| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Collapse Triggers [EOS41 - 2] |
0 | 2'52 | Eric Volpatti | Underscore. Suspended & mysterious. Silence. Sound design, synth & | 冰冷 神秘 突然 气氛 | Ebm | 153 | |||
|
Lethal Dose [CET9022 - 4] |
1'50 | Nick Tzios, Paul Copestake | Paranormal & menacing intro with clock. Relentless, brawling & | 预告片 高潮 恐怖片 爆炸 | Cm | 130 | ||||
|
Lethal Dose Alternate 1 [CET9022 - 19] |
版本. | 1'50 | Nick Tzios, Paul Copestake | Alternate without percussion. Paranormal & menacing intro. Disturbing | 预告片 诡异 不平稳 影院摇滚 | Cm | 130 | |||
|
Lethal Dose Alternate 2 [CET9022 - 20] |
版本. | 1'40 | Nick Tzios, Paul Copestake | Alternate percussion only. Threatening & menacing intro with clock. | 预告片 冲击 冲突 爆炸 | Fm | 130 | |||
|
Ultra Smash [CET9022 - 6] |
1'56 | Nick Tzios, Paul Copestake | Building & brooding intro with clock fx & sparse hybrid percussion | 冲突 爆炸 无情 冲击 | Dm | 140 | ||||
|
Ultra Smash Alternate 1 [CET9022 - 23] |
版本. | 1'54 | Nick Tzios, Paul Copestake | Alternate with less percussion. Building & brooding intro. Mounting | 悬念 冲突 轰隆声 无情 | Dm | 140 | |||
|
Ultra Smash Alternate 2 [CET9022 - 24] |
版本. | 1'49 | Nick Tzios, Paul Copestake | Alternate percussion only. Building, suspensful & brooding intro with | 冲突 爆炸 冲击 时间(滴答声) | Gm | 142 | |||
|
Ultimate Rush [CET9022 - 7] |
2'12 | Nick Tzios | Dubious & bizarre intro with a weird bass synth line & clock. | 紧急 爆炸 轰隆声 无情 | Em | 120 | ||||
|
Ultimate Rush Alternate 1 [CET9022 - 25] |
版本. | 2'12 | Nick Tzios | Alternate without percussion. Dubious & bizarre intro with a weird | 轰隆声 紧急 动作游戏 高潮 | Em | 120 | |||
|
Ultimate Rush Alternate 2 [CET9022 - 26] |
版本. | 2'08 | Nick Tzios | Alternate percussion only. Dubious & bizarre intro with a mysterious | 冲突 爆炸 火热 动作游戏 | Cm | 120 | |||
|
Maximum Outburst [CET9022 - 10] |
2'07 | Nick Tzios, Paul Copestake | Oppressive intro with bass synth & ticking clock. Tense but | 进行中 冲击 画面感 无情 | Em | 162 | ||||
|
Maximum Outburst Alternate 1 [CET9022 - 31] |
版本. | 2'07 | Nick Tzios, Paul Copestake | Alternate without percussion. Oppressive & sweeping intro with | 进行中 预告片 画面感 无情 | Em | 162 | |||
|
Maximum Outburst Alternate 2 [CET9022 - 32] |
版本. | 2'02 | Nick Tzios, Paul Copestake | Alternate percussion only. Oppressive intro with a weird ticking | 冲击 预告片 画面感 无情 | Gm | 80 | |||
|
Overreactive [CET9022 - 11] |
1'52 | Nick Tzios | Tense, tough & jerky. Synth fx & cinematic hybrid percussion building | 冲击 进行中 爆炸 令人不安 | Em | 110 | ||||
|
Overreactive Alternate 1 [CET9022 - 33] |
版本. | 1'52 | Nick Tzios | Alternate without percussion. Tense, oppressive & jerky. Mechanical | 气势 进行中 战士 令人不安 | Em | 110 | |||
