| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Thrill Ride [INP084 - 3] |
2'19 | Edward Pszeniczka | Confident, cool, strong. Roaring rough guitar lands with slow but | 冲突 影院摇滚 电吉他效果器 工业金属 | Dbm | 145 | ||||
|
Thrill Ride (Underscore) [INP084 - 13] |
版本. | 2'19 | Edward Pszeniczka | Confident, cool, strong. Roaring rough guitar lands with slow but | 冲突 影院摇滚 电吉他效果器 工业金属 | Dbm | 145 | |||
|
The Standoff [INP084 - 8] |
2'43 | Edward Pszeniczka | Cool, brave, heavy. Echoing guitar echoes out with a rock melody with | 态度 动作游戏 沉重 影院摇滚 | Fm | 100 | ||||
|
The Standoff (Underscore) [INP084 - 18] |
版本. | 2'43 | Edward Pszeniczka | Cool, brave, heavy. Echoing guitar echoes out with a rock melody with | 态度 动作游戏 沉重 影院摇滚 | Fm | 100 | |||
|
Target Practice [TBX235 - 1] |
2'47 | Temple Angus, Martin Hollis, Mouna | Stylish, empowering, futuristic. Wavering vocals give a sense of 歌词 | cinematic pop 青春剧 联盟 科幻片 | Dbm | 104 | ||||
|
Target Practice (Alt Version) [TBX235 - 14] |
版本. | 2'44 | Temple Angus, Martin Hollis, Mouna | Stylish, empowering, futuristic. Wavering vocals give a sense of | cinematic pop 青春剧 联盟 科幻片 | Dbm | 104 | |||
|
Target Practice (Instrumental) [TBX235 - 15] |
版本. | 2'44 | Temple Angus, Martin Hollis, Mouna | Stylish, empowering, futuristic. Solo string conveys seriousness, | cinematic pop 青春剧 联盟 科幻片 | E | 104 | |||
|
Target Practice (Underscore) [TBX235 - 16] |
版本. | 2'31 | Temple Angus, Martin Hollis, Mouna | Stylish, empowering, futuristic. Electronica pop sound. Big bass | cinematic pop 青春剧 联盟 科幻片 | Dbm | 104 | |||
|
Fired Up [TBX235 - 3] |
2'32 | Luca Poloni, Violaine Vandenbroucke | Powerful, passionate, energetic. Light pads and choral synths convey 歌词 | 青春剧 态度 cinematic pop 广告 | Am | 130 | ||||
|
Fired Up (Instrumental) [TBX235 - 20] |
版本. | 2'32 | Luca Poloni, Violaine Vandenbroucke | Powerful, passionate, energetic. Light pads and choral synths convey | 青春剧 态度 cinematic pop 广告 | Am | 129 | |||
|
Fired Up (Underscore) [TBX235 - 21] |
版本. | 2'32 | Luca Poloni, Violaine Vandenbroucke | Powerful, passionate, energetic. Light pads and choral synths convey | 青春剧 态度 cinematic pop 广告 | Am | 129 | |||
|
Dark Offering [ISC117 - 8] |
2'22 | Caleb Swift | Hybrid Dystopian Trailer. From a dark, desolate & ominous atmosphere | 科幻片 画面感 恐怖片 超级英雄 | Am | 110 | ||||
|
Dark Offering Alternate 1 [ISC117 - 21] |
版本. | 2'22 | Caleb Swift | Version without percussion. | 科幻片 画面感 恐怖片 超级英雄 | Am | 110 | |||
|
Dark Offering Alternate 2 [ISC117 - 22] |
版本. | 2'22 | Caleb Swift | Version without lead. | 科幻片 画面感 恐怖片 超级英雄 | Am | 110 | |||
|
Fury Rising [ISC116 - 4] |
2'03 | Francesco Bondi | Electro. Jerky & discontinuous, constantly progressing. Psychotic, | 神经病 冲突 electro beat 动作片 | D | 90 | ||||
|
Fury Rising Alternate [ISC116 - 17] |
