| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Clap Clap Clap [CEC8043 - 7] |
0 | 1'55 | Zhang Hao, 赵君睿 | Percussion beats. Nervous, quiky & obsessive. Claps, synths, | 节奏感 拍手 广告 追逐场面 | Gm | 129 | |||
|
Full Injected Passion [CEM3019 - 3] |
0 | 1'33 | Morgan Sansous, Kenny Serane | Heavy Rock. Energetic, driving, confident, reckless & rousing. Rock | 团队运动 赛车 火热 重摇滚 | Em | 162 | |||
|
Something Weird [CET9085 - 8] |
1'52 | Zoltan Zadori | Horror track. Disturbing & cursed intro with suspenseful strings | 画面感 高潮 恐怖 无情 | E | 100 | ||||
|
Something Weird Alternate [CET9085 - 17] |
版本. | 1'52 | Zoltan Zadori | Alternate version without strings. | 画面感 高潮 恐怖 无情 | E | 100 | |||
|
The Beginning Of Everything [BIX008 - 5] |
2'03 | Matthew Terry | Intense, frantic, climactic. Heavy war drums fade in, echoing with a | 气势 预告片 冲突 画面感 | Em | 140 | ||||
|
The Beginning Of Everything
[BIX008 - 20] |
版本. | 2'03 | Matthew Terry | Intense, frantic, climactic. Heavy war drums fade in, echoing with a | 气势 预告片 冲突 画面感 | Em | 140 | |||
|
The Beginning Of Everything
[BIX008 - 21] |
版本. | 1'46 | Matthew Terry | Intense, frantic, climactic. Heavy war drums fade in, echoing with a | 气势 预告片 冲突 画面感 | C | 140 | |||
|
Come Here You [BIB248 - 9] |
1'51 | Omer Agca | Cool, modern, spirited. Intricate african drums join with slick, | 节奏感 动人 都市景色 冲击 | Em | 112 | ||||
|
Come Here You (Instrumental) [BIB248 - 27] |
版本. | 1'51 | Omer Agca | Cool, modern, spirited. Intricate african drums join with slick, | 节奏感 动人 都市景色 冲击 | Em | 112 | |||
|
Come Here You (Underscore) [BIB248 - 28] |
版本. | 1'51 | Omer Agca | Cool, modern, spirited. Intricate african drums join with slick bass. | 节奏感 动人 都市景色 冲击 | Em | 112 | |||
|
Last Days On Earth [INP059 - 3] |
3'19 | Robin Blake | Futuristic, dystopian, dangerous. Dirty synth notes begin, joined by 歌词 | 动作片 赛车 冲突 动作游戏 | Cm | 120 | ||||
|
Last Days On Earth
[INP059 - 13] |
版本. | 3'18 | Robin Blake | Futuristic, dystopian, dangerous. Dirty synth notes begin, joined by | 动作片 赛车 冲突 动作游戏 | Cm | 120 | |||
|
Last Days On Earth
[INP059 - 14] |
版本. | 3'18 | Robin Blake | Futuristic, dystopian, dangerous. Dirty synth notes begin, joined by | 动作片 赛车 冲突 动作游戏 | Cm | 120 | |||
|
Unforeseen Results [INP056 - 1] |
3'04 | Sergey Kolosov, Conor O Brien | Investigative, climactic, growing. Synths offer a contrast of | 调查研究 心理剧 科学 画面感 | Am | 120 | ||||
|
Unforeseen Results
[INP056 - 14] |
版本. | 2'59 | Sergey Kolosov, Conor O Brien | Investigative, climactic, growing. Synths offer a contrast of | 调查研究 心理剧 科学 画面感 | Am | 120 | |||
|
Tension In The System [INP056 - 4] |
2'33 | Jack Pierce | Anticipatory, urgent, serious. Choral voices and strings play out | 果断 冒险片 画面感 进步 | Ebm | 140 | ||||
|
Tension In The System
[INP056 - 18] |
版本. | 2'33 | Jack Pierce | Anticipatory, urgent, serious. Choral voices and strings play out | 果断 冒险片 画面感 进步 | Ebm | 140 | |||
|
Wondrous Science [INP056 - 8] |
2'47 | Sergey Kolosov | Sparkly, confident, dreamy. Beeping synth sound cycles through | 果断 节奏乐器组 周期性的 electro beat | Gbm | 126 | ||||
|
Wondrous Science (Underscore) [INP056 - 23] |
版本. | 2'49 | Sergey Kolosov | Sparkly, confident, dreamy. Beeping synth sound cycles through | 果断 节奏乐器组 周期性的 electro beat | Gbm | 126 | |||
|
Covert Action [EOS96 - 1] |
0 | 2'24 | Damien Poupart-Taussat | Orchestral rock, stadium rock. Driving, epic & massive staccato cello | 史诗 动作片 果断 固执 | Gm | 148 | |||
|
Empty Coffin [AMS5011 - 6] |
0 | 2'21 | Sigurd Johnk-Jensen | Cinematic thriller. Grim, ominous, tense & satanic. Imposing sound | 恐怖 恐怖片 神经病 鬼 | Am | 100 | |||
|
