| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Point of no Return [CCB1027 - 5] |
0 | 2'30 | Eric Lohrer, David Taieb | Electro. Mechanical, urban & rigorous. Synth, electric guitar & | 工业 机械的 电子乐 固执 | A | 119 | |||
|
Underground Market [CEZ4262 - 12] |
0 | 3'00 | Mathias Delplanque | Electro dub. Mechanical, steady & mysterious. Synth & rhythm. | 企业宣传 电子强节奏音乐 机械的 气氛 | Am | 100 | |||
|
Leone Ginzburg Variation 9 [CEO2028 - 9] |
0 | 1'16 | Baptiste Thiry | Mecanical & obstinate String ensemble. | 历史旁白 机械的 固执 弦乐乐团 | C | 162 | |||
|
End Game [CEZ4171 - 12] |
0 | 2'12 | Christophe Zurfluh | Mechanical & heavy. Electronic percussion & synth. | 机械的 电子鼓 冲击 伴音 | Db | 134 | |||
|
Realization [BIB013 - 11] |
0 | 1'19 | Glen Robert Nicholls | A slower tempo track with repetitive, heavy 4/4 drums. Hypnotic, | 稳定的 无情 沉重 机械的 | D | 76 | |||
|
Dust Trap [BIB012 - 3] |
0 | 1'47 | Ian Scott, Josef Wretham | Wonky synths, and hip hop beat combine to create a contemporary | 毛刺音乐 机械的 机器人 电子 | Fm | 86 | |||
|
Industrial Landscape [CEZ4100 - 1] |
0 | 3'18 | Mathias Delplanque | Electro-indus. Determined & serious. | 工业噪音 稳定的 工业 机械的 | Am | 120 | |||
|
Robotics [CEZ4069 - 9] |
0 | 2'36 | Patrick Chartol, Claire Michael, Jean-Michel Vallet | Positive & mechanical. Instrumental ensemble with sax. | 工业 机械的 手工业 设计与建筑 | Bb | 130 | |||
|
The Infernal Machine [CEZ4069 - 26] |
0 | 1'41 | Hélène Breschand, Didier Petit | Strange & abstract. Solo cello | 机械的 工业 令人不安 即兴创作 | Gm | 98 | |||
|
Murderous Mansion [ISC118 - 5] |
2'26 | George Wilkinson | Neoclassical trailer. Intro with adventurous strings. Jittery | 史诗 恐怖片 骄傲 神秘 | Dm | 95 | ||||
|
Murderous Mansion Alternate 1 [ISC118 - 18] |
版本. | 2'26 | George Wilkinson | Version without percussion | 史诗 恐怖片 骄傲 神秘 | Dm | 95 | |||
|
Murderous Mansion Alternate 2 [ISC118 - 19] |
版本. | 2'26 | George Wilkinson | Version without percussion | 画面感 史诗 恐怖片 神秘 | Dm | 95 | |||
|
Good Morning TV [CCB1073 - 5] |
1'57 | Xavier Jamaux | Electro French Touch. Mechanical, repetitive & glittering. Vocal fx, | 固执 令人激动 法式 动人 | Em | 140 | ||||
|
Good Morning TV Edit 1 (60
[CCB1073 - 29] |
版本. | 1'00 | Xavier Jamaux | 60 second cut | 固执 令人激动 法式 动人 | Em | 140 | |||
|
Good Morning TV Edit 2 (30
[CCB1073 - 30] |
版本. | 0'30 | Xavier Jamaux | 30 second cut | 固执 令人激动 法式 动人 | Bm | 140 | |||
|
Good Morning TV Edit 3 (20
[CCB1073 - 31] |
版本. | 0'20 | Xavier Jamaux | 20 second cut | 固执 令人激动 法式 动人 | Bm | 139 | |||
|
Good Morning TV Edit 4 (sting) [CCB1073 - 32] |
版本. | 0'17 | Xavier Jamaux | Sting | 固执 令人激动 法式 动人 | G | 137 | |||
|
Lookout [CEG5064 - 1] |