版本. | 2'03 | Francesco Bondi | Version without percussion. | 神经病 冲突 electro beat 动作片 | A | 90 | |||
|
Digital Revolution [ISC116 - 6] |
2'25 | Francesco Bondi | Electro. Tense, aggressive & dark. Synth & rhythmic. Suggested for | 信息技术 固执 冲突 都市 | G | 135 | ||||
|
Digital Revolution Alternate 1 [ISC116 - 20] |
版本. | 2'25 | Francesco Bondi | Version without percussion. | 信息技术 固执 冲突 都市 | G | 135 | |||
|
Digital Revolution Alternate 2 [ISC116 - 21] |
版本. | 2'25 | Francesco Bondi | Version without lead. | 信息技术 固执 冲突 都市 | Gm | 135 | |||
|
Grim Reverie [ISC115 - 1] |
2'51 | Christophe Le Guen | Horror trailer. Gothic, evil & macabre. Scary intro with creaky | 恐怖片 画面感 恐怖 预告片 | Cm | 120 | ||||
|
Grim Reverie Alternate 1 [ISC115 - 11] |
版本. | 2'51 | Christophe Le Guen | Version without percussion. | 恐怖片 画面感 恐怖 预告片 | Cm | 120 | |||
|
Grim Reverie Alternate 2 [ISC115 - 12] |
版本. | 2'51 | Christophe Le Guen | Light version. | 恐怖片 画面感 恐怖 预告片 | Cm | 120 | |||
|
Wailing Walls [ISC115 - 9] |
3'56 | Christophe Le Guen | Horror trailer. Atmospheric intro with piano & weird scary sounds. | 史诗 预告片 紧急 画面感 | Cm | 120 | ||||
|
Wailing Walls Alternate 1 [ISC115 - 27] |
版本. | 3'56 | Christophe Le Guen | Version without percussion. | 史诗 预告片 画面感 高潮 | Cm | 120 | |||
|
Wailing Walls Alternate 2 [ISC115 - 28] |
版本. | 3'56 | Christophe Le Guen | Light version. | 史诗 预告片 紧急 画面感 | Cm | 120 | |||
|
One Man Army [AMS5065 - 1] |
2'11 | Flaviu Ciocan, Revesz Gabor | Heavy Rock. Aggressive, sharp & fierce. Metal rock band & trailer fx | 态度 影院摇滚 极限运动 动人 | Bm | 95 | ||||
|
One Man Army Alternate 1 [AMS5065 - 9] |
版本. | 2'11 | Flaviu Ciocan, Revesz Gabor | Version without drums | 态度 影院摇滚 极限运动 动人 | Bm | 124 | |||
|
One Man Army Alternate 2 [AMS5065 - 10] |
版本. | 2'11 | Flaviu Ciocan, Revesz Gabor | Version with drums only | 态度 影院摇滚 极限运动 动人 | Gm | 95 | |||
|
One Man Army Alternate 3 [AMS5065 - 11] |
版本. | 2'11 | Flaviu Ciocan, Revesz Gabor | Underscore version | 态度 影院摇滚 极限运动 动人 | Bm | 126 | |||
|
One Man Army Edit 1 30 sec [AMS5065 - 12] |
版本. | 0'35 | Flaviu Ciocan, Revesz Gabor | 30 second cut | 态度 影院摇滚 极限运动 动人 | Bm | 95 | |||
|
One Man Army Edit 2 15 sec [AMS5065 - 13] |
版本. | 0'19 | Flaviu Ciocan, Revesz Gabor | 15 second cut | 态度 影院摇滚 极限运动 动人 | Bm | 95 | |||
|
Hyperfocus [AMS5065 - 5] |
2'37 | Flaviu Ciocan, Revesz Gabor | Heavy Rock. Motivational, boisterous & mighty. Metal rock band, | 火热 垃圾音效 冲突 态度 | Dbm | 120 | ||||
|
Hyperfocus Alternate 1 [AMS5065 - 29] |
版本. | 2'37 | Flaviu Ciocan, Revesz Gabor | Version without drums. | 火热 冲突 态度 固执 | Dbm | 120 | |||
|
Hyperfocus Alternate 2 [AMS5065 - 30] |
版本. | 2'37 | Flaviu Ciocan, Revesz Gabor | Version with drums only | 火热 冲突 态度 固执 | Abm | 120 | |||
|
Hyperfocus Alternate 3 [AMS5065 - 31] |
版本. | 2'37 | Flaviu Ciocan, Revesz Gabor | Underscore version | 火热 垃圾音效 冲突 态度 | Dbm | 155 | |||
|
