| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Our Souls Reunite [INP013 - 4] |
3'07 | Matthew St Laurent | Rousing, inspiring, hopeful. Brooding strings with determined piano | 冒险游戏 预告片 冒险片 史诗 | Cm | 136 | ||||
|
Our Souls Reunite - Underscore [INP013 - 18] |
版本. | 3'07 | Matthew St Laurent | Rousing, inspiring, hopeful. Stripped back underscore version with | 冒险游戏 预告片 冒险片 史诗 | Cm | 136 | |||
|
Our Souls Reunite - 30sec [INP013 - 19] |
版本. | 0'34 | Matthew St Laurent | Rousing, inspiring, hopeful. Dramatic orchestral cue with a heroic | 冒险游戏 预告片 冒险片 史诗 | Bb | 136 | |||
|
Attainment [INP013 - 7] |
3'30 | Ronnie W Verboom | Uplifting, heartwarming, emotive. Sparse intro of bright piano with | 全景图 冒险游戏 预告片 冒险片 | F | 84 | ||||
|
Attainment - Underscore [INP013 - 22] |
版本. | 3'30 | Ronnie W Verboom | Uplifting, heartwarming, emotive. Stripped back underscore version. | 全景图 冒险游戏 预告片 冒险片 | F | 84 | |||
|
Attainment - 30sec [INP013 - 23] |
版本. | 0'31 | Ronnie W Verboom | Uplifting, heartwarming, emotive. Bright piano with distant trailer | 全景图 冒险游戏 预告片 冒险片 | F | 84 | |||
|
Nothing Left to Lose [INP013 - 12] |
2'56 | Matthew St Laurent | Driving, epic, suspenseful. Determined retro style synths weave and | 间谍片 固执 悬念 时间(滴答声) | Em | 101 | ||||
|
Nothing Left to Lose -
[INP013 - 28] |
版本. | 2'56 | Matthew St Laurent | Driving, epic, suspenseful. Stripped back underscore version with | 间谍片 固执 悬念 时间(滴答声) | Em | 152 | |||
|
Nothing Left to Lose - 30sec [INP013 - 29] |
版本. | 0'33 | Matthew St Laurent | Driving, epic, suspenseful. Determined retro style synths with | 间谍片 固执 悬念 时间(滴答声) | Em | 101 | |||
|
Athena [TBX024 - 1] |
3'30 | Ronnie W Verboom | Dramatic, mysterious, epic. Atmospheric and brooding intro of | 军事冲突 史诗 预告片 冒险片 | D | 89 | ||||
|
Athena - Instrumental [TBX024 - 11] |
版本. | 2'55 | Ronnie W Verboom | Dramatic, mysterious, epic. Instrumental underscore version. Driving | 冒险片 史诗 全景图 军事冲突 | D | 89 | |||
|
Steady as She Goes [TBX024 - 3] |
0 | 1'42 | Ronnie W Verboom | Driving, emotive, thoughtful. Propulsive, reflective and motivating | 自信 全景图 仪式 命运 | C | 150 | |||
|
Tomorrow's Arrival [TBX023 - 7] |
2'17 | Sergey Kolosov | Mysterious, uneasy, wondrous. Eerie synth atmospheres with pulsing | 太空 无情 全景图 科幻片 | D | 96 | ||||
|
Tomorrow's Arrival - 30sec [TBX023 - 22] |
版本. | 0'30 | Sergey Kolosov | Alternate version. 30 seconds. | 乐器 原版 | D | 185 | |||
|
Globalization [TBX023 - 9] |
2'32 | Sergey Kolosov | Tense, brooding, propulsive. Atmospheric pulsing synths, bass and | 调查研究 科学 固执 科幻片 | Cm | 120 | ||||
|
Globalization - 30sec [TBX023 - 24] |
版本. | 0'30 | Sergey Kolosov | Alternate version. 30 seconds. | light tension 乐器 原版 | Cm | 120 | |||
|
Adrenalin [CET9007 - 6] |
2'12 | Gabriel Saban, Philippe Briand | Hypnotic synth arpeggio over a pulsing synth line. Building up with | 恐怖 恐怖片 追逐场面 进步 | C | 140 | ||||
|
Adrenalin - No Perc [CET9007 - 20] |
版本. | 2'12 | Gabriel Saban, Philippe Briand | Alternate version without percussion. | 恐怖片 令人不安 无情 阴险 | C | 140 | |||
|
Jungle Panic [CET9007 - 11] |
