| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Down in the Hood [CEZ4649 - 8] |
1'57 | GASTON DDD | Drill beat, hip-hop beat. Suspended, dark & ominous. Synth & rhythm. | 神秘 drill 令人不安 都市景色 | Fm | 140 | ||||
|
Down in the Hood Alternate 1 [CEZ4649 - 53] |
版本. | 1'00 | GASTON DDD | 60 second cut. | 神秘 drill 令人不安 都市景色 | Gb | 140 | |||
|
Down in the Hood Alternate 2 [CEZ4649 - 54] |
版本. | 0'30 | GASTON DDD | 30 second cut. | 神秘 drill 令人不安 都市景色 | Gb | 140 | |||
|
Down in the Hood Alternate 3 [CEZ4649 - 55] |
版本. | 0'15 | GASTON DDD | 15 second cut. | 神秘 drill 令人不安 都市景色 | Gb | 140 | |||
|
Down in the Hood Alternate 4 [CEZ4649 - 56] |
版本. | 0'09 | GASTON DDD | Sting. | 神秘 drill 令人不安 都市景色 | Gb | 70 | |||
|
Love's on Every Corner [CEZ4649 - 10] |
2'15 | SHIFUMI | Trap beat, hip-hop beat. Romantic, arty & jerky. Electric and | 夜晚 陷阱音乐 朗朗上口 时尚 | C | 80 | ||||
|
Love's on Every Corner
[CEZ4649 - 45] |
版本. | 2'15 | SHIFUMI | Alternate no vocal. | 夜晚 陷阱音乐 朗朗上口 时尚 | Am | 80 | |||
|
Love's on Every Corner
[CEZ4649 - 46] |
版本. | 1'00 | SHIFUMI | 60 second cut. | 夜晚 陷阱音乐 朗朗上口 时尚 | Am | 80 | |||
|
Love's on Every Corner
[CEZ4649 - 47] |
版本. | 1'00 | SHIFUMI | 60 second cut no vocal. | 夜晚 陷阱音乐 朗朗上口 时尚 | Am | 80 | |||
|
Love's on Every Corner
[CEZ4649 - 48] |
版本. | 0'30 | SHIFUMI | 30 second cut. | 夜晚 陷阱音乐 朗朗上口 时尚 | Am | 80 | |||
|
Love's on Every Corner
[CEZ4649 - 49] |
版本. | 0'30 | SHIFUMI | 30 second cut no vocal. | 夜晚 陷阱音乐 朗朗上口 时尚 | Am | 80 | |||
|
Love's on Every Corner
[CEZ4649 - 50] |
版本. | 0'15 | SHIFUMI | 15 second cut. | 夜晚 陷阱音乐 朗朗上口 时尚 | Am | 80 | |||
|
Love's on Every Corner
[CEZ4649 - 51] |
版本. | 0'15 | SHIFUMI | 15 second cut no vocal. | 夜晚 陷阱音乐 朗朗上口 时尚 | Am | 80 | |||
|
Love's on Every Corner
[CEZ4649 - 52] |
版本. | 0'12 | SHIFUMI | Sting. | 夜晚 陷阱音乐 朗朗上口 时尚 | Am | 80 | |||
|
Chasing the Fog [CEG5051 - 7] |
3'03 | Bruno Alexiu | Strange, jerky, constant, hypnotic & nightmarish. Electronic | 低沉 工业 机械的 电子鼓 | Fm | 120 | ||||
|
Chasing the Fog Alternate [CEG5051 - 37] |
版本. | 3'03 | Bruno Alexiu | Version with percussion only. | 追逐场面 进行中 低沉 工业 | Dm | 120 | |||
|
Chasing the Fog Edit 1 (60s) [CEG5051 - 38] |
版本. | 0'59 | Bruno Alexiu | 60 second cut | 低沉 工业 机械的 电子鼓 | F | 120 | |||
|
Chasing the Fog Edit 2 (60s) [CEG5051 - 39] |
版本. | 0'59 | Bruno Alexiu | 60 second cut | 低沉 工业 机械的 电子鼓 | Fm | 120 | |||
|
Chasing the Fog Edit 3 (30s) [CEG5051 - 40] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 低沉 工业 机械的 电子鼓 | Fm | 120 | |||
|
Chasing the Fog Edit 4 (30s) [CEG5051 - 41] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 低沉 工业 机械的 电子鼓 | Am | 118 | |||
|
