| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
What I Look Like [BIB287 - 5] |
2'06 | Omer Agca, Adela Hassan, John Spengemann, Aizen Stokes | Rude, powerful, explosive. Big sub bass joins confident female vocals 歌词 | 沉重 气势 态度 骄傲 | Abm | 117 | ||||
|
What I Look Like Instrumental [BIB287 - 21] |
版本. | 2'04 | Omer Agca, Adela Hassan, John Spengemann, Aizen Stokes | Rude, powerful, explosive. Big sub bass joined by clicking | 态度 骄傲 健身 青春剧 | Fm | 117 | |||
|
What I Look Like Underscore [BIB287 - 22] |
版本. | 2'04 | Omer Agca, Adela Hassan, John Spengemann, Aizen Stokes | Rude, powerful, explosive. Clicking percussion gives a sense of | 态度 骄傲 健身 青春剧 | Fm | 117 | |||
|
Different Breed [IOM029 - 2] |
2'02 | David Birnie, Kc Carter | Tenacious, confident, stylish. Droning sub bass hits out as male 歌词 | 极限运动 沉重 态度 嘻哈预告风 | Fm | 92 | ||||
|
Different Breed (Instrumental) [IOM029 - 15] |
版本. | 2'02 | David Birnie, Kc Carter | Tenacious, confident, stylish. Droning sub bass hits out as beat | 极限运动 沉重 态度 嘻哈预告风 | Fm | 92 | |||
|
Different Breed (Underscore A) [IOM029 - 16] |
版本. | 2'02 | David Birnie, Kc Carter | Tenacious, confident, stylish. Impacts are followed by droning sub | 极限运动 嘻哈预告风 团队运动 沉重 | F | 92 | |||
|
Different Breed (Underscore B) [IOM029 - 17] |
版本. | 2'02 | David Birnie, Kc Carter | Tenacious, confident, stylish. Large murmuring sub bass carried by | 极限运动 嘻哈预告风 团队运动 沉重 | Fm | 92 | |||
|
Different Breed (60 sec) [IOM029 - 18] |
版本. | 1'02 | David Birnie, Kc Carter | Tenacious, confident, stylish. Large murmuring sub bass carried by | 极限运动 沉重 态度 嘻哈预告风 | Fm | 92 | |||
|
Different Breed (30 sec) [IOM029 - 19] |
版本. | 0'29 | David Birnie, Kc Carter | Tenacious, confident, stylish. Droning sub bass enlivened by kick | 极限运动 沉重 态度 嘻哈预告风 | F | 92 | |||
|
Different Breed (15 sec) [IOM029 - 20] |
版本. | 0'16 | David Birnie, Kc Carter | Tenacious, confident, stylish. Explosive rocky electro bassline | 极限运动 沉重 态度 嘻哈预告风 | F | 92 | |||
|
Different Breed (10 sec) [IOM029 - 21] |
版本. | 0'11 | David Birnie, Kc Carter | Tenacious, confident, stylish. Explosive rocky electro bassline | 极限运动 沉重 态度 嘻哈预告风 | Fm | 91 | |||
|
Different Breed (5 sec) [IOM029 - 22] |
版本. | 0'06 | David Birnie, Kc Carter | Tenacious, confident, stylish. Explosive rocky electro bassline | 极限运动 沉重 态度 嘻哈预告风 | Fm | 91 | |||
|
Different Breed (Sting) [IOM029 - 23] |
版本. | 0'03 | David Birnie, Kc Carter | Tenacious, confident. Large sharp impact gives a sense of shortlived | 极限运动 沉重 态度 嘻哈预告风 | F | 117 | |||
|
PHONK OFF [CEM3025 - 4] |
1'45 | B4D3.mp3 | Drift phonk. Speed. Stimulating, choppy, rebellious, tense & | phonk 现代 冲突 沉重 | D | 99 | ||||
|
PHONK OFF Alternate 1 [CEM3025 - 45] |
版本. | 1'45 | B4D3.mp3 | Instrumental version | phonk 现代 冲突 沉重 | D | 99 | |||
|
