| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Starlit Highway [TBX220 - 10] |
2'43 | Sergey Kolosov | Adventurous, momentous, starlit. Coded synth sequences offer a sense | 工业 令人不安 固执 都市景色 | Gm | 146 | ||||
|
Starlit Highway (Underscore) [TBX220 - 22] |
版本. | 2'27 | Sergey Kolosov | Adventurous, momentous, starlit. Coded synth sequences explodes with | 工业 令人不安 固执 都市景色 | Gm | 146 | |||
|
Thunderclap [CET9104 - 3] |
2'15 | Sigurd Johnk-Jensen | Electro-inspired rock trailer. Toxic intro with synthesizers, then | 垃圾音效 态度 影院摇滚 沉重 | Cm | 145 | ||||
|
Thunderclap Alternate 1 [CET9104 - 20] |
版本. | 2'15 | Sigurd Johnk-Jensen | Version without percussion. | 态度 影院摇滚 沉重 预告片 | Cm | 145 | |||
|
Thunderclap Alternate 2 [CET9104 - 21] |
版本. | 2'15 | Sigurd Johnk-Jensen | Version with percussion only. | 态度 影院摇滚 预告片 动作片 | Cm | 145 | |||
|
Thunderclap Alternate 3 [CET9104 - 22] |
版本. | 2'15 | Sigurd Johnk-Jensen | Bed version. | 垃圾音效 态度 影院摇滚 沉重 | Cm | 145 | |||
|
Thunderclap Alternate 4 [CET9104 - 23] |
版本. | 2'15 | Sigurd Johnk-Jensen | Underscore version. | 垃圾音效 态度 影院摇滚 沉重 | Cm | 145 | |||
|
Thunderclap Edit 1 30s [CET9104 - 24] |
版本. | 0'33 | Sigurd Johnk-Jensen | 30 second cut. | 垃圾音效 态度 影院摇滚 沉重 | Cm | 145 | |||
|
Thunderclap Edit 2 15s [CET9104 - 25] |
版本. | 0'16 | Sigurd Johnk-Jensen | 15 second cut. | 垃圾音效 态度 影院摇滚 沉重 | Cm | 145 | |||
|
Ten Tons Of Madness [CET9104 - 6] |
2'20 | Sigurd Johnk-Jensen | Trailer rock. Introduction with ominous synth strings & electric | 影院摇滚 火热 冲突 态度 | Dm | 120 | ||||
|
Ten Tons Of Madness Alternate
[CET9104 - 38] |
版本. | 2'20 | Sigurd Johnk-Jensen | Version without percussion. | 影院摇滚 态度 固执 预告片 | Dm | 120 | |||
|
Ten Tons Of Madness Alternate
[CET9104 - 39] |
版本. | 2'20 | Sigurd Johnk-Jensen | Version with percussion only. | 影院摇滚 火热 冲突 态度 | Gm | 120 | |||
|
Ten Tons Of Madness Alternate
[CET9104 - 40] |
版本. | 2'20 | Sigurd Johnk-Jensen | Bed version. | 影院摇滚 火热 冲突 态度 | Dm | 120 | |||
|
Ten Tons Of Madness Alternate
[CET9104 - 41] |
版本. | 2'20 | Sigurd Johnk-Jensen | Underscore version. | 影院摇滚 火热 冲突 态度 | Dm | 120 | |||
|
Ten Tons Of Madness Edit 1 30s [CET9104 - 42] |
版本. | 0'36 | Sigurd Johnk-Jensen | 30 second cut. | 影院摇滚 火热 冲突 态度 | Dm | 120 | |||
|
Ten Tons Of Madness Edit 2 15s [CET9104 - 43] |
版本. | 0'22 | Sigurd Johnk-Jensen | 15 second cut. | 影院摇滚 火热 冲突 态度 | Dm | 120 | |||
|
Dark and Rust [AMS5052 - 6] |
2'03 | Thomas Lucas | Electro clash. Heavy, jerky, glitchy & metallic. Dubstep synths, drum | 垃圾音效 沉重 故障 机器人 | Em | 117 | ||||
|
Dark and Rust Alternate 1 [AMS5052 - 29] |
版本. | 2'03 | Thomas Lucas | Percussion only version. | 沉重 极限运动 态度 俱乐部 | Gm | 117 | |||
