| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Gates of Fire [CET9012 - 6] |
1'29 | Gabriel Saban, Philippe Briand | Brutal, spasmodic & suspended. Impulsive hits & rhythm with clock. | 突然 冲突 时间(滴答声) 轰隆声 | Em | 124 | ||||
|
Gates of Fire Alternate 1 [CET9012 - 24] |
版本. | 1'29 | Gabriel Saban, Philippe Briand | Alternate with less perc & without clock. Brutal, spasmodic & | 突然 轰隆声 无情 悬念 | Em | 126 | |||
|
Gates of Fire Alternate 2 [CET9012 - 25] |
版本. | 1'29 | Gabriel Saban, Philippe Briand | Alternate without clock. Brutal, spasmodic & suspended. Impulsive & | 突然 冲突 轰隆声 无情 | Em | 126 | |||
|
Serial Murder [CEZ4311 - 1] |
0 | 1'57 | Gabriel Saban, Philippe Briand | Sudden impacts. Action. Inexorable, brutal & frightening. Cinematic | 大电影打击乐 冲突 画面感 动作片 | Am | 120 | |||
|
The Slaughter [CEZ4311 - 2] |
0 | 1'22 | Sebastijan Duh | Impacts. Trailers. Action. Dark & threatening. Powerful, brooding & | 大电影打击乐 预告片 动作片 回响 | Bm | 60 | |||
|
A Lesson in Murder [CEZ4311 - 3] |
0 | 1'27 | Gregory Cotti | Impacts. Trailers. Action. Powerful, creepy & inexorable. Cinematic | 大电影打击乐 画面感 战争 突然 | Am | 162 | |||
|
Revelations [CEZ4082 - 13] |
0 | 2'53 | Bruno Letort | Sudden, insidious & changing. Symphony orchestra. | 突然 历史片 现代音乐 历史旁白 | Bb | 108 | |||
|
Baptism of Fire [ISC041 - 4] |
2'10 | Giorgos Lorantakis | Rumbly & menacing intro with sound design & metallic noises. Violent, | 战争 冲突 战士 固执 | Cm | 120 | ||||
|
Baptism of Fire Alternate 1 [ISC041 - 17] |
版本. | 2'10 | Giorgos Lorantakis | Alternate version without guns. | 战争 冲突 战士 固执 | Cm | 120 | |||
|
Baptism of Fire Alternate 2 [ISC041 - 18] |
版本. | 2'10 | Giorgos Lorantakis | Alternativer version with perc only. | 战争 冲突 战士 固执 | Cm | 118 | |||
|
Do Not Open the Door [ISC031 - 3] |
2'07 | Gabriel Saban | Nightmarish, demonic, worrying, stressful & urgent. Clocklike & | 恐怖片 恐怖 画面感 诡异 | Gm | 125 | ||||
|
Do Not Open the Door Alternate [ISC031 - 13] |
版本. | 2'07 | Gabriel Saban | Alternate version without strings. | 恐怖片 恐怖 画面感 诡异 | Gm | 126 | |||
|
Upside Down [CEZ4402 - 7] |
0 | 1'02 | Thomas Danigo | Chaotic, agressive, scary & violent. Tense. Urgent. Orchestra string | 恐怖 混乱 神经病 恐怖片 | Fm | 80 | |||
|
Big Bang Theory 2 [CEZ4380 - 2] |
0 | 0'36 | Maxence Dussere, David Gubitsch | Soundscape / sci fi / cinematic. Sudden forcerful impact with treated | 突然 进行中 令人不安 声音设计 | C | 101 | |||
|
Black Tape Archives [ISC103 - 2] |
2'22 | Emmanuel Rousseau | Classic movie score. Ominous & sneaky. Suspenseful woodwinds & | 令人不安 恐怖片 无情 固执 | Dm | 120 | ||||
|
Black Tape Archives Alternate [ISC103 - 12] |
版本. | 2'22 | Emmanuel Rousseau | Version without percussion. | 令人不安 恐怖片 无情 固执 | Dm | 120 | |||
|
Assassins [INP061 - 4] |
1'51 | Damir Agovic | Catastrophic, secretive, heavy. Large muffled thuds offer a sense of | 冲突 画面感 声音设计 恐怖片 | C | 100 | ||||
|
Assassins (Underscore) [INP061 - 14] |
