| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Oddity [TBX008 - 14] |
0 | 1'31 | Sergey Kolosov | Shiny and angular guitars, with punchy drum beat. Positive, happy, | 果断 紧急 日常生活 动人 | Am | 172 | |||
|
In the Shadows [TBX006 - 17] |
0 | 2'39 | Charlotte Harding | Ambient sfx builds with pacing rhythm and tropical percussion and | 追逐场面 固执 悬念 紧急 | Fm | 120 | |||
|
Speed Shift [CEZ4264 - 7] |
1'42 | Eric Lohrer, Baptiste Thiry | Travelling. Urgent, panoramic & serious. Film music with a country | 全景图 紧急 果断 时间(滴答声) | Am | 148 | ||||
|
Speed Shift 2 [CEZ4264 - 31] |
版本. | 1'11 | Eric Lohrer, Baptiste Thiry | Melancholic & panoramic. Electric guitars & synth. | 全景图 全景 北美 电吉他 | Am | 147 | |||
|
Salacious Revelations [CEZ4213 - 14] |
0 | 2'07 | Baptiste Thiry | Suspense. Dark & inexorable. Electronics & rhythm. | 令人不安 调查研究 神秘 追逐场面 | D | 125 | |||
|
Front Page Scandal [CEZ4094 - 9] |
1'07 | Elisabeth Skornik, Guy Skornik | Urgent & tense. Orchestra & electronic percussion. | 紧急 调查研究 追逐场面 间谍片 | F | 110 | ||||
|
Front Page Scandal 2 [CEZ4094 - 25] |
版本. | 1'07 | Elisabeth Skornik, Guy Skornik | Urgent & tense. Strings & electronic percussion. | 调查研究 追逐场面 间谍片 动作片 | F | 110 | |||
|
Front Page Scandal 3 [CEZ4094 - 26] |
版本. | 0'13 | Elisabeth Skornik, Guy Skornik | Jingle. Urgent & tense. Strings & electronic percussion. | 紧急 调查研究 追逐场面 间谍片 | F | 164 | |||
|
Front Page Scandal 4 [CEZ4094 - 27] |
版本. | 0'22 | Elisabeth Skornik, Guy Skornik | Jingle. Urgent & tense. Strings & electronic percussion. | 紧急 调查研究 追逐场面 间谍片 | F | 109 | |||
|
Insights [CEG5061 - 3] |
2'09 | Jérémy Dirat | Film score. Reflective, urgent & reflective. Running harp & pizz, | 高雅 固执 紧急 画面感 | Gm | 128 | ||||
|
Insights Alternate 1 [CEG5061 - 16] |
版本. | 2'09 | Jérémy Dirat | Version without beat | 高雅 固执 紧急 画面感 | Gm | 128 | |||
|
Insights Alternate 2 [CEG5061 - 17] |
版本. | 2'09 | Jérémy Dirat | Underscore version | 高雅 固执 紧急 画面感 | Gm | 128 | |||
|
OVERDOSE STRDZ [CEM3026 - 4] |
2'17 | Léo Natale | Drift Phonk. Speed. Sharp, devastating, confident, lethal & | 男人 赛车 冲突 时尚 | Cm | 120 | ||||
|
OVERDOSE STRDZ Alternate 1 [CEM3026 - 42] |
版本. | 2'18 | Léo Natale | Instrumental version | 男人 赛车 冲突 时尚 | Cm | 120 | |||
|
OVERDOSE STRDZ Alternate 2 [CEM3026 - 43] |
版本. | 2'40 | Léo Natale | Slowed version | 男人 赛车 冲突 进行曲 | Am | 103 | |||
|
OVERDOSE STRDZ Alternate 3 [CEM3026 - 44] |
版本. | 2'41 | Léo Natale | Instrumental slowed version | 男人 赛车 冲突 时尚 | Am | 103 | |||
|
OVERDOSE STRDZ Edit 1 (60 sec) [CEM3026 - 45] |
版本. | 1'00 | Léo Natale | 60 second cut | 男人 赛车 冲突 时尚 | Cm | 120 | |||
|
OVERDOSE STRDZ Edit 2 (30 sec) [CEM3026 - 46] |
版本. | 0'30 | Léo Natale | 30 second cut | 男人 赛车 冲突 时尚 | Cm | 118 | |||
|
