | Darren Campbell | Explorative, suspicious, anticipatory. Muffled keys play out into an ... | 信息技术 electro beat 夜晚 电子琴 ... | F | 120 |
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Court in Session [CEZ4506 - 18] |
0 | 1'56 | Philippe Briand | Cinematic electro. Interrogative, serious & suspended. Waiting. ... | 令人不安 画面感 司法 间谍片 ... | Fm | 118 |
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Winds of Change [ISC009 - 7] |
1'57 | Emmanuel Rousseau | Tense, insidious & accelerated. Col legno fast string impact with ... | 气势 动作片 无情 固执 ... | E | 178 |
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Winds of Change Alternate [ISC009 - 14] |
版本. | 1'57 | Emmanuel Rousseau | Alternate version without percussion. | 气势 动作片 无情 固执 ... | E | 178 |
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A Star is Born [MAG6100 - 19] |
0 | 3'44 | Airsouth | Electronica, electro beat. Driving, lively & moving. Constant ... | 电子 广告 飞行 户外 ... | Ab | 122 |
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The Girl in Red [ISC005 - 1] |
0 | 2'44 | Gregory Cotti | Jazzy/boogie & slightly up-tempo solo piano bar with rolling left ... | 爵士俱乐部 爵士 高雅 无电声钢琴 ... | C | 154 |
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Electron Velocity [CEZ4486 - 5] |
0 | 2'19 | Elisabeth Skornik, Guy Skornik | Animated, fast, swarming & scientific. Arpeggiator, electronics & low ... | 科学 周期性的 工业噪音 拥挤 ... | Fm | 130 |
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An Unstable Spirit [CEZ4486 - 17] |
0 | 2'39 | Elisabeth Skornik, Guy Skornik | Uncertain, uncomfortable, indecisive, strange & mysterious. Sequence ... | 工业噪音 工业 科学 进行中 ... | Gm | 135 |
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Life Simulator [MAG6065 - 1] |
3'48 | Trifouille1er | Hip-hop beat, electro beat. Arty, determined & percussive. Break @ ... | 现代 BEAT MAKING 自信 复古游戏 ... | Abm | 82 |
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Life Simulator (alternate ...
[MAG6065 - 6] |
版本. | 1'09 | Trifouille1er | Hip-hop beat, electro beat. Arty, determined & percussive. Suggested ... | 艺术风格 BEAT MAKING 自信 时尚 ... | Abm | 82 |
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End of an Era [CEO2132 - 10] |
0 | 1'20 | Gréco Casadesus | Gloomy, desperate & hopeless. Voice, piano, textures, timpani @ 0'48 ... | 军事冲突 令人不安 恐怖片 调查研究 ... | Dbm | 93 |
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Red Oyster [BIX002 - 10] |
2'15 | Matthew Terry | Dark, gritty, brooding. Pulsating synth rhythm and synthwave sci-fi ... | 动作片 画面感 固执 电子鼓 ... | Em | 100 |
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Red Oyster (Underscore A) [BIX002 - 50] |
版本. | 2'15 | Matthew Terry | Dark, gritty, brooding. Pulsating synth rhythm and synthwave sci-fi ... | 画面感 动作片 固执 电子鼓 ... | Em | 100 |
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Red Oyster (Underscore B) [BIX002 - 51] |
版本. | 2'15 | Matthew Terry | Dark, brooding, rousing. Pulsating gritty synth rhythm and sci-fi ... | 画面感 动作片 令人不安 固执 ... | Em | 100 |
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Red Oyster (Underscore C) [BIX002 - 52] |
版本. | 2'15 | Matthew Terry | Dark, gritty, brooding. Pulsating synth rhythm and sci-fi feel. ... | 画面感 动作片 固执 工业噪音 ... | Em | 100 |
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Red Oyster (Underscore D) [BIX002 - 53] |
版本. | 2'05 | Matthew Terry | Synthwave, pulsating, sci-fi. Pulsing synth rhythm and synthwave ... | 画面感 动作片 固执 电子鼓 ... | Em | 100 |
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Red Oyster (Sting) [BIX002 - 54] |
版本. | 0'06 | Matthew Terry | Dark, gritty, impactful. Pulsating synth rhythm, sci-fi feel and big ... | 画面感 动作片 固执 电子鼓 ... | Em | 100 |
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Beyond The Limit Of ...
