| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
El Diablo [CET9085 - 1] |
1'45 | Zoltan Zadori | Horror track. Anguish & disturbing intro with strings pizz & heavy | 恐怖 恐怖片 画面感 神经病 | Dm | 106 | ||||
|
El Diablo Alternate [CET9085 - 11] |
版本. | 1'45 | Zoltan Zadori | Alternate version without strings. | 恐怖 恐怖片 画面感 神经病 | Abm | 106 | |||
|
Summon The Gods [BIX008 - 9] |
2'46 | Matthew Terry | Confrontational, powerful, intense. Rumbling strings with urgent | 令人不安 画面感 战士 无情 | Cm | 140 | ||||
|
Summon The Gods (Instrumental) [BIX008 - 28] |
版本. | 2'46 | Matthew Terry | Confrontational, powerful, intense. Rumbling strings with urgent | 令人不安 画面感 战士 无情 | Cm | 140 | |||
|
Summon The Gods (Underscore) [BIX008 - 29] |
版本. | 2'43 | Matthew Terry | Confrontational, powerful, intense. Rumbling strings with urgent | 令人不安 画面感 战士 无情 | C | 140 | |||
|
Ambush [ISC041 - 7] |
2'11 | Giorgos Lorantakis | Oppressive & menacing intro with alarm fx & metallic weapon loading | 战争 令人不安 冲突 (音效)警报声 | Dm | 106 | ||||
|
Ambush Alternate 1 [ISC041 - 22] |
版本. | 2'11 | Giorgos Lorantakis | Alternate version without guns. | 战争 令人不安 冲突 (音效)警报声 | D | 106 | |||
|
Ambush Alternate 2 [ISC041 - 23] |
版本. | 2'03 | Giorgos Lorantakis | Alternative version without alarm. | 战争 令人不安 冲突 动作游戏 | Dm | 106 | |||
|
Piano Punctuations [CEG5037 - 15] |
0 | 3'43 | Marc-Olivier Dupin | Sudden, discontinuous & sparse. Solo piano. Suggested for Links, | 中断 令人不安 现代音乐 神秘 | Em | 111 | |||
|
Demons at the Gate [CEZ4578 - 16] |
2'15 | Claude Samard | Cinematic. Ominous, sinister & gruesome. Cinematic orchestra with | 恐怖片 灾难 画面感 进行中 | Cm | 103 | ||||
|
Demons at the Gate Alternate [CEZ4578 - 37] |
版本. | 2'15 | Claude Samard | Alternate no choir, no fx & no perc. | 恐怖片 灾难 画面感 进行中 | Cm | 103 | |||
|
We've Only Just Begun [AMS5008 - 6] |
2'37 | Sebastian Jakoby, Norman Wille | ☆ Nominated "Best Use - Television Trailer" @Production Music 歌词 | 节奏乐器组 cinematic pop 体育电竞 冲击 | Dm | 130 | ||||
|
We've Only Just Begun
[AMS5008 - 19] |
版本. | 2'37 | Sebastian Jakoby, Norman Wille | Alternate version without percussions. | cinematic pop 体育电竞 节奏感 广告 | Dm | 130 | |||
|
We've Only Just Begun
[AMS5008 - 20] |
版本. | 2'37 | Sebastian Jakoby, Norman Wille | Instrumentale version. | 节奏乐器组 cinematic pop 体育电竞 冲击 | Dm | 130 | |||
|
Psycho Disorder [ISC031 - 8] |
2'02 | Emmanuel Rousseau | Gloomy & fearful, Insidious, anguish, sudden & terrifying. Psychotic | 画面感 中断 恐怖片 摩擦声 | Em | 85 | ||||
|
Psycho Disorder Alternate [ISC031 - 18] |
版本. | 2'02 | Emmanuel Rousseau | Alternate version without percussion. | 画面感 中断 恐怖片 摩擦声 | Em | 85 | |||
|
Shadow Play [CEC8028 - 9] |
0 | 2'30 | 果敢 | Traditional Chinese music. Bizarre, eerie & frightening. Erhu & | 复杂 中断 稀疏 摩擦声 | Em | 65 | |||
|
Maze of Memories [ISC020 - 8] |
0 | 2'11 | Gabriel Saban, Jérémy Dirat, Thomas Duran | Neo-classical / narrative. Shimmering, complex, atmospheric, lively & | 新古典音乐 历史旁白 神经病 飞旋 | Gm | 102 | |||
|
What Comes Around (Underscore) [INP045 - 23] |