|
Dark and Rust Alternate 2 [AMS5052 - 30] |
版本. | 2'03 | Thomas Lucas | Underscore version. | 沉重 机器人 极限运动 态度 | Em | 117 | |||
|
Dark and Rust Edit 1 30 sec [AMS5052 - 31] |
版本. | 0'32 | Thomas Lucas | 30 second cut. | 垃圾音效 沉重 故障 机器人 | Em | 117 | |||
|
Dark and Rust Edit 2 15 sec [AMS5052 - 32] |
版本. | 0'16 | Thomas Lucas | 15 second cut. | 垃圾音效 沉重 故障 机器人 | Em | 117 | |||
|
Bombastic [IOM035 - 1] |
2'13 | David Birnie | Raw, powerful, determined. Muffled bass drives through modest | 态度 动作游戏 画面感 撞击电子乐 | Em | 100 | ||||
|
Bombastic (Underscore) [IOM035 - 11] |
版本. | 2'13 | David Birnie | Raw, powerful, determined. Modest drumbeat and risers give a sense of | 极限运动 气势 冲突 态度 | Em | 100 | |||
|
Bombastic (60 sec) [IOM035 - 12] |
版本. | 1'03 | David Birnie | Raw, powerful, determined. Muffled bass drives through modest | 态度 动作游戏 画面感 撞击电子乐 | Em | 100 | |||
|
Bombastic (30 sec) [IOM035 - 13] |
版本. | 0'30 | David Birnie | Raw, powerful, determined. Bass and beat explode at 00:08 into strong | 态度 动作游戏 画面感 撞击电子乐 | Em | 100 | |||
|
Bombastic (15 sec) [IOM035 - 14] |
版本. | 0'17 | David Birnie | Raw, powerful, determined. Bass and beat explode at 00:04 into strong | 态度 动作游戏 画面感 撞击电子乐 | Em | 99 | |||
|
Bombastic (10 sec) [IOM035 - 15] |
版本. | 0'12 | David Birnie | Raw, powerful, determined. Squelchy bass and beat give a confident | 态度 动作游戏 画面感 撞击电子乐 | Em | 100 | |||
|
Bombastic (5 sec) [IOM035 - 16] |
版本. | 0'07 | David Birnie | Raw, powerful, determined. Squelchy bass and beat offer confident | 态度 动作游戏 画面感 撞击电子乐 | Em | 99 | |||
|
Bombastic (Sting) [IOM035 - 17] |
版本. | 0'03 | David Birnie | Raw, powerful, determined. Confident drum and bass cue with sci-fi | 态度 动作游戏 画面感 撞击电子乐 | Em | 199 | |||
|
Action Fuelled [IOM035 - 3] |
1'42 | David Birnie | Panicked, heated, heroic. Large yawning impact gives rise to | 画面感 战士 追逐场面 冲突 | Dm | 78 | ||||
|
Action Fuelled (Underscore) [IOM035 - 26] |
版本. | 1'35 | David Birnie | Panicked, heated, heroic. Euphoric atmosphere from breathy notes | 画面感 追逐场面 高潮 史诗 | D | 104 | |||
|
Action Fuelled (Percussion
[IOM035 - 27] |
版本. | 1'31 | David Birnie | Panicked, heated, heroic. Echoing impact is followed by action-packed | 画面感 战士 追逐场面 冲突 | Gm | 78 | |||
|
Action Fuelled (60 sec) [IOM035 - 28] |
版本. | 1'01 | David Birnie | Panicked, heated, heroic. Large yawning impact gives rise to | 画面感 战士 追逐场面 冲突 | Dm | 78 | |||
|
Action Fuelled (30 sec) [IOM035 - 29] |
版本. | 0'30 | David Birnie | Panicked, heated, heroic. Riser jumps into fast-paced percussion. | 画面感 战士 追逐场面 冲突 | Dm | 78 | |||
|
Action Fuelled (15 sec) [IOM035 - 30] |