1'42 | Gabriel Saban, Philippe Briand | Savage & menacing intro with sound fx building to tribal & violent | 恐怖 恐怖片 野性 进行中 | Em | 84 | ||||
|
Jungle Panic - No Perc [CET9007 - 27] |
版本. | 1'42 | Gabriel Saban, Philippe Briand | Alternate version without percussion. | 恐怖 恐怖片 进行中 悬念 | Em | 83 | |||
|
As the World Crumbles [CEZ4347 - 12] |
0 | 2'04 | Julien Baril | Cinematic. Intro. Inevitable, tense & hostile. Progression & climax @ | 无情 悬念 预告片 画面感 | Bm | 96 | |||
|
The Approach [INP010 - 10] |
2'13 | James Thomas Price | Driving, investigative, uneasy. Eerie intro is joined by atmospheric | 果断 科学 悬念 跟踪摄影 | Am | 95 | ||||
|
The Approach - Underscore [INP010 - 29] |
版本. | 2'13 | James Thomas Price | Driving, investigative, uneasy. Stripped back underscore version with | 果断 科学 悬念 跟踪摄影 | Am | 95 | |||
|
The Approach - 30 seconds [INP010 - 30] |
版本. | 0'30 | James Thomas Price | Alternate version. 30 seconds. | 30秒 其他版本 | Am | 95 | |||
|
Tout est Possible [CEO2070 - 1] |
0 | 1'57 | Jérôme Lemonnier | Peaceful & melancholic. @ 0'35 determined & melancholic. Constant | 法国电影 命运 (音效)和谐 反省 | Em | 64 | |||
|
Volcano [INP011 - 12] |
2'18 | Jeremy Levy | Motivating, propulsive, tough. Steady, pulsing electronic beats are | 气势 固执 果断 恐怖 | Gm | 92 | ||||
|
Volcano - 30sec [INP011 - 25] |
版本. | 0'30 | Jeremy Levy | Alternate version. 30 seconds. | 乐器 其他版本 | Eb | 92 | |||
|
Makhtesh [INP011 - 13] |
3'45 | Jeremy Levy | Triumphant, epic, exhilarating. Brooding and atmospheric electric | 太空 令人激动 追逐场面 科幻片 | Eb | 126 | ||||
|
Makhtesh - 30sec A [INP011 - 26] |
版本. | 0'35 | Jeremy Levy | Alternate version. 30 seconds. | 乐器 其他版本 | Gm | 126 | |||
|
Makhtesh - 30sec B [INP011 - 27] |
版本. | 0'32 | Jeremy Levy | Alternate version. 30 seconds. | 乐器 其他版本 | Gm | 166 | |||
|
Demons Within [INP009 - 3] |
0 | 3'52 | Carmen Mary Bradford | Tense, mysterious, dramatic. Atmospheric piano and synth intro is | 史诗 冒险游戏 悬念 预告片 | Fm | 140 | |||
|
Forceful [INP009 - 9] |
2'22 | Alessandro Ciani | Glitchy, suspenseful, building. Bleak, atmospheric intro of pulsing | 军事冲突 战争 无情 追逐场面 | Am | 152 | ||||
|
Forceful Underscore [INP009 - 20] |
版本. | 2'22 | Alessandro Ciani | Glitchy, suspenseful, building. Bleak, atmospheric intro of pulsing | 军事冲突 战争 战士 追逐场面 | Am | 76 | |||
|
Highlands [BIB080 - 5] |
0 | 3'16 | Matthew James Hill | Hopeful, expansive, peaceful. Bright and innocent piano is joined by | 自然灾害 感动 悬念 后古典 | Eb | 98 | |||
|
Sierra [BIB080 - 9] |
0 | 2'39 | Matthew James Hill | Emotive, panoramic, dramatic. Melancholic, mournful piano is joined | 命运 自然灾害 漂泊 美国独立制片电影 | Bm | 82 | |||
|
Entanglement [BIB075 - 7] |
2'44 | Michael Peter Sajic | Inspiring, ethereal, intriguing. Mesmeriéing synth arpeggiators are | 仙境 科学 手工业 气氛 | Dm | 135 | ||||
|
Entanglement - 30sec [BIB075 - 17] |
版本. | 0'30 | Michael Peter Sajic | Alternate version. 30 seconds. | 仙境 科学 手工业 气氛 | Dm | 136 | |||
|
Seeing the Light [CEZ4339 - 5] |
0 | 1'50 | Thierry Caroubi | Neo-classical music. Dreamy but determined. Uplifting @ 0'41. | 手工业 令人激动 联盟 工业 | Am | 120 |