| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Prey [CET9045 - 4] |
2'06 | Philippe Briand | Anxious clock percussion intro building-up with impact, metallic | 心理剧 恐怖 恐怖片 令人不安 | A | 113 | ||||
|
The Prey Alternate [CET9045 - 16] |
版本. | 2'06 | Philippe Briand | Anxious clock percussion intro building-up with impact, metallic | 心理剧 恐怖 恐怖片 令人不安 | A | 113 | |||
|
Focus on Darkness [CET9041 - 9] |
2'36 | Lionel Fabert | Hip Hop Trailer. Menacing & heavy intro with cinematic pads, trap | 史诗 战士 固执 气势 | Ebm | 152 | ||||
|
Focus on Darkness Alternate [CET9041 - 25] |
版本. | 2'36 | Lionel Fabert | Alternate without percussion. Hip Hop Trailer. Menacing & heavy intro | 史诗 战士 固执 气势 | Ebm | 152 | |||
|
Sneaky Rumors [CET9039 - 2] |
2'20 | Gabriel Saban, Anne-Sophie Versnaeyen | On tiptoes, whimsical & suspicious. Pizzicato strings with weird | 阴险 神秘 拨奏 悲喜剧 | Gm | 120 | ||||
|
Sneaky Rumors Alternate [CET9039 - 12] |
版本. | 2'20 | Gabriel Saban, Anne-Sophie Versnaeyen | Alternate version without percussion. On tiptoes, whimsical & | 阴险 神秘 拨奏 悲喜剧 | Gm | 120 | |||
|
Supreme Corporation [CET9037 - 11] |
2'30 | Felix Weber | Anticipating intro with mysterious textures. Suspenseful & thrilling. | 画面感 令人不安 电影乐团 科幻片 | Ebm | 115 | ||||
|
Supreme Corporation Alternate [CET9037 - 25] |
版本. | 2'30 | Felix Weber | Alternate without percussion. Anticipating intro with mysterious | 画面感 令人不安 电影乐团 科幻片 | Ebm | 115 | |||
|
Supreme Corporation Alternate
[CET9037 - 26] |
版本. | 2'30 | Felix Weber | Alternate without voices. Anticipating intro with mysterious | 画面感 令人不安 电影乐团 科幻片 | Ebm | 115 | |||
|
New World Order [CET9034 - 6] |
2'23 | Lionel Schmitt | Anticipating, mournful & heavy intro in an evil mood. Tense, tragic & | 战士 无情 冒险游戏 动作游戏 | Gbm | 123 | ||||
|
New World Order Alternate [CET9034 - 21] |
版本. | 2'23 | Lionel Schmitt | Alternate without percussion. Anticipating, mournful & heavy intro in | 战士 无情 冒险游戏 动作游戏 | Gbm | 123 | |||
|
New World Order Alternate 2 [CET9034 - 22] |
版本. | 2'23 | Lionel Schmitt | Alternate without choir. Anticipating, mournful & heavy intro in an | 战士 无情 冒险游戏 动作游戏 | Gbm | 123 | |||
|
The Force of One [CET9030 - 9] |
2'42 | Adrian Gomez | Poignant intro with piano & strings. Cinematic impact & lively | 冒险片 画面感 预告片 凯旋 | Em | 164 | ||||
|
The Force of One Alternate [CET9030 - 28] |
版本. | 2'42 | Adrian Gomez | Alternate without choir. Poignant intro with piano & strings. | 冒险片 画面感 预告片 凯旋 | Em | 163 | |||
|
The Force of One Alternate 2 [CET9030 - 29] |
版本. | 2'42 | Adrian Gomez | Alternate without percussion. Poignant intro with piano & strings. | 冒险片 画面感 预告片 凯旋 | Em | 164 | |||
|
Fighting the Sky [CET9029 - 1] |
2'34 | Brian Delgado | Anticipating intro building-up with arpeggiator, sound FX & heavy | 预告片 果断 冒险片 令人不安 | Cm | 162 | ||||
|
Fighting the Sky Alternate [CET9029 - 11] |
版本. | 2'34 | Brian Delgado | Alternate without percussion. Anticipating intro building-up with | 预告片 果断 冒险片 令人不安 | Cm | 162 | |||
|
The End of Everything [CET9029 - 5] |
2'48 | Brian Delgado, Garrett Weyenberg | Cavernous piano intro building-up slowly with urgent arpeggiator | 画面感 果断 动作游戏 电影乐团 | Dm | 120 | ||||
|
The End of Everything
[CET9029 - 17] |
版本. | 2'47 | Brian Delgado, Adam Weyenberg | Alternate without percussion. Cavernous piano intro building-up | 画面感 果断 动作游戏 电影乐团 | Dm | 162 | |||
|
War in Algeria [CEO2115 - 17] |
01'14 | Gréco Casadesus, Gregory Cotti | Dreary, throbbing, narrative & desertic. Arabic violin, percussion & | 地理政治 令人不安 神秘 气氛 | Dm | 120 | ||||
|
War in Algeria Alternate [CEO2115 - 35] |
版本. | 01'03 | Gréco Casadesus, Gregory Cotti | Dreary, throbbing, narrative & desertic. Arabic violin, percussion & | 地理政治 令人不安 神秘 画面感 | C | 120 | |||
|
Steam on Molten Metal [CEZ4434 - 12] |
0 | 01'58 | Baptiste Thiry | Heroic fantasy. Accentuated & frightening. Symphony orchestra, fx | 蒸汽朋克 画面感 悬念 进行中 | Dm | 122 | |||
|
The Clock of Doom [CEG5025 - 3] |
