| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Into The Ice [AMS5069 - 6] |
1'54 | Dario Ferrante, Jure Jerebic | Cinematic Synthwave. Anthemic, retro, and playful. Analog synth, drum | 户外 模拟合成器 气氛 命运 | C | 124 | ||||
|
Into The Ice Alternate 1 [AMS5069 - 29] |
版本. | 1'54 | Dario Ferrante, Jure Jerebic | Version without lead synth. | 户外 模拟合成器 气氛 命运 | C | 124 | |||
|
Into The Ice Alternate 2 [AMS5069 - 30] |
版本. | 1'54 | Dario Ferrante, Jure Jerebic | Underscore version. | 户外 模拟合成器 气氛 命运 | C | 124 | |||
|
Into The Ice Edit 1 30 sec [AMS5069 - 31] |
版本. | 0'30 | Dario Ferrante, Jure Jerebic | 30 second cut. | 户外 模拟合成器 气氛 命运 | C | 123 | |||
|
Into The Ice Edit 2 15 sec [AMS5069 - 32] |
版本. | 0'15 | Dario Ferrante, Jure Jerebic | 15 second cut. | 户外 模拟合成器 气氛 命运 | C | 123 | |||
|
Far From Home [AMS5066 - 5] |
2'51 | Philippe Briand, Salvador Casais | Rock. Punchy, bluesy & determined. Break @ 0'31, @1'03. Rock band, | 影院摇滚 果断 动作游戏 态度 | Em | 126 | ||||
|
Far From Home Alternate 1 [AMS5066 - 31] |
版本. | 2'51 | Philippe Briand, Salvador Casais | Version without percussion | 影院摇滚 果断 动作游戏 态度 | Em | 126 | |||
|
Far From Home Alternate 2 [AMS5066 - 32] |
版本. | 2'51 | Philippe Briand, Salvador Casais | Version with percussion only | 影院摇滚 果断 动作游戏 态度 | Am | 126 | |||
|
Far From Home Alternate 3 [AMS5066 - 33] |
版本. | 2'51 | Philippe Briand, Salvador Casais | Bed version | 影院摇滚 果断 动作游戏 态度 | Em | 126 | |||
|
Far From Home Alternate 4 [AMS5066 - 34] |
版本. | 2'51 | Philippe Briand, Salvador Casais | Underscore version | 影院摇滚 果断 动作游戏 态度 | Em | 126 | |||
|
Far From Home Edit 1 30 sec [AMS5066 - 35] |
版本. | 0'32 | Philippe Briand, Salvador Casais | 30 second cut | 影院摇滚 果断 动作游戏 态度 | Em | 126 | |||
|
Far From Home Edit 2 15 sec [AMS5066 - 36] |
版本. | 0'16 | Philippe Briand, Salvador Casais | 15 second cut | 影院摇滚 果断 动作游戏 态度 | Em | 126 | |||
|
Fuel [AMS5066 - 6] |
2'43 | Philippe Briand, Salvador Casais | Rock. Upbeat, light-hearted & catchy. Break @ 0'32, @1'05. Rock band, | 日间节目 影院摇滚 电吉他效果器 无忧无虑 | E | 124 | ||||
|
Fuel Alternate 1 [AMS5066 - 37] |
版本. | 2'43 | Philippe Briand, Salvador Casais | Version without percussion | 日间节目 影院摇滚 电吉他效果器 无忧无虑 | E | 124 | |||
|
Fuel Alternate 2 [AMS5066 - 38] |
版本. | 2'43 | Philippe Briand, Salvador Casais | Version with percussion only | 日间节目 影院摇滚 无忧无虑 动作游戏 | Abm | 124 | |||
|
Fuel Alternate 3 [AMS5066 - 39] |
版本. | 2'43 | Philippe Briand, Salvador Casais | Bed version | 日间节目 影院摇滚 电吉他效果器 无忧无虑 | E | 124 | |||
|
Fuel Alternate 4 [AMS5066 - 40] |