版本. | 0'15 | David Birnie | Panicked, heated, heroic. Explosive strings and war drums convey | 画面感 战士 追逐场面 冲突 | Dm | 153 | |||
|
Action Fuelled (10 sec) [IOM035 - 31] |
版本. | 0'12 | David Birnie | Panicked, heated, heroic. Explosive strings and war drums convey | 画面感 战士 追逐场面 冲突 | Dm | 78 | |||
|
Action Fuelled (5 sec) [IOM035 - 32] |
版本. | 0'05 | David Birnie | Panicked, heated, heroic. Explosive strings and heavy drum FX convey | 画面感 战士 追逐场面 冲突 | D | 78 | |||
|
Action Fuelled (Sting) [IOM035 - 33] |
版本. | 0'04 | David Birnie | Panicked, heated, heroic. Valiant strings ride heavy drum FX for | 画面感 战士 追逐场面 冲突 | D | 109 | |||
|
The Race Is On [IOM035 - 4] |
1'37 | David Birnie | Heavy, confident, powerful. Fuzzy rock bass gives a sense of badass | 极限运动 画面感 动作片 气势 | Am | 172 | ||||
|
The Race Is On (Underscore) [IOM035 - 34] |
版本. | 1'37 | David Birnie | Heavy, confident, powerful. Eerie string euphoria is nailed down by | 极限运动 画面感 动作片 气势 | A | 87 | |||
|
The Race Is On (Percussion
[IOM035 - 35] |
版本. | 1'37 | David Birnie | Heavy, confident, exciting. Tick tock percussion is met with heavy | 极限运动 画面感 动作片 气势 | A | 87 | |||
|
The Race Is On (60 sec) [IOM035 - 36] |
版本. | 1'03 | David Birnie | Heavy, confident, exciting. Excited instrumentation with muted | 极限运动 画面感 动作片 气势 | Am | 172 | |||
|
The Race Is On (30 sec) [IOM035 - 37] |
版本. | 0'30 | David Birnie | Heavy, confident, exciting. Excited instrumentation with muted | 极限运动 画面感 动作片 气势 | Am | 172 | |||
|
The Race Is On (15 sec) [IOM035 - 38] |
版本. | 0'16 | David Birnie | Heavy, confident, exciting. Excited rock instrumentation with | 极限运动 画面感 动作片 气势 | Am | 87 | |||
|
The Race Is On (10 sec) [IOM035 - 39] |
版本. | 0'12 | David Birnie | Heavy, confident, exciting. Excited rock instrumentation with | 极限运动 画面感 动作片 气势 | Am | 86 | |||
|
The Race Is On (5 sec) [IOM035 - 40] |
版本. | 0'04 | David Birnie | Heavy, confident, exciting. Excited rock instrumentation with | 极限运动 画面感 动作片 气势 | Gbm | 172 | |||
|
The Race Is On (Sting) [IOM035 - 41] |
版本. | 0'02 | David Birnie | Heavy, confident, exciting. Thud for rock action cue. Sting version. | 极限运动 画面感 动作片 气势 | A | 172 | |||
|
Aftermath [IOM035 - 10] |
2'06 | David Birnie | Dystopian, raw, dangerous. Impact into shadowy sci-fi soundscape with | 战争 冲突 战士 画面感 | Bm | 150 | ||||
|
Aftermath (Underscore) [IOM035 - 81] |
版本. | 1'55 | David Birnie | Dystopian, raw, dangerous. Shadowy sci-fi soundscape with strange | 战争 冲突 战士 画面感 | Abm | 150 | |||
|
Aftermath (Percussion Only) [IOM035 - 82] |
版本. | 2'03 | David Birnie | Dystopian, raw, dangerous. Shadowy sci-fi soundscape with strange | 战争 画面感 火热 固执 | B | 151 | |||
