| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The World Looks Red [EOS125 - 16] |
0 | 2'30 | Anthony Mowat | Mysterious, cosmic & atmospheric. Synth. | 悬念 科幻片 气氛 太空 | G | 118 | |||
|
Empty City [AMS5043 - 1] |
3'17 | Aleksandar Dimitrijevic | Post-apocalyptic cinematic rock. 1st part with melancholic guitar & | 后摇滚 悲剧 高潮 忧伤 | Gbm | 80 | ||||
|
Empty City Alternate 1 [AMS5043 - 11] |
版本. | 3'17 | Aleksandar Dimitrijevic | Version without bass & drums | 后摇滚 悲剧 高潮 忧伤 | Gbm | 81 | |||
|
Empty City Alternate 2 [AMS5043 - 12] |
版本. | 3'17 | Aleksandar Dimitrijevic | Version without melody | 后摇滚 悲剧 高潮 忧伤 | Gbm | 80 | |||
|
Empty City Edit 1 (30 sec) [AMS5043 - 13] |
版本. | 0'26 | Aleksandar Dimitrijevic | 30 seconds cut | 后摇滚 悲剧 高潮 忧伤 | Gbm | 80 | |||
|
Empty City Edit 2 (15 sec) [AMS5043 - 14] |
版本. | 0'11 | Aleksandar Dimitrijevic | 15 seconds cut | 后摇滚 悲剧 高潮 忧伤 | Bm | 80 | |||
|
Goodbye [AMS5043 - 4] |
3'09 | Aleksandar Dimitrijevic | Post-apocalyptic cinematic rock. Build-up with nostalgic electric | 忧伤 后摇滚 高潮 恐怖片 | Abm | 100 | ||||
|
Goodbye Alternate 1 [AMS5043 - 25] |
版本. | 3'09 | Aleksandar Dimitrijevic | Version without bass & drums | 忧伤 后摇滚 高潮 恐怖片 | Abm | 100 | |||
|
Goodbye Alternate 2 [AMS5043 - 26] |
版本. | 3'09 | Aleksandar Dimitrijevic | Underscore version | 忧伤 后摇滚 高潮 恐怖片 | Abm | 100 | |||
|
Goodbye Alternate 3 [AMS5043 - 27] |
版本. | 3'09 | Aleksandar Dimitrijevic | Version without guitars | 忧伤 后摇滚 高潮 恐怖片 | Abm | 100 | |||
|
Goodbye Edit 1 (30 sec) [AMS5043 - 28] |
版本. | 0'30 | Aleksandar Dimitrijevic | 30 seconds cut | 忧伤 后摇滚 恐怖片 令人不安 | Abm | 100 | |||
|
Goodbye Edit 2 (15 sec) [AMS5043 - 29] |
版本. | 0'15 | Aleksandar Dimitrijevic | 15 seconds cut | 忧伤 后摇滚 高潮 恐怖片 | Eb | 100 | |||
|
The End [AMS5043 - 6] |
2'48 | Aleksandar Dimitrijevic | Post-apocalyptic cinematic rock. A 1st part in expectation & doubt. | 后摇滚 固执 高潮 动作片 | Abm | 61 | ||||
|
The End Alternate 1 [AMS5043 - 35] |
版本. | 2'48 | Aleksandar Dimitrijevic | Version without guitars & drums | 后摇滚 固执 高潮 动作片 | Abm | 61 | |||
|
The End Alternate 2 [AMS5043 - 36] |
版本. | 2'48 | Aleksandar Dimitrijevic | Version without bass & drums | 后摇滚 固执 高潮 动作片 | Abm | 61 | |||
|
The End Alternate 3 [AMS5043 - 37] |
版本. | 2'48 | Aleksandar Dimitrijevic | Version without guitars | 后摇滚 固执 高潮 动作片 | Abm | 61 | |||
|
The End Edit 1 (30 sec) [AMS5043 - 38] |
版本. | 0'30 | Aleksandar Dimitrijevic | 30 seconds cut | 后摇滚 固执 高潮 动作片 | Abm | 61 | |||
|
The End Edit 2 (15 sec) [AMS5043 - 39] |
版本. | 0'15 | Aleksandar Dimitrijevic | 15 seconds cut | 后摇滚 固执 高潮 动作片 | Abm | 61 | |||
|
The Star Above [ISC085 - 8] |
2'16 | Sandia | Neoclassical. Cheerful, cute, magical & childlike. String orchestra & | 感动 童年 仙境 迷人 | Ab | 118 | ||||
|
The Star Above Alternate [ISC085 - 17] |
版本. | 2'16 | Sandia | Solo piano version. | 迷人 童年 命运 感动 | Ab | 118 | |||
|
The Mechanics of Evil [CEZ4641 - 6] |
3'34 | Adrien Degioanni | Ambient electro, analog horror. Ominous, dark & evil. Ideal for | 奇怪 神秘 背景电子乐 抱歉 | Bbm | 67 | ||||
|
The Mechanics of Evil
[CEZ4641 - 15] |
版本. | 3'34 | Adrien Degioanni | Alternate no perc. | 奇怪 神秘 背景电子乐 抱歉 | Bbm | 65 | |||
|
The Mechanics of Evil
[CEZ4641 - 20] |
版本. | 2'23 | Adrien Degioanni | Alternate no perc. | 阴险 背景电子乐 漂泊 奇怪 | Bbm | 67 | |||
|
Les Couleurs de l'Absence [EOS119 - 6] |
0 | 4'30 | Dominique Malan | Determined, punctuated & epic. Mallet percussion, guitar, piano, | 神秘 全景 木鼓 全景图 | Bm | 120 | |||
|
You're Home [EOS124 - 1] |
0 | 2'24 | Simon Gruwé | Calm, hopeful & bright. Steady progress. Piano, acoustic guitar, | 自信 命运 法国连续剧 明朗 | G | 123 | |||
|
The Storyteller [EOS124 - 2] |