版本. | 2'43 | Philippe Briand, Salvador Casais | Underscore version | 日间节目 影院摇滚 电吉他效果器 无忧无虑 | Em | 124 | |||
|
Fuel Edit 1 30 sec [AMS5066 - 41] |
版本. | 0'28 | Philippe Briand, Salvador Casais | 30 second cut | 日间节目 影院摇滚 电吉他效果器 无忧无虑 | E | 124 | |||
|
Fuel Edit 2 15 sec [AMS5066 - 42] |
版本. | 0'16 | Philippe Briand, Salvador Casais | 15 second cut | 日间节目 影院摇滚 电吉他效果器 无忧无虑 | E | 124 | |||
|
Crush This Stage [CET9111 - 7] |
2'11 | Kunik, Ilan, Salvador Casais | Hybrid rock. Percussive, rowdy & positive. Rock band, "hey" shouts, | 气势 团队运动 态度 影院摇滚 | Fm | 164 | ||||
|
Crush This Stage Alternate 1 [CET9111 - 49] |
版本. | 2'11 | Ilan Kunik | Version without percussion | 团队运动 态度 影院摇滚 骄傲 | Fm | 82 | |||
|
Crush This Stage Alternate 2 [CET9111 - 50] |
版本. | 2'11 | Ilan Kunik | Version with percussion only | 气势 团队运动 态度 影院摇滚 | Em | 164 | |||
|
Crush This Stage Alternate 3 [CET9111 - 51] |
版本. | 2'11 | Ilan Kunik | Version without voices | 气势 团队运动 态度 影院摇滚 | Fm | 164 | |||
|
Crush This Stage Alternate 4 [CET9111 - 52] |
版本. | 2'11 | Ilan Kunik | Bed version | 气势 团队运动 态度 影院摇滚 | Fm | 82 | |||
|
Crush This Stage Alternate 5 [CET9111 - 53] |
版本. | 2'11 | Ilan Kunik | Underscore version | 气势 团队运动 态度 影院摇滚 | Fm | 164 | |||
|
Crush This Stage Edit 1 30 sec [CET9111 - 54] |
版本. | 0'32 | Ilan Kunik | 30 second cut | 气势 团队运动 态度 影院摇滚 | Fm | 164 | |||
|
Crush This Stage Edit 2 15 sec [CET9111 - 55] |
版本. | 0'17 | Ilan Kunik | 15 second cut | 气势 团队运动 态度 影院摇滚 | Fm | 81 | |||
|
Oscillation Dreams [CCB1073 - 10] |
2'52 | Xavier Jamaux | Synth Pop / French Touch. Ethereal, downtempo & shimmering. Analog | 梦幻 令人激动 都市景色 合成波 | Ebm | 68 | ||||
|
Oscillation Dreams Edit 1 (60
[CCB1073 - 50] |
版本. | 1'00 | Xavier Jamaux | 60 second cut | 梦幻 令人激动 都市景色 合成波 | Ebm | 68 | |||
|
Oscillation Dreams Edit 2 (30
[CCB1073 - 51] |
版本. | 0'30 | Xavier Jamaux | 30 second cut | 梦幻 令人激动 都市景色 合成波 | Ebm | 68 | |||
|
Oscillation Dreams Edit 3 (20
[CCB1073 - 52] |
版本. | 0'20 | Xavier Jamaux | 20 second cut | 梦幻 令人激动 都市景色 合成波 | Ebm | 68 | |||
|
Oscillation Dreams Edit 4
[CCB1073 - 53] |
版本. | 0'16 | Xavier Jamaux | Sting | 梦幻 令人激动 都市景色 合成波 | Bbm | 112 | |||
|
Another Mutation [CEG5060 - 4] |
3'15 | Arttu Silvast | Hybrid Scoring. Urgent, tense, dark & relentless. Low pulse & | 无情 固执 令人不安 调查研究 | Cm | 128 | ||||
|
Another Mutation Alternate [CEG5060 - 19] |
版本. | 3'15 | Arttu Silvast | Version without percussion | 无情 固执 令人不安 调查研究 | Cm | 128 | |||
|
Ticking Timebomb [IOM045 - 6] |