|
Aftermath (60 sec) [IOM035 - 83] |
版本. | 1'02 | David Birnie | Dystopian, raw, dangerous. Shadowy sci-fi soundscape leads into sense | 战争 冲突 战士 画面感 | Bm | 150 | |||
|
Aftermath (30 sec) [IOM035 - 84] |
版本. | 0'30 | David Birnie | Dystopian, raw, dangerous. Shadowy sci-fi soundscape leads into sense | 战争 冲突 战士 画面感 | Bm | 150 | |||
|
Aftermath (15 sec) [IOM035 - 85] |
版本. | 0'15 | David Birnie | Dystopian, raw, dangerous. Explosive sci-fi energy. Aliens or robots | 战争 冲突 战士 画面感 | Bm | 150 | |||
|
Aftermath (10 sec) [IOM035 - 86] |
版本. | 0'10 | David Birnie | Dystopian, raw, dangerous. Explosive sci-fi energy. Aliens or robots | 战争 冲突 战士 画面感 | Bm | 150 | |||
|
Aftermath (5 sec) [IOM035 - 87] |
版本. | 0'06 | David Birnie | Dystopian, raw, dangerous. Explosive sci-fi energy. Aliens or robots | 战争 冲突 战士 画面感 | Bm | 136 | |||
|
Aftermath (Sting) [IOM035 - 88] |
版本. | 0'04 | David Birnie | Dystopian, raw, dangerous. Screeching riser for sci-fi action | 战争 冲突 战士 画面感 | Cm | 145 | |||
|
Butterfly Effect [INP077 - 1] |
2'24 | Willie Eaglin, Ashley Holbrook | Prepared, embattled, epic. Sharp strings and ghostly choral voices | 团队运动 嘻哈预告风 沉重 固执 | Cm | 140 | ||||
|
Butterfly Effect (Underscore) [INP077 - 11] |
版本. | 2'24 | Willie Eaglin, Ashley Holbrook | Prepared, embattled, epic. Sharp strings and ghostly choral voices | Cm | 140 | ||||
|
Rupture [INP077 - 7] |
2'34 | Willie Eaglin, Ashley Holbrook | Cool, theatrical, competitive. Modest string movement leaks from | 极限运动 态度 嘻哈预告风 团队运动 | Am | 172 | ||||
|
Rupture (Underscore) [INP077 - 17] |
版本. | 2'34 | Willie Eaglin, Ashley Holbrook | Cool, theatrical, competitive. Modest string movement leaks from | Am | 172 | ||||
|
Treachery [INP077 - 10] |
2'31 | Willie Eaglin, Ashley Holbrook | Brave, anticipatory, climactic. Gritty synth gives atmosphere a raw | 嘻哈预告风 气势 极限运动 态度 | Gm | 162 | ||||
|
Treachery (Underscore) [INP077 - 20] |
版本. | 2'31 | Willie Eaglin, Ashley Holbrook | Brave, anticipatory, climactic. Gritty synth gives atmosphere a raw | Gm | 162 | ||||
|
Neural Pulse [AMS5048 - 1] |
1'58 | Philippe Briand, Salvador Casais | Cinematic rock trailer. Ominous introduction with electric guitar and | 冲突 影院摇滚 战士 动作游戏 | B | 120 | ||||
|
Neural Pulse Alternate 1 [AMS5048 - 7] |
版本. | 1'58 | Philippe Briand, Salvador Casais | Version without percussion | 影院摇滚 战士 动作游戏 气势 | B | 120 | |||
|
Neural Pulse Alternate 2 [AMS5048 - 8] |
版本. | 1'58 | Philippe Briand, Salvador Casais | Version with percussion only | 冲突 影院摇滚 战士 动作游戏 | Abm | 120 | |||
|
Neural Pulse Alternate 3 [AMS5048 - 9] |
