| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Mainframe [TBX217 - 5] |
2'05 | Gary Meek | Explorative, technological, important. Bright synth notes dazzle amid | 科学 调查研究 信息技术 太空 | Eb | 109 | ||||
|
Mainframe (Underscore) [TBX217 - 27] |
版本. | 2'05 | Gary Meek | Explorative, technological, important. Bright synth notes dazzle amid | 调查研究 科学 信息技术 太空 | Eb | 109 | |||
|
Mainframe (Underscore No
[TBX217 - 28] |
版本. | 2'05 | Gary Meek | Explorative, technological, important. Bright synth notes dazzle amid | 调查研究 科学 信息技术 太空 | Eb | 109 | |||
|
Mainframe (30 Sec) [TBX217 - 29] |
版本. | 0'30 | Gary Meek | Explorative, technological, important. Bright synth notes dazzle amid | 调查研究 科学 信息技术 太空 | Eb | 109 | |||
|
Mainframe (Sting) [TBX217 - 30] |
版本. | 0'15 | Gary Meek | Explorative, technological, important. Bright synth notes dazzle | 调查研究 科学 信息技术 太空 | Eb | 108 | |||
|
From the Depths of the
[EOS129 - 3] |
0 | 5'19 | Ingrid Obled | Abyssal & pure then tense & deep. Nyckelharpa & double bass. | 海底 鲸的歌声 nyckelharpa 令人不安 | E | 129 | |||
|
Into the Architecture of Time [EOS129 - 5] |
0 | 3'36 | Ingrid Obled | Scary, insidious & sinister. Nyckelharpa, double bass & ice recording. | 鲸的歌声 nyckelharpa 气氛 恐怖 | Em | 143 | |||
|
Fear from the Abyss [CEZ4650 - 4] |
0 | 2'42 | Olivier Militon | Cinematic. Fearful, insidious & sneaky. Full orchestra with synths & | 画面感 科幻片 自然灾害 令人不安 | D | 78 | |||
|
Merci Simone [CEO2178 - 10] |
0 | 1'02 | Olivier Militon | Calm, suspended & waiting. Piano & celesta. Guitar @ 0'27. Suggested | 电影原声带 内心活动 反省 感动 | C | 65 | |||
|
A Thrilling Uncertainty [CEO2172 - 1] |
2'10 | Marc-Olivier Dupin | Fearful, frightening & worried. Cello played with tremolo & alto | 心理剧 悬疑探案 令人不安 神秘 | Gbm | 110 | ||||
|
A Thrilling Uncertainty
[CEO2172 - 10] |
版本. | 1'25 | Marc-Olivier Dupin | Alternate version. Solo cello played with tremolo. Suggested for | 令人不安 神秘 动荡 心理剧 | Gbm | 65 | |||
|
Lonely in the Crowd [CEO2172 - 5] |
0 | 2'36 | Marc-Olivier Dupin | Thoughtful, indecisive, narrative & a little sad. Cello & alto flute | 电影原声带 反省 忧伤 神秘 | Cm | 77 | |||
|
One Thing Leads to Another [CEG5053 - 3] |
2'50 | Baptiste Charvet | Investigative cinematic jazz. Suspended, crystalline & dreamy. Piano, | 疑问 Fender Rhodes 调查研究 电影爵士乐 | Cm | 62 | ||||
|
One Thing Leads to Another
[CEG5053 - 23] |
版本. | 2'53 | Baptiste Charvet | Version without trumpet. | Cm | 123 | ||||
|
Cross-Checking the Evidence [CEG5053 - 6] |
4'57 | Baptiste Charvet | Investigative cinematic jazz. Patient, mysterious, restrained & | 调查研究 耐心 疑问 固执 | Dm | 109 | ||||
|
Cross-Checking the Evidence
[CEG5053 - 25] |
版本. | 4'56 | Baptiste Charvet | Version without percussion. | 调查研究 耐心 疑问 固执 | D | 109 | |||
|
Macabre Discovery [CEG5053 - 8] |
3'02 | Baptiste Charvet | Anxious, chaotic, frightening & suspended. Electronics, processed | 阴险 调查研究 苦情 Fender Rhodes | D | 69 | ||||
|
Macabre Discovery Alternate [CEG5053 - 26] |
版本. | 3'02 | Baptiste Charvet | Version without percussion. | 阴险 调查研究 Fender Rhodes 疑问 | D | 69 | |||