PHONK OFF Alternate 2 [CEM3025 - 46] |
版本. | 2'03 | B4D3.mp3 | Slowed version | 沉重 进行曲 现代 气势 | Bm | 127 | |||
|
PHONK OFF Alternate 3 [CEM3025 - 47] |
版本. | 2'03 | B4D3.mp3 | Slowed instrumental version | phonk 现代 冲突 沉重 | Bm | 127 | |||
|
PHONK OFF Edit 1 (60 sec) [CEM3025 - 48] |
版本. | 1'00 | B4D3.mp3 | 60 second cut | phonk 现代 冲突 沉重 | D | 148 | |||
|
PHONK OFF Edit 2 (30 sec) [CEM3025 - 49] |
版本. | 0'30 | B4D3.mp3 | 30 second cut | phonk 现代 冲突 沉重 | D | 148 | |||
|
PHONK OFF Edit 3 (20 sec) [CEM3025 - 50] |
版本. | 0'20 | B4D3.mp3 | 20 second cut | phonk 现代 冲突 沉重 | Dm | 99 | |||
|
PHONK OFF Edit 4 (sting) [CEM3025 - 51] |
版本. | 0'08 | B4D3.mp3 | Sting | phonk 现代 冲突 沉重 | D | 98 | |||
|
PHONK OFF Edit 5 (60 sec
[CEM3025 - 52] |
版本. | 1'00 | B4D3.mp3 | 60 second slowed cut | phonk 现代 冲突 沉重 | Bm | 127 | |||
|
PHONK OFF Edit 6 (30 sec
[CEM3025 - 53] |
版本. | 0'30 | B4D3.mp3 | 30 second slowed cut | phonk 现代 冲突 沉重 | Bm | 127 | |||
|
PHONK OFF Edit 7 (20 sec
[CEM3025 - 54] |
版本. | 0'20 | B4D3.mp3 | 20 second slowed cut | phonk 现代 冲突 沉重 | Bm | 127 | |||
|
PHONK OFF Edit 8 (sting
[CEM3025 - 55] |
版本. | 0'09 | B4D3.mp3 | Slowed sting | phonk 现代 冲突 沉重 | B | 126 | |||
|
Trapdoor [CEZ4583 - 6] |
0 | 3'09 | Chomsk' | 2010's Electro trap. Attitude, heavy rhythmic, powerful & eccentric. | 沉重 态度 极限运动 陷阱音乐 | Cm | 150 | |||
|
Jab [CEZ4547 - 1] |
2'59 | JUNK8 | Electro French touch, electroclash. Strong, nervous & determined. | 冲突 时尚 气势 撞击电子乐 | C | 100 | ||||
|
Jab Alternate [CEZ4547 - 18] |
版本. | 2'59 | JUNK8 | Alternate no vocal. | 冲突 时尚 现代 撞击电子乐 | C | 100 | |||
|
Dangerous [CEZ4517 - 1] |
3'08 |
Benjamin Costecalde Lionel Fabert Patrick Kabongo |
Hip hop / rap. Explosive intro. Combative, anthemic, fiery & 歌词 | 态度 说唱 团队运动 极限运动 | Gbm | 125 | ||||
|
Dangerous Underscore [CEZ4517 - 11] |
版本. | 3'08 |
Benjamin Costecalde Lionel Fabert |
Instrumental hip hop. Explosive intro. Anthemic, combative & fiery. | 态度 沉重 都市 骄傲 | Gb | 125 | |||
|
Dangerous Alternate [CEZ4517 - 12] |
版本. | 3'08 |
Benjamin Costecalde Lionel Fabert Patrick Kabongo |
Alternate without rhythm. | 说唱 态度 都市 骄傲 | Gbm | 125 | |||
|
Dangerous Rhythm Track [CEZ4517 - 13] |
版本. | 3'08 |
Benjamin Costecalde Lionel Fabert |
Rhythm track only. | 沉重 都市景色 节奏感 强调突出 | Gb | 125 | |||
|
BROBOT [CEM3025 - 10] |
1'52 | B4D3.mp3 | Brazilian phonk. Medium. Dark, moody, introspective, sinister & | 沉重 冲击 气势 态度 | Gbm | 110 | ||||
|
BROBOT Alternate 1 [CEM3025 - 111] |
版本. | 1'52 | B4D3.mp3 | Instrumental version | 沉重 冲击 气势 态度 | Gbm | 110 | |||
|
BROBOT Alternate 2 [CEM3025 - 112] |
版本. | 2'12 | B4D3.mp3 | Slowed version | 沉重 男人 慢镜头 进行曲 | Ebm | 94 | |||
|
BROBOT Alternate 3 [CEM3025 - 113] |
版本. | 2'11 | B4D3.mp3 | Slowed instrumental version | 沉重 冲击 气势 态度 | Ebm | 94 | |||
|
BROBOT Edit 1 (60 sec) [CEM3025 - 114] |
