| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Futur Drive [AMS5002 - 9] |
2'29 | Philippe Briand, Salvador Casais | Electro / Synthwave. Intro with arpeggiator & strings. Hypnotic, | 周期性的 广告 气势 科幻片 | C | 63 | ||||
|
Futur Drive Alternate [AMS5002 - 19] |
版本. | 2'29 | Philippe Briand, Salvador Casais | Alternative version without percussion. | 周期性的 广告 气势 科幻片 | C | 63 | |||
|
Looking for Hope [CEO2144 - 1] |
0 | 2'28 | Alice Guerlot Kourouklis | Suspended, cyclic, mysterious, wandering, whirling & melancholic. | 后古典 手工业 命运 高雅 | Em | 125 | |||
|
Phantom Ride [CEO2144 - 4] |
0 | 1'34 | Alice Guerlot Kourouklis | Suspended, desolate & sad. Sweet melancholy. Build-up gradually. | 后古典 梦幻 自信 命运 | G | 90 | |||
|
The City Wakes [TBX152 - 2] |
2'01 | Mark Revell | Climactic, determined, strong. Delayed muted electric guitar notes | 气氛 日间节目 令人激动 进步 | Gm | 150 | ||||
|
The City Wakes (Alt Version) [TBX152 - 16] |
版本. | 2'01 | Mark Revell | Climactic, determined, strong. Delayed muted electric guitar notes | 日间节目 令人激动 气氛 自信 | Gm | 150 | |||
|
The City Wakes (Underscore) [TBX152 - 17] |
版本. | 1'47 | Mark Revell | Climactic, determined, strong. Reversed guitar sounds launches into | 日间节目 令人激动 气氛 自信 | Gm | 151 | |||
|
Crunch Time [TBX151 - 6] |
3'02 | Lee Sparey | Thoughtful, determined, professional. Loud low piano note sets out an | 调查研究 严谨 固执 科学 | Ebm | 124 | ||||
|
Crunch Time (Underscore) [TBX151 - 26] |
版本. | 3'02 | Lee Sparey | Thoughtful, determined, professional. Loud low piano note sets out an | 严谨 调查研究 固执 伴音 | Ebm | 125 | |||
|
Passage to Love [CEZ4539 - 3] |
3'52 | Coccinelle | Corporate electro with a synthwave touch, hybrid electro. Determined, | 令人激动 电子乐宣传片 动人 户外 | Am | 110 | ||||
|
Passage to Love Alternate 1 [CEZ4539 - 26] |
版本. | 3'51 | Coccinelle | Alternate version without voice. | 电子乐宣传片 户外 都市 令人激动 | Am | 110 | |||
|
Passage to Love Alternate 2 [CEZ4539 - 27] |
版本. | 3'54 | Coccinelle | Alternate version without drum. | 电子乐宣传片 户外 都市 令人激动 | Am | 110 | |||
|
Passage to Love Alternate 3 [CEZ4539 - 28] |
版本. | 3'53 | Coccinelle | Alternate version without voice & drum. | 电子乐宣传片 户外 都市 令人激动 | Am | 110 | |||
|
Paradoxes [CEZ4529 - 5] |
0 | 2'09 | Sylvain Pelier | Ambiant music, electronica. Mathematical, random & serious. Constant | 信息技术 奇怪 催眠 工业 | Cm | 118 | |||
|
North Town [BIB219 - 12] |
1'44 | Kohshi Kamata | Dramatic, austere, moving. Impassioned quizzical piano sequence | 周期性的 命运 联盟 新古典音乐 | Am | 107 | ||||
|
North Town (Underscore) [BIB219 - 30] |
版本. | 1'44 | Kohshi Kamata | Dramatic, austere, moving. Impassioned quizzical piano sequence | 爱情 周期性的 联盟 新古典音乐 | Am | 107 | |||
|
Process [BIB221 - 11] |
3'03 | Patrick Fletcher | Positive, revolutionary, tense. Strings and guitar produce uplifting | 信息技术 果断 电子乐宣传片 联盟 | Gm | 119 | ||||
|
Process (Underscore) [BIB221 - 24] |
版本. | 2'45 | Patrick Fletcher | Positive, revolutionary, tense. Glassy bells and subtle strings | 电子乐宣传片 信息技术 周期性的 果断 | Gm | 119 | |||
|
Forest Clearing [BIB216 - 1] |
2'36 | Laura Martin | Natural, promising, relaxed. Slow and striding glockenspiel notes | 迷人 原声乐器 乡村 放松 | Bb | 72 | ||||
|
Forest Clearing (Underscore) [BIB216 - 12] |
版本. | 2'36 | Laura Martin | Natural, promising, relaxed. Twinkling piano ushers in deep and | 伴音 迷人 精致 无电声钢琴 | Bb | 72 | |||
|
What-If Mill [CEZ4533 - 3] |