|
Overreactive Alternate 2 [CET9022 - 34] |
版本. | 1'34 | Nick Tzios | Alternate percussion only. Tense, tough & jerky. Cinematic hybrid | 冲击 冲突 爆炸 战士 | Cm | 110 | |||
|
The Hour has Come [CET9021 - 10] |
01'31 | Philippe Briand | Anticipating, ticking, tribal & warlike. Heavy cinematic drum rolls, | 军事冲突 进行中 冲击 时间(滴答声) | Fm | 110 | ||||
|
The Hour has Come Alternate [CET9021 - 23] |
版本. | 01'31 | Philippe Briand | Alternate without percussion. Anticipating, tribal & warlike. Tense | 进行中 影院摇滚 恐怖片 火热 | Fm | 110 | |||
|
High-Risk Voyage [CEO2106 - 2] |
3'41 | Alice Guerlot Kourouklis | Sudden, suspenseful, anticipating & menacing. Brass ensemble, bongo, | 疑问 悬念 进行中 间谍片 | Bm | 85 | ||||
|
High-Risk Voyage Alternate [CEO2106 - 14] |
版本. | 3'42 | Alice Guerlot Kourouklis | Alternate without brass. Sudden, suspenseful, anticipating & | 疑问 间谍片 六十年代 阴险 | Bm | 85 | |||
|
The Clash [CET9018 - 9] |
1'49 | Philippe Briand | Anthemic / stadium rock trailer with a vehement guitar/synth riff & | 固执 预告片 影院摇滚 史诗 | Gm | 128 | ||||
|
The Clash Alternate [CET9018 - 30] |
版本. | 1'49 | Philippe Briand | Alternate without percussion. Anthemic / stadium rock trailer with a | 固执 预告片 影院摇滚 史诗 | Gm | 128 | |||
|
The Clash Alternate 2 [CET9018 - 31] |
版本. | 1'49 | Philippe Briand | Alternate without choir. Anthemic / stadium rock trailer with a | 固执 史诗 极限运动 电影乐团 | Gm | 128 | |||
|
The Scream [CEG5022 - 25] |
0 | 1'33 | Arnaud de Buchy | Horrifying string fx imitating a scream of terror. Suggested for | 恐怖 恐怖片 诡异 尖锐 | Am | 114 | |||
|
Becoming the Bad Guy [CEZ4402 - 15] |
0 | 2'19 | Sebastijan Duh | Cinematic electro beat. Mysterious, relentless, imminent danger. | 科幻片 预告片 动作片 无情 | Bbm | 76 | |||
|
The Future and Now [CET9013 - 7] |
2'50 | Brian Delgado | Mysterious & quite creepy piano intro. Relentless & epic theme with | 画面感 无情 预告片 冒险片 | Dm | 120 | ||||
|
The Future and Now Alternate 1 [CET9013 - 28] |
版本. | 2'50 | Brian Delgado | Alternate without percussion. Mysterious & quite creepy piano intro. | 画面感 无情 冒险游戏 预告片 | Dm | 120 | |||
|
The Future and Now Alternate 2 [CET9013 - 29] |
版本. | 2'50 | Brian Delgado | Alternate without choir. Mysterious & quite creepy piano intro. | 画面感 无情 冒险游戏 预告片 | Dm | 120 | |||
|
Anger Problem [INP018 - 6] |
2'34 | Alessandro Ciani | Dramatic, intense, ominous. Eerie synth atmospheres and glitchy sound | 无情 追逐场面 预告片 动作片 | Gm | 140 | ||||
|
Anger Problem - Underscore [INP018 - 23] |
版本. | 2'34 | Alessandro Ciani | Dramatic, intense, ominous. Stripped back underscore version. Eerie | 无情 追逐场面 气势 冲突 | Gm | 140 | |||
|
Anger Problem - 30 sec [INP018 - 24] |
