| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Power of Destruction [CEZ4311 - 9] |
0 | 1'29 | Sebastijan Duh | Impacts. Trailers. Action. Powerful, bombastic & frightening. | 战争 大电影打击乐 冲突 画面感 | Gm | 130 | |||
|
Get This Crankin [BIB019 - 6] |
0 | 2'13 | James Desmond, Panauh Kalayeh | Orchestral synth stabs and climbing & falling synth line intro. | BEAT MAKING 社会悲剧 突然 稳定的 | Cm | 118 | |||
|
Knives In [BIB021 - 5] |
0 | 3'42 | Sergey Kolosov | Downtempo guitar melody with enveloping layers with a powerful | 疑问 神秘 突然 悬念 | Bm | 98 | |||
|
Cold Blooded Time [BIB005 - 12] |
0 | 2'24 | Benedic Jude Lamdin, Jeb Loy Nichols, Riaan Vosloo | Playful, suspenseful and funky. Low end piano groove and restrained | 介绍 突然 黑人电影 稳定的 | Gm | 102 | |||
|
Harbingers [CEZ4074 - 10] |
0 | 1'41 | Elisabeth Skornik, Guy Skornik | Uncertain & tense with sudden effects. Rhythm @ 0'30. | 混乱 军事冲突 令人不安 调查研究 | Dm | 130 | |||
|
Out of Control [CET9102 - 10] |
2'14 | Zoltan Zadori | Cinematic. Ominous & dark intro with echoing pulse & dull sonar | 恐怖 恐怖片 冲击 画面感 | Ebm | 162 | ||||
|
Out of Control Alternate 1 [CET9102 - 29] |
版本. | 2'14 | Zoltan Zadori | Version without percussion. | 恐怖 恐怖片 画面感 战争 | Eb | 162 | |||
|
Out of Control Alternate 2 [CET9102 - 30] |
版本. | 2'14 | Zoltan Zadori | Version without alarms. | 恐怖 恐怖片 冲击 画面感 | Ebm | 80 | |||
|
A Descent into the Maelstrom [CEZ4650 - 3] |
0 | 1'05 | Olivier Militon | Cinematic. Eerie, scary & dangerous. Long intro & outro. Edgy strings | 画面感 灾难 无情 令人不安 | Dm | 102 | |||
|
Tumulte et Confusion [CEO2176 - 13] |
0 | 0'12 | Marc-Olivier Dupin | Sting. Sudden & tense. Evocation of a brutal shift. Woodwinds & brass. | 突然 间隔闪回 军事冲突 令人不安 | A | 114 | |||
|
Rumors Spread Fast [CEG5049 - 5] |
1'54 | Lars Jebsen | Ominous, patient, insidious & mysterious. Clock FX, piano, | 令人不安 固执 神秘 间谍片 | Cm | 80 | ||||
|
Rumors Spread Fast Alternate [CEG5049 - 17] |
版本. | 1'54 | Lars Jebsen | Reduced version without strings. | 令人不安 固执 神秘 间谍片 | Cm | 80 | |||
|
The Prison Experience [CEG5049 - 6] |
2'14 | Lars Jebsen | Resonant, heavy, grim, sinister & tense. Sound design with echo | 间谍片 司法 固执 画面感 | Cm | 120 | ||||
|
The Prison Experience
[CEG5049 - 18] |
版本. | 1'58 | Lars Jebsen | Reduced version without melody. | 间谍片 司法 固执 画面感 | Cm | 120 | |||
|
Agressive Bend SFX 19 From A
[CSDL1007 - 145] |
0 | 0'56 | Salvador Casais, Thomas Dubreuil | Sound Design element. Violent, distorted & destroying bends from A to | 突然 冲突 benders 恐怖 | Em | 114 | |||
|
Minefields [CEO2164 - 10] |
0 | 1'32 | Baptiste Thiry | Suspenseful. Heavy, tormented, menacing & insidious. Pulsating | 冲突 恐怖 军事冲突 战士 | E | 97 | |||