Chasing the Fog Edit 5 (15s) [CEG5051 - 42] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 低沉 工业 机械的 电子鼓 | F | 120 | |||
|
Chasing the Fog Edit 6 (15s) [CEG5051 - 43] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 低沉 工业 机械的 电子鼓 | Am | 120 | |||
|
The Knowledge Paradox [ISC087 - 9] |
2'39 | Norbert Gobor | Cinematic score. Positive, futuristic & technological. Keyboard ping | 调查研究 气氛 electro beat 工业 | F | 111 | ||||
|
The Knowledge Paradox
[ISC087 - 21] |
版本. | 2'39 | Norbert Gobor | Version without percussion | 调查研究 气氛 electro beat 工业 | F | 83 | |||
|
Ex Nihilo [ISC086 - 3] |
2'36 | Stanislav Barantsov | Cinematic hybrid trailer. With a powerful rock edge. Ticking intro. | 动作片 极限运动 影院摇滚 高潮 | Em | 143 | ||||
|
Ex Nihilo Alternate [ISC086 - 13] |
版本. | 2'36 | Stanislav Barantsov | Version without percussion | 极限运动 影院摇滚 高潮 气势 | Em | 143 | |||
|
Vendetta [ISC086 - 5] |
2'28 | Stanislav Barantsov | ☆ Nominated "Best Epic Hybrid" @Production Music Awards UK 2025 ☆ | 动作片 令人不安 画面感 高潮 | Am | 156 | ||||
|
Vendetta Alternate [ISC086 - 15] |
版本. | 2'28 | Stanislav Barantsov | Version without percussion | 令人不安 画面感 高潮 气势 | Am | 156 | |||
|
Broken Trust [ISC086 - 7] |
2'50 | Stanislav Barantsov | Cinematic hybrid trailer. Atmospheric intro slowly building up with | 画面感 高潮 气势 预告片 | Fm | 98 | ||||
|
Broken Trust Alternate [ISC086 - 17] |
版本. | 2'50 | Stanislav Barantsov | Version without percussion | 画面感 高潮 气势 预告片 | Fm | 130 | |||
|
Ultimate Truth [ISC086 - 10] |
2'35 | Stanislav Barantsov | Cinematic hybrid trailer. Sinister & atmospheric intro with synth & | 冲击 战士 冲突 画面感 | Gbm | 165 | ||||
|
Ultimate Truth Alternate [ISC086 - 20] |
版本. | 2'35 | Stanislav Barantsov | Version without percussion | 战士 冲突 画面感 预告片 | Gbm | 110 | |||
|
Nightmare Neuro [AUD042 - 2] |
2'11 | Alexandre Koneski | Dubstep. Angular, sharp & relentless. Feeling of constant | 回响贝斯 机器人 极限运动 2010 | Gbm | 150 | ||||
|
Nightmare Neuro (Short Edit) [AUD042 - 7] |
版本. | 0'26 | Alexandre Koneski | Short Edit | 回响贝斯 机器人 极限运动 2010 | Gbm | 150 | |||
|
Nightmare Neuro (No Drums) [AUD042 - 12] |
版本. | 2'11 | Alexandre Koneski | No Beat | 回响贝斯 极限运动 2010 态度 | Gbm | 151 | |||
|
Punch In The Face [AUD042 - 3] |
2'01 | Alexandre Koneski | Dubstep. Punchy, swift & combative. Break @ 0’58 followed by a | 冲突 体育电竞 极限运动 2010 | Dm | 143 | ||||
|
Punch In The Face (Short Edit) [AUD042 - 8] |
版本. | 0'40 | Alexandre Koneski | Short Edit | 冲突 体育电竞 极限运动 2010 | Dm | 143 | |||
|
Punch In The Face (No Drums) [AUD042 - 13] |
版本. | 2'01 | Alexandre Koneski | No Beat | 极限运动 2010 回响贝斯 体育电竞 | Dm | 143 | |||
|
Tell Me Something [CEZ4645 - 6] |