2'29 | Hiroki Ishikura | Industrial beat. Interrogative, suspended more and more disturbing. | 进行中 阴险 沉重 固执 | Eb | 135 | ||||
|
Lookout Alternate [CEG5064 - 13] |
版本. | 2'29 | Hiroki Ishikura | Alternate no drums. | 进行中 阴险 固执 美国独立制片电影 | Eb | 134 | |||
|
Black Chrome [BIB296 - 8] |
2'29 | Omer Agca | Decadent, cool, deep. Muffled pads open up a stern but unfurling | 冲击 电子琴 沉重 进行曲 | Gm | 94 | ||||
|
Black Chrome (Instrumental) [BIB296 - 29] |
版本. | 2'29 | Omer Agca | Decadent, cool, deep. Muffled pads open up a stern but unfurling | 冲击 电子琴 沉重 进行曲 | Gm | 94 | |||
|
Black Chrome (Bed) [BIB296 - 30] |
版本. | 2'22 | Omer Agca | Decadent, cool, deep. Muffled pads open up a stern but unfurling | 冲击 电子琴 沉重 进行曲 | Gm | 94 | |||
|
1 Minute To Decide [CEG5058 - 3] |
0 | 1'02 | Les Cosmonotes | Suspenseful Clockwork. Hurried, tense, relentless & building. Pulsing | 悬念 时间(滴答声) 间谍片 令人不安 | D | 120 | |||
|
Clock of Fate [CEG5058 - 8] |
1'22 | Les Cosmonotes | Creepy Clocks & Ticking. Eerie, dark, haunted & almost horrific. | 恐怖片 (音效)滴答声 诡异 恐怖 | Dm | 100 | ||||
|
Clock of Fate Alternate [CEG5058 - 17] |
版本. | 1'18 | Les Cosmonotes | Alternate without FX. | 恐怖片 (音效)滴答声 诡异 恐怖 | Dm | 100 | |||
|
Exomachine [CEZ4647 - 2] |
1'52 | Wolfgang Lackerschmid, Andreas Suttner | Mechanical, repetitive, scientific & rigorous. Marimba, synth & light | 科学 马林巴琴 周期性的 工业 | Abm | 120 | ||||
|
Exomachine Alternate 1 [CEZ4647 - 18] |
版本. | 1'52 | Wolfgang Lackerschmid, Andreas Suttner | Minimal version without rythmic | 马林巴琴 科学 固执 伴音 | Abm | 119 | |||
|
Exomachine Alternate 2 [CEZ4647 - 19] |
版本. | 1'51 | Wolfgang Lackerschmid, Andreas Suttner | Minimal version marimba only | 马林巴琴 科学 固执 伴音 | Abm | 120 | |||
|
Exomachine Edit 1 (60sec) [CEZ4647 - 20] |
版本. | 1'00 | Wolfgang Lackerschmid, Andreas Suttner | 60 second cut | 马林巴琴 科学 固执 伴音 | Ebm | 120 | |||
|
Exomachine Edit 2 (30sec) [CEZ4647 - 21] |
版本. | 0'30 | Wolfgang Lackerschmid, Andreas Suttner | 30 second cut | 马林巴琴 科学 固执 伴音 | Ebm | 120 | |||
|
Exomachine Edit 3 (15sec) [CEZ4647 - 22] |
版本. | 0'15 | Wolfgang Lackerschmid, Andreas Suttner | 15 second cut | 马林巴琴 科学 固执 伴音 | Gb | 118 | |||
|
The Mechanics of Crime [CEG5051 - 1] |
3'16 | Bruno Alexiu | Obstinate, industrial, enigmatic & menacing. Electronic percussion, | 悬念 调查研究 沉重 固执 | Cm | 120 | ||||
|
The Mechanics of Crime
[CEG5051 - 9] |
版本. | 3'16 | Bruno Alexiu | Version with percussion only. | 节奏乐器组 工业 沉重 冲击 | Am | 120 | |||
|
The Mechanics of Crime Edit 1
[CEG5051 - 10] |
版本. | 0'59 | Bruno Alexiu | 60 second cut | 悬念 调查研究 沉重 固执 | C | 120 | |||
|
The Mechanics of Crime Edit 2
[CEG5051 - 11] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 悬念 调查研究 沉重 固执 | C | 120 | |||