0 | 2'35 | Simon Gruwé | Sensitive then confident & unifying. Build up. Piano chords, synth, | 宁静 自信 命运 悬念 | G | 63 | |||
|
Changing Path [EOS124 - 3] |
0 | 2'45 | Simon Gruwé | Introspective, melancholic with hope and resilience. Build up. Piano, | 命运 自信 反省 医疗 | Fm | 142 | |||
|
Possibilities [EOS124 - 9] |
0 | 2'18 | Simon Gruwé | Hopeful, emotional with resilience & hope. Piano, Strings, guitar. | 内心 公司 命运 社会悲剧 | Ab | 133 | |||
|
Summer Rain [TBX209 - 3] |
2'21 | Mark Revell | Pining, emotive, grizzled. Wistful acoustic guitar progression with | 民族民谣 爱情 严谨 乡村 | Am | 90 | ||||
|
Summer Rain (Underscore) [TBX209 - 15] |
版本. | 2'21 | Mark Revell | Pining, emotive, grizzled. Wistful acoustic guitar progression with | 民族民谣 爱情 严谨 乡村 | Am | 178 | |||
|
Greek Street Waltz [TBX209 - 12] |
2'02 | David Wright | Meaningful, buoyant, old-fashioned. Serious, deep acoustic guitar | 多愁善感 日常生活 乡村 迷人 | G | 109 | ||||
|
Greek Street Waltz
[TBX209 - 24] |
版本. | 2'02 | David Wright | Meaningful, buoyant, old-fashioned. Serious, deep acoustic guitar | 多愁善感 日常生活 乡村 迷人 | G | 109 | |||
|
No Limits [IOM031 - 2] |
2'54 | Alex Munk | Uplifting, aspirational, joyful. Dainty piano dances out with a | 果断 企业宣传 新民谣 室外 | A | 161 | ||||
|
No Limits (Instrumental) [IOM031 - 13] |
版本. | 2'54 | Alex Munk | Uplifting, aspirational, joyful. Dainty piano dances out with a | 果断 企业宣传 新民谣 室外 | A | 162 | |||
|
No Limits (Underscore) [IOM031 - 14] |
版本. | 2'54 | Alex Munk | Uplifting, aspirational, joyful. Euphoric sound met with yearning | 果断 企业宣传 新民谣 室外 | A | 162 | |||
|
Together As One [IOM031 - 4] |
2'37 | Alex Munk | Powerful, joyous, unrestrained. Meaningful piano sequence lays to | 自信 新民谣 果断 动人 | D | 96 | ||||
|
Together As One (Instrumental) [IOM031 - 16] |
版本. | 2'37 | Alex Munk | Powerful, joyous, unrestrained. Meaningful piano sequence lays to | 自信 新民谣 果断 动人 | D | 96 | |||
|
Together As One (Underscore) [IOM031 - 17] |
版本. | 2'37 | Alex Munk | Powerful, joyous, unrestrained. Meaningful piano sequence lays to | 自信 新民谣 果断 动人 | D | 96 | |||
|
My Demons [INP075 - 7] |
2'18 | Michael Adels | Weary, brave, despondent. Trip hop rhythm inches out into a landscape | 恐怖片 阴险 无情 令人不安 | Gm | 120 | ||||
|
My Demons (Instrumental) [INP075 - 25] |
版本. | 2'18 | Michael Adels | Weary, brave, despondent. Serious strings step out with a embattled | 恐怖片 阴险 无情 令人不安 | Gm | 80 | |||
|
My Demons (Underscore) [INP075 - 26] |
版本. | 2'18 | Michael Adels | Weary, brave, despondent. Serious strings step out into a landscape | 恐怖片 阴险 无情 令人不安 | Gm | 80 | |||
|
Day Appears [BIB277 - 2] |
2'06 | Kohshi Kamata | Warm, explorative, gentle. A rushing swell of strings and piano | 感动 法国连续剧 迷人 orchestral score | Bb | 95 | ||||
|
Day Appears (Underscore) [BIB277 - 12] |
版本. | 2'06 | Kohshi Kamata | Warm, explorative, gentle. A swell of strings and piano provide a | 感动 法国连续剧 迷人 orchestral score | Bb | 95 | |||
|
Misty Enigma [CEO2174 - 12] |
0 | 2'16 | Erella Atlan | Atmospheric, mysterious & almost mystical. Strings, piano, synth & | 神秘 气氛 冷沙漠 自然灾害 | Gm | 86 | |||
|
Dimensional Theory [CEG5050 - 1] |
2'04 | Jia | Cinematic Dark Score. A mysterious sequence evolving with eerie & | 画面感 太空 科幻片 夜晚 | Bm | 119 | ||||
|
Dimensional Theory Alternate 1 [CEG5050 - 11] |
版本. | 1'54 | Jia | Version underscore. | 画面感 太空 科幻片 夜晚 | D | 60 | |||
|
Dimensional Theory Alternate 2 [CEG5050 - 12] |
版本. | 2'05 | Jia | Version underscore. | 画面感 太空 科幻片 夜晚 | Bm | 60 | |||
|
Past and Presents [CEG5050 - 3] |
1'50 | Jia | Dark Score. Experimental intro, like lost & ghostly synth voices. | 画面感 催眠 令人不安 神秘 | Ebm | 83 | ||||
|
Past and Presents Alternate [CEG5050 - 14] |
版本. | 1'51 | Jia | Version underscore. | 画面感 催眠 令人不安 神秘 | Ebm | 112 |