OVERDOSE STRDZ Edit 3 (20 sec) [CEM3026 - 47] |
版本. | 0'20 | Léo Natale | 20 second cut | 男人 赛车 冲突 时尚 | Cm | 120 | |||
|
OVERDOSE STRDZ Edit 4 (sting) [CEM3026 - 48] |
版本. | 0'10 | Léo Natale | Sting | 男人 赛车 冲突 时尚 | C | 161 | |||
|
OVERDOSE STRDZ Edit 5 (60 sec
[CEM3026 - 49] |
版本. | 1'00 | Léo Natale | 60 second slowed cut | 男人 赛车 冲突 时尚 | Am | 103 | |||
|
OVERDOSE STRDZ Edit 6 (30 sec
[CEM3026 - 50] |
版本. | 0'30 | Léo Natale | 30 second slowed cut | 男人 赛车 冲突 时尚 | Am | 103 | |||
|
OVERDOSE STRDZ Edit 7 (20 sec
[CEM3026 - 51] |
版本. | 0'20 | Léo Natale | 20 second slowed cut | 男人 赛车 冲突 时尚 | Am | 103 | |||
|
OVERDOSE STRDZ Edit 8 (sting
[CEM3026 - 52] |
版本. | 0'12 | Léo Natale | Slowed sting | 男人 赛车 冲突 时尚 | A | 102 | |||
|
NITRO GENERATOR [CEM3025 - 2] |
2'14 | B4D3.mp3 | Drift phonk. Medium. Ardent, proud, sharp & radiant. Dreamy break @ | 男人 冲突 火热 phonk | Gbm | 109 | ||||
|
NITRO GENERATOR Alternate 1 [CEM3025 - 22] |
版本. | 2'14 | B4D3.mp3 | Instrumental version | 男人 冲突 火热 phonk | Gbm | 109 | |||
|
NITRO GENERATOR Alternate 2 [CEM3025 - 23] |
版本. | 2'37 | B4D3.mp3 | Slowed version | 男人 态度 phonk 现代 | Ebm | 93 | |||
|
NITRO GENERATOR Alternate 3 [CEM3025 - 24] |
版本. | 2'36 | B4D3.mp3 | Slowed instrumental version | 男人 冲突 火热 phonk | Ebm | 93 | |||
|
NITRO GENERATOR Edit 1 (60
[CEM3025 - 25] |
版本. | 1'00 | B4D3.mp3 | 60 second cut | 男人 冲突 火热 phonk | Gbm | 108 | |||
|
NITRO GENERATOR Edit 2 (30
[CEM3025 - 26] |
版本. | 0'30 | B4D3.mp3 | 30 second cut | 男人 冲突 火热 phonk | Gbm | 109 | |||
|
NITRO GENERATOR Edit 3 (20
[CEM3025 - 27] |
版本. | 0'20 | B4D3.mp3 | 20 second cut | 男人 冲突 火热 phonk | Gbm | 109 | |||
|
NITRO GENERATOR Edit 4 (sting) [CEM3025 - 28] |
版本. | 0'11 | B4D3.mp3 | Sting | 男人 冲突 火热 phonk | Gbm | 108 | |||
|
NITRO GENERATOR Edit 5 (20
[CEM3025 - 29] |
版本. | 0'11 | B4D3.mp3 | 20 second sting | 男人 冲突 火热 phonk | Gbm | 108 | |||
|
NITRO GENERATOR Edit 6 (60
[CEM3025 - 30] |
版本. | 1'00 | B4D3.mp3 | 60 second slowed cut | 男人 冲突 火热 phonk | Ebm | 93 | |||
|
NITRO GENERATOR Edit 7 (30
[CEM3025 - 31] |
版本. | 0'30 | B4D3.mp3 | 30 second slowed cut | 男人 冲突 火热 phonk | Ebm | 93 | |||
|
NITRO GENERATOR Edit 8 (20
[CEM3025 - 32] |
版本. | 0'20 | B4D3.mp3 | 20 second slowed cut | 男人 冲突 火热 phonk | Ebm | 93 | |||
|
NITRO GENERATOR Edit 9 (sting
[CEM3025 - 33] |
版本. | 0'13 | B4D3.mp3 | Slowed sting | 男人 冲突 火热 phonk | Ebm | 92 | |||
|
Epicenter [CEG5060 - 6] |
2'03 | Arttu Silvast | Hybrid Scoring. Fast & tense intro, with repetitive sequence & | 动荡 周期性的 社会悲剧 当代历史 | F | 100 | ||||
|
Epicenter Alternate 1 [CEG5060 - 21] |
版本. | 2'04 | Arttu Silvast | Version without percussion | 动荡 周期性的 社会悲剧 当代历史 | F | 100 | |||
|
Epicenter Alternate 2 [CEG5060 - 22] |