|
The Mechanics of Crime Edit 3
[CEG5051 - 12] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 悬念 调查研究 沉重 固执 | C | 120 | |||
|
The Mechanics of Crime Edit 4
[CEG5051 - 13] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 悬念 调查研究 沉重 固执 | Cm | 120 | |||
|
The Knife Edge [CEG5051 - 3] |
3'00 | Bruno Alexiu | Heavy, punchy, incisive, distressing & energic. Beat, bass synth & | 调查研究 阴险 工业噪音 令人不安 | Cm | 70 | ||||
|
The Knife Edge Alternate [CEG5051 - 18] |
版本. | 3'00 | Bruno Alexiu | Version with percussion only. | 工业 IDM 令人不安 电子鼓 | Abm | 70 | |||
|
The Knife Edge Edit 1 (60sec) [CEG5051 - 19] |
版本. | 0'59 | Bruno Alexiu | 60 second cut | 阴险 工业噪音 令人不安 调查研究 | Fm | 70 | |||
|
The Knife Edge Edit 2 (60sec) [CEG5051 - 20] |
版本. | 0'59 | Bruno Alexiu | 60 second cut | 阴险 工业噪音 令人不安 调查研究 | Cm | 70 | |||
|
The Knife Edge Edit 3 (30sec) [CEG5051 - 21] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 阴险 工业噪音 令人不安 调查研究 | Fm | 70 | |||
|
The Knife Edge Edit 4 (30sec) [CEG5051 - 22] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 阴险 工业噪音 令人不安 调查研究 | Cm | 70 | |||
|
The Knife Edge Edit 5 (15sec) [CEG5051 - 23] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 阴险 工业噪音 令人不安 调查研究 | Fm | 70 | |||
|
The Knife Edge Edit 6 (15sec) [CEG5051 - 24] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 阴险 工业噪音 令人不安 调查研究 | Fm | 70 | |||
|
The Coldest Case [CEG5051 - 8] |
3'02 | Bruno Alexiu | Insidious, persistent, mechanical, constant & obsessive like an | 间谍片 令人不安 阴险 工业噪音 | Abm | 120 | ||||
|
The Coldest Case Alternate 1 [CEG5051 - 44] |
版本. | 3'03 | Bruno Alexiu | Version with percussion only. | 间谍片 低沉 令人不安 工业噪音 | Dbm | 120 | |||
|
The Coldest Case Alternate 2 [CEG5051 - 45] |
版本. | 3'04 | Bruno Alexiu | Version with bass. | 间谍片 令人不安 阴险 工业噪音 | Abm | 120 | |||
|
The Coldest Case Edit 1
[CEG5051 - 46] |
版本. | 0'59 | Bruno Alexiu | 60 second cut | 间谍片 令人不安 阴险 工业噪音 | Bbm | 120 | |||
|
The Coldest Case Edit 2
[CEG5051 - 47] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 间谍片 令人不安 阴险 工业噪音 | Bm | 120 | |||
|
The Coldest Case Edit 3
[CEG5051 - 48] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 间谍片 令人不安 阴险 工业噪音 | Abm | 118 | |||
|
U-Bahnhof [CEG5052 - 2] |
1'58 | Louis Edlinger | Minimal techno. Mechanical, steady & repetitive. Breaks @ 0'34 & | 工业 简约科技 信息技术 神秘 | Dm | 85 | ||||
|
U-Bahnhof Alternate 1 [CEG5052 - 15] |
版本. | 1'51 | Louis Edlinger | Version without lead synth. | 工业 都市 简约科技 信息技术 | Gm | 85 | |||
|
U-Bahnhof Alternate 2 [CEG5052 - 16] |
版本. | 1'58 | Louis Edlinger | Version without bass. | 工业 神秘 简约科技 都市 | Ebm | 86 |