|
Facing the Facts [CEG5053 - 13] |
1'40 | Baptiste Charvet | Waiting, disturbing & tragic. Strings, Fender Rhodes piano & piano. | 令人不安 社会悲剧 进行中 悲剧 | Cm | 74 | ||||
|
Facing the Facts Alternate [CEG5053 - 31] |
版本. | 1'40 | Baptiste Charvet | Version without bass & drums. | 令人不安 社会悲剧 进行中 悲剧 | Cm | 99 | |||
|
Case Closed [CEG5053 - 18] |
2'06 | Baptiste Charvet | Complex, unsettling & disorienting. Fender Rhodes piano, electronics | 复杂 固执 电影爵士乐 悬念 | Am | 106 | ||||
|
Case Closed Alternate [CEG5053 - 34] |
版本. | 2'36 | Baptiste Charvet | Version without percussion. | 复杂 固执 电影爵士乐 悬念 | Gm | 106 | |||
|
Pieta [CEO2176 - 6] |
2'07 | Marc-Olivier Dupin | Graceful, elegiac, moving & solemn. Harp, flute, woodwinds, brass & | orchestral score 感动 苦情 忧伤 | Gm | 70 | ||||
|
Pieta Alternate [CEO2176 - 19] |
版本. | 2'08 | Marc-Olivier Dupin | Version without flute. | orchestral score 感动 苦情 忧伤 | Gm | 69 | |||
|
Les Soldats de Pierre [CEO2176 - 7] |
0 | 2'05 | Marc-Olivier Dupin | Solemn, nostalgic & sad. Horns & low brass. Suggested for patriotic & | 苦情 葬礼 历史旁白 庄重 | Ebm | 108 | |||
|
Les Visages [CEO2176 - 11] |
0 | 1'38 | Marc-Olivier Dupin | Waiting, enigmatic & introspective. Flute, clarinet, woodwinds & | 神秘 历史旁白 进行中 地理政治 | Am | 65 | |||
|
Exomachine [CEZ4647 - 2] |
1'52 | Wolfgang Lackerschmid, Andreas Suttner | Mechanical, repetitive, scientific & rigorous. Marimba, synth & light | 科学 马林巴琴 周期性的 工业 | Abm | 120 | ||||
|
Exomachine Alternate 1 [CEZ4647 - 18] |
版本. | 1'52 | Wolfgang Lackerschmid, Andreas Suttner | Minimal version without rythmic | 马林巴琴 科学 固执 伴音 | Abm | 119 | |||
|
Exomachine Alternate 2 [CEZ4647 - 19] |
版本. | 1'51 | Wolfgang Lackerschmid, Andreas Suttner | Minimal version marimba only | 马林巴琴 科学 固执 伴音 | Abm | 120 | |||
|
Exomachine Edit 1 (60sec) [CEZ4647 - 20] |
版本. | 1'00 | Wolfgang Lackerschmid, Andreas Suttner | 60 second cut | 马林巴琴 科学 固执 伴音 | Ebm | 120 | |||
|
Exomachine Edit 2 (30sec) [CEZ4647 - 21] |
版本. | 0'30 | Wolfgang Lackerschmid, Andreas Suttner | 30 second cut | 马林巴琴 科学 固执 伴音 | Ebm | 120 | |||
|
Exomachine Edit 3 (15sec) [CEZ4647 - 22] |
版本. | 0'15 | Wolfgang Lackerschmid, Andreas Suttner | 15 second cut | 马林巴琴 科学 固执 伴音 | Gb | 118 | |||
|
Living After the Attacks [CEO2179 - 3] |
0 | 2'50 | Baptiste Charvet | Nocturnal, suspended, melancholic & resilient. Piano & acoustic | 电影原声带 内心 反省 社会悲剧 | Dm | 60 | |||
|
Inner Prayer 1st Variation [CEO2177 - 5] |
0 | 2'14 | Antoine Glatard | Yiddish Theme. Restrained, intimate, poignant, narrative & nostalgic. | 感动 反省 电影原声带 中音单簧管 | Dm | 66 | |||
|
The Land of Oblivion [CEO2177 - 8] |
0 | 2'32 | Antoine Glatard | Yiddish theme. Desolate, sad, melancholy & pensive. Jewish klezmer | 忧伤 伤心 抱歉 感动 | C | 78 | |||
|
Contemporary Pieces No 5 [AUD043 - 5] |
1'54 | Bruno Letort | Contemporary classical. Hypnotic, bewitching & repetitive. Trombones, | 奇怪 漂泊 无调性音乐 飞碟 | D | 60 | ||||
|
Contemporary Pieces No 5
[AUD043 - 10] |
版本. | 0'18 | Bruno Letort | Short edit version | 奇怪 漂泊 无调性音乐 飞碟 | D | 61 |