| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Strong and Flex [AMS5039 - 6] |
1'58 | Ilan Kunik | Corporate percussive rock. Powerful, determined & motivational. Intro | 打击流行乐 日间节目 企业宣传 冲击 | Em | 90 | ||||
|
Strong and Flex Alternate 1 [AMS5039 - 41] |
版本. | 1'58 | Ilan Kunik | No percussion version | 日间节目 企业宣传 气势 果断 | E | 90 | |||
|
Strong and Flex Alternate 2 [AMS5039 - 42] |
版本. | 1'58 | Ilan Kunik | Percussion only version | 打击流行乐 日间节目 企业宣传 冲击 | Gm | 90 | |||
|
Strong and Flex Alternate 3 [AMS5039 - 43] |
版本. | 1'58 | Ilan Kunik | Bed | 打击流行乐 日间节目 企业宣传 冲击 | Em | 90 | |||
|
Strong and Flex Alternate 4 [AMS5039 - 44] |
版本. | 1'58 | Ilan Kunik | Underscore | 打击流行乐 日间节目 企业宣传 冲击 | Em | 90 | |||
|
Strong and Flex Alternate 5 [AMS5039 - 45] |
版本. | 0'30 | Ilan Kunik | 30 seconds cut | 打击流行乐 日间节目 企业宣传 冲击 | E | 90 | |||
|
Strong and Flex Alternate 6 [AMS5039 - 46] |
版本. | 0'15 | Ilan Kunik | 15 seconds cut | 打击流行乐 日间节目 企业宣传 冲击 | E | 90 | |||
|
Perilous Descent [AUD041 - 5] |
2'16 | Lee Volfoni | Electronic score. Weird, dark & malefic. Electronics & synth pads. A | electronic score 无情 悬念 恐怖 | Cm | 90 | ||||
|
Perilous Descent Alternate 1 [AUD041 - 10] |
版本. | 0'32 | Lee Volfoni | Short edit | electronic score 无情 悬念 恐怖 | Bm | 90 | |||
|
Perilous Descent Alternate 2 [AUD041 - 15] |
版本. | 2'16 | Lee Volfoni | Alternative version | electronic score 无情 悬念 恐怖 | Cm | 101 | |||
|
Apprehension [ISC082 - 4] |
2'03 | Zoltan Zadori | Cinematic ticking. Ticking intro with percussion like claps. Edgy | 团队运动 火热 固执 冲击 | Gm | 106 | ||||
|
Apprehension Alternate [ISC082 - 14] |
版本. | 2'03 | Zoltan Zadori | Version with percussion only | 冲击 团队运动 爆炸 火热 | Gm | 106 | |||
|
Ticking Chaos [ISC082 - 7] |
2'03 | Zoltan Zadori | Cinematic ticking. Dark & gloomy intro with slow muffled ticking fx | 恐怖 画面感 恐怖片 轰隆声 | Fm | 90 | ||||
|
Ticking Chaos Alternate [ISC082 - 17] |
版本. | 2'03 | Zoltan Zadori | Version with percussion only | 警匪片 恐怖 动作游戏 冲击 | Fm | 90 | |||
|
Lost in the Glow [ISC081 - 5] |
2'35 | Bohdan Yeremenko | Cinematic. Bright, ethereal & glowing. Dreamy & floating intro with | 电子乐宣传片 信息技术 固执 画面感 | Em | 141 | ||||
|
Lost in the Glow Alternate [ISC081 - 15] |
版本. | 2'35 | Bohdan Yeremenko | Version without percussion. | 电子乐宣传片 信息技术 固执 画面感 | Em | 142 | |||
|
High Definition [ISC081 - 8] |
2'39 | Bohdan Yeremenko | Hybrid neo-classical. Grand, rising & circling. Intro with running & | 科幻片 高潮 预告片 高雅 | Em | 110 | ||||
|
High Definition Alternate [ISC081 - 18] |
版本. | 2'39 | Bohdan Yeremenko | Version without percussion. | 科幻片 高潮 预告片 高雅 | Em | 110 | |||
|
Nemesis [CEM3023 - 6] |
3'18 | Sham Makdessi, Morgan Sansous | Speed Metal Instrumental. Roaring, hammered, impactful & aggressive. | speed metal 极限运动 固执 团队运动 | Em | 149 | ||||
|
Nemesis 15 sec edit [CEM3023 - 39] |
版本. | 0'15 | Sham Makdessi, Morgan Sansous | 15 second cut. | speed metal 极限运动 固执 团队运动 | Em | 149 | |||