|
Cataclysmic [INP068 - 2] |
2'06 | Richard Reinhardt | Eerie, tense, action. Thud followed by yawning resonant bass sound, | 恐怖片 动作游戏 冲突 画面感 | Em | 100 | ||||
|
Cataclysmic (Underscore) [INP068 - 12] |
版本. | 2'06 | Richard Reinhardt | Eerie, tense, action. Bass thud and subtle atmosphere creates an | 恐怖片 动作游戏 冲突 画面感 | E | 100 | |||
|
Dead Or Dead [INP068 - 3] |
2'07 | Richard Reinhardt | Tense, sharp, dangerous. Low yawning bass thud sets out a pacy | 恐怖片 冲突 画面感 恐怖 | D | 140 | ||||
|
Dead Or Dead (Underscore) [INP068 - 13] |
版本. | 2'08 | Richard Reinhardt | Tense, sharp, dangerous. Low yawning bass thud sets out a pacy | 恐怖片 冲突 画面感 恐怖 | D | 140 | |||
|
From Ashes [INP068 - 4] |
1'24 | Richard Reinhardt | Eerie, gothic, strange. Large yawning bass lands with huge impact, | 画面感 恐怖 恐怖片 冲突 | Cm | 120 | ||||
|
From Ashes (Underscore) [INP068 - 14] |
版本. | 1'25 | Richard Reinhardt | Eerie, gothic, strange. Large yawning bass lands slithers around like | 画面感 恐怖 恐怖片 冲突 | Cm | 120 | |||
|
Rupture [INP068 - 6] |
1'34 | Richard Reinhardt | Action, fiery, intense. Subtle riser leads into fuzzy impact and | 战争 爆炸 (音效)开火 动作游戏 | C | 165 | ||||
|
Rupture (Underscore) [INP068 - 16] |
版本. | 1'36 | Richard Reinhardt | Action, fiery, intense. Subtle riser leads into yawning dissonance. | 战争 动作游戏 预告片 冲突 | Cm | 83 | |||
|
Terror Time [INP068 - 9] |
1'55 | Richard Reinhardt | Epic, scary, urgent. Yawning drones give a feeling of discomfort, a | 恐怖片 画面感 恐怖 战争 | C | 120 | ||||
|
Terror Time (Underscore) [INP068 - 19] |
版本. | 1'55 | Richard Reinhardt | Epic, scary, urgent. Yawning drones give a feeling of discomfort, a | 恐怖片 画面感 恐怖 战争 | C | 120 | |||
|
Unrivalled [INP068 - 10] |
1'38 | Richard Reinhardt | Gritty, threatening, powerful. Thudding moaning impacts suggest a | 冲突 战士 固执 恐怖 | D | 115 | ||||
|
Unrivalled (Underscore) [INP068 - 20] |
版本. | 1'38 | Richard Reinhardt | Gritty, threatening, powerful. Thudding moaning impacts suggest a | 冲突 战士 固执 恐怖 | D | 115 | |||
|
Underdog [INP063 - 6] |
2'20 | Markus Gleissner | Heavy, confident, powerful. Muffled sci fi impact and dissonance | 极限运动 动作片 沉重 固执 | Em | 92 | ||||
|
Underdog (Underscore) [INP063 - 17] |
版本. | 2'20 | Markus Gleissner | Heavy, confident, powerful. Muffled sci fi impact and dissonance | 极限运动 动作片 沉重 固执 | Em | 92 | |||
|
Saturn [INP061 - 5] |
2'12 | Damir Agovic | Harrowing, apocalyptic, monumental. Dissonant peels off of muffled | 画面感 冲击 声音设计 预告片 | Cm | 105 | ||||
|
Saturn (Underscore) [INP061 - 15] |
版本. | 2'06 | Damir Agovic | Harrowing, apocalyptic, monumental. Dissonance peels off into an | 画面感 冲击 声音设计 预告片 | Cm | 70 |