[BIX002 - 11] |
2'05 | Matthew Terry | Sci-fi, electronic, gritty. Pulsing synths combine with industrial, ... | 画面感 动作片 沉重 气势 ... | Dm | 96 |
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Beyond The Limit Of ...
[BIX002 - 55] |
版本. | 2'05 | Matthew Terry | Sci-fi, electronic, gritty. Pulsing synths combine with industrial, ... | 画面感 动作片 沉重 气势 ... | Dm | 96 |
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Beyond The Limit Of ...
[BIX002 - 56] |
版本. | 2'05 | Matthew Terry | Sci-fi, electronic, rousing. Skittish electronic percussion and a ... | 画面感 动作片 沉重 气势 ... | Dm | 96 |
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Beyond The Limit Of ...
[BIX002 - 57] |
版本. | 2'05 | Matthew Terry | Sci-fi, electronic, orchestral. Pulsing synths, swirling ambient ... | 画面感 动作片 沉重 气势 ... | Dm | 96 |
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Beyond The Limit Of ...
[BIX002 - 58] |
版本. | 0'08 | Matthew Terry | Dramatic, trailer, orchestral. Hard-hitting drums, orchestral feel ... | 画面感 动作片 沉重 气势 ... | Dm | 129 |
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Waltz On The Green [BIB169 - 9] |
2'12 | William Fitzgerald Lyons | Summery, joyful, pastoral, regency. Swinging, folk, waltz, staccato ... | 历史旁白 冒险片 开心 有节奏感 ... | C | 106 |
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Waltz On The Green ...
[BIB169 - 19] |
版本. | 2'12 | William Fitzgerald Lyons | Pulsing, excited and winding, Regency, woodwind. Cello only, urgent ... | 历史旁白 冒险片 开心 有节奏感 ... | C | 106 |
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The Courtier's Plot ...
[BIB169 - 13] |
2'28 | William Fitzgerald Lyons | A single cello pizzicato, joined after a bar by violins, a dark ... | 历史旁白 骄傲 政治 电影原声带 ... | Dm | 104 |
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The Courtier's Plot [BIB169 - 3] |
版本. | 2'42 | William Fitzgerald Lyons | Mysterious, a riddle, historical, clandestine. Basic classical ... | 历史旁白 骄傲 政治 电影原声带 ... | A | 104 |
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All Wrong Electro [BIB164 - 6] |
4'47 | Dominic Keen | Hopeful, mesmerising, attitude. Driving, hypnotic synths build in ... | 德国酸菜摇滚 六十年代迷幻乐 催眠 琶音器 ... | E | 128 |
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All Wrong Electro (Underscore) [BIB164 - 16] |
版本. | 4'47 | Dominic Keen | Hopeful, mesmerising, attitude. Driving, hypnotic synths build in ... | 六十年代迷幻乐 催眠 德国酸菜摇滚 琶音器 ... | E | 128 |
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Time is Money [INP032 - 2] |
2'20 | Adrian Mena Arrabal | Rousing, upbeat, propulsive. Eerie, uneasy string sustains with ... | 果断 时间(滴答声) 画面感 电子琴 ... | Ebm | 155 |
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Time is Money (Underscore) [INP032 - 12] |
版本. | 2'20 | Adrian Mena Arrabal | Rousing, upbeat, propulsive. Eerie, uneasy string sustains with ... | 果断 时间(滴答声) 画面感 电子琴 ... | Ebm | 155 |
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Dreams Reawakened [INP030 - 7] |
2'32 | Simon Peter Webster | Emotive, rousing, uplifting. Reflective, melancholic piano builds ... | 感动 令人激动 凯旋 画面感 ... | B | 105 |
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Dreams Reawakened Underscore A [INP030 - 29] |
版本. | 2'32 | Simon Peter Webster | Emotive, rousing, uplifting. Stripped back underscore version. ... | 感动 令人激动 凯旋 画面感 ... | Bm | 105 |
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Dreams Reawakened Underscore B [INP030 - 30] |
版本. | 2'32 | Simon Peter Webster | Emotive, rousing, uplifting. Stripped back underscore version. ... | 感动 令人激动 凯旋 画面感 ... | B | 105 |
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Dreams Reawakened Underscore C [INP030 - 31] |
版本. | 2'32 | Simon Peter Webster | Emotive, rousing, uplifting. Stripped back underscore version. ... | 感动 令人激动 凯旋 画面感 ... | B | 105 |
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