2'24 | Iain Harper | Future garage. Pulsating, nocturnal & warm. Mechanical chiselled | 车库 夜晚 机械的 原声电子 | Ebm | 130 | ||||
|
Tell Me Something Alternate [CEZ4645 - 53] |
版本. | 2'24 | Iain Harper | Instrumental version | 车库 夜晚 机械的 原声电子 | Fm | 129 | |||
|
Tell Me Something Edit 1 (15
[CEZ4645 - 54] |
版本. | 0'15 | Iain Harper | 15 seconds cut | 车库 夜晚 机械的 原声电子 | Fm | 130 | |||
|
Tell Me Something Edit 2 (15
[CEZ4645 - 55] |
版本. | 0'15 | Iain Harper | 15 seconds instrumental cut | 车库 夜晚 机械的 原声电子 | Fm | 130 | |||
|
Tell Me Something Edit 3 (30
[CEZ4645 - 56] |
版本. | 0'30 | Iain Harper | 30 seconds cut | 车库 夜晚 机械的 原声电子 | Ebm | 130 | |||
|
Tell Me Something Edit 4 (30
[CEZ4645 - 57] |
版本. | 0'30 | Iain Harper | 30 seconds instrumental cut | 车库 夜晚 机械的 原声电子 | Fm | 129 | |||
|
Tell Me Something Edit 5 (60
[CEZ4645 - 58] |
版本. | 1'00 | Iain Harper | 60 seconds cut | 车库 夜晚 机械的 原声电子 | Ebm | 130 | |||
|
Tell Me Something Edit 6 (60
[CEZ4645 - 59] |
版本. | 1'00 | Iain Harper | 60 seconds instrumental cut | 车库 夜晚 机械的 原声电子 | Fm | 130 | |||
|
Tell Me Something Edit 7
[CEZ4645 - 60] |
版本. | 0'09 | Iain Harper | Instrumental sting | 车库 夜晚 机械的 原声电子 | Fm | 129 | |||
|
Texas To Ohio [BIB276 - 10] |
2'25 | Mark Coupe, Eamonn Downes | Cool, sultry, glittery. Rumbling bassline is flanked by euphoric | 丛林音乐 固执 都市景色 严谨 | Gm | 140 | ||||
|
Texas To Ohio (Instrumental) [BIB276 - 28] |
版本. | 2'22 | Mark Coupe, Eamonn Downes | Cool, sultry, glittery. Rumbling bassline is flanked by coarse drum | 丛林音乐 固执 都市景色 严谨 | Gm | 140 | |||
|
Texas To Ohio (Underscore) [BIB276 - 29] |
版本. | 2'22 | Mark Coupe, Eamonn Downes | Cool, sultry, glittery. Rumbling bassline is flanked by coarse drum | 丛林音乐 固执 都市景色 严谨 | Gm | 140 | |||
|
Olympus Has Fallen [AMS5042 - 2] |
1'57 | Danijel Grubovic | Hybrid trailer. Dramatic, mighty & forceful. Suspended intro with | 冲突 预告片 画面感 爆炸 | Abm | 118 | ||||
|
Olympus Has Fallen Alternate 1 [AMS5042 - 16] |
版本. | 1'57 | Danijel Grubovic | No percussion version | 冲突 预告片 画面感 爆炸 | Abm | 162 | |||
|
Olympus Has Fallen Alternate 2 [AMS5042 - 17] |
版本. | 1'57 | Danijel Grubovic | Percussion only version | 冲突 预告片 画面感 爆炸 | Em | 119 | |||
|
Olympus Has Fallen Alternate 3 [AMS5042 - 18] |
版本. | 1'57 | Danijel Grubovic | No strings version | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Alternate 4 [AMS5042 - 19] |
版本. | 1'57 | Danijel Grubovic | No voice fx version | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Alternate 5 [AMS5042 - 20] |
版本. | 1'57 | Danijel Grubovic | Bed | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Alternate 6 [AMS5042 - 21] |