|
Nemesis 30 sec edit [CEM3023 - 40] |
版本. | 0'30 | Sham Makdessi, Morgan Sansous | 30 second cut. | speed metal 极限运动 固执 团队运动 | Em | 149 | |||
|
Nemesis 60 sec edit [CEM3023 - 41] |
版本. | 1'00 | Sham Makdessi, Morgan Sansous | 60 second cut. | speed metal 极限运动 固执 团队运动 | Em | 149 | |||
|
Nemesis sting 1 [CEM3023 - 42] |
版本. | 0'08 | Sham Makdessi, Morgan Sansous | Sting cut. | speed metal 极限运动 固执 团队运动 | Em | 149 | |||
|
Nemesis sting 2 [CEM3023 - 43] |
版本. | 0'04 | Sham Makdessi, Morgan Sansous | Sting cut. | speed metal 极限运动 固执 团队运动 | Fm | 148 | |||
|
Leave A Legacy [TBX204 - 3] |
2'24 | Justin Desjardins West, Gallo Locknez | Legendary, strong, confident. Hardy strings give a sense of thrumming 歌词 | 嘻哈预告风 固执 团队运动 态度 | Gm | 150 | ||||
|
Leave A Legacy (Instrumental) [TBX204 - 14] |
版本. | 2'24 | Justin Desjardins West, Gallo Locknez | Legendary, strong, confident. Hardy strings give a sense of thrumming | 嘻哈预告风 固执 团队运动 态度 | Gm | 150 | |||
|
Leave A Legacy (Underscore) [TBX204 - 15] |
版本. | 2'24 | Justin Desjardins West, Gallo Locknez | Legendary, strong, confident. Hardy strings give a sense of thrumming | 嘻哈预告风 固执 团队运动 态度 | Dm | 150 | |||
|
Playoff Mode [TBX204 - 8] |
2'01 | Justin Desjardins West | Fast, explosive, competitive. Brisk trombone melody gives a feeling | 固执 极限运动 态度 电影节奏 | Dm | 164 | ||||
|
Playoff Mode (Alt Version) [TBX204 - 24] |
版本. | 2'01 | Justin Desjardins West | Fast, explosive, competitive. Brisk trombone melody gives a feeling | 固执 极限运动 态度 电影节奏 | Am | 164 | |||
|
Playoff Mode (Underscore) [TBX204 - 25] |
版本. | 2'01 | Justin Desjardins West | Fast, explosive, competitive. Funereal bell leads into chattering hi | 固执 极限运动 态度 电影节奏 | Dm | 164 | |||
|
Gorilla Mode [BIB275 - 10] |
1'42 | Daniel Lobel | Buoyant, daring, hot. Standout melody gives a sense of daring fun. A | 态度 舞蹈流行音乐 时尚 2010 | Gb | 118 | ||||
|
Gorilla Mode (Instrumental) [BIB275 - 40] |
版本. | 1'42 | Daniel Lobel | Buoyant, daring, hot. Standout melody gives a sense of daring fun. A | 态度 舞蹈流行音乐 时尚 2010 | Gb | 118 | |||
|
Gorilla Mode (Underscore) [BIB275 - 41] |
版本. | 1'42 | Daniel Lobel | Buoyant, daring, hot. Clear rhythm is joined by sub bass and | 态度 舞蹈流行音乐 时尚 2010 | Gbm | 119 | |||
|
Making Trouble [BIB274 - 3] |
2'22 | Louis Hackett | Cool, heavy, eerie. High-pitched whistle gives way to light keys, | 电影节奏 阴险 调查研究 强调突出 | Dm | 166 | ||||
|
Making Trouble (Underscore) [BIB274 - 13] |
版本. | 2'22 | Louis Hackett | Cool, heavy, eerie. High-pitched whistle gives way to light keys, | 电影节奏 阴险 调查研究 强调突出 | Dm | 165 | |||
|
The One That Got Away [BIB274 - 7] |
2'32 | Thomas Caruana | Upbeat, stylish, meaningful. Fast-moving bass moves with wah-wah | 日间节目 电影节奏 果断 电视连续剧 | Am | 108 | ||||
|
The One That Got Away
[BIB274 - 18] |
版本. | 2'32 | Thomas Caruana | Upbeat, stylish, meaningful. Fast-moving bass moves with pacy indie | 日间节目 电影节奏 果断 电视连续剧 | Am | 108 | |||