01'27 | Philippe Briand | Intriguing, anticipating, questioning & constant piano line over a | 冲突 画面感 冲击 爆炸 | D | 123 | ||||
|
The Clock of Doom Alternate [CEG5025 - 14] |
版本. | 01'27 | Philippe Briand | Alternate version without percussion. Intriguing, anticipating, | 冲突 画面感 爆炸 动作片 | D | 123 | |||
|
The Clock of Doom Alternate 2 [CEG5025 - 15] |
版本. | 01'27 | Philippe Briand | Alternate percussion only. Mysterious clock & cinematic percussion | 冲突 画面感 冲击 爆炸 | Cm | 123 | |||
|
White Abyss [TBX080 - 16] |
2'07 | Sergey Kolosov | Eerie, suspenseful, haunting. Dark, pulsing synths with brooding | 深邃 画面感 恐怖片 令人不安 | Cm | 104 | ||||
|
White Abyss - (Underscore) [TBX080 - 50] |
版本. | 2'07 | Sergey Kolosov | Eerie, suspenseful, haunting. Dark, pulsing synths with brooding | 深邃 画面感 恐怖片 令人不安 | Cm | 104 | |||
|
White Abyss - 30 sec [TBX080 - 51] |
版本. | 0'31 | Sergey Kolosov | Eerie, suspenseful, haunting. Dark, pulsing synths with brooding | 深邃 画面感 恐怖片 令人不安 | Cm | 104 | |||
|
Quasar Core [CET9023 - 2] |
3'09 | Gabriel Saban | Animated & vibrating synth sequence with stabbing cinematic | 预告片 果断 气势 画面感 | Cm | 130 | ||||
|
Quasar Core Alternate [CET9023 - 15] |
版本. | 3'09 | Gabriel Saban | Alternate without percussion. Animated & vibrating synth sequence & | 果断 预告片 气势 画面感 | Cm | 130 | |||
|
Quasar Core Alternate 2 [CET9023 - 16] |
版本. | 3'09 | Gabriel Saban | Alternate without choir. Animated & vibrating synth sequence with | 果断 预告片 气势 画面感 | Cm | 130 | |||
|
Astral Visions [CET9023 - 8] |
3'12 | Gabriel Saban | Haunting constant piano & running synth sequence intro. Very fast | 预告片 画面感 冒险片 无情 | Am | 120 | ||||
|
Astral Visions Alternate [CET9023 - 27] |
版本. | 3'12 | Gabriel Saban | Alternate without percussion. Haunting constant piano & running synth | 画面感 无情 预告片 果断 | Am | 120 | |||
|
Astral Visions Alternate 2 [CET9023 - 28] |
版本. | 3'12 | Gabriel Saban | Alternate without choir. Haunting constant piano & running synth | 画面感 无情 预告片 果断 | Am | 120 | |||
|
Where Legends are Made [CET9019 - 13] |
2'02 | Emmanuel Rousseau | Shimmering, wondrous & innocent intro with chimes. Purposeful, fast, | 冒险片 史诗 画面感 魔幻电影 | D | 95 | ||||
|
Where Legends are Made
[CET9019 - 36] |
版本. | 2'02 | Emmanuel Rousseau | Alternate without percussion. Shimmering, wondrous & innocent intro | 冒险片 史诗 画面感 魔幻电影 | D | 95 | |||
|
Eerie Shot [TBX064 - 10] |
2'54 | Niris | Tense, eerie, mysterious. Dark, bleak intro of reverberating, | 令人不安 冲击 悬念 深邃 | Em | 120 | ||||
|
Eerie Shot - 30sec [TBX064 - 25] |
版本. | 0'30 | Niris | Tense, eerie, mysterious. Dark, bleak intro of electric guitars build | 令人不安 冲击 悬念 深邃 | Em | 120 | |||
|
The Doomsday Net [CEO2107 - 9] |
0 | 0'50 | Pierre-André Athané | Urgent, threatening & inexorable. Orchestra with piano. | 间谍片 追逐场面 悬念 令人不安 | B | 77 | |||
|
The Final Round [CET9018 - 4] |
2'29 | Philippe Briand | Incisive & running synth sequence with hits building up to an urgent | 极限运动 预告片 团队运动 史诗 | Em | 130 | ||||
|
The Final Round Alternate [CET9018 - 21] |
版本. | 2'29 | Philippe Briand | Alternate without percussion. Incisive & running synth sequence with | 极限运动 预告片 史诗 团队运动 | Em | 130 | |||
|
The Final Round Alternate 2 [CET9018 - 22] |
版本. | 2'29 | Philippe Briand | Alternate without choir. Incisive & running synth sequence with hits | 预告片 电影乐团 极限运动 史诗 | Em | 130 | |||
|
Push the Limits [CET9018 - 7] |
2'01 | Philippe Briand | Obsessive & powerful first part. Break @ 1'00 featuring emotional | 预告片 赛车 固执 极限运动 | Em | 138 | ||||
|
Push the Limits Alternate [CET9018 - 26] |
版本. | 2'01 | Philippe Briand | Alternate without percussion. Obsessive & determined first part. | 固执 体育中的戏剧性 史诗 预告片 | Em | 138 | |||
|
Push the Limits Alternate 2 [CET9018 - 27] |
版本. | 2'01 | Philippe Briand | Alternate underscore. Obsessive & powerful first part. Break @ 1'00. | 固执 史诗 赛车 预告片 | Em | 138 | |||
|
Men of Action [CET9018 - 10] |
0 | 1'44 | Brian Delgado | Anticipating intro. Audacious, percussive, combative & convincing | 极限运动 固执 预告片 无情 | Bm | 120 |