Hyperfocus Edit 1 30 sec [AMS5065 - 32] |
版本. | 0'30 | Flaviu Ciocan, Revesz Gabor | 30 second cut | 火热 垃圾音效 冲突 态度 | Dbm | 120 | |||
|
Hyperfocus Edit 2 15 sec [AMS5065 - 33] |
版本. | 0'15 | Flaviu Ciocan, Revesz Gabor | 15 second cut | 火热 垃圾音效 冲突 态度 | Dbm | 120 | |||
|
My Turn [AMS5065 - 7] |
3'09 | Flaviu Ciocan, Revesz Gabor | Heavy Rock. Punchy, driving & increasingly aggressive. Metal rock | speed metal 乐队 电吉他效果器 动作游戏 | Dm | 100 | ||||
|
My Turn Alternate 1 [AMS5065 - 39] |
版本. | 3'09 | Flaviu Ciocan, Revesz Gabor | Version without drums. | speed metal 乐队 电吉他效果器 动作游戏 | Dm | 99 | |||
|
My Turn Alternate 2 [AMS5065 - 40] |
版本. | 3'09 | Flaviu Ciocan, Revesz Gabor | Version with drums only | speed metal 乐队 动作游戏 垃圾音效 | Fm | 100 | |||
|
My Turn Alternate 3 [AMS5065 - 41] |
版本. | 3'09 | Flaviu Ciocan, Revesz Gabor | Underscore version | speed metal 乐队 电吉他效果器 动作游戏 | Dm | 99 | |||
|
My Turn Edit 1 30 sec [AMS5065 - 42] |
版本. | 0'28 | Flaviu Ciocan, Revesz Gabor | 30 second cut | speed metal 乐队 电吉他效果器 动作游戏 | Dm | 100 | |||
|
My Turn Edit 2 15 sec [AMS5065 - 43] |
版本. | 0'17 | Flaviu Ciocan, Revesz Gabor | 15 second cut | speed metal 乐队 电吉他效果器 动作游戏 | Dm | 100 | |||
|
Willie Butcher [AMS5065 - 8] |
2'24 | Flaviu Ciocan, Revesz Gabor | Heavy Rock. Hammering, hostile & powerful. Metal rock band & trailer | 态度 动作游戏 冲突 影院摇滚 | Dm | 127 | ||||
|
Willie Butcher Alternate 1 [AMS5065 - 44] |
版本. | 2'24 | Flaviu Ciocan, Revesz Gabor | Version without drums. | 态度 动作游戏 影院摇滚 动作片 | Dm | 126 | |||
|
Willie Butcher Alternate 2 [AMS5065 - 45] |
版本. | 2'24 | Flaviu Ciocan, Revesz Gabor | Version with drums only | 态度 动作游戏 影院摇滚 动作片 | Fm | 127 | |||
|
Willie Butcher Alternate 3 [AMS5065 - 46] |
版本. | 2'24 | Flaviu Ciocan, Revesz Gabor | Underscore version | 态度 动作游戏 冲突 影院摇滚 | Dm | 127 | |||
|
Willie Butcher Edit 1 30 sec [AMS5065 - 47] |
版本. | 0'36 | Flaviu Ciocan, Revesz Gabor | 30 second cut | 态度 动作游戏 冲突 影院摇滚 | Dm | 127 | |||
|
Willie Butcher Edit 2 15 sec [AMS5065 - 48] |
版本. | 0'18 | Flaviu Ciocan, Revesz Gabor | 15 second cut | 态度 动作游戏 冲突 影院摇滚 | Dm | 127 | |||
|
Living Algorithm [AMS5063 - 6] |
2'02 | Zoltan Zadori | Investigation underscore. Intro with echoing guitar & drone. Dark | 阴险 画面感 令人不安 神秘 | Am | 86 | ||||
|
Living Algorithm Alternate 1 [AMS5063 - 25] |
版本. | 2'02 | Zoltan Zadori | Version without percussion | 阴险 画面感 令人不安 神秘 | Am | 86 | |||
|
Living Algorithm Alternate 2 [AMS5063 - 26] |
版本. | 2'02 | Zoltan Zadori | Bed version | 阴险 画面感 令人不安 神秘 | Dm | 86 | |||
|
Living Algorithm Alternate 3 [AMS5063 - 27] |
版本. | 2'02 | Zoltan Zadori | Underscore version | 阴险 画面感 令人不安 神秘 | Am | 115 | |||
|
Zero Seconds [AMS5063 - 7] |
2'20 | Zoltan Zadori | Investigation underscore. Atmospheric, spooky & eerie with crawling | 画面感 令人不安 悬念 气氛 | Bm | 90 | ||||
|
Zero Seconds Alternate 1 [AMS5063 - 28] |