版本. | 2'26 | Arttu Silvast | Short version | 动荡 周期性的 社会悲剧 当代历史 | F | 100 | |||
|
Epicenter Alternate 3 [CEG5060 - 23] |
版本. | 2'26 | Arttu Silvast | Version without percussion | 动荡 周期性的 社会悲剧 当代历史 | F | 100 | |||
|
Mass Surveillance Madness [CEG5064 - 2] |
0 | 1'56 | Louis-Ronan Choisy | Cinematic. Urgent, agitated & cunning. Piano, synth, woodwind & | 动荡 固执 周期性的 催眠 | Em | 123 | |||
|
Hearts Ablaze [CEZ4690 - 3] |
2'28 | André Charlier, Benoît Sourisse | Instrumental gospel with a country touch. Very fast tempo. Energetic, | 动人 怪异 追逐场面 侦探喜剧 | G | 156 | ||||
|
Hearts Ablaze Alternate [CEZ4690 - 12] |
版本. | 2'27 | André Charlier, Benoît Sourisse | Alternate version with temple reverb effect | 动人 怪异 追逐场面 侦探喜剧 | G | 156 | |||
|
Into a Headlong Rush [CEG5059 - 1] |
2'10 | Felix Halbe | Urgent, determined, impatient & stubborn. Atmospheric intro. Staccato | 固执 画面感 心理剧 军事冲突 | Gm | 108 | ||||
|
Into a Headlong Rush Alternate [CEG5059 - 13] |
版本. | 2'10 | Felix Halbe | Version without SFX & percussion. | 固执 画面感 心理剧 军事冲突 | D | 108 | |||
|
Lethal Bass [ISC114 - 3] |
3'00 | Loïc Ghanem | Bass Music. Urgent, frenetic, furious & psychotic. Riser @ 1'02. | 极限运动 追逐场面 动人 体育电竞 | Cm | 154 | ||||
|
Lethal Bass Alternate [ISC114 - 13] |
版本. | 3'00 | Loïc Ghanem | Version without lead. | 极限运动 追逐场面 动人 体育电竞 | Cm | 153 | |||
|
Half A Lie [AMS5062 - 2] |
2'47 | Anthony Damario, Guillaume Boisseau | Cinematic trailer. Strange & on hold intro with female voice, | 画面感 高潮 令人不安 预告片 | Dm | 125 | ||||
|
Half A Lie Alternate 1 [AMS5062 - 17] |
版本. | 2'47 | Anthony Damario, Guillaume Boisseau | Alternate without percussion. | 画面感 高潮 令人不安 预告片 | Dm | 125 | |||
|
Half A Lie Alternate 2 [AMS5062 - 18] |
版本. | 2'47 | Anthony Damario, Guillaume Boisseau | Alternate with percussion only. | 画面感 高潮 令人不安 预告片 | Ebm | 124 | |||
|
Half A Lie Alternate 3 [AMS5062 - 19] |
版本. | 2'47 | Anthony Damario, Guillaume Boisseau | Alternate without string section | 画面感 高潮 令人不安 预告片 | D | 124 | |||
|
Half A Lie Alternate 4 [AMS5062 - 20] |
版本. | 2'47 | Anthony Damario, Guillaume Boisseau | Alternate without choir. | 画面感 高潮 令人不安 预告片 | Dm | 125 | |||
|
Half A Lie Alternate 5 [AMS5062 - 21] |
版本. | 2'47 | Anthony Damario, Guillaume Boisseau | Alternate bed version. | 画面感 高潮 令人不安 预告片 | D | 125 | |||
|
Half A Lie Alternate 6 [AMS5062 - 22] |
版本. | 2'47 | Anthony Damario, Guillaume Boisseau | Alternate underscore. | 画面感 高潮 令人不安 预告片 | Dm | 125 | |||
|
Half A Lie Edit 1 30 sec [AMS5062 - 23] |
版本. | 0'34 | Anthony Damario, Guillaume Boisseau | 30 second cut. | 画面感 令人不安 预告片 史诗 | Dm | 125 | |||
|
Half A Lie Edit 2 15 sec [AMS5062 - 24] |
版本. | 0'19 | Anthony Damario, Guillaume Boisseau | 15 second cut. | 画面感 高潮 令人不安 预告片 | Dm | 125 | |||
|
Desolation [INP082 - 2] |