版本. | 1'57 | Danijel Grubovic | Underscore | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Edit 1 (60
[AMS5042 - 22] |
版本. | 1'00 | Danijel Grubovic | 60 seconds cut | 冲突 预告片 画面感 爆炸 | Abm | 80 | |||
|
Olympus Has Fallen Edit 2 (30
[AMS5042 - 23] |
版本. | 0'30 | Danijel Grubovic | 30 seconds cut | 冲突 预告片 画面感 爆炸 | Abm | 80 | |||
|
Olympus Has Fallen Edit 3 (15
[AMS5042 - 24] |
版本. | 0'15 | Danijel Grubovic | 15 seconds cut | 冲突 预告片 画面感 爆炸 | Abm | 81 | |||
|
Blasting [AMS5042 - 3] |
1'42 | Danijel Grubovic | Hybrid trailer. Suspended intro. Sneaky build-up @ 0'20 with metallic | 画面感 战争 战士 动作游戏 | Dm | 154 | ||||
|
Blasting Alternate 1 [AMS5042 - 25] |
版本. | 1'42 | Danijel Grubovic | No percussion version | 画面感 战争 战士 动作游戏 | Dm | 156 | |||
|
Blasting Alternate 2 [AMS5042 - 26] |
版本. | 1'42 | Danijel Grubovic | Percussion only version | 画面感 战争 战士 动作游戏 | Am | 155 | |||
|
Blasting Alternate 3 [AMS5042 - 27] |
版本. | 1'42 | Danijel Grubovic | Bed | 画面感 战争 战士 动作游戏 | Dm | 155 | |||
|
Blasting Alternate 4 [AMS5042 - 28] |
版本. | 1'42 | Danijel Grubovic | Underscore | 画面感 战争 战士 动作游戏 | Dm | 154 | |||
|
Blasting Edit 1 (60 sec) [AMS5042 - 29] |
版本. | 1'00 | Danijel Grubovic | 60 seconds cut | 画面感 战争 战士 动作游戏 | Dm | 156 | |||
|
Blasting Edit 2 (30 sec) [AMS5042 - 30] |
版本. | 0'31 | Danijel Grubovic | 30 seconds cut | 画面感 战争 战士 动作游戏 | Dm | 154 | |||
|
Blasting Edit 3 (15 sec) [AMS5042 - 31] |
版本. | 0'15 | Danijel Grubovic | 15 seconds cut | 画面感 战争 战士 动作游戏 | Dm | 155 | |||
|
We Own The Show [AMS5041 - 3] |
2'17 | Philippe Briand, Salvador Casais, Felix Weber | Cinematic orchestral hip hop. Determined, motivational & boastful. 歌词 | 火热 嘻哈预告风 团队运动 预告片 | Fm | 88 | ||||
|
We Own The Show Alternate 1 [AMS5041 - 23] |
版本. | 2'17 | Philippe Briand, Salvador Casais, Felix Weber | No percussion version歌词 | 火热 嘻哈预告风 团队运动 预告片 | Fm | 88 | |||
|
We Own The Show Alternate 2 [AMS5041 - 24] |
版本. | 2'17 | Philippe Briand, Salvador Casais, Felix Weber | Percussion only version | 火热 嘻哈预告风 团队运动 预告片 | Gbm | 178 | |||
|
We Own The Show Alternate 3 [AMS5041 - 25] |
版本. | 2'17 | Philippe Briand, Salvador Casais, Felix Weber | Instrumental version | 火热 嘻哈预告风 团队运动 预告片 | Fm | 178 | |||
|
We Own The Show Alternate 4 [AMS5041 - 26] |
版本. | 2'17 | Philippe Briand, Salvador Casais, Felix Weber | Bed歌词 | 火热 嘻哈预告风 团队运动 预告片 | Fm | 88 | |||
|
We Own The Show Alternate 5 [AMS5041 - 27] |
版本. | 2'17 | Philippe Briand, Salvador Casais, Felix Weber | Underscore歌词 | 火热 嘻哈预告风 团队运动 预告片 | Fm | 88 | |||
|
We Own The Show Edit 1 (30
[AMS5041 - 28] |
版本. | 0'33 | Philippe Briand, Salvador Casais, Felix Weber | 30 seconds cut歌词 | 火热 嘻哈预告风 团队运动 预告片 | Fm | 88 | |||