版本. | 1'58 | Philippe Briand, Salvador Casais | Bed version | 冲突 影院摇滚 战士 动作游戏 | B | 120 | |||
|
Neural Pulse Alternate 4 [AMS5048 - 10] |
版本. | 1'58 | Philippe Briand, Salvador Casais | Underscore version | 冲突 影院摇滚 战士 动作游戏 | B | 120 | |||
|
Neural Pulse Edit 1 30 sec [AMS5048 - 11] |
版本. | 0'27 | Philippe Briand, Salvador Casais | 30 second cut | 冲突 影院摇滚 战士 动作游戏 | B | 120 | |||
|
Neural Pulse Edit 2 15 sec [AMS5048 - 12] |
版本. | 0'16 | Philippe Briand, Salvador Casais | 15 second cut | 冲突 影院摇滚 战士 动作游戏 | B | 120 | |||
|
Mission Critical [CET9102 - 2] |
1'55 | Zoltan Zadori | Cinematic. Solemn & ominous intro with eerie piano & ticking clock. | 画面感 恐怖片 沉重 冲击 | Dm | 100 | ||||
|
Mission Critical Alternate 1 [CET9102 - 13] |
版本. | 1'55 | Zoltan Zadori | Version without percussion. | 画面感 恐怖片 沉重 冲突 | D | 100 | |||
|
Mission Critical Alternate 2 [CET9102 - 14] |
版本. | 1'55 | Zoltan Zadori | Version without alarms. | 画面感 恐怖片 沉重 冲击 | Dm | 100 | |||
|
Sonar Blast [CET9102 - 7] |
2'09 | Zoltan Zadori | Cinematic. Muffled intro with repetitive pulse, that sounds like a | 冲突 恐怖片 冲击 画面感 | Dm | 100 | ||||
|
Sonar Blast Alternate 1 [CET9102 - 23] |
版本. | 2'09 | Zoltan Zadori | Version without percussion. | 冲突 恐怖片 画面感 恐怖 | Dm | 100 | |||
|
Sonar Blast Alternate 2 [CET9102 - 24] |
版本. | 2'09 | Zoltan Zadori | Version without alarms. | 冲突 恐怖片 冲击 画面感 | Dm | 100 | |||
|
Security Breach [CEG5054 - 2] |
2'30 | Thomas Didier | Electro beat. Strict, stressful & inevitable. Synth & rhythm. Ideal | 阴险 夜晚 固执 令人不安 | Gm | 122 | ||||
|
Security Breach Alternate 1 [CEG5054 - 18] |
版本. | 1'23 | Thomas Didier | Alternate underscore. | 阴险 夜晚 固执 令人不安 | Gm | 122 | |||
|
Security Breach Alternate 2 [CEG5054 - 19] |
版本. | 2'30 | Thomas Didier | Alternate no rhythm. | 阴险 夜晚 令人不安 调查研究 | Gm | 122 | |||
|
Security Breach 60 sec [CEG5054 - 20] |
版本. | 0'15 | Thomas Didier | 60 second cut. | 阴险 夜晚 固执 令人不安 | Gm | 122 | |||
|
Security Breach 30 sec [CEG5054 - 21] |
版本. | 0'30 | Thomas Didier | 30 second cut. | 阴险 夜晚 固执 令人不安 | Gm | 122 | |||
|
Security Breach 15 sec [CEG5054 - 22] |
版本. | 1'00 | Thomas Didier | 15 second cut. | 阴险 夜晚 固执 令人不安 | Gm | 122 | |||
|
Security Breach Sting [CEG5054 - 23] |
版本. | 0'10 | Thomas Didier | Sting. | 阴险 夜晚 固执 令人不安 | G | 121 | |||
|
Fractured [AMS5047 - 5] |
2'25 | Salvador Casais | Cinematic percussion. Dark intro. Build-up @ 0'36 with throbbing & | 垃圾音效 冲击 冲突 画面感 | Bm | 172 | ||||
|
Fractured Alternate 1 [AMS5047 - 32] |
版本. | 2'25 | Salvador Casais | Version without percussion | 科幻片 垃圾音效 画面感 战争 | Bm | 84 | |||
|
Fractured Alternate 2 [AMS5047 - 33] |