版本. | 1'00 | B4D3.mp3 | 60 second cut | 沉重 冲击 气势 态度 | Gbm | 110 | |||
|
BROBOT Edit 2 (30 sec) [CEM3025 - 115] |
版本. | 0'30 | B4D3.mp3 | 30 second cut | 沉重 冲击 气势 态度 | Gbm | 110 | |||
|
BROBOT Edit 3 (20 sec) [CEM3025 - 116] |
版本. | 0'20 | B4D3.mp3 | 20 second cut | 沉重 冲击 气势 态度 | Gbm | 110 | |||
|
BROBOT Edit 4 (sting) [CEM3025 - 117] |
版本. | 0'12 | B4D3.mp3 | Sting | 沉重 冲击 气势 态度 | Gbm | 110 | |||
|
BROBOT Edit 5 (60 sec slowed) [CEM3025 - 118] |
版本. | 1'00 | B4D3.mp3 | 60 second slowed cut | 沉重 冲击 气势 态度 | Ebm | 94 | |||
|
BROBOT Edit 6 (30 sec slowed) [CEM3025 - 119] |
版本. | 0'30 | B4D3.mp3 | 30 second slowed cut | 沉重 冲击 气势 态度 | Ebm | 94 | |||
|
BROBOT Edit 7 (20 sec slowed) [CEM3025 - 120] |
版本. | 0'20 | B4D3.mp3 | 20 second slowed cut | 沉重 冲击 气势 态度 | Ebm | 94 | |||
|
BROBOT Edit 8 (sting slowed) [CEM3025 - 121] |
版本. | 0'12 | B4D3.mp3 | Slowed sting | 沉重 冲击 气势 态度 | Ebm | 94 | |||
|
The Watchtower [CEG5064 - 3] |
2'00 | LXear | Cinematic beat. Agressive, dangerous & percussive. Sampled vocal, | 冲突 态度 沉重 固执 | Cm | 112 | ||||
|
The Watchtower Alternate [CEG5064 - 14] |
版本. | 2'00 | LXear | Alternate no kick. | 态度 固执 俱乐部 工业噪音 | C | 112 | |||
|
Firestarter [INP082 - 1] |
2'17 | Joseph Westerlund | Rough, dirty, fiery. Dissonant euphoria spreads through a desolate | 预告片 冲突 动作游戏 沉重 | A | 172 | ||||
|
Firestarter (Underscore) [INP082 - 11] |
版本. | 2'17 | Joseph Westerlund | Rough, dirty, fiery. Dissonant euphoria spreads through a desolate | 预告片 冲突 动作游戏 沉重 | A | 113 | |||
|
Desolation [INP082 - 2] |
2'11 | Joseph Westerlund | Desolate, nasty, dark. Bubbling electronic sounds welcome in a | 动作游戏 沉重 态度 极限运动 | Am | 135 | ||||
|
Desolation (Underscore) [INP082 - 12] |
版本. | 2'11 | Joseph Westerlund | Desolate, nasty, dark. Bubbling electronic sounds welcome in a | 动作游戏 沉重 态度 极限运动 | Am | 135 | |||
|
Until The Bitter End [INP081 - 4] |
2'11 | Chun-Hsiang Chen, Sebastian Sprenger | Searching, explorative, impassioned. Choral voices and phased pads | 动作片 沉重 固执 冲击 | Am | 110 | ||||
|
Until The Bitter End
[INP081 - 14] |
版本. | 2'11 | Chun-Hsiang Chen, Sebastian Sprenger | Searching, explorative, impassioned. Choral voices and phased pads | 动作片 沉重 固执 冲击 | Am | 110 | |||
|
Irae [AMS5056 - 2] |
2'47 | Dmytro Berezhnyi from P.D. | ☆ Nominated "Best Wildcard" @Production Music Awards UK 2025 ☆ | 古典音乐改编曲 沉重 极限运动 史诗 | Gm | 148 | ||||
|
Irae Alternate 1 [AMS5056 - 16] |
版本. | 2'47 | Dmytro Berezhnyi from P.D. | Version without percussion | 古典音乐改编曲 史诗 极限运动 动作片 | Gm | 147 | |||
|
Irae Alternate 2 [AMS5056 - 17] |
版本. | 2'47 | Dmytro Berezhnyi from P.D. | Version with percussion only | 古典音乐改编曲 极限运动 史诗 动作片 | Gm | 148 | |||
|
Irae Alternate 3 [AMS5056 - 18] |
版本. | 2'47 | Dmytro Berezhnyi from P.D. | Version without choir | 古典音乐改编曲 沉重 极限运动 史诗 | Gm | 148 | |||
|
Irae Alternate 4 [AMS5056 - 19] |