版本. | 0'30 | Alessandro Ciani | Dramatic, intense, ominous. Eerie synth atmospheres and glitchy sound | 无情 追逐场面 气势 冲突 | Gm | 140 | |||
|
World Crusher [CET9012 - 10] |
2'17 | Martin Emilio Insaurgarat | Suspensful, anticipating, ominous & haunting. Build-up gradually with | 冲突 冲击 令人不安 悬念 | Cm | 60 | ||||
|
World Crusher Alternate 1 [CET9012 - 30] |
版本. | 2'17 | Martin Emilio Insaurgarat | Alternate with less percussion. Suspensful, anticipating, ominous & | 令人不安 悬念 神经病 气势 | Cm | 60 | |||
|
World Crusher Alternate 2 [CET9012 - 31] |
版本. | 2'01 | Martin Emilio Insaurgarat | Impacts only. Suspensful, anticipating, ominous & haunting. Low & | 冲击 军事冲突 进行中 预告片 | Cm | 60 | |||
|
Takedown [CET9012 - 11] |
1'43 | Gabriel Saban, Philippe Briand | Oncoming danger introduction. Urgent, impetuous & pulsing machinerie. | 令人不安 追逐场面 气势 预告片 | Fm | 128 | ||||
|
Takedown Alternate [CET9012 - 32] |
版本. | 1'43 | Gabriel Saban, Philippe Briand | Alternate with less perc. Oncoming danger introduction. Then urgent, | 令人不安 追逐场面 气势 紧急 | F | 128 | |||
|
Eyes in the night [CEG5015 - 28] |
0 | 1'03 | Pierre Bernard | Organic, mysterious & abstract. Percussion. | 热带雨林 神秘 地理政治 不稳定 | E | 124 | |||
|
Hidden Danger [MAG6039 - 5] |
0 | 3'15 | Sebastien Forrester | Inevitable & percussive. Sequenced strings & percussion. | 无情 悬念 令人不安 突然 | Gb | 70 | |||
|
From Beyond [INP012 - 6] |
2'46 | Ronnie W Verboom | Tense, building, threatening. Atmospheric ticking sound design with | 令人不安 悬念 恐怖 冒险游戏 | Cm | 150 | ||||
|
From Beyond Underscore [INP012 - 23] |
版本. | 2'46 | Ronnie W Verboom | Tense, building, threatening. Stripped back underscore version with | 令人不安 悬念 恐怖 冒险游戏 | Cm | 151 | |||
|
From Beyond 30sec [INP012 - 24] |
版本. | 0'30 | Ronnie W Verboom | Tense, building, threatening. Atmospheric ticking sound design with | 令人不安 悬念 恐怖 冒险游戏 | Cm | 150 | |||
|
Tension [INP017 - 7] |
2'34 | Adam Kevin Brown | Eerie, percussive, tense. Atmospheric hits with reverberating | 令人不安 悬念 间谍片 固执 | Cm | 86 | ||||
|
Tension Underscore [INP017 - 25] |
版本. | 2'34 | Adam Kevin Brown | Eerie, percussive, tense. Stripped back underscore version. Sparse | 令人不安 悬念 间谍片 固执 | Cm | 85 | |||
|
Tension 30sec [INP017 - 26] |
版本. | 0'30 | Adam Kevin Brown | Eerie, percussive, tense. Atmospheric hits with electric guitar | 令人不安 悬念 间谍片 固执 | Cm | 85 | |||
|
The Inevitability of War [CEG5009 - 1] |
2'15 | Abaji | Underscore. Sudden & inexorable. Percussion, electric guitar & | 无情 伴音 军事冲突 恐怖 | Em | 110 | ||||
|
The Inevitability of War
[CEG5009 - 26] |
版本. | 2'15 | Abaji | Underscore. Sudden & frightening. Electric guitar, percussion & | 无情 伴音 军事冲突 恐怖 | E | 100 |