2'11 | Joseph Westerlund | Desolate, nasty, dark. Bubbling electronic sounds welcome in a | 动作游戏 沉重 态度 极限运动 | Am | 135 | ||||
|
Desolation (Underscore) [INP082 - 12] |
版本. | 2'11 | Joseph Westerlund | Desolate, nasty, dark. Bubbling electronic sounds welcome in a | 动作游戏 沉重 态度 极限运动 | Am | 135 | |||
|
Drive By [INP082 - 5] |
2'25 | Henry Gorman | Tense, industrial, flashy. Rough guitars layer for charged riff | 火热 追逐场面 紧急 态度 | Am | 94 | ||||
|
Drive By (Underscore) [INP082 - 15] |
版本. | 2'21 | Henry Gorman | Tense, industrial, flashy. Rough guitar layer for charged riff | 紧急 态度 令人激动 动作片 | Am | 94 | |||
|
Beyond The Core [CET9109 - 2] |
2'37 | Salvador Casais, Thomas Dubreuil | Cinematic hybrid orchestral. Suspended intro with mysterious | 画面感 史诗 冲击 火热 | Fm | 178 | ||||
|
Beyond The Core Alternate 1 [CET9109 - 17] |
版本. | 2'37 | Salvador Casais, Thomas Dubreuil | Version without percussion | 画面感 史诗 火热 固执 | Fm | 178 | |||
|
Beyond The Core Alternate 2 [CET9109 - 18] |
版本. | 2'37 | Salvador Casais, Thomas Dubreuil | Version with percussion only | 画面感 史诗 火热 固执 | Fm | 120 | |||
|
Beyond The Core Alternate 3 [CET9109 - 19] |
版本. | 2'37 | Salvador Casais, Thomas Dubreuil | Bed version | 画面感 史诗 火热 固执 | Fm | 178 | |||
|
Beyond The Core Alternate 4 [CET9109 - 20] |
版本. | 2'37 | Salvador Casais, Thomas Dubreuil | Underscore version | 画面感 史诗 冲击 火热 | Fm | 178 | |||
|
Beyond The Core Edit 1 30s [CET9109 - 21] |
版本. | 0'32 | Salvador Casais, Thomas Dubreuil | 30 second cut | 画面感 史诗 冲击 火热 | Fm | 120 | |||
|
Beyond The Core Edit 2 15s [CET9109 - 22] |
版本. | 0'18 | Salvador Casais, Thomas Dubreuil | 15 second cut | 画面感 史诗 冲击 火热 | Fm | 120 | |||
|
Velvet Revolution [INP081 - 3] |
2'30 | Chun-Hsiang Chen, Sebastian Sprenger | Flashy, tense, explosive. Serious strings and light percussion curdle | 画面感 科幻片 紧急 史诗 | Gm | 105 | ||||
|
Velvet Revolution Underscore [INP081 - 13] |
版本. | 2'30 | Chun-Hsiang Chen, Sebastian Sprenger | Flashy, tense, explosive. Serious strings and pads offer a quiet | 画面感 科幻片 紧急 史诗 | Gm | 140 | |||
|
Until The Bitter End [INP081 - 4] |
2'11 | Chun-Hsiang Chen, Sebastian Sprenger | Searching, explorative, impassioned. Choral voices and phased pads | 动作片 沉重 固执 冲击 | Am | 110 | ||||
|
Until The Bitter End
[INP081 - 14] |
版本. | 2'11 | Chun-Hsiang Chen, Sebastian Sprenger | Searching, explorative, impassioned. Choral voices and phased pads | 动作片 沉重 固执 冲击 | Am | 110 | |||
|
The Missing Hour [ISC103 - 4] |
1'53 | Emmanuel Rousseau | Classic movie score. Stressful & tense high staccato by strident | 有节奏感 神经病 无情 固执 | Gm | 162 | ||||
|
The Missing Hour Alternate [ISC103 - 14] |
版本. | 1'53 | Emmanuel Rousseau | Version without percussion. | 有节奏感 神经病 无情 固执 | Gm | 161 |