1'02 | Ronnie W Verboom | Scary, intimidating, disorderly. A low, emotive string instrument | 悬念 令人不安 阴险 进步 | Gm | 131 | ||||
|
What Comes Around [INP045 - 9] |
版本. | 1'02 | Ronnie W Verboom | Scary, intimidating, disorderly. A low, emotive string instrument | 稀疏 令人不安 阴险 进步 | Gm | 133 | |||
|
Too Late for Panic [CET9068 - 5] |
1'48 | Andrii Yefymov | Ominous intro with weird pads building-up with heavy percussion, | 画面感 无情 冲突 动作片 | Dm | 126 | ||||
|
Too Late for Panic Alternate [CET9068 - 15] |
版本. | 1'48 | Andrii Yefymov | Alternate without percussion. | 画面感 无情 冲突 动作片 | D | 156 | |||
|
Hyperactive [ISC013 - 9] |
2'08 | Brian Delgado | Hybrid & electro track with a deceptively retained intro. Synth, drum | 火热 极限运动 预告片 冲突 | Ebm | 150 | ||||
|
Hyperactive Alternate [ISC013 - 15] |
版本. | 2'08 | Brian Delgado | Alternate without percussion. | 火热 极限运动 冲突 固执 | Eb | 150 | |||
|
Ticker Shock [CET9062 - 10] |
1'39 | Giorgos Lorantakis | Troubling & disturbing weapon FX intro building-up with low synth & | 声音设计 画面感 令人不安 固执 | E | 120 | ||||
|
Ticker Shock Alternate [CET9062 - 16] |
版本. | 1'39 | Giorgos Lorantakis | Alternate no percussion. | 声音设计 画面感 令人不安 固执 | E | 120 | |||
|
Master of Strategy [CET9056 - 8] |
2'41 | Salvador Casais | Sudden impact intro with suspenseful synth layers & aggressive | 气势 画面感 动作游戏 固执 | Dm | 146 | ||||
|
Master of Strategy Alternate [CET9056 - 22] |
版本. | 2'41 | Salvador Casais | Alternate without percussion. | 气势 画面感 动作游戏 固执 | Dm | 146 | |||
|
Nothing Personal [ISC004 - 1] |
2'06 | Gabriel Saban | Urgent, nervous, anxious & frantic string ensemble playing staccato | 动作片 紧急 画面感 超级英雄 | A | 167 | ||||
|
Nothing Personal Alternate [ISC004 - 11] |
版本. | 2'06 | Gabriel Saban | Alternate without percussion. Urgent, nervous, anxious & frantic | 动作片 紧急 画面感 超级英雄 | A | 166 | |||
|
Rapid Fire [CET9050 - 10] |
2'12 | Garrett Weyenberg | Anguish & striking intro with clocklike & sound designed percussion. | 固执 预告片 画面感 动作片 | Gbm | 83 | ||||
|
Rapid Fire Alternate [CET9050 - 24] |
版本. | 2'12 | Garrett Weyenberg | Alternate without percussion. Anguished & striking intro. Agitated & | 固执 预告片 画面感 动作片 | Gbm | 111 | |||
|
Rapid Fire Alternate 2 [CET9050 - 25] |
版本. | 2'12 | Garrett Weyenberg | Alternate percussion only. Anguished & striking intro with clocklike | 固执 预告片 画面感 动作片 | Em | 83 | |||
|
The Oncoming Storm [CEC8015 - 4] |
0 | 2'12 | Yum BGM | Scary & brutal suspense then anxious & percussive. Build-up to the | 恐怖片 画面感 高潮 无情 | Bm | 120 | |||
|
Trojans [CEM3012 - 3] |
0 | 4'35 | The Algorithm | Metal band / IDM metal / Dark synthwave. Anticipating arppeggio | 果断 dubstep金属 体育电竞 固执 | Cm | 133 | |||
|
The Checkered Flag [CEM3006 - 7] |
0 | 3'20 | Stef Mikolajczyk, Morgan Sansous | Hardcore / Punk rock / Alternative rock band. Unleashed, galvanized, | 金属芯 冲突 吵闹 果断 | Gbm | 95 | |||
|
Furious Offroad Racing [CEM3008 - 7] |
0 | 3'13 | Sham Makdessi, Morgan Sansous | Power metal / Trash metal band. Fiery, enraged, implacable & | 冲突 极限运动 赛车 果断 | Am | 130 |