2'19 | Louis Edlinger | Underscore/bed. Organic electro. Light tension. Cyclic, tinkling, | 稳定的 信息技术 耐心 周期性的 | Fm | 80 | ||||
|
What-If Mill Alternate 1 [CEZ4533 - 23] |
版本. | 2'19 | Louis Edlinger | Minimalist alternate version. Percussion & sound-design only. | 稳定的 信息技术 调查研究 耐心 | Fm | 162 | |||
|
What-If Mill Alternate 2 [CEZ4533 - 24] |
版本. | 2'19 | Louis Edlinger | Minimalist alternate version. Piano & loop like mill only. | 周期性的 疑问 美国独立制片电影 稳定的 | Fm | 107 | |||
|
At the Heart of Matter [CEZ4533 - 11] |
2'05 | Louis Edlinger | Underscore/bed. Organic, weird, spongy & liquid. Repetitive synth | 科学 周期性的 耐心 稳定的 | Ebm | 107 | ||||
|
At the Heart of Matter
[CEZ4533 - 39] |
版本. | 2'05 | Louis Edlinger | Minimalist alternate version. Hook & sound-design only. | 周期性的 害羞 稳定的 童年 | Ebm | 162 | |||
|
At the Heart of Matter
[CEZ4533 - 40] |
版本. | 2'06 | Louis Edlinger | Minimalist alternate version. Bass guitar & percussion only. | 稳定的 叙述 耐心 伴音 | Am | 107 | |||
|
Stranger Synths [ISC021 - 1] |
2'19 | Gabriel Saban | Retro synthwave. Intriguing, mysterious, determinate, synthetic & | 催眠 科幻片 八十年代 琶音器 | Am | 110 | ||||
|
Stranger Synths Alternate [ISC021 - 11] |
版本. | 2'19 | Gabriel Saban | Alternate no drum machine. | 琶音器 周期性的 催眠 科幻片 | Am | 110 | |||
|
Pearls of Dew [CEZ4531 - 13] |
0 | 2'28 | Louis Edlinger, Andreas Suttner | Teeming, airy & peaceful but animated. Xylophone séquence, bass | 电子乐宣传片 加速镜头 周期性的 令人激动 | Bb | 135 | |||
|
Windprints [CEZ4500 - 46] |
0 | 3'29 | Didier Malherbe | Repetitive music. Hypnotic, mellow & cyclic. Duduk, sopranino | 滑腻 梦幻 飞行 催眠 | Gm | 137 | |||
|
A Cycle of Reflexion [CEZ4521 - 2] |
1'43 | Benjamin Doherty | Cyclic & cold track with arpeggiator, pads & bass. Neutral & | 周期性的 背景电子乐 神秘 科学 | Dm | 107 | ||||
|
A Cycle of Reflexion Alternate [CEZ4521 - 36] |
版本. | 1'30 | Benjamin Doherty | Minimalist & neutral alternate version. | 神秘 周期性的 背景电子乐 冰冷 | Dm | 107 | |||
|
Crosstalk [BIB204 - 5] |
2'36 | Steve Daedalus | Climactic, grave, anticipatory. Rough guitar marches forward with | 周期性的 催眠 调查研究 神秘 | Cm | 78 | ||||
|
Crosstalk (Underscore A) [BIB204 - 20] |
版本. | 2'35 | Steve Daedalus | Climactic, grave, anticipatory. Rough guitar marches forward with | 周期性的 催眠 调查研究 神秘 | Ab | 78 | |||
|
Crosstalk (Underscore B) [BIB204 - 21] |
版本. | 2'36 | Steve Daedalus | Climactic, grave, anticipatory. Rough guitar marches forward with | 周期性的 催眠 调查研究 神秘 | Cm | 78 | |||
|
Single Minded Obsession [CEO2141 - 10] |
0 | 2'07 | Alice Guerlot Kourouklis | Repetitive/minimalist music. Obstinate, urgent & regular. Piano duet. | 周期性的 果断 旋律重复的音乐 固执 | D | 108 | |||
|
Colours [INP044 - 6] |
1'00 | Sergey Kolosov, Paul Thorne | Heavy, dramatic, austere. Fuzzy male vocals sing out a dynamic and | 合成合唱 周期性的 诡异 气势 | G | 101 | ||||
|
Colours (Instrumental) [INP044 - 20] |
版本. | 1'00 | Sergey Kolosov, Paul Thorne | Heavy, dramatic, austere. Bass and grizzly feedback play a pulsing an | 合成合唱 周期性的 诡异 气势 | Em | 101 | |||
|
Colours (Underscore) [INP044 - 21] |
版本. | 1'00 | Sergey Kolosov, Paul Thorne | Heavy, dramatic, austere. Fuzzy male vocals sing out a dynamic and | 合成合唱 周期性的 诡异 气势 | G | 101 | |||
|
Fragments of Emotions [ISC014 - 3] |
2'54 | Sandia | Anticipating, digital & soft synth arpeggio accelerating until piano | 自信 琶音器 画面感 周期性的 | Em | 93 | ||||
|
Fragments of Emotions
[ISC014 - 13] |
版本. | 2'54 | Sandia | Alternate version without percussion / drum. | 自信 电子乐宣传片 周期性的 果断 | Em | 93 |