版本. | 1'50 | Damir Agovic | Catastrophic, secretive, heavy. Dissonant noise emerges slowly, | 冲突 画面感 声音设计 恐怖片 | C | 100 | |||
|
Abyss [INP061 - 7] |
1'12 | Damir Agovic | Apocalyptic, relentless, terrifying. Heavy impact with dissonance and | 冲突 画面感 战士 无情 | Cm | 100 | ||||
|
Abyss (Underscore) [INP061 - 17] |
版本. | 1'12 | Damir Agovic | Apocalyptic, relentless, terrifying. Bass impacts mix with | 冲突 画面感 战士 无情 | C | 99 | |||
|
Cannibal [CET9087 - 1] |
0 | 2'09 | Sigurd Johnk-Jensen | Tension Tribal Trailer. Anticipating intro building up with | 追逐场面 野性 预告片 冲突 | Dm | 120 | |||
|
Mammoth [CET9087 - 2] |
0 | 2'18 | Sigurd Johnk-Jensen | Tension Tribal Trailer. Dark, deep & uncertain intro building up with | 战士 冲突 恐怖 野性 | Cm | 89 | |||
|
Warface [ISC041 - 5] |
2'00 | Giorgos Lorantakis | Urgent & metallic intro with rhythmic & gun loading sounds. | 战争 冲突 紧急 战士 | Gm | 146 | ||||
|
Warface Alternate [ISC041 - 19] |
版本. | 2'00 | Giorgos Lorantakis | Alternate version without guns. | 战争 冲突 紧急 战士 | Gm | 146 | |||
|
Darkness Descending [CET9084 - 4] |
2'07 | Felix Weber | Anticipating & eerie intro with sudden & violent impact, synth pads & | 恐怖 冲突 恐怖片 有毒 | Am | 100 | ||||
|
Darkness Descending Alternate [CET9084 - 16] |
版本. | 2'07 | Felix Weber | Alternative version without percussion. | 恐怖 冲突 恐怖片 有毒 | Cm | 100 | |||
|
Creaking Attic [ISC031 - 2] |
1'51 | Emmanuel Rousseau | Tense & demonic build-up. Discontinuous, insidious, paranoid, sudden | 中断 恐怖片 令人不安 摩擦声 | Dbm | 115 | ||||
|
Creaking Attic Alternate [ISC031 - 12] |
版本. | 1'51 | Emmanuel Rousseau | Alternate version without percussion. | 中断 恐怖片 令人不安 摩擦声 | Am | 114 | |||
|
Attack [INP048 - 6] |
2'06 | Adam Brown | Worrying, intense, raw. Impact meets with gurgling synth bass and | 冲突 爆炸 沉重 冲击 | Dm | 120 | ||||
|
Attack (Underscore) [INP048 - 16] |
版本. | 2'06 | Adam Brown | Worrying, intense, raw. Impact meets with gurgling synth bass and | 冲突 画面感 爆炸 大电影打击乐 | Dm | 120 | |||
|
Crossfire [CET9052 - 1] |
2'35 | Gabriel Saban | "Mark Awards 2022" winner in the "Movie Trailer Track of the Year" | 画面感 史诗 气势 战士 | Cm | 129 | ||||
|
Crossfire Alternate [CET9052 - 14] |
版本. | 2'35 | Gabriel Saban | Alternate without percussion. Sudden impact & tense intro building-up | 画面感 史诗 气势 战士 | Cm | 130 | |||
|
Crossfire Alternate 2 [CET9052 - 15] |
版本. | 2'35 | Gabriel Saban | Alternate without choir. Sudden impact & tense intro building-up with | 画面感 史诗 气势 战士 | Cm | 130 | |||
|
Bullet Ballet [CET9052 - 6] |
2'25 | Lionel Schmitt | Energetic & powerful intro building-up with urgent synth & agressive | 令人不安 无情 固执 气势 | Am | 149 | ||||
|
Bullet Ballet Alternate [CET9052 - 23] |
版本. | 2'25 | Lionel Schmitt | Alternate without percussion. Energetic & powerful intro building-up | 令人不安 无情 固执 气势 | Am | 150 | |||
|
Bullet Ballet Alternate 2 [CET9052 - 24] |
版本. | 2'25 | Lionel Schmitt | Alternate without choir. Energetic & powerful intro building-up with | 令人不安 无情 固执 气势 | Am | 149 |