|
Full Capacity [AMS5037 - 5] |
2'08 | Danijel Grubovic | Future House. Aggressive, festive, irregular & rough. Synthesizers, | 固执 态度 俱乐部 动人 | Em | 124 | ||||
|
Full Capacity Alternate 1 [AMS5037 - 40] |
版本. | 2'08 | Danijel Grubovic | Alternate version without percussion. | 固执 态度 俱乐部 动人 | Em | 123 | |||
|
Full Capacity Alternate 2 [AMS5037 - 41] |
版本. | 2'08 | Danijel Grubovic | Alternate version with percussion only. | 固执 态度 俱乐部 动人 | Am | 124 | |||
|
Full Capacity Alternate 3 [AMS5037 - 42] |
版本. | 2'08 | Danijel Grubovic | Alternate underscore version. | 固执 态度 俱乐部 动人 | Em | 124 | |||
|
Full Capacity Alternate 4 [AMS5037 - 43] |
版本. | 2'08 | Danijel Grubovic | Alternate version without choirs. | 固执 态度 俱乐部 动人 | Em | 124 | |||
|
Full Capacity Edit 1 (60 sec) [AMS5037 - 44] |
版本. | 1'00 | Danijel Grubovic | 60 second edit. | 固执 态度 俱乐部 动人 | Em | 124 | |||
|
Full Capacity Edit 2 (30 sec) [AMS5037 - 45] |
版本. | 0'30 | Danijel Grubovic | 30 second edit. | 固执 态度 俱乐部 动人 | Am | 124 | |||
|
Full Capacity Edit 3 (15 sec) [AMS5037 - 46] |
版本. | 0'15 | Danijel Grubovic | 15 second edit. | 固执 态度 俱乐部 动人 | Em | 124 | |||
|
Night Rider [AMS5037 - 8] |
1'44 | Danijel Grubovic | Future House. Aggressive, obstinate & spasmodic. Synthesizers, | 固执 态度 合成贝斯 动人 | Gbm | 86 | ||||
|
Night Rider Alternate 1 [AMS5037 - 63] |
版本. | 1'44 | Danijel Grubovic | Alternate version without percussion. | 固执 态度 合成贝斯 动人 | Gbm | 87 | |||
|
Night Rider Alternate 2 [AMS5037 - 64] |
版本. | 1'44 | Danijel Grubovic | Alternate version with percussion only. | 固执 态度 动人 令人激动 | Gbm | 86 | |||
|
Night Rider Alternate 3 [AMS5037 - 65] |
版本. | 1'44 | Danijel Grubovic | Alternate version without choirs. | 固执 态度 合成贝斯 动人 | Gbm | 89 | |||
|
Night Rider Alternate 4 [AMS5037 - 66] |
版本. | 1'44 | Danijel Grubovic | Alternate "Bed" version. | 固执 态度 动人 令人激动 | Gbm | 88 | |||
|
Night Rider Alternate 5 [AMS5037 - 67] |
版本. | 1'44 | Danijel Grubovic | Alternate underscore version. | 固执 态度 动人 令人激动 | Gbm | 86 | |||
|
Night Rider Edit 1 (60 sec) [AMS5037 - 68] |
版本. | 1'02 | Danijel Grubovic | 60 second edit. | 固执 态度 合成贝斯 动人 | Gbm | 86 | |||
|
Night Rider Edit 2 (30 sec) [AMS5037 - 69] |
版本. | 0'30 | Danijel Grubovic | 30 second edit. | 固执 态度 合成贝斯 动人 | Gbm | 86 | |||
|
Night Rider Edit 3 (15 sec) [AMS5037 - 70] |
版本. | 0'15 | Danijel Grubovic | 15 second edit. | 固执 态度 合成贝斯 动人 | Gbm | 89 | |||
|
Highspeed Doomsday [AUD039 - 3] |
2'02 | Alexandre Koneski | Determined and violent Electro Metal with heavy distorted guitars, | 动作游戏 冲突 工业金属 赛车 | Bm | 109 | ||||
|
Highspeed Doomsday (Short
[AUD039 - 8] |
版本. | 0'29 | Alexandre Koneski | Determined and violent Electro Metal with heavy distorted guitars, | 动作游戏 冲突 工业金属 赛车 | Bm | 109 | |||
|
Highspeed Doomsday (Alternate) [AUD039 - 13] |
版本. | 1'59 | Alexandre Koneski | Determined and violent Electro Metal with synth pulses and sub | 动作游戏 冲突 工业金属 赛车 | Bm | 109 | |||