Pressure [TBX164 - 1] |
3'36 | Sir Henry Rawlinson | Dramatic, confident, explosive. Metallic bells lay out a serious and | 陷阱音乐 固执 都市景色 电子琴 | Am | 120 | ||||
|
Pressure (Underscore) [TBX164 - 14] |
版本. | 3'29 | Sir Henry Rawlinson | Dramatic, confident, explosive. Metallic bells lay out a serious and | 陷阱音乐 固执 都市景色 令人不安 | Am | 120 | |||
|
Ruthless [TBX164 - 12] |
2'45 | Francesco Bondi | Marching, electronic, spirited. Heavy gritty bass line hammers | 固执 朗朗上口 electro beat 节奏感 | Gm | 128 | ||||
|
Ruthless (Underscore) [TBX164 - 27] |
版本. | 2'45 | Francesco Bondi | Marching, electronic, spirited. Heavy gritty bass line hammers | 固执 朗朗上口 electro beat 节奏感 | Gm | 128 | |||
|
Drills At Night [TBX164 - 13] |
1'24 | Zueyueng Cooper | Pacy, vicious, icy. Cold euphoria disappears behind clattering sub | drill 都市景色 固执 电子鼓 | Em | 74 | ||||
|
Drills At Night (Underscore) [TBX164 - 28] |
版本. | 1'24 | Zueyueng Cooper | Pacy, vicious, icy. Cold euphoria disappears behind clattering sub | 都市景色 drill 固执 电子鼓 | Em | 144 | |||
|
Zero Dark Thirty [ISC041 - 1] |
2'16 | Giorgos Lorantakis | Long, discontinuous, mechanical, urgent & explosive intro with timer | 战争 (音效)开火 动作游戏 机械的 | Abm | 110 | ||||
|
Zero Dark Thirty Alternate 1 [ISC041 - 11] |
版本. | 2'16 | Giorgos Lorantakis | Alternate version without guns. | 战争 动作游戏 冲击 爆炸 | Abm | 110 | |||
|
Zero Dark Thirty Alternate 2 [ISC041 - 12] |
版本. | 2'16 | Giorgos Lorantakis | Alternate version without clock. | 战争 (音效)开火 动作游戏 机械的 | Gm | 110 | |||
|
Turf War [ISC041 - 2] |
2'07 | Giorgos Lorantakis | Mechanical, jangling & metallic intro with weapon loading fx. | 战争 战士 冲突 动作游戏 | D | 100 | ||||
|
Turf War Alternate 1 [ISC041 - 13] |
版本. | 2'07 | Giorgos Lorantakis | Alternate version without guns. | 战争 战士 冲突 动作游戏 | D | 100 | |||
|
Turf War Alternate 2 [ISC041 - 14] |
版本. | 2'07 | Giorgos Lorantakis | Alternativer version with perc only. | 战争 战士 冲突 机械的 | Gm | 100 | |||
|
Lead Injection [ISC041 - 6] |
2'11 | Giorgos Lorantakis | Violent, sudden & explosive intro with gunfire. Cruel, rhythmic & | 战争 无情 机械的 金属 | Dm | 118 | ||||
|
Lead Injection Alternate 1 [ISC041 - 20] |
版本. | 2'11 | Giorgos Lorantakis | Alternate version without guns. | 战争 无情 冲突 动作游戏 | Dm | 118 | |||
|
Lead Injection Alternate 2 [ISC041 - 21] |
版本. | 2'11 | Giorgos Lorantakis | Alternative light version. | 战争 无情 机械的 金属 | Dm | 118 | |||
|
Ambush [ISC041 - 7] |
2'11 | Giorgos Lorantakis | Oppressive & menacing intro with alarm fx & metallic weapon loading | 战争 令人不安 冲突 (音效)警报声 | Dm | 106 | ||||
|
Ambush Alternate 1 [ISC041 - 22] |
版本. | 2'11 | Giorgos Lorantakis | Alternate version without guns. | 战争 令人不安 冲突 (音效)警报声 | D | 106 | |||
|
Ambush Alternate 2 [ISC041 - 23] |
版本. | 2'03 | Giorgos Lorantakis | Alternative version without alarm. | 战争 令人不安 冲突 动作游戏 | Dm | 106 | |||
|
Semper Fi [ISC041 - 8] |
2'04 | Giorgos Lorantakis | Sudden, wild & aggressive intro with detonation, tribal percussion & | 战争 战士 动作游戏 机械的 | Abm | 128 | ||||
|
Semper Fi Alternate [ISC041 - 24] |
版本. | 2'04 | Giorgos Lorantakis | Alternate version without guns. | 战争 战士 动作游戏 机械的 | Abm | 128 | |||
|
Serious Conversations [BIB241 - 4] |
2'09 | DAMNY | Cool, explosive, funky. Simplistic rock drumming gives support to fun 歌词 | 果断 态度 独立摇滚 青春剧 | Fm | 122 | ||||
|
Serious Conversations
[BIB241 - 17] |
版本. | 2'09 | DAMNY | Cool, explosive, funky. Simplistic rock drumming gives support to fun | 果断 态度 独立摇滚 青春剧 | F | 122 | |||
|
Serious Conversations
[BIB241 - 18] |
版本. | 2'09 | DAMNY | Cool, explosive, funky. Simplistic rock drumming gives support to fun | 果断 态度 独立摇滚 青春剧 | Fm | 122 |