版本. | 2'25 | Salvador Casais | Version with percussion only | 科幻片 冲突 画面感 战争 | Abm | 172 | |||
|
Fractured Alternate 3 [AMS5047 - 34] |
版本. | 2'25 | Salvador Casais | Bed version | 科幻片 垃圾音效 冲突 画面感 | Bm | 172 | |||
|
Fractured Alternate 4 [AMS5047 - 35] |
版本. | 2'25 | Salvador Casais | Underscore version | 科幻片 冲突 画面感 战争 | Bm | 172 | |||
|
Fractured Edit 1 (30 sec) [AMS5047 - 36] |
版本. | 0'29 | Salvador Casais | 30 second cut | 科幻片 垃圾音效 冲突 画面感 | Bm | 172 | |||
|
Fractured Edit 2 (15 sec) [AMS5047 - 37] |
版本. | 0'16 | Salvador Casais | 15 second cut | 科幻片 垃圾音效 冲突 画面感 | Bm | 85 | |||
|
Hyper Tension [CEZ4660 - 5] |
2'29 | Morgan Sansous | Dark Synthwave. Brutal, jerky & restless. Analog synth, arpeggiator & | 冲突 黑暗的合成器 固执 动作游戏 | Fm | 128 | ||||
|
Hyper Tension Alternate [CEZ4660 - 31] |
版本. | 2'27 | Morgan Sansous | Underscore version. | 冲突 黑暗的合成器 固执 动作游戏 | Fm | 128 | |||
|
Hyper Tension Edit 1 (15s) [CEZ4660 - 32] |
版本. | 0'15 | Morgan Sansous | 15 second cut. | 冲突 黑暗的合成器 固执 动作游戏 | Fm | 128 | |||
|
Hyper Tension Edit 2 (30s) [CEZ4660 - 33] |
版本. | 0'29 | Morgan Sansous | 30 second cut. | 冲突 黑暗的合成器 固执 动作游戏 | Fm | 128 | |||
|
Hyper Tension Edit 3 (60s) [CEZ4660 - 34] |
版本. | 1'00 | Morgan Sansous | 60 second cut. | 冲突 黑暗的合成器 固执 动作游戏 | Ab | 128 | |||
|
Hyper Tension Edit 4 (sting) [CEZ4660 - 35] |
版本. | 0'15 | Morgan Sansous | Sting. | 冲突 黑暗的合成器 固执 动作游戏 | Fm | 127 | |||
|
React To This [TBX212 - 1] |
2'22 | Yaacov Hokima | Party, stylish, futuristic. Poppy electro house sequence breezes | 俱乐部 舞动 节奏感 态度 | Bm | 126 | ||||
|
React To This (Underscore) [TBX212 - 11] |
版本. | 2'16 | Yaacov Hokima | Party, stylish, futuristic. Poppy electro house sequence breezes | 俱乐部 舞动 节奏感 态度 | Bm | 126 | |||
|
Even More Strange [TBX212 - 9] |
2'28 | Yaacov Hokima | Urgent, rough, sharp. Whispering instrumentation rises up into | 俱乐部 动人 舞动 electro beat | Em | 114 | ||||
|
Even More Strange (Underscore) [TBX212 - 19] |
版本. | 2'28 | Yaacov Hokima | Urgent, rough, sharp. Whispering instrumentation rises up into | 俱乐部 动人 舞动 electro beat | Em | 114 | |||
|
Poster Boy [BIB281 - 3] |
2'34 | Kadeem Ferdinand, Derek Webb | Confident, stylish, heroic. Glossy samples caught up in cool trap 歌词 | 男歌手 沉重 态度 说唱 | Dbm | 155 | ||||
|
Poster Boy (Instrumental) [BIB281 - 15] |
版本. | 2'34 | Kadeem Ferdinand, Derek Webb | Confident, stylish, heroic. Glossy samples caught up in cool trap | 沉重 态度 节奏乐器组 极限运动 | E | 155 | |||
|
Poster Boy (Underscore) [BIB281 - 16] |
版本. | 2'34 | Kadeem Ferdinand, Derek Webb | Confident, stylish, heroic. Glossy samples caught up in cool trap | 沉重 态度 节奏乐器组 极限运动 | E | 77 |