1'51 | David Birnie, Luke Hinchliffe | Tense, thrilling, energetic. Slow methodical hand drums send out | 时间(滴答声) 侦探喜剧 火热 邦戈小手鼓 | Dbm | 140 | ||||
|
Ticking Timebomb (Underscore) [IOM045 - 21] |
版本. | 1'51 | David Birnie, Luke Hinchliffe | Tense, thrilling, energetic. Ringing FX and beats hit in an uncertain | 时间(滴答声) 侦探喜剧 火热 邦戈小手鼓 | Ebm | 140 | |||
|
Ticking Timebomb (Drums Only) [IOM045 - 22] |
版本. | 1'51 | David Birnie, Luke Hinchliffe | Tense, thrilling, energetic. Ringing FX and silence are followed by | 时间(滴答声) 侦探喜剧 火热 邦戈小手鼓 | Ebm | 140 | |||
|
Game Time [IOM045 - 7] |
1'29 | David Birnie, Luke Hinchliffe | Booming, heavy, pumped. Light percussion gives a sense of quietness. | 画面感 动作片 固执 紧急 | Gbm | 123 | ||||
|
Game Time (Underscore) [IOM045 - 23] |
版本. | 1'29 | David Birnie, Luke Hinchliffe | Booming, heavy, pumped. Light percussion gives a sense of quietness. | 画面感 动作片 固执 紧急 | Gbm | 123 | |||
|
Game Time (Drums Only) [IOM045 - 24] |
版本. | 1'29 | David Birnie, Luke Hinchliffe | Booming, heavy, pumped. Light percussion gives a sense of quietness. | 画面感 动作片 固执 紧急 | Em | 123 | |||
|
The Game Has Changed [INP084 - 5] |
2'38 | Edward Pszeniczka | Theatrical, adventurous, hardcore. Pads play out serious chords in a | 影院摇滚 史诗 动作游戏 冲突 | Bbm | 140 | ||||
|
The Game Has Changed
[INP084 - 15] |
版本. | 2'38 | Edward Pszeniczka | Theatrical, adventurous, hardcore. Pads play out serious chords in a | 影院摇滚 史诗 动作游戏 冲突 | Bbm | 140 | |||
|
Cowboys Of Spaghetti Western [TBX233 - 2] |
0'56 | Andrea Ferrario | Adventurous, brave, western. Dirty classic guitar moves with a | 意大利西部 电影原声带 命运 令人激动 | Am | 108 | ||||
|
Cowboys Of Spaghetti Western
[TBX233 - 18] |
版本. | 0'56 | Andrea Ferrario | Adventurous, brave, western. Meaningful bell sound gives rise to | 意大利西部 电影原声带 命运 令人激动 | Am | 108 | |||
|
Happy Clappy [TBX233 - 15] |
1'00 | Sergey Kolosov | Happy, rough, fun. Scrappy guitar with punk indie energy sets off on | 动人 自信 果断 开心 | D | 82 | ||||
|
Happy Clappy (Underscore) [TBX233 - 33] |
版本. | 1'00 | Sergey Kolosov | Happy, rough, fun. Scrappy guitar with punk indie energy sets off on | 动人 自信 果断 开心 | D | 81 | |||
|
Coastline Serenade [TBX234 - 3] |
2'04 | Reid Durtschi | Wistful, meaningful, gentle. Myriad steel drums glitter in a gentle | 源泉 反省 气氛 进行中 | Gm | 118 | ||||
|
Coastline Serenade
[TBX234 - 13] |
版本. | 2'04 | Reid Durtschi | Wistful, meaningful, gentle. Myriad steel drums glitter in a gentle | 源泉 反省 气氛 进行中 | Gm | 118 | |||
|
Dark Intentions [ISC116 - 9] |
2'59 | Francesco Bondi | Electro. Long intro that builds up, suspenseful, urgent & unsettling. | 信息技术 令人不安 调查研究 冲突 | Fm | 120 | ||||