版本. | 2'47 | Dmytro Berezhnyi from P.D. | Version without strings | 古典音乐改编曲 沉重 极限运动 史诗 | Gm | 148 | |||
|
Irae Alternate 5 [AMS5056 - 20] |
版本. | 2'47 | Dmytro Berezhnyi from P.D. | Bed version | 古典音乐改编曲 极限运动 动作片 史诗 | Gm | 148 | |||
|
Irae Alternate 6 [AMS5056 - 21] |
版本. | 2'47 | Dmytro Berezhnyi from P.D. | Underscore version | 古典音乐改编曲 沉重 极限运动 史诗 | Gm | 148 | |||
|
Irae Edit 1 30s [AMS5056 - 22] |
版本. | 0'30 | Dmytro Berezhnyi from P.D. | 30 second cut | 古典音乐改编曲 沉重 极限运动 史诗 | Gm | 148 | |||
|
Irae Edit 2 15s [AMS5056 - 23] |
版本. | 0'15 | Dmytro Berezhnyi from P.D. | 15 second cut | 古典音乐改编曲 沉重 极限运动 史诗 | Gm | 148 | |||
|
Blood Pact [INP080 - 2] |
1'48 | Bradley White | Fearful, raw, climactic. High-pitched plucked string amid uncertain | 恐怖 恐怖片 沉重 画面感 | Gm | 120 | ||||
|
Blood Pact Underscore [INP080 - 12] |
版本. | 1'48 | Bradley White | Fearful, raw, climactic. Murmuring atmosphere joined by footsteps and | 画面感 战士 沉重 史诗 | Fm | 118 | |||
|
Skinwalker [INP080 - 9] |
1'53 | Bradley White | Eerie, unreal, dangerous. An atmosphere of uncertainty and dread | 冲突 画面感 恐怖 恐怖片 | Em | 75 | ||||
|
Skinwalker Underscore [INP080 - 19] |
版本. | 1'53 | Bradley White | Eerie, unreal, dangerous. An atmosphere of uncertainty and dread | 冲突 画面感 恐怖 恐怖片 | Em | 76 | |||
|
Bulletproof [IOM037 - 2] |
2'02 | David Birnie | Fiery, rough, hellish. Metallic drum FX land with an intense | 影院摇滚 沉重 冲突 预告片 | Dm | 134 | ||||
|
Bulletproof Alt Version [IOM037 - 13] |
版本. | 1'57 | David Birnie | Fiery, rough, hellish. Metallic drum FX land with an intense | 画面感 沉重 冲突 预告片 | Dm | 135 | |||
|
Bulletproof Percussion Only [IOM037 - 14] |
版本. | 1'59 | David Birnie | Fiery, rough, hellish. Metallic drum FX land with an intense | 沉重 冲突 预告片 高潮 | Gm | 134 | |||
|
The Giant [IOM037 - 10] |
2'26 | David Birnie | Tense, powerful, epic. Curious and anxious vibe from muted guitars | 画面感 史诗 沉重 冲突 | Db | 94 | ||||
|
The Giant Alt Version [IOM037 - 34] |
版本. | 2'26 | David Birnie | Tense, powerful, epic. Curious and anxious vibe from pad chords. | 画面感 沉重 火热 固执 | Db | 94 | |||
|
The Giant Underscore [IOM037 - 35] |
版本. | 2'06 | David Birnie | Tense, powerful, epic. Curious and anxious vibe from pad chords. | 画面感 预告片 动作片 火热 | Db | 94 | |||
|
The Giant Percussion Only [IOM037 - 36] |
版本. | 1'56 | David Birnie | Tense, powerful, epic. Curious and anxious vibe from rolling drums | 画面感 史诗 沉重 冲突 | Bbm | 94 | |||
|
Battle Armor [INP077 - 8] |
3'52 | Orfeas Dialinos, Willie Eaglin | Legendary, raw, gritty. Droning bass gives rise to rolling war drums | 动作游戏 冲击 冲突 沉重 | Fm | 90 | ||||
|
Battle Armor (Underscore) [INP077 - 18] |
版本. | 3'52 | Orfeas Dialinos, Willie Eaglin | Legendary, raw, gritty. Droning bass and guitar moans gives rise to | Fm | 90 | ||||
|
Break the Fake [CEZ4653 - 9] |