|
Beyond the Infinite [CET9100 - 12] |
2'31 | Alexandros Nikolaidis | Hybrid orchestral film score / Trailer. Intro with bright repetitive | 气势 凯旋 史诗 魔幻电影 | Fm | 100 | ||||
|
Beyond the Infinite Alternate
[CET9100 - 34] |
版本. | 2'31 | Alexandros Nikolaidis | Version without percussion. | 气势 凯旋 史诗 魔幻电影 | Cm | 100 | |||
|
Beyond the Infinite Alternate
[CET9100 - 35] |
版本. | 2'31 | Alexandros Nikolaidis | Version without choir. | 气势 凯旋 史诗 魔幻电影 | Fm | 100 | |||
|
First Flight [AMS5038 - 4] |
2'12 | Peter Tomlinson | Film score / Trailer. Intro with fast & soaring staccato strings. | 气势 史诗 凯旋 超级英雄 | Bm | 120 | ||||
|
First Flight Alternate 1 [AMS5038 - 33] |
版本. | 2'12 | Peter Tomlinson | Alternate version without percussion. | 气势 史诗 凯旋 超级英雄 | Bm | 120 | |||
|
First Flight Alternate 2 [AMS5038 - 34] |
版本. | 2'12 | Peter Tomlinson | Alternate version with percussion only. | 画面感 大电影打击乐 渐强 冲击 | Cm | 118 | |||
|
First Flight Alternate 3 [AMS5038 - 35] |
版本. | 2'12 | Peter Tomlinson | Alternate version without strings. | 气势 史诗 凯旋 超级英雄 | Bm | 120 | |||
|
First Flight Alternate 4 [AMS5038 - 36] |
版本. | 2'12 | Peter Tomlinson | Alternate "Bed" version. | 气势 史诗 凯旋 超级英雄 | Bm | 120 | |||
|
First Flight Alternate 5 [AMS5038 - 37] |
版本. | 2'12 | Peter Tomlinson | Alternate underscore version. | 气势 史诗 凯旋 超级英雄 | Bm | 120 | |||
|
First Flight Edit 1 (30 sec) [AMS5038 - 38] |
版本. | 0'30 | Peter Tomlinson | 30 second edit. | 气势 史诗 凯旋 超级英雄 | Bm | 120 | |||
|
First Flight Edit 2 (15 sec) [AMS5038 - 39] |
版本. | 0'15 | Peter Tomlinson | 15 second edit. | 气势 史诗 凯旋 超级英雄 | Bm | 120 | |||
|
Paradoxical Worlds [ISC079 - 4] |
3'13 | Tony Gram | Orchestral Trailer. Between brightness & darkness intro with | 史诗 预告片 超级英雄 固执 | Am | 86 | ||||
|
Paradoxical Worlds Alternate 1 [ISC079 - 17] |
版本. | 3'13 | Tony Gram | Version without percussion. | 史诗 预告片 超级英雄 固执 | Am | 165 | |||
|
Paradoxical Worlds Alternate 2 [ISC079 - 18] |
版本. | 3'13 | Tony Gram | Version without choir. | 史诗 预告片 超级英雄 固执 | Am | 86 | |||
|
Come Dance [TBX202 - 10] |
2'16 | Jon Du | Poppy, excited, fun. Charged up electro sounds build into R&B pop 歌词 | 态度 动人 健身 节奏感 | Gm | 130 | ||||
|
Come Dance (Instrumental) [TBX202 - 30] |
版本. | 2'16 | Jon Du | Poppy, excited, fun. Charged up electro sounds build into R&B pop | 态度 动人 健身 节奏感 | Gm | 130 | |||
|
Want The Money [TBX200 - 16] |
1'48 | Negative One, Dexter Turner | Fun, silly, confident. Silly nursery rhyme melody instils a 歌词 | 态度 骄傲 青春剧 好玩 | Am | 120 | ||||
|
Want The Money (Instrumental) [TBX200 - 62] |
版本. | 1'48 | Negative One, Dexter Turner | Fun, silly, confident. Silly nursery rhyme melody instils a | 态度 骄傲 青春剧 好玩 | Am | 120 | |||
|
Want The Money (Underscore) [TBX200 - 63] |
版本. | 1'08 | Negative One, Dexter Turner | Fun, silly, confident. Chunky bassline aligns with simplistic hip hop | 态度 骄傲 青春剧 好玩 | Am | 118 |