|
Dark Intentions Alternate [ISC116 - 26] |
版本. | 2'59 | Francesco Bondi | Version without percussion. | 信息技术 令人不安 调查研究 冲突 | Fm | 120 | |||
|
Latin America In A Day [AMS5064 - 7] |
2'05 | Ilan Kunik | Latin cinematic. Festive, urgent, danceable & determined. Accordion, | 冒险片 画面感 动人 南非 | Em | 108 | ||||
|
Latin America In A Day
[AMS5064 - 54] |
版本. | 2'05 | Ilan Kunik | Version without percussion. | 冒险片 画面感 动人 南非 | Em | 108 | |||
|
Latin America In A Day
[AMS5064 - 55] |
版本. | 2'05 | Ilan Kunik | Version with percussion only. | 冒险片 画面感 动人 南非 | Em | 108 | |||
|
Latin America In A Day
[AMS5064 - 56] |
版本. | 2'05 | Ilan Kunik | Version without voices. | 冒险片 画面感 动人 南非 | Em | 108 | |||
|
Latin America In A Day
[AMS5064 - 57] |
版本. | 2'05 | Ilan Kunik | "Bed" version. | 冒险片 画面感 动人 南非 | Em | 108 | |||
|
Latin America In A Day
[AMS5064 - 58] |
版本. | 2'05 | Ilan Kunik | Underscore version. | 冒险片 画面感 动人 南非 | Em | 108 | |||
|
Latin America In A Day Edit 1
[AMS5064 - 59] |
版本. | 0'30 | Ilan Kunik | 30 second cut. | 冒险片 画面感 动人 南非 | Em | 108 | |||
|
Latin America In A Day Edit 2
[AMS5064 - 60] |
版本. | 0'15 | Ilan Kunik | 15 second cut. | 冒险片 画面感 动人 南非 | Em | 107 | |||
|
Doubt and Resolution [CEZ4700 - 19] |
0 | 2'10 | Elisabeth Skornik, Guy Skornik | Neo-classical. First, expectant, interrogative & punctuated with | 进行中 阴险 悬念 悲喜剧 | Cm | 140 | |||
|
Passionately [EOS147 - 4] |
0 | 2'17 | Simon Gruwé | Cyclical, tender & confident. Strings, electric guitar, piano, synths | 自信 无电声钢琴 电子琴 公司 | G | 102 | |||
|
Metamorphosis [EOS147 - 7] |
0 | 2'13 | Simon Gruwé | Whirling, luminous & hypnotic. Strings, electric guitar, piano, | 周期性的 无电声钢琴 电子琴 琶音器 | Am | 133 | |||
|
Unity [EOS147 - 10] |
0 | 2'45 | Simon Gruwé | Introspective, reflective & resilient. Strings, electric guitar, | 气氛 自信 梦幻 电子琴 | Gm | 88 | |||
|
Revelations [TBX231 - 1] |
2'41 | James Tearne | Climactic, dramatic, classical. Quiet strings emerge with a testy, | 伴音 社会悲剧 忧伤 全景 | Eb | 66 | ||||
|
Revelations (Underscore) [TBX231 - 11] |
版本. | 2'32 | James Tearne | Climactic, dramatic, classical. Quiet strings emerge with a testy, | 伴音 社会悲剧 忧伤 全景 | Eb | 66 | |||
|
The Net Closes [TBX231 - 5] |
2'36 | James Tearne | Tense, climactic, worried. Piano lands with a soft sense of nerves | 画面感 社会悲剧 阴险 司法 | Gbm | 110 | ||||
|
The Net Closes (Underscore) [TBX231 - 18] |
版本. | 2'36 | James Tearne | Tense, climactic, worried. Piano lands with a soft sense of nerves | 社会悲剧 阴险 画面感 司法 | Dbm | 110 |