2'04 | G.Bonson | Big Beat. 1990s. Upbeat, edgy & relentless. Male vocals, drums & | 赛车 大节奏 沉重 极限运动 | Gm | 127 | ||||
|
Break The Fake Alternate [CEZ4653 - 134] |
版本. | 2'03 | G.Bonson | Instrumental version | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 1 (60 sec) [CEZ4653 - 135] |
版本. | 1'00 | G.Bonson | 60 second cut | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 2 (60 sec) [CEZ4653 - 136] |
版本. | 1'00 | G.Bonson | 60 second instrumental cut | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 3 (60 sec) [CEZ4653 - 137] |
版本. | 1'00 | G.Bonson | 60 second cut 2 | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 4 (60 sec) [CEZ4653 - 138] |
版本. | 1'00 | G.Bonson | 60 second instrumental cut 2 | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 5 (30 sec) [CEZ4653 - 139] |
版本. | 0'30 | G.Bonson | 30 second cut | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 6 (30 sec) [CEZ4653 - 140] |
版本. | 0'30 | G.Bonson | 30 second instrumental cut | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 7 (30 sec) [CEZ4653 - 141] |
版本. | 0'30 | G.Bonson | 30 second cut 2 | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 8 (15 sec) [CEZ4653 - 142] |
版本. | 0'15 | G.Bonson | 15 second cut | 赛车 大节奏 沉重 极限运动 | Gm | 128 | |||
|
Break The Fake Edit 9 (15 sec) [CEZ4653 - 143] |
版本. | 0'15 | G.Bonson | 15 second instrumental cut | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 10 (15
[CEZ4653 - 144] |
版本. | 0'15 | G.Bonson | 15 second cut 2 | 赛车 大节奏 沉重 极限运动 | G | 127 | |||
|
Break The Fake Edit 11 (Sting
[CEZ4653 - 145] |
版本. | 0'09 | G.Bonson | Sting 1 | 赛车 大节奏 沉重 极限运动 | Bb | 128 | |||
|
Break The Fake Edit 12 (Sting
[CEZ4653 - 146] |
版本. | 0'08 | G.Bonson | Sting instrumental 1 | 赛车 大节奏 沉重 极限运动 | Bb | 124 | |||
|
Break The Fake Edit 13 (Sting
[CEZ4653 - 147] |
版本. | 0'07 | G.Bonson | Sting 2 | 赛车 大节奏 沉重 极限运动 | Gm | 129 | |||
|
Break The Fake Edit 14 (Sting
[CEZ4653 - 148] |
版本. | 0'07 | G.Bonson | Sting 3 | 赛车 大节奏 沉重 极限运动 | Em | 130 | |||
|
Break The Fake Edit 15 (Sting
[CEZ4653 - 149] |
版本. | 0'05 | G.Bonson | Sting instrumental 3 | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Dismantle [INP061 - 8] |
1'58 | Damir Agovic | Ominous, militaristic, intimidating. Pulsing kick drum and | 冲突 画面感 恐怖片 战争 | Ebm | 80 | ||||
|
Dismantle (Underscore) [INP061 - 18] |
版本. | 1'53 | Damir Agovic | Ominous, militaristic, intimidating. High-pitched sound emanate from | 冲突 画面感 恐怖片 战争 | D | 80 | |||
|
Unsafe Path [TBX171 - 9] |
2'08 | Erik Liden, Lukas Roher | Glittery, fierce, intimidating. Light percussion mixes with dramatic | 沉重 极限运动 态度 冲击 | Dm | 140 | ||||
|
Unsafe Path (Underscore) [TBX171 - 19] |
版本. | 2'08 | Erik Liden, Lukas Roher | Glittery, fierce, intimidating. Light percussion mixes with soft | 沉重 极限运动 陷阱音乐 态度 | Dm | 140 |