|
We Own The Show Edit 2 (15
[AMS5041 - 29] |
版本. | 0'16 | Philippe Briand, Salvador Casais, Felix Weber | 15 seconds cut歌词 | 火热 嘻哈预告风 团队运动 预告片 | Fm | 178 | |||
|
Monumental [AMS5041 - 4] |
2'26 | Salvador Casais, Felix Weber | Cinematic orchestral hip hop. Epic, powerful & dramatic. Rising | 高潮 嘻哈预告风 冲击 气势 | Abm | 172 | ||||
|
Monumental Alternate 1 [AMS5041 - 30] |
版本. | 2'26 | Salvador Casais, Felix Weber | No percussion version | 高潮 嘻哈预告风 预告片 史诗 | Abm | 113 | |||
|
Monumental Alternate 2 [AMS5041 - 31] |
版本. | 2'26 | Salvador Casais, Felix Weber | Percussion only version | 高潮 嘻哈预告风 冲击 气势 | Gm | 172 | |||
|
Monumental Alternate 3 [AMS5041 - 32] |
版本. | 2'26 | Salvador Casais, Felix Weber | Instrumental version | 高潮 嘻哈预告风 冲击 气势 | Abm | 172 | |||
|
Monumental Alternate 4 [AMS5041 - 33] |
版本. | 2'26 | Salvador Casais, Felix Weber | Bed | 高潮 嘻哈预告风 冲击 气势 | Abm | 172 | |||
|
Monumental Alternate 5 [AMS5041 - 34] |
版本. | 2'26 | Salvador Casais, Felix Weber | Underscore | 高潮 嘻哈预告风 冲击 气势 | Abm | 172 | |||
|
Monumental Edit 1 (30 sec) [AMS5041 - 35] |
版本. | 0'28 | Salvador Casais, Felix Weber | 30 seconds cut | 高潮 嘻哈预告风 冲击 气势 | Ab | 172 | |||
|
Monumental Edit 2 (15 sec) [AMS5041 - 36] |
版本. | 0'16 | Salvador Casais, Felix Weber | 15 seconds cut | 高潮 嘻哈预告风 冲击 气势 | Ab | 166 | |||
|
Drum Party [AMS5040 - 4] |
2'00 | Ilan Kunik | Playful, fun & mischievous. The claps & percussion become more and | 进行中 打击乐合奏 打击流行乐 节奏感 | Am | 116 | ||||
|
Drum Party Edit 1 (30 sec) [AMS5040 - 16] |
版本. | 0'30 | Ilan Kunik | 30 seconds cut | 进行中 打击乐合奏 打击流行乐 节奏感 | Abm | 116 | |||
|
Drum Party Edit 2 (15 sec) [AMS5040 - 17] |
版本. | 0'15 | Ilan Kunik | 15 seconds cut | 进行中 打击乐合奏 打击流行乐 节奏感 | Em | 116 | |||
|
Assault [ISC083 - 6] |
1'56 | Martin Emilio Insaurgarat | Cinematic. Growing & expectant intro with percussion & alarm. Edgy | 冲突 画面感 爆炸 冲击 | E | 135 | ||||
|
Assault Alternate [ISC083 - 16] |
版本. | 1'56 | Martin Emilio Insaurgarat | No alarms version | 冲突 画面感 爆炸 冲击 | Em | 135 | |||
|
Supervillain [ISC083 - 7] |
2'04 | Martin Emilio Insaurgarat | Cinematic. Steady & insidious. Long expectant intro with ticking fx, | 冲突 画面感 战争 预告片 | E | 120 | ||||
|
Supervillain Alternate [ISC083 - 17] |
版本. | 2'04 | Martin Emilio Insaurgarat | No alarms version | 冲突 画面感 战争 预告片 | E | 120 | |||
|
Max Velocity [ISC083 - 9] |
1'43 | Martin Emilio Insaurgarat | Cinematic. Proud, powerful & determined. Swift & percussive intro | 爆炸 冲击 冲突 画面感 | Dm | 135 | ||||
|
Max Velocity Alternate [ISC083 - 19] |
版本. | 1'43 | Martin Emilio Insaurgarat | No alarms version | 爆炸 冲击 冲突 画面感 | Dm | 135 |