版本. | 2'20 | Zoltan Zadori | Version without percussion | 画面感 令人不安 悬念 气氛 | B | 90 | |||
|
Zero Seconds Alternate 2 [AMS5063 - 29] |
版本. | 2'20 | Zoltan Zadori | Bed version | 画面感 令人不安 悬念 气氛 | Bm | 90 | |||
|
Zero Seconds Alternate 3 [AMS5063 - 30] |
版本. | 2'20 | Zoltan Zadori | Underscore version | 画面感 令人不安 悬念 气氛 | B | 90 | |||
|
Pulse Root [AMS5063 - 8] |
2'06 | Zoltan Zadori | Investigation underscore. Suspended yet relentless. Dark pulses, | 进行中 悬念 画面感 间谍片 | C | 130 | ||||
|
Pulse Root Alternate 1 [AMS5063 - 31] |
版本. | 2'06 | Zoltan Zadori | Version without percussion | 悬念 画面感 间谍片 令人不安 | C | 132 | |||
|
Pulse Root Alternate 2 [AMS5063 - 32] |
版本. | 2'06 | Zoltan Zadori | Bed version | 悬念 画面感 间谍片 令人不安 | C | 131 | |||
|
Pulse Root Alternate 3 [AMS5063 - 33] |
版本. | 2'06 | Zoltan Zadori | Underscore version | 悬念 画面感 间谍片 令人不安 | C | 130 | |||
|
Funny Dreams [TBX232 - 8] |
2'44 | Vito Dells | Mysterious, silly, upbeat. Suspicious string melodies with a dynamic | 疑问 trapedy 恐怖喜剧 动人 | Cm | 105 | ||||
|
Funny Dreams (Underscore) [TBX232 - 25] |
版本. | 2'44 | Vito Dells | Mysterious, silly, upbeat. Suspicious string melodies with a dynamic | 疑问 trapedy 恐怖喜剧 动人 | Cm | 105 | |||
|
Case Closed [TBX232 - 9] |
2'41 | Vito Dells | Pumped, confident, driven. Sliding pacy trap rhythm hits with cold | 社会悲剧 电影节奏 都市景色 态度 | Dm | 155 | ||||
|
Case Closed (Underscore) [TBX232 - 26] |
版本. | 2'41 | Vito Dells | Pumped, confident, driven. Sliding pacy trap percussion hits with | 社会悲剧 电影节奏 都市景色 态度 | Dm | 78 | |||
|
Coming In Hot [IOM044 - 1] |
2'40 | Daniel Lobel, Megan Steenkamp | Fun, charismatic, stylish. Whispered vocals usher in sultry pop 歌词 | 态度 舞蹈流行音乐 人物 现代 | Dbm | 123 | ||||
|
Coming In Hot (Instrumental) [IOM044 - 12] |
版本. | 2'40 | Daniel Lobel, Megan Steenkamp | Fun, charismatic, stylish. Whispered vocals usher in sultry pop | 态度 舞蹈流行音乐 人物 现代 | Dbm | 123 | |||
|
Coming In Hot (Underscore) [IOM044 - 13] |
版本. | 2'40 | Daniel Lobel, Megan Steenkamp | Fun, charismatic, stylish. Caribbean-coded instrumentation starts | 态度 舞蹈流行音乐 人物 现代 | Dbm | 123 | |||
|
Coming In Hot (Alt Version) [IOM044 - 14] |
版本. | 2'40 | Daniel Lobel, Megan Steenkamp | Fun, charismatic, stylish. Whispered vocals usher in sultry pop | 态度 舞蹈流行音乐 人物 现代 | Dbm | 123 | |||
|
C4 [IOM044 - 11] |
1'52 | Omer Agca, Katherine Gaasenbeek, John Spengemann | Explosive, charismatic, bratty. Nonsensical vocal sample gives a 歌词 | 态度 舞蹈流行音乐 时尚 女歌手 | Gm | 118 | ||||
|
C4 (Instrumental) [IOM044 - 34] |
版本. | 1'49 | Omer Agca, Katherine Gaasenbeek, John Spengemann | Explosive, charismatic, bratty. Nonsensical vocal sample gives a | 态度 舞蹈流行音乐 时尚 动人 | Gm | 118 | |||
|
C4 (Underscore) [IOM044 - 35] |
版本. | 1'49 | Omer Agca, Katherine Gaasenbeek, John Spengemann | Explosive, charismatic, bratty. Nonsensical vocal sample gives a | 态度 舞蹈流行音乐 时尚 动人 | Cm | 118 |